3 E-Books: The Argotist Online

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Rowdy Dream I was slumming @ Andrew Lundwall’s. <strong>The</strong>re was a demented cook called Seana w/ tortured ringlets. <strong>The</strong>re was a cooking issue, a food problem. I ate something. I stayed on the fifth floor, away from rowdies on floors two & three. My Mom broke in, spoke of better food, more rowdies. I wanted to be more rowdy, left floor five. Seana spoke gibberish to me in the kitchen. I wasn’t happy or unhappy; I was in the middle. All this time Andrew Lundwall sat on a throne on floor one. I was making my way down there when I awoke— no food. I became rowdy. 12
To Bill Allegrezza, after reading In the Weaver’s Valley “I” must climb up from a whirlpool swirling down, but sans belief in signification. “I” must say I w/out knowing how or why this can happen in language. “I” must believe in my own existence, droplets stopping my mouth— alone, derelict, “I” must come back, again, again, ‘til this emptiness is known, & shown. 13
Page 2 and 3: The Posit Trilogy Adam Fieled Argot
Page 4 and 5: The Posit Trilogy 4
Page 6 and 7: Posit I want but that’s nothing n
Page 8 and 9: Day Song & this reflexivity, right
Page 10 and 11: Lars Palm Dream I was skulking in a
Page 14 and 15: Waiting for Dawn Ananda at Dirty Fr
Page 16 and 17: Girl with a Cigarette, Modern Paint
Page 18 and 19: Jessica Smith Dream Jessica Smith w
Page 20 and 21: II. Deposit 20
Page 22 and 23: The Point, Made Seeds left, softeni
Page 24 and 25: Manayunk Sky Facades on Main Street
Page 26 and 27: Waiting for Dawn Ananda at the Bean
Page 28 and 29: Decoy Dream You were one of the twe
Page 30 and 31: Absinthe Situations which, to face
Page 32 and 33: To Courtney (Double Entendre) yes,
Page 34 and 35: III. Re-Posit 34
Page 36 and 37: The Point, Beyond So much space inh
Page 38 and 39: Main Line Sky Clouds conglomerate a
Page 40 and 41: Waiting for Dawn Ananda @ Volo Coff
Page 42 and 43: Midnight Saturday Night You said (i
Page 44 and 45: Eris Temple That night I got raped
Page 46 and 47: Dracula on Literature You can’t t
Page 48: About the Author Adam Fieled is a p
Page 51 and 52: * Cover image by Susan Wallack Copy
Page 53 and 54: Yes, this is how it must be, high u
Page 55 and 56: #3 Look: the boy-child sleeps. Of c
Page 57 and 58: #5 Do their dreams coalesce? His dr
Page 59 and 60: #7 He figures he might as well smok
Page 61 and 62: Erection just beginning to subside,
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#11 He intertwines his fingers behi
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#13 Could I have finished the degre
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#15 I need a limo to take me to the
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#17 He picks up the shitty guitar,
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#19 As she spoons the stuff into he
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#21 The thing about Manny’s, he t
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#23 She’s doing a crosswords puzz
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#25 Ronnie is nearing the end of hi
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#27 Then appeared the angel: not de
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#29 Here’s how Jess does penance:
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She just did it. I woke up and she
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#33 It’s a girl. Jess names her M
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Credits Mipoesias/Miporadio— #s 2
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Cover image courtesy of NASA Marsha
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Table of Contents Apologia 7 Centur
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Apologia The guiding principle of m
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and maintain the durability and per
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Entitlements: Post-Modernity, Capit
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On the Necessity of Bad Reviews (20
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Wordsworth @ McDonald’s (2005) Wi
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of emotional dispossession and imag
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Spicer uses “ocean” as a metaph
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The Decay of Spirituality in Poetry
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Anything with an Edge: Rethinking P
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Book Review: Jordan Stempleman’s
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excellent classicism of his work wo
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worthwhile—that post-modern theor
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