3 E-Books: The Argotist Online

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#20 There was the lunch reverie about college and then this dinner reverie about high school: I feel like a crab, going backwards. How can I move forward again? In the end, I know it’s me and the kid alone. It said in the paper today they have a new bill that requires everyone to receive Health Insurance. Does that mean I can kick his sorry ass out, and not worry that he’ll wind up with a needle in his arm in Tompkins Square Park? Am I beholden to him forever for a few good shots? Here, she pauses to cry, thinking of him prowling the East Village, as he was when she picked him up for the first time. He was so innocent and so charming, throwing in little quotes from all these love sonnets his girls wrote for him. She had convinced herself that stability was latent in him. The baby-like white of his bare torso depressed her, even if it heralded (she had decided) a noble, creative existence. 24
#21 The thing about Manny’s, he thinks, is that it’s a tiny bar with a tiny mentality but no one here quite realizes it: the girls in halter-tops do their hair-flips, the Italian guys insist on different key points about the Giants, but the girls in halter-tops can’t do anything in the world but hook-up with these leisure suit guys. That, of course, is where I come in, cause it’s “fun night,” so that she sips a Diet Coke, my eyes prowl around, there’s one with black hair and a solid faked tan as if she’s spent time in a kiln. He scoots over, leaving his very pregnant mistress, and enjoys the sensation of moving between discrete worlds, as though he’s a globe-trotting superstar, too big for entanglements to limit his feeling of himself as a Zen arrow. 25
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The Posit Trilogy Adam Fieled Argot
Page 4 and 5:
The Posit Trilogy 4
Page 6 and 7:
Posit I want but that’s nothing n
Page 8 and 9:
Day Song & this reflexivity, right
Page 10 and 11:
Lars Palm Dream I was skulking in a
Page 12 and 13:
Rowdy Dream I was slumming @ Andrew
Page 14 and 15:
Waiting for Dawn Ananda at Dirty Fr
Page 16 and 17:
Girl with a Cigarette, Modern Paint
Page 18 and 19:
Jessica Smith Dream Jessica Smith w
Page 20 and 21:
II. Deposit 20
Page 22 and 23: The Point, Made Seeds left, softeni
Page 24 and 25: Manayunk Sky Facades on Main Street
Page 26 and 27: Waiting for Dawn Ananda at the Bean
Page 28 and 29: Decoy Dream You were one of the twe
Page 30 and 31: Absinthe Situations which, to face
Page 32 and 33: To Courtney (Double Entendre) yes,
Page 34 and 35: III. Re-Posit 34
Page 36 and 37: The Point, Beyond So much space inh
Page 38 and 39: Main Line Sky Clouds conglomerate a
Page 40 and 41: Waiting for Dawn Ananda @ Volo Coff
Page 42 and 43: Midnight Saturday Night You said (i
Page 44 and 45: Eris Temple That night I got raped
Page 46 and 47: Dracula on Literature You can’t t
Page 48: About the Author Adam Fieled is a p
Page 51 and 52: * Cover image by Susan Wallack Copy
Page 53 and 54: Yes, this is how it must be, high u
Page 55 and 56: #3 Look: the boy-child sleeps. Of c
Page 57 and 58: #5 Do their dreams coalesce? His dr
Page 59 and 60: #7 He figures he might as well smok
Page 61 and 62: Erection just beginning to subside,
Page 63 and 64: #11 He intertwines his fingers behi
Page 65 and 66: #13 Could I have finished the degre
Page 67 and 68: #15 I need a limo to take me to the
Page 69 and 70: #17 He picks up the shitty guitar,
Page 71: #19 As she spoons the stuff into he
Page 75 and 76: #23 She’s doing a crosswords puzz
Page 77 and 78: #25 Ronnie is nearing the end of hi
Page 79 and 80: #27 Then appeared the angel: not de
Page 81 and 82: #29 Here’s how Jess does penance:
Page 83 and 84: She just did it. I woke up and she
Page 85 and 86: #33 It’s a girl. Jess names her M
Page 87: Credits Mipoesias/Miporadio— #s 2
Page 90 and 91: Cover image courtesy of NASA Marsha
Page 92 and 93: Table of Contents Apologia 7 Centur
Page 94 and 95: Apologia The guiding principle of m
Page 96 and 97: and maintain the durability and per
Page 98 and 99: Entitlements: Post-Modernity, Capit
Page 100 and 101: On the Necessity of Bad Reviews (20
Page 102 and 103: Wordsworth @ McDonald’s (2005) Wi
Page 104 and 105: of emotional dispossession and imag
Page 106 and 107: Spicer uses “ocean” as a metaph
Page 108 and 109: The Decay of Spirituality in Poetry
Page 110 and 111: Anything with an Edge: Rethinking P
Page 112 and 113: Book Review: Jordan Stempleman’s
Page 114 and 115: excellent classicism of his work wo
Page 116 and 117: worthwhile—that post-modern theor
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