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Chronicle 17-18 Issue 06

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4 The <strong>Chronicle</strong> February 13 - 19, 20<strong>18</strong> chronicle.durhamcollege.ca<br />

PUBLISHER: Greg Murphy<br />

EDITOR-IN-CHIEF: Brian Legree<br />

AD MANAGER: Dawn Salter<br />

Editorial<br />

CONTACT US<br />

NEWSROOM: brian.legree@durhamcollege.ca<br />

ADVERTISING: dawn.salter@durhamcollege.ca<br />

Cartoon by Cassidy McMullen<br />

Accessibility creates accessibility<br />

Have you ever used an automatic<br />

door? Used a ramp instead of the<br />

stairs? Or enjoyed subtitles on<br />

your Facebook videos or Netflix?<br />

All of these features exist for<br />

accessibility reasons.<br />

They are meant to allow people<br />

with disabilities to access and participate<br />

in society.<br />

It’s said only people who think<br />

about accessibility are the people<br />

who need it: those with physical,<br />

mental, emotional and learning<br />

disabilities. But everyone can<br />

benefit from accessibility.<br />

According to Statistics Canada,<br />

as of 2012, one in seven Canadians<br />

15 years old and older have a disability.<br />

Statistics Canada says<br />

1,600,000 Ontarians aged 15<br />

and older have a disability. These<br />

people are still fighting to fully<br />

participate in their community<br />

and live in a world that is accessible<br />

to them.<br />

They deserve to be able to<br />

participate in everyday society.<br />

Ontario has introduced laws to<br />

attempt to help make society not<br />

only accessible, but easily accessible.<br />

In 2005, the Accessibility for<br />

Ontarians with Disabilities Act<br />

was introduced.<br />

The Act is meant to develop,<br />

implement and enforce standards<br />

for people with disabilities and<br />

protects them from discrimination<br />

and ableism.<br />

These standards include general<br />

requirements, customer service,<br />

information and communication,<br />

employment, transportation and<br />

design of public spaces.<br />

In 20<strong>17</strong>, the federal government<br />

started its first phase in developing<br />

federal accessibility- something<br />

Canada has fallen behind on. It’s<br />

about time things change.<br />

People with disabilities are still<br />

struggling to have their needs met.<br />

For example, in 20<strong>17</strong>, blogger<br />

Jacki Andre wrote in the Huffington<br />

Post that she went to see<br />

Prime Minister Justin Trudeau at<br />

one of his town hall events. Andre<br />

is hard of hearing and relies on<br />

lip reading to understand speech.<br />

The notice for the event mentioned<br />

that American Sign Language<br />

(ASL) was available. Andre<br />

does not know ASL, so she asked if<br />

the organizers could set up CART<br />

for her (communication access real-time<br />

translation) which is basically<br />

real-time captioning/subtitles.<br />

No one got back to her. According<br />

to Andre, no one knew what<br />

CART was.<br />

Andre points out CART can<br />

help hearing people too. Sometimes<br />

acoustics are bad or there’s<br />

a “cocktail effect” with too much<br />

background and someone can’t<br />

hear. CART could solve that<br />

problem.<br />

Instead of truly accommodating<br />

her, she was seated close to<br />

the Prime Minister, at an angle<br />

where it would be difficult to lip<br />

read. Andre opted to move, and<br />

was able to read his lips.<br />

But she was unable to hear the<br />

other half of the event: the questions.<br />

This is simply unacceptable.<br />

It is 20<strong>18</strong>, accessibility should<br />

not still be a problem.<br />

Making things accessible to<br />

everyone can boost business,<br />

readership and more- you’re opening<br />

the markets. According to the<br />

Inclusive Design Research Centre<br />

at the Ontario College of Art and<br />

Design University (OCAD),<br />

“The standards (AODA) will allow<br />

Ontario businesses to achieve<br />

new economies of scale possible<br />

through inclusive design (ID).”<br />

Inclusive design is design that is<br />

usable and customizable so people<br />

of all abilities can use something,<br />

whether they’re able-bodied or<br />

not.<br />

An example is readable text. A<br />

clear font makes the general task<br />

of reading easier for everyone.<br />

Contrast is also ID. No one benefits<br />

from the use of low or poor<br />

contrast.<br />

OCAD also suggests using ID in<br />

the workplace will boost employee<br />

productivity, which also positively<br />

influences business.<br />

Accessibility creates accessibility.<br />

It makes life easier for everyone:<br />

remember next time you use an<br />

automatic door or enjoy your subtitled<br />

videos.<br />

Accessibility is something that<br />

every person, regardless of ability,<br />

should advocate for because it allows<br />

everyone to participate in society<br />

and can boost the economy.<br />

If you notice something is not<br />

accessible, or a person with a disability<br />

struggling, speak up. The<br />

change could help you too.<br />

Aly Beach<br />

EDITORS: Austin Andru, Allison Beach, Cameron<br />

Black-Araujo, Michael Bromby, Alex Clelland, John<br />

Cook, Tiago De Oliveira, Shana Fillatrau, Kaatje<br />

Henrick, Kirsten Jerry, Jacob Kirby, Claudia Latino,<br />

William Mcginn, Cassidy Mcmullen, Conner Mctague,<br />

Pierre Sanz, Heather Snowdon, Shanelle<br />

Somers, Kayano Waite, Tracy Wright<br />

The <strong>Chronicle</strong> is published by the Durham College School of Media, Art<br />

and Design, 2000 Simcoe Street North, Oshawa, Ontario L1H 7L7, 721-<br />

2000 Ext. 3<strong>06</strong>8, as a training vehicle for students enrolled in Journalism and<br />

Advertising courses and as a campus news medium. Opinions expressed<br />

are not necessarily those of the college administration or the board of governors.<br />

The <strong>Chronicle</strong> is a member of the Ontario Community Newspapers<br />

Association.<br />

MEDIA REPS: Madison Anger, Kevin Baybayan,<br />

Erin Bourne, Hayden Briltz, Rachel Budd, Brendan<br />

Cane, Shannon Gill, Matthew Hiscock, Nathaniel<br />

Houseley, Samuel Huard, Emily Johnston, Sawyer<br />

Kemp, Reema Khoury, Desirea Lewis, Rob<br />

Macdougall, Adam Mayhew, Kathleen Menheere,<br />

Tayler Michaelson, Thomas Pecker, Hailey Russo,<br />

Lady Supa, Jalisa Sterling-Flemmings, Tamara<br />

Talhouk, Alex Thompson, Chris Traianovski<br />

PRODUCTION ARTISTS: Swarnika Ahuja, Bailey<br />

Ashton, Elliott Bradshaw, James Critch-Heyes,<br />

Elisabeth Dugas, Melinda Ernst, Kurtis Grant, Chad<br />

Macdonald, Matthew Meraw, Kaitlyn Millard,<br />

Sofia Mingram, Mary Richardson, Singh Sandhu,<br />

Greg Varty<br />

Publisher: Greg Murphy Editor-In-Chief: Brian Legree Features editor: Teresa Goff Ad Manager: Dawn Salter<br />

Advertising Production Manager: Kevan F. Drinkwalter Photography Editor: Al Fournier Technical Production: Keir Broadfoot

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