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1 4<br />
ISBN 9771660650003<br />
9 7 7 1 6 6 0 6 5 0 0 0 3<br />
Journal<br />
<strong>The</strong> ETAS<br />
<strong>The</strong> <strong>Magazine</strong> <strong>for</strong> <strong>English</strong> <strong>Professionals</strong><br />
Volume 25 - No. 2<br />
Spring 2008<br />
25th Anniversary
<strong>English</strong> <strong>for</strong> Specific<br />
Academic Purposes<br />
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Volume 25 - No. 2<br />
Spring 2008<br />
Publisher:<br />
ETAS, <strong>English</strong> <strong>Teachers</strong> Association, Switzerland<br />
Rue de l’Hôpital 32, CH-1400 Yverdon<br />
Publications Chair:<br />
Steve Lander, Basel<br />
Editorial Board:<br />
Frances Burkhalter, Eclépens<br />
Carol Gipson, Zug<br />
Nicola Martignoni, Quartino<br />
John Raggett, Cornaux<br />
Alison Taylor, Wil<br />
Diane <strong>The</strong>obald, Biel-Bienne<br />
Lee Wennerberg, Berg<br />
Graphic Design:<br />
Angela Munson Pfenninger, Oberdürnten<br />
e-mail: layout@e-tas.ch<br />
Printer:<br />
KDMZ, Zürich<br />
ISSN: 1660-6507<br />
Price <strong>for</strong> non-members: SFr. 20.–<br />
Circulation: 1400<br />
Advertisements:<br />
To place an advertisement in ETAS publications,<br />
please contact ETAS Administration<br />
e-mail: office@e-tas.ch<br />
© Each article in this ETAS Journal is the property of<br />
its author(s) and may not be reprinted without prior<br />
permission of the author. Opinions expressed by<br />
contributors to this Journal do not necessarily reflect the<br />
policies of ETAS or the opinion of the ETAS Committee.<br />
Articles, letters and reviews are accepted on the basis of<br />
appropriateness and general interest to ETAS members.<br />
<strong>The</strong> publication of an article or advertisement does not<br />
necessarily constitute product or service endorsement by<br />
ETAS. <strong>The</strong> ETAS Journal team reserve the right to alter or<br />
edit <strong>for</strong> reasons of clarity or brevity.<br />
Index of Advertisers Page<br />
Bergli Bookshop 26<br />
Bergli Bookshop 26<br />
Bider & Tanner 8<br />
University of Cambridge ESOL 36<br />
Cambridge University Press 27<br />
Castle’s <strong>English</strong> Institute 19<br />
Flying <strong>Teachers</strong> 28<br />
Garnet Education 2<br />
Hull’s School 12<br />
Langenscheidt 15<br />
Macmillan 18<br />
Ox<strong>for</strong>d University Press 17<br />
Pearson Longman 6 & 21<br />
Summertown Publishing 44<br />
Contents<br />
NEWS<br />
ETAS Organisation 4<br />
Editorial 5<br />
President’s Report 7<br />
Matopo Primary School, Zimbabwe: Teacher-to-Teacher Project 2007 22 - 23<br />
<strong>Teachers</strong>’ Future (ETAS Pension Scheme Update) 29<br />
SPECIAL Supplement: I/C: a new approach arising<br />
Editorial 8<br />
Bilingual Lesson Plan Focusing on Art in the Middle Ages 9 - 10<br />
Very Young Learner <strong>English</strong> Immersion 10 - 11<br />
My experiences with CLIL (Content and Language Integrated Learning) 11 - 12<br />
Spring Fever: Content Based Activities <strong>for</strong> Springtime 12 - 14<br />
Immersion in Central Switzerland Proves Successful<br />
An interview with Renata Leimer 16<br />
Introduction to Content and Language Integrated Learning (CLIL)<br />
at Schools in Europe 19 - 20<br />
REGIONS<br />
News and Events 24 - 26<br />
MEMBER MIX<br />
Language and Identity: a post-structuralist approach 30 - 32<br />
<strong>The</strong> tools of Systemic Functional Linguistics in the <strong>English</strong> Classroom 32 - 34<br />
<strong>English</strong> <strong>for</strong> Specific Purposes Special Interest Group (ESP SIG) 34 - 35<br />
Teaching in India? 35<br />
SERVICES<br />
Library Updates 37 - 39<br />
Library Order and Check-out Form 40<br />
Membership Administration 41<br />
ETAS Journal 24/3 Summer 2007 3
Editorial<br />
For me, what makes ETAS great is the<br />
people: its members.<br />
I know there’s a Special coming out; but I just<br />
can’t sit here and say nothing about the AGM.<br />
About how grateful I was <strong>for</strong> all the hard work<br />
that went into making it such a success and<br />
such a good time. <strong>The</strong>n there was the location.<br />
Isn’t Lugano a super place? It makes me<br />
realise what Italy would be like if only the<br />
Italians could run things. <strong>The</strong>n all the<br />
wonderful speakers, those giving the main<br />
presentations and those giving the workshop<br />
presentations. I wanted to go to all of them<br />
and I am certain that at whichever one I had<br />
gone to, I would have learned something. It’s<br />
a truism, I know, but it is the acquisition of<br />
knowledge that makes you realise just how<br />
ignorant you really are.<br />
But, <strong>for</strong> all that, as always, the best times<br />
were the bits in between. I’ve lived in<br />
Switzerland, now, <strong>for</strong> two years and been an<br />
ETAS member <strong>for</strong> nearly eighteen months.<br />
I went to last year’s AGM and I’ve been to<br />
a couple of other events since. At each one<br />
I’ve met some super people. So it was at this<br />
year’s AGM. Wherever you went, whoever<br />
you queued next to <strong>for</strong> something, stood next<br />
to at coffee, sat next to at lunch or dinner;<br />
whoever it was, was somebody interesting.<br />
Every one of them had a story to tell.<br />
This diversity of origins, experience and<br />
outlook, held together by our common<br />
profession, is reflected in this the Spring<br />
Edition of your Journal. You’ve read the<br />
Contents Page already, haven’t you? So you<br />
know what a fascinating mixture of articles we<br />
have. Some so academically learned that I<br />
had to sit with my index finger pointing to each<br />
word as I read it; others of a practical nature<br />
with ideas <strong>for</strong>, and assistance in, the classroom.<br />
<strong>The</strong>n there’s the news of our diverse activities,<br />
our special interests and our contacts with,<br />
and the help we give to, the world beyond<br />
our mountainous little island in the middle of<br />
Europe.<br />
It cannot be stressed enough just how grateful<br />
we are to all our contributors: <strong>for</strong> their time<br />
and ef<strong>for</strong>t so generously given. One feature of<br />
the Journal that we all take <strong>for</strong> granted is the<br />
photographs. Clark Stoppia is there at all the<br />
events, clicking away. <strong>The</strong>n, when the events<br />
are written up, they are brought back to life<br />
with his super pictures. Well, Clark thinks<br />
it’s time to develop other interests (develop<br />
– geddit? Only, I suppose you don’t do that<br />
any more in this Digital Age, do you?). So, we<br />
are in urgent need of a new photographer.<br />
Not only can we guarantee that you will get<br />
your photographs published but also, being<br />
the “Official Photographer” gives you the right<br />
to be ‘officially nosey’. “Hello, I’m the Official<br />
Photographer. Who are you? Where are you<br />
from? What do you do?” So, we have an<br />
advertisement telling you where and from<br />
whom you can get more details.<br />
Thank you also to all our advertisers, without<br />
whom the production of this Journal would not<br />
be possible.<br />
And finally, I really enjoyed standing in <strong>for</strong><br />
Steve Lander to edit this edition of your<br />
Journal. But, no need to worry, folks, the<br />
professional will back <strong>for</strong> the next issue. And I<br />
must acknowledge that I would have found it<br />
an impossible task without the cheerful<br />
assistance of the Editorial Board (Carol<br />
Gipson, Diane <strong>The</strong>obald, Frances Burkhalter,<br />
Lee Wennerberg and Nicola Martignoni),<br />
the help and advice from Amy Jost (Madam<br />
President) and the skills and professionalism<br />
of Angela Munson (Madam Vice President).<br />
My very grateful thanks to all of them.<br />
John Raggett<br />
NEWS<br />
ETAS Journal 25/2 Spring 2008 5
ETAS07.FH11 17.09.2007 10:44 Uhr Seite 3<br />
C M Y CM MY CY CMY K<br />
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Gold PLUS is the newly-updated edition of the trusted<br />
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For further in<strong>for</strong>mation and sample copy requests please contact:<br />
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President’s Report<br />
Nine years ago when I joined ETAS, I<br />
remember sitting in the audience in awe of<br />
the Committee on stage at the SIG Day in<br />
Wil. I was thrilled to have found a professional<br />
organization willing to produce two national<br />
events, along with many regional workshops<br />
every year – to say nothing of publishing<br />
Journals, running a lending library and<br />
offering loads of teacher training courses. That<br />
Saturday I met many of my current ETAS<br />
colleagues and friends: JoAnn Salvisberg,<br />
Alison Taylor, Donna Aebersold, Claire<br />
Jackson, Robin Hull, Rosemary Smeets, to<br />
name just a few. Additionally, I dragged a<br />
new friend, Angela Munson (who now serves<br />
as our Vice President), to that event. It was<br />
there<strong>for</strong>e with great pride that I accepted the<br />
position of President of ETAS at our 24th<br />
AGM in Lugano, sitting on stage this time<br />
looking out into an audience of friends,<br />
colleagues, role models, and language<br />
teaching gurus.<br />
After serving as ETAS Treasurer <strong>for</strong> four<br />
years, I feel as if I know most of the comings<br />
and goings of our Association. What I lack<br />
in experience will hopefully be compensated<br />
<strong>for</strong> by my enthusiasm and our two long-term<br />
ETAS members, Cindy Hauert (who has taken<br />
over the Treasurer role and has been an SC<br />
<strong>for</strong> years) and Steve Lander, who has been to<br />
nearly every ETAS event <strong>for</strong> the past quarter<br />
of a century and has served ETAS in many<br />
different roles, including serving as the Basel<br />
RC when I entered ETAS in 1999. <strong>The</strong>y both<br />
joined the Committee in January (although<br />
Steve has been working as Publications Chair<br />
since August 2007) and complement a great<br />
group of Committee members, most of whom<br />
are now serving the second year of their<br />
first term. Jayne Herzog, our expert National<br />
Events Chair, joined the Committee two years<br />
ago and has agreed to stay on another term.<br />
She and Angela Munson (who has served as<br />
our creative Web Chair since May of 2006<br />
and as our DTP professional since July 2006)<br />
are the most senior members of the Committee,<br />
except, of course, <strong>for</strong> beloved Past President,<br />
Alison Taylor, who has served ETAS <strong>for</strong> 13<br />
years in various positions.<br />
With at least one year now under our<br />
collective belts, the Committee hopes to<br />
launch new ideas, manage our time more<br />
efficiently, and adapt to the changing landscape<br />
of <strong>English</strong> teaching in Switzerland.<br />
One challenge <strong>for</strong> me, personally, is writing<br />
these columns. A big difference you’ll notice<br />
between Alison Taylor and me will already be<br />
apparent if you’ve read my report thus far.<br />
Alison is a closet journalist. She’s an excellent<br />
writer (among other things!) and has always<br />
filled this column with clever words and just<br />
the right mixture of pleas and thanks to you,<br />
our members. Un<strong>for</strong>tunately I fall into that<br />
category of student who never gets around to<br />
writing their essays while preparing <strong>for</strong> exams.<br />
So please bear with me <strong>for</strong> the next few years<br />
as I struggle to put my thoughts on paper.<br />
What I lack in wordsmithing, I make up <strong>for</strong><br />
with my gift of gab. Call me if you’d like to<br />
chat, give advice or suggest ideas. Interestingly,<br />
I just re-read Alison’s Editorial <strong>for</strong> the<br />
1st AGM Special, which she launched and<br />
organized (closet journalist strikes again!).<br />
In her article she mentioned, “As Editor, I<br />
had the task of ringing round <strong>for</strong> volunteers<br />
to write these reports – something I did not<br />
particularly relish because phoning is far from<br />
my favourite pastime, as neglected friends of<br />
mine will confirm.” See? We’re definitely not<br />
cut from the same cloth, but in our hearts we<br />
are both committed to ETAS, which is what<br />
truly matters.<br />
By the way, this year’s AGM Special is<br />
included in this mailing, in which you’ll find two<br />
articles written by Alison, and take a peek at<br />
the Editorial Board list in this Journal on page<br />
3; you might be surprised who’s listed there!<br />
Okay, back to what ETAS will be offering<br />
you in this issue of the Journal. First, I’d like<br />
to thank Steve Lander and his competent<br />
Editorial Board, especially John Raggett, <strong>for</strong><br />
making my job easier by ever so smoothly<br />
editing and coordinating this, Steve’s third<br />
Journal. I can only imagine how much more<br />
difficult it would have been <strong>for</strong> me to write this<br />
first report if I had had to assist a new<br />
Publications Chair with his first Journal.<br />
Second, I hope you take the time to read<br />
Cindy Hauert’s report on the Teacher-to-<br />
Teacher Project on pages 22 and 23. She<br />
put together a moving presentation at the<br />
AGM, which un<strong>for</strong>tunately only a few people<br />
saw, about our current project in Zimbabwe.<br />
It’s a real nightmare what’s happening there<br />
and her ef<strong>for</strong>ts <strong>for</strong> the Matopo primary school<br />
have been laudable. Albert Einstein said, “<strong>The</strong><br />
world is a dangerous place, not because of<br />
those who do evil, but because of those who<br />
look on and do nothing.” Please consider<br />
NEWS<br />
getting involved and helping this very worthy<br />
cause.<br />
Third, I encourage you to take the time to read<br />
what your colleagues have written about in<br />
this the first of our 25th anniversary publications.<br />
Claire Jackson in<strong>for</strong>ms us about the<br />
pension scheme on page 29, one of the many<br />
valuable services we provide to our members,<br />
and JoAnn Salvisberg compiled the Special<br />
Supplement from page 8 about I/C, which is<br />
the shortened <strong>for</strong>m <strong>for</strong> Immersion/CLIL. Read<br />
it to find out all you need to know about this<br />
new and exciting aspect of teaching.<br />
Finally, I’d like to leave you with this last<br />
thought: “A community is like a ship; everyone<br />
ought to be prepared to take the helm.”<br />
Henrik Ibsen said that and my taking the role<br />
of ETAS President endorses that sentiment.<br />
I’m not an outstanding individual (or writer),<br />
but one who’s willing to take the lead <strong>for</strong> this<br />
very worthy community of ours. I hope that my<br />
term as your President will be a successful<br />
one <strong>for</strong> ETAS, its members, the Committee<br />
and me personally. I will certainly do my best<br />
and with the help of my predecessor, our<br />
Administrator and the Committee, I hope to<br />
welcome new ideas, celebrate our 25 years<br />
of history and establish new directions <strong>for</strong> the<br />
future and most importantly encourage you,<br />
our members, to become or remain active<br />
volunteers. And, yes, I hope we all have some<br />
fun, too!<br />
Amy Jost<br />
President<br />
ETAS Journal 25/2 Spring 2008 7
SPECIAL Supplement I/C: a new approach arising<br />
Editorial<br />
Rather than seeing “a bad moon arising” as<br />
Credence Clearwater sang in the 60s, this<br />
Mini-Supplement offers an insider view of the<br />
new approach to language teaching:<br />
Immersion/CLIL.<br />
<strong>The</strong> Central Switzerland Region and<br />
Immersion/CLIL1 SIG members, as well<br />
as ETAS members at large, were invited<br />
to submit articles <strong>for</strong> this Mini-Supplement.<br />
Suggestions <strong>for</strong> content, based on research<br />
and/or practical, personal experience in the<br />
classroom, included:<br />
� a lesson plan they have used in a CLIL or<br />
Immersion class<br />
� the differences and similarities between<br />
CLIL and Immersion<br />
� which subjects are particularly suitable <strong>for</strong><br />
an immersion course<br />
� the differences and similarities between<br />
CLIL or Immersion and a ‘normal’ ELT<br />
lesson<br />
We are very appreciative of those who<br />
contributed to this issue and are pleased<br />
to present you with their thought-provoking<br />
articles.<br />
<strong>The</strong> first contribution, submitted by Gabriela<br />
Pedrini, offers a detailed plan of a bilingual<br />
lesson she has taught in her classes in<br />
which she has masterfully combined <strong>English</strong><br />
language learning within the content of art<br />
history.<br />
Focusing on Young Learners, Tania Erzinger’s<br />
article makes the case <strong>for</strong> immersion courses<br />
<strong>for</strong> teaching children <strong>English</strong>, highlighting the<br />
importance of implementing themes, songs,<br />
games and activities which appeal to their<br />
age, interests and understanding of the world.<br />
Illya Arnet-Clark shares her pre-writing<br />
experiences teaching 1st to 6th grade students,<br />
during which time she discovered that the CLIL<br />
(versus traditional) approach was not only<br />
more empowering and motivating, but better<br />
<strong>for</strong> encouraging learner independence.<br />
In her very timely article, Nina Lauder<br />
presents ETAS Journal readers with contentbased<br />
(CLIL) activities <strong>for</strong> the spring season<br />
which should appeal to the various types of<br />
learners in our classes, and a few excellent<br />
websites to explore <strong>for</strong> more resource<br />
material.<br />
8 ETAS Journal 25/2 Spring 2008<br />
ETAS member and Prorektorin of the<br />
Kantonsschule Lucerne, Renata Leimer shares<br />
her knowledge, experience and opinion of the<br />
Bilingual Matura (immersion) in a personal<br />
interview with Donna Aebersold.<br />
Lastly, we have the introduction to an article<br />
published by Eurydice, the in<strong>for</strong>mation network<br />
on education in Europe, which describes<br />
the history and rise of CLIL in classrooms<br />
worldwide, particularly in schools in Europe.<br />
(See link at close of article to download the<br />
complete 82-page document.)<br />
Despite long being admired <strong>for</strong> successfully<br />
coping with the challenges of multilingualism,<br />
Switzerland has recently been challenged to<br />
reconsider its political position on education<br />
due to the rapidly growing importance of<br />
<strong>English</strong>. <strong>The</strong>se articles offer readers a glimpse<br />
of how some of the newer methods and<br />
approaches are being, or could be,<br />
implemented in <strong>English</strong> language classes.<br />
JoAnn Salvisberg<br />
Teacher Development Chair<br />
1 Content and Language Integrated Learning
I/C: a new approach arising<br />
Bilingual Lesson Plan Focusing on Art in<br />
the Middle Ages<br />
General aims<br />
One of the most important aims of teaching<br />
history of art is to contribute to the students’<br />
general knowledge about history, past<br />
civilizations, cultures and artifacts, in order to<br />
improve understanding of the contemporary<br />
society, their expressions and productions.<br />
<strong>The</strong> students should be able to develop<br />
sensitivity towards their culture as well as their<br />
society, thus undergoing a cultural enrichment.<br />
Additionally, teaching the history of art<br />
as a bilingual subject (Italian as L1 and<br />
<strong>English</strong> as L2) contributes to the students’<br />
global development, widening their possibilities<br />
<strong>for</strong> international communication.<br />
Assumptions<br />
It is assumed that students have already done<br />
some reading exercises, know the past tense<br />
and have already followed art history lessons<br />
on Roman art and civilization and have some<br />
historical knowledge of the Middle Ages.<br />
Thus, these bilingual lessons with <strong>English</strong><br />
texts should revise, strengthen and add artistic<br />
comprehension to the students’ previous<br />
knowledge.<br />
Communicative and linguistic aims<br />
To discover Medieval artistic production.<br />
To interpret, read in plenum, hear texts on<br />
the topic and fill in the missing in<strong>for</strong>mation in<br />
groups.<br />
To revise past tense (especially irregulars)<br />
and sentence structure from a linguistic point<br />
of view.<br />
Anticipated problems<br />
<strong>The</strong> text might be too complicated from a<br />
linguistic viewpoint, thus the students who<br />
are weak in <strong>English</strong> might be discouraged<br />
by it. For this reason, the teacher will leave<br />
adequate time to the students to first read the<br />
texts on their own using a dictionary; following<br />
that, the teacher will read in plenum the texts<br />
and clarify difficult words or/and concepts.<br />
Class dynamics<br />
Frontal and group work.<br />
My procedures.<br />
Classroom management<br />
<strong>The</strong> frontal <strong>for</strong>m is initially employed <strong>for</strong> my<br />
introduction of the topic to the class as well<br />
as <strong>for</strong> the translations/explanations of parts of<br />
the reading.<br />
Lesson plan<br />
First of all, I elicit from the students what<br />
they know about the Middle Ages: I throw a<br />
soft ball to a student to ask him/her some<br />
in<strong>for</strong>mation on the topic, then s/he throws it<br />
to someone else. This activity lasts about 5<br />
minutes, it’s a fun warm-up that starts activating<br />
and distancing the students’ thoughts from<br />
either the <strong>for</strong>mer lesson or the break they<br />
have just had and the students usually like it.<br />
<strong>The</strong>n, I write “Middle Ages” on the Overhead<br />
Projector (OHP) and with a spider-web drawing<br />
I connect all the in<strong>for</strong>mation the students have<br />
said in the warm-up.<br />
In the meantime, I project some medieval artwork<br />
(4-5 pages) to see if they can add other<br />
data to the topic. I use images to brainstorm<br />
students’ knowledge, because some students<br />
remember better with speech and writing<br />
whereas others need visual images. Effective<br />
communication happens with the understanding<br />
and respect of another person’s<br />
preferred communication style (visual, auditory<br />
or kinaesthetic). If a teacher does not take into<br />
consideration these different communication<br />
styles, he/she risks a situation like the one<br />
illustrated:<br />
After this warm-up, I make an introductory<br />
speech about the Middle Ages, based on the<br />
in<strong>for</strong>mation the students have brought up in<br />
order to create a tailor-made lesson which<br />
relates to their previous knowledge. In this<br />
way the students are more attentive and concentrated<br />
and often discover that they know<br />
more than they thought at the beginning of the<br />
lesson. At this point I distribute the handouts<br />
and give the class ten minutes to study the<br />
first reading about the Middle Ages. <strong>The</strong>y<br />
are encouraged to use the glossary of terms<br />
(designed <strong>for</strong> this topical lesson) as well as a<br />
dictionary, and I simply monitor this<br />
SPECIAL Supplement<br />
activity so that they may become independent<br />
whilst reading an L2 text. Regarding the worksheets,<br />
it is important that one leaves enough<br />
space <strong>for</strong> the students to write in the answers<br />
and/or to add in<strong>for</strong>mation next to the text and<br />
the images.<br />
<strong>The</strong>n, I ask each student in turn to read a<br />
sentence in plenum, sometimes adding further<br />
in<strong>for</strong>mation or explaining difficult passages<br />
so that students understand the important<br />
issues to underline and to keep track of the<br />
topic, without getting lost. After this activity,<br />
I allow about three minutes <strong>for</strong> the students<br />
to underline the key words in the text. <strong>The</strong>n<br />
I enquire about the keywords in plenum and<br />
pose questions about the most important<br />
dates and events in the Middle Ages from the<br />
data I have written on their handouts. After a<br />
short discussion I tell the students to underline<br />
the key dates and events that they must know.<br />
Subsequently, the students work in groups <strong>for</strong><br />
about ten minutes to describe the mosaics on<br />
their worksheets (which they have in color on<br />
the beamer), and, as an extra activity <strong>for</strong> the<br />
quickest groups, to describe the colors of the<br />
mosaic. This enables students to use their<br />
linguistic skills to do the most important thing<br />
when seeing a work of art <strong>for</strong> the first time,<br />
that is, description. This is essential in order<br />
to interpret and contextualise all artwork.<br />
Moreover, the extra activity keeps all the<br />
students occupied and takes a mixed-ability<br />
class into consideration as, in this way, the<br />
faster students do not have time to disturb the<br />
slower ones.<br />
Following that, I ask a group to read aloud<br />
their description to the class and I ask the<br />
other students if they agree and/or would like<br />
to add anything to the group’s description.<br />
This plenary activity reassures students about<br />
their way of observing and describing a work<br />
of art. Finally, I ask students to read about the<br />
Byzantine splendor individually. I leave them<br />
about ten minutes, then I read the text in<br />
plenum, so that they listen to a correct<br />
pronunciation and punctuation and I can add<br />
and/or explain the in<strong>for</strong>mation in the reading.<br />
If there is time or in the next lesson, I divide<br />
the students into pairs and ask them to reply<br />
to a specific set of questions based on the<br />
text read previously on Byzantine splendor.<br />
This activity enables the students to recall<br />
that reading, because they use part of it to<br />
respond to the questions on the text. After the<br />
correction in plenum, I leave them another ten<br />
ETAS Journal 25/2 Spring 2008 9
SPECIAL Supplement I/C: a new approach arising<br />
minutes to read the next text and set them to<br />
work in pairs to answer the questions. When<br />
I see that everybody has finished this reading<br />
comprehension activity, I read it aloud to the<br />
class, explaining important passages. After<br />
enquiring about the replies, I write the latter<br />
on a transparency so that they not only listen<br />
to the answers but they can also visualize it<br />
in writing and even check the spelling of the<br />
words.<br />
At the end of each topic I either leave some<br />
time in class or ask students to read the<br />
L1 text in their books which will give further<br />
explanations and extra depth to the lesson’s<br />
topic. Furthermore, I usually connect important<br />
international artwork with art production in the<br />
students’ region. For example, from the<br />
Middle Ages I speak about the oldest church<br />
in Switzerland: the Baptistery of Riva San<br />
Vitale on Lake Ceresio, thirty minutes by<br />
car south of Bellinzona. I have realized that<br />
students enjoy learning about their province,<br />
because they are better acquainted with the<br />
place of residence and in the long run they<br />
appreciate Ticino much more and its artistic<br />
productions. After this lesson, I move on in<br />
time and continue the discussion on<br />
Romanesque architecture and finally on<br />
Gothic architecture.<br />
Conclusion<br />
To be honest, students are usually not very<br />
happy at first about having bilingual classes<br />
of art history because they feel that it is more<br />
difficult and that there is extra work involved.<br />
Furthermore, they are discouraged when they<br />
must read a page in <strong>English</strong>, so I must do<br />
some introduction work to the text. However,<br />
they are reassured when we read about the<br />
same topic in their art history coursebooks<br />
written in L1. In summary, bilingual teaching<br />
involves a lot of extra work <strong>for</strong> the teacher,<br />
who must be aware of it and realize that it<br />
takes a lot more time to deal with a topic in<br />
class.<br />
Gabriela Pedrini<br />
Gabriela Pedrini studied at the University of<br />
Geneva and did a diploma in American Culture<br />
Studies at Smith College, Northampton, MA, USA<br />
in 1998-99. When she came back to Switzerland,<br />
she taught <strong>English</strong> in Geneva middle schools and<br />
also earned her MA in art history, and <strong>English</strong>. After<br />
she got married in Ticino, she started teaching<br />
<strong>English</strong> in a private high school in Lugano and now<br />
works in a vocational state school in Bellinzona and<br />
10 ETAS Journal 25/2 Spring 2008<br />
at SUPSI in Trevano. She is also an UCLES<br />
examiner <strong>for</strong> FCE and has also been ETAS RC<br />
Ticino <strong>for</strong> a few years, taking over from Paolo<br />
Jacomelli.<br />
Very Young Learner <strong>English</strong> Immersion<br />
According to advocates of <strong>English</strong> immersion,<br />
the most efficient way <strong>for</strong> children to learn<br />
<strong>English</strong> is to be exposed constantly (A<br />
Debate Loses Sight of What’s at Sake,<br />
Baynes, Lewandowska & Schuster 2007).<br />
Creating an <strong>English</strong> immersion program <strong>for</strong><br />
very young learners (3-4 years old) can and<br />
and should involve a very communicative,<br />
hands-on style of teaching and learning. <strong>The</strong><br />
young learners are immersed in an environment<br />
where they feel safe and are able to<br />
learn <strong>English</strong> in a way that is non-threatening,<br />
using a variety of themes, games, songs and<br />
techniques through use of multiple intelligences.<br />
According to Harmer it is the teacher’s role<br />
to activate the students’ schemata (<strong>The</strong><br />
Practice of <strong>English</strong> Language Teaching,<br />
Jeremy Harmer, Longman 1991). This is<br />
something that is in its early stages with very<br />
young learners. <strong>The</strong>re<strong>for</strong>e, the themes, songs,<br />
games and activities <strong>for</strong> the students must be<br />
based on their understanding of the world.<br />
Annie Hughes has written that the very young<br />
learner will look <strong>for</strong> clues and will use anything<br />
around them to support this, i.e. materials,<br />
objects, realia, visual aids, gestures,<br />
pronunciation, interaction with other learners<br />
and even comparisons between L1 and<br />
L2. <strong>The</strong>re<strong>for</strong>e it is extremely important that<br />
the teacher is able to reach the learners at<br />
different levels. For example, just talking to<br />
the children is not enough. <strong>The</strong>re should be<br />
a structured lesson <strong>for</strong> the learners and it<br />
should be managed in a way that the learners<br />
do not necessarily realize they are learning a<br />
new language. It needs to be fun and<br />
meaningful <strong>for</strong> these very young learners.<br />
A day that is structured the same every day<br />
is an integral part of making the very young<br />
learners feel safe and a wonderful way to<br />
recycle and extend language. If children have<br />
the same routine every day <strong>for</strong> example,<br />
entering the school, placing their snack in the<br />
snack box, taking off their coats and hanging<br />
them up, then taking off their shoes and<br />
putting on their slippers, the teacher and/or<br />
assistant are on stand-by, constantly using the<br />
language, “Snack in the box”, “Don’t <strong>for</strong>get to<br />
put your slippers on”, etc. Through this constant<br />
immersion of both hearing and doing the<br />
learners are able to create associations that<br />
will through time become second nature.<br />
Allowing the very young learners adequate<br />
time to play in this immersion environment<br />
gives them a chance to use feedback by ‘trying<br />
out’ language and then adjusting to his/her<br />
understanding according to the feedback (A.<br />
Hughes, 2004). That stated, it is also okay<br />
<strong>for</strong> the very young learners to play in their L1<br />
because they are still processing the L2 and<br />
in some situations are going to school with<br />
children that share the same L1. <strong>The</strong><br />
teacher’s interaction during these play times<br />
can be as an observer but also as a playmate<br />
who in turn activates the <strong>English</strong> through<br />
playing, i.e. a game or a puzzle.<br />
Part of the everyday routine should include<br />
the circle time. This circle time includes the<br />
same structure every day, i.e. holding hands<br />
and saying good morning and the teacher<br />
greeting each child. A large chunk of the circle<br />
time will also be geared to the theme-based<br />
approach. It is said that a theme-based<br />
approach to teaching <strong>English</strong> is integral because<br />
it caters <strong>for</strong> different abilities of learner.<br />
It provides a wide variety of activities that<br />
extend and recycle language. It creates an<br />
opportunity <strong>for</strong> lots of practice and<br />
repetition. It helps to make the language<br />
learning process meaningful and purposeful.<br />
It helps to develop natural language skills<br />
in the target language (e.g. taking turns) (A.<br />
Hughes, University of York, 1994).<br />
<strong>The</strong>mes can be chosen in a variety of ways.<br />
Age and group appropriate books can be<br />
chosen by the teacher and graded <strong>for</strong> the<br />
very young learners’ needs. However, it is not<br />
necessarily a good idea to read the book to<br />
the learners in one sitting. Instead exploit the<br />
material by telling the story over a period of<br />
time, creating flashcards or games that would<br />
be relative to the story. Use gestures to tell
I/C: a new approach arising<br />
the story eliciting kinaesthetic learning or<br />
again by using the pictures to activate visual<br />
learning. Songs and chants reach the<br />
auditory learners. Crafts chosen that relate<br />
to the theme give the very young learners<br />
an opportunity to hear target language over<br />
and over again in a different situation. Also<br />
activities that are in some way related to the<br />
very young learner’s own life and experience<br />
again activate the schemata and make it more<br />
meaningful to them.<br />
Annie Hughes reminds the teacher when<br />
creating theme-based activities that teachers<br />
should keep it interesting <strong>for</strong> the children.<br />
Keep it challenging <strong>for</strong> the children. Make<br />
sure each activity is both meaningful and<br />
purposeful. This can be achieved by<br />
using ‘real’ language that the students will<br />
hear in their everyday lives and by the teacher<br />
making sure this language is recycled and<br />
that the language is heard over and over<br />
again in different situations. Lastly, always<br />
make sure the language is well supported.<br />
A very young learner attending an <strong>English</strong><br />
playgroup where the learner is completely<br />
immersed in the language is not only gaining<br />
full access to that language but also insight<br />
into another culture. If this immersion is followed<br />
through and the learner continues to<br />
learn the language, ultimately the learner’s<br />
bilingualism will allow the learner to bridge<br />
gaps between other cultures.<br />
Tania Erzinger<br />
Tania Erzinger is the manager and teacher of both<br />
the <strong>English</strong> Playgroup and Kindergarten programme<br />
at the Fun-tastic <strong>English</strong> Club in Horgen.<br />
She has been working there <strong>for</strong> 4 years. She also<br />
helped set up the <strong>English</strong> part of the Kindergarten<br />
at TAZ Bilingual Day School Zimmerberg, Horgen<br />
in 2002-03. Her previous career was in<br />
advertising where she worked as a Creative<br />
Coordinator, Traffic Coordinator and Creative<br />
Headhunter which led to her first part-time<br />
teaching job at the Maryland College of Art,<br />
teaching Advertising Portfolio and Resumé Design.<br />
She began her full-time teaching career as a<br />
primary school teacher teaching both 2nd and 4th<br />
grade. She started off in very challenging inner city<br />
schools in both Baltimore, Maryland and South<br />
Florida. She has also been working as a freelance<br />
artist since 1997, exhibiting her work in Baltimore,<br />
Boston, North Carolina, Florida and Zürich. She<br />
holds a BA in <strong>English</strong> from Boston University and<br />
completed the CELTA in November 2007.<br />
My experiences with CLIL (Content and<br />
Language Integrated Learning)<br />
I was asked to write this article as the author<br />
of the <strong>English</strong> coursebook Young World, but<br />
instead I’d like to go back to my experiences<br />
be<strong>for</strong>e I began writing.<br />
I’ve been teaching groups of children from<br />
first to sixth grade <strong>for</strong> about ten years now.<br />
With the introduction of <strong>English</strong> in the primary<br />
schools, this has dwindled down to a single<br />
small group of fifth graders at present.<br />
For the younger groups I chose the topics<br />
and collected the materials. <strong>The</strong> topics <strong>for</strong> the<br />
younger children were related to everyday<br />
things and their interests with the intention of<br />
building up a foundation of vocabulary.<br />
As they grew older and more mature the<br />
topics changed. <strong>The</strong>y became more interested<br />
in other cultures and began choosing the<br />
topics themselves. Sometimes ideas grew<br />
from a story we were reading. One example of<br />
this is when we read and dramatized the story<br />
of a boy who flew off on a camel with a friend<br />
and his little brother. We used the atlas to find<br />
the places they went to and then decided on<br />
where the pupils would go if they could fly<br />
away on a camel. <strong>The</strong>se places were also<br />
located in the atlas and we collected all we<br />
knew about them, adding new in<strong>for</strong>mation as<br />
well. A new story developed, including some<br />
of that cultural in<strong>for</strong>mation, and was then<br />
acted out <strong>for</strong> the parents.<br />
SPECIAL Supplement<br />
<strong>The</strong>ir interest in other cultures was nurtured<br />
and in the next couple of years we travelled to<br />
Scotland to visit Nessy, to the koalas in<br />
Australia, to the gold rush in San Francisco,<br />
we visited the dragons of China, and of<br />
course they also took each other on a tour<br />
through London. <strong>The</strong> pupils were very<br />
interested and read texts that I had found on<br />
the internet, most of them intended <strong>for</strong> native<br />
speakers. <strong>The</strong>y were able to understand the<br />
sense of these rather complex texts and could<br />
interact with them quite independently by the<br />
end.<br />
During this time I was asked to try out a<br />
coursebook with one of my groups (third<br />
grade) to see if it would be appropriate <strong>for</strong> use<br />
in the Swiss school system. <strong>The</strong> course had<br />
well thought out elements, many interesting<br />
activities that supported cognitive development,<br />
and integrated use of a video. <strong>The</strong>re<br />
were a variety of topics, but the approach<br />
was rather traditional and more language<br />
based than we had been using. Although it<br />
was appealing to the pupils, after a semester I<br />
felt that this class wasn’t developing as much<br />
as they had in the past within the same time<br />
frame. In the end, I wasn’t the only one who<br />
was happy to go back to the previous style of<br />
teaching and learning.<br />
Seeing the difference between the effects of<br />
using this coursebook and the results of the<br />
more content-based approach was a key<br />
experience <strong>for</strong> me. It influenced my later work<br />
as an author of the coursebook Young World.<br />
Although at the beginning of the languagelearning<br />
stage it is still important to build up<br />
vocabulary, much more can be achieved by<br />
tying language in with content and introducing<br />
pupils to new contexts and ideas. Instead<br />
of using the context as a vehicle <strong>for</strong> the<br />
language, focusing on the content and using<br />
the language as the vehicle will enrich and<br />
speed up the learning process. <strong>The</strong> content<br />
stimulates curiosity, desire to learn, and a<br />
reason to understand and use the language.<br />
<strong>The</strong> pupils are immersed in language and can<br />
make their own choices as to what they say<br />
and how to say it.<br />
Thus, it becomes clear that CLIL has more<br />
to do with just adding content to language. A<br />
CLIL approach uses language <strong>for</strong> acquiring<br />
knowledge and gives the learners intrinsic<br />
reasons <strong>for</strong> using the language. Implementing<br />
CLIL in language teaching can empower the<br />
learners and support learner independence.<br />
ETAS Journal 25/2 Spring 2008 11
SPECIAL Supplement I/C: a new approach arising<br />
Through CLIL the language trans<strong>for</strong>ms itself<br />
into a network of ideas, meaningful and<br />
relevant to the learner.<br />
Illya Arnet-Clark<br />
Illya Arnet-Clark is an <strong>English</strong> teacher and teacher<br />
trainer. She has been teaching privately to children<br />
<strong>for</strong> over ten years. She is co-author of the early<br />
<strong>English</strong> coursebook series ‘Young World’ <strong>for</strong> Swiss<br />
primary schools.<br />
Hull’s School – Zürich’s downtown<br />
international school<br />
Beautiful centrally located turn-of-the-century building<br />
just behind the Zürich Opera House.<br />
10 th School Year Programme <strong>for</strong><br />
teenagers aged 15+<br />
• Full-time tuition, all subjects taught in <strong>English</strong><br />
• For Swiss and expat teenagers alike<br />
• Two international language certificates,<br />
European Computer Driving Licence<br />
• Preparatory year <strong>for</strong> the university entrance<br />
programme<br />
University Entrance Programme <strong>for</strong> teenagers<br />
• 2-year full-time tuition, all subjects taught in <strong>English</strong><br />
• British GCE O- and A-levels<br />
• Recognised by all universities in Switzerland and<br />
worldwide<br />
Hull’s School<br />
Seehofstrasse 3, CH-8008 Zürich<br />
Phone 01 267 60 60, Fax 01 267 60 65<br />
info@hullschool.ch<br />
www.hullschool.ch<br />
12 ETAS Journal 25/2 Spring 2008<br />
Spring Fever: Content Based Activities <strong>for</strong><br />
Springtime<br />
Spring is just around the corner and, as days<br />
get longer and flowers burst into bloom, the<br />
pupils in our class show newfound surges of<br />
energy. As teachers, we need to know how to<br />
tap into this energy and channel it accordingly.<br />
One of the ways we can do this is by bringing<br />
content and language learning together in<br />
springtime activities that appeal to different<br />
types of learners in our class.<br />
Ltd.<br />
University Entrance Programme <strong>for</strong> adults<br />
• Full-time and part-time tuition, all subjects taught<br />
in <strong>English</strong><br />
• British GCE O- and A-levels<br />
Language Courses<br />
• German, <strong>English</strong>, French, Italian, Russian, Japanese<br />
<strong>for</strong> adults and Teenagers<br />
Hull’s School is a member of<br />
the Zürich Association of Private Schools (VZP).<br />
Robin Hull will be pleased to answer your queries.<br />
Principal: Robin Hull, lic. phil. I Dip. RSA<br />
<strong>The</strong> school is the authorized centre <strong>for</strong> the following examining boards:<br />
EDEXCEL, Chambre de Commerce et d’Industrie Paris, <strong>The</strong> Open University, University of London, CIMA<br />
Member of the<br />
International House<br />
World Organisation<br />
CLIL (Content and Language Integrated<br />
Learning) is a term with which teachers are<br />
becoming increasingly familiar. <strong>The</strong> basic idea<br />
of CLIL is to teach a non-language subject, <strong>for</strong><br />
example, Science or Social Studies, through<br />
a <strong>for</strong>eign language, in this case, <strong>English</strong>. In<br />
doing so, the emphasis is taken off learning a<br />
language itself and placed on learning content<br />
through a <strong>for</strong>eign language. Research and<br />
feedback from teachers in a variety of settings<br />
has shown that this approach enhances the<br />
pupils’ educational experience while allowing<br />
them to receive additional exposure to <strong>English</strong><br />
without requiring extra time in the curriculum.<br />
CLIL is currently being incorporated into<br />
educational contexts around the world in a<br />
variety of ways. In some cases, pupils are given<br />
small ‘doses’ of the content area in <strong>English</strong><br />
whilst, in other settings, pupils are studying in<br />
full-fledged bilingual immersion programmes.<br />
Some educators make distinctions between<br />
hard CLIL, where limited concessions are<br />
made to reduce content and language load,
I/C: a new approach arising<br />
and soft CLIL, which are seen as being less<br />
demanding.<br />
<strong>The</strong> activities that are suggested in this article<br />
can be used in the <strong>English</strong> class or in content<br />
area classes and can be led by either the<br />
language teacher or content area teacher.<br />
In most cases, the activities do not require<br />
extensive preparation and can be carried<br />
out with primary or lower secondary pupils.<br />
<strong>The</strong> activities can be used to start classes,<br />
as fillers, as lesson closers, or they can help<br />
introduce a new topic, or review activities<br />
once a topic has been covered.<br />
Spring isn’t spring without….<br />
To kick off the topic of spring, write the<br />
sentence stem ‘Spring isn’t spring<br />
without….’ on the board. Give the pupils time<br />
to brainstorm appropriate answers. Encourage<br />
pupils to share their sentences with their<br />
classmates; then hand out paper <strong>for</strong> them to<br />
make a list or a poster with their ideas.<br />
Suggested answers might include, Spring<br />
isn’t spring without…. rainstorms, flowers,<br />
baby animals, sunny days, Easter, migration…<br />
Pairwork<br />
Pairwork activities in class make the use of<br />
language more meaningful and give pupils<br />
more opportunity to speak than in teacherled<br />
tasks. Pairwork activities <strong>for</strong> CLIL include<br />
labelling tasks such as each pupil having a<br />
labelled illustration with some words missing<br />
and they ask their classmates <strong>for</strong> the missing<br />
in<strong>for</strong>mation. Also gap-fill tasks at sentence<br />
level, or general knowledge questions (see<br />
below).<br />
Baby Animals<br />
A – Ask your partner:<br />
What is a baby dog called? (pup/puppy)<br />
What is a baby bee called? (larva)<br />
What is a baby kangaroo called? (joey)<br />
What is a baby goat called? (kid)<br />
Baby Animals<br />
B – Ask your partner:<br />
What is a baby cat called? (kitten)<br />
What is a baby duck called? (duckling)<br />
What is a baby frog called? (tadpole)<br />
What is a baby pig called? (piglet)<br />
<strong>The</strong> Atmosphere<br />
A – True or False<br />
<strong>The</strong> Earth’s atmosphere is a layer of gases<br />
surrounding the Earth. (True)<br />
<strong>The</strong> Earth’s atmosphere is 40% nitrogen.<br />
(False, it is about 78%)<br />
<strong>The</strong> troposphere is the lowest level of the<br />
Earth’s atmosphere (closest to Earth). (True)<br />
<strong>The</strong> Atmosphere<br />
B – True or False<br />
<strong>The</strong> Earth’s atmosphere is retained by the<br />
Earth’s magnetic pull. (False, it is retained by<br />
gravity)<br />
<strong>The</strong> Earth’s atmosphere protects life on Earth.<br />
(True)<br />
<strong>The</strong> temperature of the Earth’s atmosphere<br />
varies with altitude. (True)<br />
Spring Music<br />
It is said that “music calms the savage beast”,<br />
hence springtime is a perfect time to bring<br />
music into the classroom. Depending on the<br />
age group and level of pupils, they can work<br />
on traditional songs, popular songs, or pieces<br />
of classical music that tie in with springtime.<br />
Younger learners enjoy songs such as “Rain,<br />
rain, go away”, “Itsy bitsy spider” or “Five<br />
green and speckled frogs” while older learners<br />
can listen to and discuss the lyrics from songs<br />
like “Big Yellow Taxi” (Joni Mitchell, 1988),<br />
“What a Wonderful World” (Louis Armstrong,<br />
1967) or “Beautiful Day” (U2, 2000). To<br />
develop music awareness, pupils can listen<br />
to classical music offerings such as “Spring”<br />
from Vivaldi’s “<strong>The</strong> Four Seasons” or the<br />
“Waltz of the Flowers” by Tchaikovsky.<br />
Fly Butterfly Fly!<br />
One way to bring colour and life to the<br />
classroom is to make butterflies. Pupils make<br />
butterflies from different coloured card then<br />
place a paper clip onto each butterfly. <strong>The</strong>y<br />
hang the butterflies from the walls of the<br />
classroom using thread or string. Hand out<br />
magnets to different groups of pupils and help<br />
them make the butterflies ‘fly’ using magnetism.<br />
If done carefully, the butterflies will flutter and<br />
twitch without having the magnet actually<br />
touch them.<br />
SPECIAL Supplement<br />
Materials:<br />
coloured card, paper clips, thread or string,<br />
magnets<br />
Spring Symmetry<br />
<strong>The</strong> world of nature is full of examples of<br />
symmetry. Encourage pupils to look at<br />
different plants and animals and decide if<br />
they have lines of symmetry or not. Bring in a<br />
variety of leaves <strong>for</strong> pupils to look at. If they<br />
divide a leaf in half, they will find that one half<br />
often has the same shape as the other.<br />
Butterflies are also exceptional examples<br />
of symmetry in nature. Show a picture of a<br />
butterfly with its wings open and encourage<br />
pupils to think about how it is symmetrical.<br />
For instance, butterflies have an antenna<br />
on each side, they are the same shape on<br />
each side, and they have the same pattern or<br />
design on each side. Butterflies and beetles<br />
are examples of line (bilateral) symmetry<br />
while a number of flowers illustrate examples<br />
of rotational (radial) symmetry. Honeycombs<br />
<strong>for</strong>med by bees are examples of hexagonal<br />
symmetry in nature. Encourage pupils to find<br />
pictures or examples of symmetry in nature<br />
and to display them.<br />
Egg Quiz<br />
Many cultures around the world see the egg<br />
as a symbol of new life and hence associate<br />
it with springtime. A number of these cultures<br />
paint eggs with bright colours and give them<br />
out or hide them at Easter time. Find out<br />
how much pupils know about eggs by doing<br />
an egg quiz in class. Questions can include<br />
things such as, How many eggs does an<br />
average hen lay yearly? (approximately<br />
300), Which part of the egg is highest in<br />
fat? (yolk) or How old is the average hen<br />
when it starts laying eggs? (20 weeks).<br />
Older learners can research in<strong>for</strong>mation on<br />
eggs and write the quiz questions themselves.<br />
Experiments<br />
Per<strong>for</strong>ming hands-on experiments in class<br />
encourages children to make observations<br />
and hypotheses, to take notes, and to come<br />
to conclusions. Some springtime experiments<br />
that can be carried out in class are:<br />
Spring Potato Pets: Younger pupils enjoy<br />
watching things grow. Time and space<br />
providing, pupils can make ‘potato pets’ (see<br />
illustration) and grow ‘hair’ on them using<br />
ETAS Journal 25/2 Spring 2008 13
SPECIAL Supplement I/C: a new approach arising<br />
grass seeds or alfalfa seeds. Pupils cut a<br />
section of the potato (on what will be the<br />
animal’s back) and scoop out a few spoonfuls<br />
of potato. <strong>The</strong>y draw a face on their pet, add<br />
toothpick legs, and then sprinkle seeds onto<br />
dampened cotton wool on the animal’s back.<br />
Place the pets in a safe, sunny place and<br />
watch their green hair grow. Pupils can make<br />
daily observations in their notebook or on a<br />
chart.<br />
Materials:<br />
beans or grass/alfalfa seeds, cotton wool,<br />
potato, toothpicks<br />
Tree Rubbings: Pupils can learn to identify<br />
patterns and textures in different types of tree<br />
bark by doing rubbings. Give each pupil a<br />
piece of paper and a crayon. Explain how to<br />
do rubbings, then take them outside to find<br />
two different types of trees and to do their<br />
rubbings. If children cannot leave the class<br />
during lesson time, this step can be assigned<br />
as homework. When they have done their<br />
rubbings, they compare them and observe<br />
distinguishing features on various tree barks.<br />
Materials:<br />
crayons, paper, different types of trees<br />
Rainbow Celery: To demonstrate how the<br />
stems of plants absorb water and carry<br />
minerals from the soil to the leaves, make<br />
rainbow celery in class. Cut the stalk of a<br />
piece of celery, but not the leaves. Place the<br />
leafy celery stalk in 10-12cms of water with<br />
food colouring and ask pupils to imagine what<br />
they think will happen. After several hours (or<br />
overnight), the coloured water should begin to<br />
rise up the stalks to the leaves. This<br />
experiment can also be done with white<br />
carnations.<br />
Materials:<br />
food colouring, three stalks of celery, knife,<br />
water, clear glass containers<br />
14 ETAS Journal 25/2 Spring 2008<br />
Spring Festivities<br />
A number of holidays around the world take<br />
place in spring. Pupils can research in<strong>for</strong>mation<br />
on celebrations like Groundhog Day<br />
(February 2nd), Saint Patrick’s Day (March<br />
17th), Earth Day, Songkran Festival (April<br />
13th, Thai new year) or Holi (Hindu spring<br />
festival) and share their findings with their<br />
classmates.<br />
Websites<br />
<strong>The</strong>re are endless resources online to help<br />
bring spring into the classroom. Some<br />
examples of web pages with activities include:<br />
www.primaryresources.co.uk/topic/topic.<br />
htm<br />
Topic, theme and cross-curricular resources.<br />
Section dedicated to Easter activities and<br />
lesson plans.<br />
www.dltk-holidays.com/spring/index.htm<br />
Spring crafts and printable colouring pages <strong>for</strong><br />
young learners.<br />
www.enchantedlearning.com/crafts/spring<br />
Springtime crafts and worksheets from<br />
Enchanted Learning.<br />
www.hunkinsexperiments.com<br />
Hundreds of experiments with food, light,<br />
sounds, clothes and more. Each experiment<br />
comes with an illustrated cartoon to help<br />
pupils understand procedures.<br />
Language teachers and content area teachers<br />
can use fast and easy ideas like these to<br />
bring language and content together in their<br />
classrooms. Using language as a vehicle to<br />
teach content offers pupils a change from the<br />
language-driven approach and enhances their<br />
learning experience.<br />
Have fun bringing spring into your<br />
classroom �<br />
Useful Resources<br />
Birdsall, Melanie: Timesaver Cross-Curricular<br />
<strong>English</strong> Activities, Mary Glasgow <strong>Magazine</strong>s,<br />
London, © 2001<br />
Bowler, Bill and Thompson, Lesley: Timesaver<br />
British History Highlights, Mary Glasgow<br />
<strong>Magazine</strong>s, London, © 2005<br />
Burwood, S., Dun<strong>for</strong>d H., Phillips, D: Projects<br />
with Young Learners, Ox<strong>for</strong>d University Press,<br />
© 1999<br />
Fried-Booth, Diana L.: Project Work, Ox<strong>for</strong>d<br />
University Press, © 2002<br />
Lauder, Nina: JET: Projects Across the<br />
Curriculum, Mary Glasgow <strong>Magazine</strong>s,<br />
London, © 2006.<br />
Marsh, D.: Using languages to learn and<br />
learning to use languages, Eds. D. Marsh &<br />
G. Langé, Finland: University of Jyväskylä, ©<br />
2000<br />
Svecova, Hana: Cross-curricular Activities,<br />
Ox<strong>for</strong>d Basics, Ox<strong>for</strong>d University Press ©<br />
2004<br />
Nina Lauder<br />
Holds a B.A. in Humanities from Bishop’s<br />
University, Canada. She has been teaching at all<br />
levels since 1990 and is involved in educational<br />
consulting and teacher training. She has given<br />
workshops all over Spain and has also recently<br />
led teacher-training workshops in Croatia, Turkey,<br />
Serbia and Poland. She is a materials writer <strong>for</strong><br />
ELT and CLIL books and has published several<br />
articles. She currently works as a freelance author<br />
and teacher trainer. For more in<strong>for</strong>mation:<br />
http://ninaspain.blogspot.com
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SPECIAL Supplement I/C: a new approach arising<br />
Immersion in Central Switzerland Proves<br />
Successful<br />
An interview with Renata Leimer<br />
Renate Leimer has been a teacher of <strong>English</strong><br />
at the Kantonsschule Lucerne since 1996.<br />
During this time she began working on a<br />
project to <strong>for</strong>m a bilingual Matura program. In<br />
2002 she became Prorektorin Obergymnasium,<br />
which included responsibility <strong>for</strong> the newly<br />
created bilingual Matura. I have come to know<br />
Renata as a committed, progressive and<br />
passionate educator.<br />
D.A. How many years has the Kantonsschule<br />
been offering the bilingual Matura and<br />
in what languages is it offered?<br />
R.L. <strong>The</strong> first pilot program began in August<br />
2002. It was offered in <strong>English</strong> and French,<br />
the French program being suspended in 2005<br />
due to too few applicants.<br />
D.A. Was the Kantonsschule Lucerne the<br />
first to offer a bilingual program in Central<br />
Switzerland?<br />
R.L. We were the first public ‘gymnasium’ to<br />
offer the program. Several private schools had<br />
this option. To my knowledge, we are the only<br />
public school in the canton of Lucerne<br />
offering a bilingual Matura. <strong>The</strong> Kantonsschule<br />
Zug started a bilingual program this<br />
school year.<br />
D.A. Why did the school decide to offer this<br />
program?<br />
R.L. <strong>The</strong>re were several reasons. <strong>The</strong>re was<br />
a teacher initiative. We also had positive experiences<br />
in immersive teaching projects and<br />
it was a positive addition to our school profile<br />
and innovations. Interest was shown by both<br />
students and parents, and qualified teachers<br />
were willing to put in the extra ef<strong>for</strong>t. We also<br />
had the support of the school administration<br />
and cantonal bodies (BKD).<br />
D.A. How were the subjects decided upon?<br />
R.L. <strong>The</strong> EDK (Erziehungsdirektorenkonferenz<br />
on the national level) guidelines state<br />
that at least two subjects must be taught in a<br />
second language encompassing a minimum<br />
of 600 lessons. This can only be attained if a<br />
subject with a significant number of lessons,<br />
such as math, is included. In addition, at least<br />
one subject must belong to the “Geistes- und<br />
Sozialwissenschaften” (history-economygeography).<br />
Math is fairly accessible as a<br />
16 ETAS Journal 25/2 Spring 2008<br />
subject taught immersively, while history is<br />
fairly demanding due to its rich vocabulary<br />
and rather text-oriented content: this results<br />
in a good mix of subjects taught in L2. We<br />
also have qualified and motivated teachers in<br />
these subjects.<br />
D.A. Do you see any expansion of subjects<br />
being offered?<br />
R.L. A future extension would be offering<br />
Physics and Biology in the 4th year (start<br />
2009). Parts of elective Economics and Law<br />
have been offered since 2004.<br />
D.A. This past fall saw the beginning of the<br />
Primary <strong>English</strong> Program in Canton Lucerne.<br />
How do you see the effect of this on future<br />
Kantonsschule students?<br />
R.L. By August 2011, the students coming to<br />
Kantonsschule Lucerne will have had 4 years<br />
of <strong>English</strong> and 2 of French. We are currently<br />
discussing the consequences this will have<br />
on our <strong>English</strong> curriculum and on the bilingual<br />
program. One option that we are considering<br />
is offering a bilingual program from the 1st<br />
year of the Kantonsschule. As <strong>for</strong> language<br />
teaching, the <strong>English</strong> (and the French) departments<br />
are also preparing <strong>for</strong> the intake of<br />
these students.<br />
D.A. Will all future Matura students be<br />
required to participate in immersion courses?<br />
R.L. In my opinion, the bilingual Matura will<br />
(and should) remain an option that is chosen<br />
voluntarily by students (such as the Schwerpunktfächer<br />
or Ergänzungsfächer). However,<br />
immersive teaching is very likely to appear in<br />
various subjects in the future, also in classes<br />
that are not enrolled in the bilingual Matura.<br />
Several subjects are working with <strong>English</strong><br />
(and French) texts in their lessons – with good<br />
results.<br />
D.A. What are the prerequisites <strong>for</strong> students<br />
that are accepted into the program?<br />
R.L. Our students must be motivated. <strong>The</strong>y<br />
also should have a high threshold <strong>for</strong><br />
frustration. <strong>The</strong>y must be persistent, have a<br />
great deal of stamina and the ability to live<br />
with insecurities. <strong>The</strong>y need to have a grade<br />
point average of 4.5 in the first semester of<br />
the second year with a minimum of a 4.0 in<br />
Math and History. Should they not meet one of<br />
these criteria, they need the recommendation<br />
of the class teacher. A bilingual background is<br />
not required.<br />
D.A. What are the teacher qualifications?<br />
R.L. Profiles <strong>for</strong> teachers are a) mother<br />
tongue, b) bilingual, c) studied both subject<br />
and language, and d) subject qualification and<br />
subsequent language qualification. <strong>Teachers</strong><br />
attend regular language courses or stays<br />
(especially non-mother tongue teachers).<br />
D.A. What have been the results of the<br />
program thus far?<br />
R.L. A study by Heidi Bürgi in 2003-2005<br />
showed that after just one year in immersion<br />
the students in the bilingual program wrote<br />
120 words compared to 90 in a control<br />
group. After a further year in the program the<br />
students improved a minimum of a half of a<br />
level (of the Common Reference Levels). <strong>The</strong><br />
<strong>English</strong> language knowledge of immersion<br />
classes is a full level higher than that of the<br />
control group.<br />
D.A. What are the advantages of a student<br />
enrolling in the <strong>English</strong> bilingual Matura?<br />
R.L. First of all, there is the increased<br />
contact with the <strong>English</strong> language. <strong>The</strong>n there<br />
are the additional challenges offered both<br />
language-wise and subject-wise. Thirdly, there<br />
is the advantage of an increased awareness<br />
of language in general.<br />
D.A. It is my opinion that the bilingual Matura<br />
has many advantages. Its success is not in<br />
the number of graduates with a higher level<br />
of <strong>English</strong> but rather the confident student<br />
that emerges from the program. <strong>The</strong>se are<br />
students that enthusiastically challenged<br />
themselves a bit further. <strong>The</strong> bilingual Matura<br />
provides an opportunity <strong>for</strong> curious, determined<br />
and independent learners.<br />
Interviewed by Donna Aebersold
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I/C: a new approach arising<br />
Introduction to Content and Language<br />
Integrated Learning (CLIL) at Schools in<br />
Europe<br />
Schools in which the teaching of certain<br />
subjects in the curriculum may be offered in<br />
a <strong>for</strong>eign, regional or minority language have<br />
existed in Europe <strong>for</strong> several decades.<br />
Be<strong>for</strong>e the 1970s, this type of provision was<br />
mainly available in regions that were<br />
linguistically distinctive (because they<br />
were close to national borders or used two<br />
languages, etc), or in the largest cities. It thus<br />
concerned very limited numbers of pupils<br />
who were growing up in somewhat unusual<br />
linguistic or social contexts. <strong>The</strong> aim was to<br />
turn them into bilingual children by enabling<br />
them to acquire proficiency in languages comparable<br />
to that of native speakers. Indeed,<br />
the terms generally used to denote this kind<br />
of provision are ‘bilingual’ school, education<br />
or teaching. During the 1970s and 1980s,<br />
development of this kind of provision has<br />
been influenced in particular by the Canadian<br />
experiment with immersion teaching. This<br />
first began as a result of <strong>English</strong>-speaking<br />
parents living in the province of Quebec who<br />
considered that proficiency in French was vital<br />
in a French speaking environment. <strong>The</strong>y thus<br />
sought to offer their children an education in<br />
this language that would lead them to acquire<br />
significant language skills.<br />
Programmes <strong>for</strong> immersion teaching have<br />
been enormously successful in Canada.<br />
Support from the education authorities and<br />
the involvement of parents have undoubtedly<br />
been key factors in their success.<br />
<strong>The</strong>se projects have given rise to a great deal<br />
of interesting research, especially from the<br />
teaching perspective. While it has gradually<br />
become clear that the Canadian experience<br />
is not directly transferable to Europe, it has<br />
nevertheless been valuable in stimulating<br />
research in this area and encouraging the<br />
development of a very wide range of experimental<br />
activity.<br />
SPECIAL Supplement<br />
<strong>The</strong> provision of immersion teaching may take<br />
many different <strong>for</strong>ms. It may be regarded as<br />
‘early’ or ‘late’ depending on the age of the<br />
children <strong>for</strong> whom it is intended. It may be<br />
considered ‘total’ if the entire curriculum is<br />
taught in what is termed the target language,<br />
or ‘partial’ if that language is the language<br />
of instruction <strong>for</strong> just some subjects. <strong>The</strong>se<br />
different approaches are a reflection of the<br />
rich variety of linguistic and educational<br />
environments, as well as the varied ambitions<br />
and aims of pupils or their parents and the<br />
education authorities.<br />
<strong>The</strong> acronym CLIL (Content and Language<br />
Integrated Learning) started to become the<br />
most widely used term <strong>for</strong> this kind of provision<br />
during the 1990s. CLIL is the plat<strong>for</strong>m <strong>for</strong><br />
an innovative methodological approach of far<br />
broader scope than language teaching.<br />
Accordingly, its advocates stress how it seeks<br />
to develop proficiency in both the non-language<br />
subject and the language in which this is<br />
taught, attaching the same importance to<br />
each. Furthermore, achieving this twofold<br />
aim calls <strong>for</strong> the development of a special<br />
approach to teaching in that the non-language<br />
subject is not taught in a <strong>for</strong>eign language<br />
but with and through a <strong>for</strong>eign language. This<br />
implies a more integrated approach to both<br />
teaching and learning, requiring that teachers<br />
should devote special thought not just to how<br />
languages should be taught, but to the<br />
educational process in general.<br />
Over and above these special considerations,<br />
CLIL and other <strong>for</strong>ms of bilingual or immersion<br />
teaching share certain common features<br />
that many experts are fond of emphasising.<br />
In organisational terms, <strong>for</strong> example, CLIL<br />
enables languages to be taught on a relatively<br />
intensive basis without claiming an excessive<br />
share of the school timetable. It is also<br />
inspired by important methodological principles<br />
established by research on <strong>for</strong>eign language<br />
teaching, such as the need <strong>for</strong> learners to<br />
be exposed to a situation calling <strong>for</strong> genuine<br />
communication.<br />
In the context of the present survey, the<br />
acronym CLIL is used as a generic term<br />
to describe all types of provision in which<br />
a second language (a <strong>for</strong>eign, regional or<br />
minority language and/or another official state<br />
language) is used to teach certain subjects in<br />
the curriculum other than languages lessons<br />
themselves. However, it is important to bear<br />
ETAS Journal 25/2 Spring 2008 19
SPECIAL Supplement I/C: a new approach arising<br />
in mind that CLIL type provision is itself a<br />
product of the historical background outlined<br />
briefly in the present introduction and that, as<br />
such, it possesses its own special methodological<br />
and organisational characteristics.<br />
<strong>The</strong> terms and expressions used in different<br />
countries to denote CLIL type provision (as<br />
discussed in this study) are contained in<br />
annexe 1. EU support <strong>for</strong> CLIL. For many<br />
years now, language teaching has featured<br />
prominently in Community recommendations<br />
regarding education (1). <strong>The</strong> promotion of<br />
linguistic diversity in education and training<br />
has always been an important consideration<br />
in planning the successful construction of<br />
Europe. Yet it was not until the 1990s that<br />
discussion of language learning in the<br />
European institutions led to realisation of the<br />
need to explore innovative teaching methods.<br />
This was to be reflected in the Lingua<br />
programme (2) which declared the importance<br />
of ‘promoting innovation in methods of <strong>for</strong>eign<br />
language training’.<br />
In this context, several initiatives have been<br />
launched by the EU in the field of Content and<br />
Language Integrated Learning (CLIL).<br />
One of the first pieces of legislation regarding<br />
European cooperation in CLIL is the 1995<br />
Resolution of the Council (3). It refers to the<br />
promotion of innovative methods and, in<br />
particular, to “the teaching of classes in a<br />
<strong>for</strong>eign language <strong>for</strong> disciplines other than<br />
languages, providing bilingual teaching”. It<br />
also proposes improving the quality of training<br />
<strong>for</strong> language teachers by “encouraging the<br />
exchange with Member States of higher<br />
education students working as language<br />
assistants in schools, endeavouring to give<br />
priority to prospective language teachers or<br />
those called upon to teach their subject in a<br />
language other than their own”.<br />
In the same year, in its White Paper on<br />
education and training (Teaching and Learning<br />
- Towards the Learning Society), the European<br />
Commission focused on the importance<br />
of innovative ideas and the most effective<br />
practices <strong>for</strong> helping all EU citizens to become<br />
proficient in three European languages. With<br />
reference to these ideas the Commission<br />
stated that “... it could even be argued that<br />
secondary school pupils should study certain<br />
subjects in the first <strong>for</strong>eign language learned,<br />
as is the case in the European schools” (4).<br />
<strong>The</strong> European programmes in the field of<br />
20 ETAS Journal 25/2 Spring 2008<br />
education and training have had a catalytic<br />
effect in developing different approaches to<br />
language teaching. Thus actions supported in<br />
the second phase of the Socrates Programme<br />
from 2000-2006 (5) have been established to<br />
provide <strong>for</strong> CLIL type provision. In the<br />
Comenius Action of Socrates, financial support<br />
is earmarked <strong>for</strong> mobility activities targeting<br />
“teaching staff of other disciplines required or<br />
wishing to teach in a <strong>for</strong>eign language”. Under<br />
the Erasmus Action too, financial support may<br />
be awarded <strong>for</strong> “joint development and implementation<br />
of curricula, modules, intensive<br />
courses or other educational activities,<br />
including multidisciplinary activities and the<br />
teaching of subjects in other languages”.<br />
In 2001, the European Year of Languages<br />
certainly helped draw attention to the fact<br />
that the promotion of language learning and<br />
linguistic diversity may be achieved through<br />
a wide variety of approaches, including CLIL<br />
type provision. In March 2002, the Barcelona<br />
European Council sought to boost language<br />
learning in calling <strong>for</strong> a sustained ef<strong>for</strong>t on the<br />
part of the Member States and the European<br />
Commission to ensure teaching of at least<br />
two <strong>for</strong>eign languages from a very early age.<br />
Following this request (together with that of<br />
the February 2002 Education Council), the<br />
Commission in 2003 launched its Action Plan<br />
2004-2006 (6). Under the Plan, CLIL provision<br />
is cited as having “a major contribution to<br />
make to the Union’s language learning goals”.<br />
A set of actions was drawn up to promote the<br />
integrated learning of content and language,<br />
among them the present Eurydice survey.<br />
At the May 2005 Education Council, the<br />
Luxembourg presidency reported on the<br />
results of the symposium entitled ‘<strong>The</strong><br />
Changing European Classroom: <strong>The</strong> Potential<br />
of Plurilingual Education’ which was held a<br />
few weeks earlier in March. Among the main<br />
conclusions, the need to ensure that pupils<br />
and students are involved in CLIL type<br />
provision at the different levels of school<br />
education was emphasised, as was the<br />
desirability of encouraging teachers to receive<br />
special training in CLIL.<br />
Reference should also be made to other<br />
ventures that support CLIL type approaches.<br />
<strong>The</strong>y include the European Label <strong>for</strong><br />
innovation in language teaching and learning<br />
(awarded <strong>for</strong> the first time in 1998), and the<br />
European EuroCLIC network (classes<br />
integrating language and content), which<br />
consists of teachers, researchers, trainers<br />
and others interested in the implementation of<br />
CLIL and has been co-funded by the<br />
European Commission since 1996.<br />
<strong>The</strong> debate on CLIL throughout the European<br />
Union is very much alive. Fresh initiatives<br />
to promote this still novel methodological<br />
approach will be undertaken in the years<br />
ahead, probably within the next generation of<br />
education and training programmes (2007-<br />
2013). <strong>The</strong> deliberations of experts within<br />
the Group on Languages (set up under the<br />
‘Education and Training’ Work Programme up<br />
to 2010), as well as the circulation of in<strong>for</strong>mation<br />
on good practice in the field of CLIL in the<br />
Member States, will certainly contribute to its<br />
development.<br />
******<br />
Reprinted by permission from Eurydice* ‘the<br />
in<strong>for</strong>mation network on education in Europe’.<br />
<strong>The</strong> complete 82-page document, Content<br />
and Language Integrated Learning (CLIL) at<br />
School in Europe (2006) is available in seven<br />
different languages from the website portal:<br />
http://www.eurydice.org/portal/page/portal/<br />
Eurydice/showPresentation?pubid=071EN<br />
* Eurydice is a European Unit set up by the<br />
European Commission in Brussels and National<br />
Units established by education ministries in all<br />
countries taking part in Socrates, the EU<br />
education action programme [Austria, Belgium,<br />
Cyprus, the Czech Republic, Denmark, Estonia,<br />
Finland, France, Germany, Greece, Hungary,<br />
Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta,<br />
the Netherlands, Poland, Portugal, Slovakia,<br />
Slovenia, Spain, Sweden, United Kingdom].
ETAS_CH07.FH11 14.09.2007 15:10 Uhr Seite 1<br />
Probedruck<br />
C M Y CM MY CY CMY K<br />
Language Leader<br />
Purposeful and thought-provoking!<br />
factual and content-rich <strong>for</strong> serious-minded students<br />
systematic skills work and study skills<br />
lots of reading texts taken from a variety of authentic sources<br />
stimulating writing lesson and ‘scenario’ spread in each unit<br />
range of adult speaking tasks, e.g. discussions, debates, problem-solving<br />
For further in<strong>for</strong>mation and sample copy requests please contact:<br />
Pearson Education Schweiz AG, Pearson Longman Verlag<br />
Chollerstrasse 37, 6300 Zug<br />
Telefon 041 / 747 47 47 Telefax 041 / 747 47 77<br />
E-Mail: mailbox@longman.ch<br />
David Cotton, David Falvey, Simon Kent et al.<br />
Elementary, Pre-intermediate, Intermediate<br />
and Upper Intermediate<br />
Coursebook with CD-ROM<br />
NEW<br />
All 4 levels<br />
available in 2008<br />
www.longman.ch
22 ETAS Journal 25/2 Spring 2008<br />
NEWS<br />
It was Thursday, October 4th, 2007, 2:35 in<br />
the afternoon. Our Land Rover, having carried<br />
us 1,250 kilometers from Johannesburg — the<br />
last 50 km over a rough, stony track — finally<br />
stood in front of Matopo Primary School,<br />
60 km south of Bulawayo in Zimbabwe. And<br />
we had a flat tire.<br />
While my husband Peter, aided by a Matopo<br />
teacher and closely supervised by a group of<br />
6th grade boys, dealt with the tire, I set about<br />
making sure that everything was ready <strong>for</strong><br />
the big day tomorrow — the Matopo Primary<br />
School <strong>Teachers</strong>’ Workshop Day.<br />
A year of preparation had gone into the planning<br />
of the event. It all started on my last visit<br />
to the school in August 2006. At the time, I<br />
wasn’t even sure if ETAS was going to choose<br />
Matopo as its Teacher-to-Teacher Project <strong>for</strong><br />
2007, but I rather off-handedly offered to run<br />
a workshop about teaching <strong>English</strong> <strong>for</strong> the<br />
Primary School teachers on my next visit, and<br />
be<strong>for</strong>e I knew it, the proposal had snowballed<br />
into a major event, with teachers from the<br />
surrounding primary and secondary schools<br />
also eager to participate.<br />
Thanks to ETAS support, we were able to<br />
organize catering <strong>for</strong> the event, which is quite<br />
a tall order in Zimbabwe these days as food<br />
supplies are extremely scarce. Denis Paul,<br />
our trusty on-the-spot go-between <strong>for</strong> the<br />
T-2-T Project, had to make <strong>for</strong>ays to South<br />
Africa and Botswana to obtain most of the<br />
necessary items, while local gardeners<br />
pitched in with fresh produce. It was all<br />
delivered by donkey cart on the morning of<br />
the workshop.<br />
Matopo Primary School Headmaster Newman<br />
Ncube was in charge of invitations and<br />
organized transport <strong>for</strong> some teachers. As it<br />
turned out, several teachers came from as far<br />
away as 15 kilometers on foot in order to take<br />
part. Deputy Headmaster Patson Mpofu was<br />
busy behind the scenes as well, liaising with<br />
Denis and making sure everything would run<br />
smoothly.<br />
A big worry was the three parcels I had sent<br />
to Denis in Botswana, containing donated<br />
items such as bags, paper, pens and pencils,<br />
nametag lanyards and books <strong>for</strong> the school<br />
library. <strong>The</strong>re was a customs glitch (a long<br />
story which I won’t go into here) and I wasn’t<br />
even sure if Denis had managed to get hold of<br />
the parcels in time <strong>for</strong> the event. I was really<br />
counting on those bags and nametags <strong>for</strong> the<br />
News from Matopo Primary<br />
Teacher-to-Teacher Project 2007<br />
workshop itself, and was also looking <strong>for</strong>ward<br />
to the looks on the teachers’ faces when I<br />
produced all the goodies. In the end it was<br />
“just-in-time” delivery — Denis brought the<br />
parcels that evening and his wife Sandy, Peter<br />
and I stayed up late packing the bags,<br />
including the booklets I had had printed in<br />
South Africa <strong>for</strong> each teacher.<br />
Coming up with the workshop content was a<br />
major challenge. What to prepare? I would be<br />
working with a very diverse group of people,<br />
dealing with a different culture, and with<br />
virtually no infrastructure — in fact, I wasn’t<br />
even sure about the level of <strong>English</strong> of the<br />
participants. This is not exactly something<br />
you can do a Google search <strong>for</strong>. No published<br />
material was going to be suitable either. I was<br />
stymied.<br />
Finally, I worked out a rough draft of what I<br />
thought might be a workable concept and sent<br />
it to Newman and Patson <strong>for</strong> their approval.<br />
My idea was to present a wide variety of<br />
activities, none of which would require more<br />
than paper and pencil, then let the teachers<br />
work in small groups to figure out how they<br />
could apply them in their classrooms. To my<br />
amazement (and relief) it all worked like a<br />
charm.<br />
I started the ball rolling by asking the group<br />
“What is <strong>English</strong>?” <strong>The</strong>y must have thought I<br />
was a bit dim and in<strong>for</strong>med me that “It’s a<br />
language”. Yes, we all know that, I said, but<br />
what is <strong>English</strong> <strong>for</strong> you? Give me some<br />
adjectives, please. <strong>The</strong>n I started getting<br />
answers such as “<strong>English</strong> is difficult.” “<strong>English</strong><br />
is interesting.” “<strong>English</strong> is important.” (Nobody<br />
said it was easy). After this ice-breaker I<br />
moved on to explain my goals <strong>for</strong> the day: to<br />
go light on the theory and spend most of our<br />
time exploring ways to liven up our <strong>English</strong><br />
lessons without always having to rely on printed<br />
materials, which are scarce and expensive. I<br />
wanted them to realize that the ideas in their<br />
own heads, and those of their pupils, are their<br />
most precious resource.<br />
We played games, told stories, even drew<br />
pictures, while at the same time working on a<br />
few grammar points and talking about some<br />
down-to-earth topics such as letter writing.<br />
<strong>The</strong> teachers were so enthusiastic and<br />
motivated that the energy just filled the room.<br />
<strong>The</strong>y especially liked activities which allowed<br />
them to get up, mill around and exchange<br />
ideas, and I was bowled over by the brilliance<br />
and originality of thinking they displayed.<br />
<strong>The</strong>re was lots of laughter and noise and I<br />
sometimes thought the roof, which isn’t in a<br />
very good state anyway, might just lift off and<br />
fly away.<br />
However, it was the time that flew and as we<br />
completed the last activity, I drew breath to<br />
make a <strong>for</strong>mal conclusion and to thank everyone<br />
<strong>for</strong> such a special experience. I’d hardly<br />
finished when the room erupted with singing,<br />
and everyone rose from their seats and began<br />
to dance. Be<strong>for</strong>e I realized what was<br />
happening, I was hoisted onto sturdy shoulders<br />
and carried around the room. <strong>The</strong>y had even<br />
prepared gifts, some lovely examples of local<br />
wood carvings, which have pride of place in<br />
my living room at home.<br />
In short, the event was such a success that<br />
we’ve decided to repeat it this year.<br />
I’m so grateful to all ETAS members who have<br />
given donations and moral support during this<br />
project, and very pleased to have the chance<br />
to continue this year at Matopo Primary<br />
School. Things will sadly only be getting even
School, Zimbabwe<br />
Spring Update<br />
worse in Zimbabwe be<strong>for</strong>e they get better, so<br />
the school, the children and their teachers<br />
really need all the help they can get. <strong>The</strong>y<br />
have proven that they can make the most of<br />
our generosity over and over!<br />
“I am exceedingly delighted that our <strong>English</strong><br />
workshop became a reality and a great<br />
achievement in as far as international<br />
organization is concerned,” wrote Patson.<br />
He told about the many teachers and other<br />
professionals from Zimbabwe who are leaving<br />
the country “in search of greener pastures”.<br />
But, he continues, “As <strong>for</strong> me and my family<br />
we will press on, cling on, <strong>for</strong>ge ahead and we<br />
will never surrender Zimbabwe. We will never<br />
settle <strong>for</strong> less and destroy the future of the<br />
children.” About the <strong>Teachers</strong>’ Workshop he<br />
wrote: “<strong>The</strong> knowledge and skills we learnt will<br />
nourish the pupils.”<br />
As you all know, the proceeds from the raffles<br />
at our national events go toward the Teacherto-Teacher<br />
Project, but did you realize that<br />
you can make a donation any time? <strong>The</strong> bank<br />
details are as follows:<br />
<strong>English</strong> <strong>Teachers</strong> Association Switzerland<br />
TEACHR TO TEACHER (that’s how it’s listed<br />
due to lack of character space)<br />
Zürich<br />
Postal Account/Post Finance<br />
Acct. Number: 17-653380-8<br />
IBAN CH18 0900 0000 1765 3380 8<br />
BIC POFICHBEXXX<br />
If you’d like to correspond directly with Matopo<br />
Primary School, you can send an e-mail to<br />
Patson at this e-mail address:<br />
matopoprimaryschool@yahoo.co.uk or<br />
patsonmpofu@yahoo.com<br />
NEWS<br />
(You may need to be a little patient to get a<br />
reply, as the infrastructure is not infallible.)<br />
Alternatively, you can write ‘snail mail’ to Mr<br />
Newman Ncube, Mr Patson Mpofu, Matopo<br />
Primary School, PB T-5391, Bulawayo,<br />
Zimbabwe.<br />
Sandy and Denis would also be willing to tell<br />
you more about life in Zimbabwe these days:<br />
shumbashaba@pauls.co.zw (and would<br />
appreciate your thanks).<br />
I’ve set up a blog about the Matopo Primary<br />
School project: www.matopoprimaryschool.<br />
blogspot.com Have a look!<br />
And if anyone has a great idea <strong>for</strong> the next<br />
<strong>Teachers</strong>’ Workshop Day at Matopo, I’d love<br />
to hear from you.<br />
Cindy Hauert<br />
ETAS Journal 25/2 Spring 2008 23
Basel<br />
Workshop: From ‘hot seating’ to ‘still image’<br />
– liven it up through drama!<br />
Presenter: Nicole Küpfer<br />
Date: September 2007<br />
Once again we were grateful to be able to use<br />
a classroom at the Fachhochschule Nordwestschweiz<br />
in Kleinbasel to stage another<br />
drama and <strong>English</strong> teaching workshop led by<br />
Nicole Küpfer.<br />
We began with some warm-up exercises<br />
using drama techniques that were both<br />
instructive <strong>for</strong> learning how to begin our<br />
lessons as well as serving to loosen us up<br />
and prepare us mentally and emotionally. As<br />
we mimed different domestic activities such<br />
as gardening, cleaning and cooking this also<br />
<strong>for</strong>med the first part of a vocabulary learning<br />
sequence in preparation <strong>for</strong> close reading of a<br />
literary text.<br />
<strong>The</strong> text was Girl by Jamaica Kincaid that<br />
is written like an instruction manual <strong>for</strong> girls<br />
and young women on how to behave in their<br />
homes and society. At one level the text gives<br />
advice on everyday domestic activities, thus<br />
providing plenty of useful vocabulary that can<br />
be learned and mimed. However, the text also<br />
contains words and images unique to Antigua<br />
and as we read it more closely, we realised<br />
that it had very deep and emotional meaning.<br />
To approach the cultural and emotional content,<br />
Nicole introduced some context-building<br />
activities by recounting a story. <strong>The</strong> girl in this<br />
single sentence ‘story’ went out in the evening<br />
and did not return home at the agreed time. In<br />
small groups, we role-played short dialogues:<br />
the parents at home awaiting the girl, the<br />
conversation when she finally gets home and<br />
the girl’s friends talking about what happened<br />
to her the next day. In this activity we began<br />
to identify with the girl and her family and<br />
friends.<br />
As we became involved in the role-playing<br />
process and watched each group’s interpretations,<br />
our imaginations seemed to be set free.<br />
We continued with a drama reconstruction<br />
cued by a piece of paper that represented<br />
a newspaper article. It was amazing what<br />
stories were visualized at this stage and at the<br />
depth of emotion and complexity of social<br />
issues that emerged. In an EFL classroom<br />
24 ETAS Journal 25/1 25/2 Winter Spring 2008 2007<br />
REGIONS News and Events<br />
this would also af<strong>for</strong>d valuable practice in<br />
expressing feelings and discussing social<br />
issues. In our case, such topics as sexual<br />
morals, rape and general conflict were evoked<br />
and a further theme that could be exploited<br />
from this text is the islanders’ social unease<br />
towards tourists and tourism.<br />
<strong>The</strong> workshop demonstrated the wealth of<br />
possibilities that drama can offer to help<br />
students engage with a literary text and dig<br />
deep into all the emotional, cultural and social<br />
issues that it holds. Although the activities<br />
Nicole demonstrated were inspired by the text<br />
she used, the techniques could be adapted <strong>for</strong><br />
different texts either literary or non-literary<br />
(such as newspaper articles). New and<br />
experienced teachers all benefited from this<br />
action-packed and emotion-packed workshop.<br />
Hazel Trepp<br />
RC Basel<br />
Workshop: Historical walking tour of Basel<br />
with Paracelsus<br />
Presenter: Mark Fletcher<br />
Date: 29th November 2007<br />
<strong>The</strong> idea of escaping pre-Christmas stress<br />
and taking a walk into Basel’s past appealed<br />
to a lot of members, their colleagues and even<br />
some language learners too. After meeting<br />
inside Bergli Books, we followed our guide,<br />
Paracelsus (aka Mark Fletcher) and were<br />
taken to places familiar and not so familiar.<br />
It was a very cold November evening so<br />
we walked briskly through the streets and<br />
alleyways of Basel. Occasionally Paracelsus<br />
stopped and drew our attention to places he<br />
remembered when he lived in Basel back<br />
in 1514. He also told us about his friends<br />
Erasmus and Holbein who also lived in Basel<br />
at the same time. Through our journey back<br />
in time and through the streets of Basel we<br />
got to know something about Paracelsus and<br />
his life.<br />
How many people enter Basel University at<br />
the age of 16? How many people can boast<br />
being banished from this city twice? At that<br />
time, people were not allowed to disagree<br />
with the bishops or university professors. First<br />
Paracelsus was sent away <strong>for</strong> necromancy (I<br />
had to look that up: it’s the practice of claiming<br />
to communicate with the dead in order to<br />
discover what is going to happen in the<br />
future). <strong>The</strong>n he introduced the use of opium<br />
and mercury in medicine and to prove what he<br />
thought of academia, he burnt books publicly.<br />
This was the cause of him being banished the<br />
second time.<br />
As we passed through the alleyways,<br />
Pfeffergässlein, Schneidergasse, Schlüsselgasse…<br />
we could smell the spices and hear<br />
the busy tradesmen at work. We tasted the<br />
Läckerli that has been produced in Basel<br />
since the 14th century. <strong>The</strong> original bakers<br />
belonged to the Saffron Guild - we passed in<br />
front of their building on the way to Cathedral<br />
Square where we also looked at some rich<br />
silk merchants’ wonderful homes.<br />
After the tour we retreated into a café, our<br />
guide put on his teacher trainer’s hat and<br />
handed out a handful of worksheets that the<br />
teachers eagerly set to work to try to complete.<br />
Mindmaps, word games, quizzes all served<br />
to solidify our knowledge and impressions of<br />
Paracelsus and life in our 16th century city.<br />
<strong>The</strong>se worksheets were stimulating and fun<br />
and offered many ideas that could be exploited<br />
with students of different levels. <strong>Teachers</strong> and<br />
Swiss locals on the tour were impressed with<br />
our non-native guide’s research and preparation<br />
– and will never <strong>for</strong>get the symbolic book<br />
burning behind the cathedral.<br />
To end a most enjoyable evening, many<br />
stayed on <strong>for</strong> a relaxed meal together. All<br />
in all, this was an unusual and stimulating<br />
evening of activities: walking, talking, listening<br />
and even some attempts at writing limericks…<br />
thanks to the skilful leadership of a local hero<br />
and until now, little-known genius, Paracelsus.<br />
Perhaps some of us have also been inspired<br />
to take time out from classroom teaching and<br />
go <strong>for</strong> a stroll with our students around our<br />
town – there certainly is a lot we can teach,<br />
learn and practise.<br />
Hazel Trepp<br />
RC Basel
News and Events<br />
Bern/Neuchâtel<br />
Workshop: Producing Podcasts 101<br />
Presenter: JoAnn Salvisberg<br />
Date: 26th January 2008<br />
I am not a technology person. I’m a people<br />
person in a technological world, who is trying<br />
to adapt and cope with minimal feelings of<br />
inadequacy (Psych 101). Santa brought me<br />
an iPod so away we go…….<br />
<strong>The</strong> objective of this in<strong>for</strong>mative workshop<br />
was to give a brief overview to participants of<br />
the what, when, where, how and why of podcasting<br />
in the field of ELT. Basics were also to<br />
be presented on the planning, production, and<br />
promotion stages of this device <strong>for</strong> <strong>English</strong><br />
teachers. A high goal but one well planned out<br />
and orchestrated by the presenter.<br />
In the lovely new facilities of BFB Biel-Bienne,<br />
we were able to download and start our<br />
own podcast programs utilising Podomatic.<br />
com Podcast sites that could be used <strong>for</strong><br />
classes the following week were identified and<br />
amazingly so much of this in<strong>for</strong>mation is free<br />
on the web. Grammar Girl’s quick and dirty<br />
tips http://grammar.quickanddirtytips.com/<br />
was one such site along with http://weather.<br />
weatherbug.com/labs/weather-podcasts.<br />
html. Worksheets are also available <strong>for</strong> the<br />
teacher to download.<br />
With use of a headphone/microphone, the<br />
teacher can produce the material desired <strong>for</strong><br />
language skill practice and audacity.com<br />
allows music to be added <strong>for</strong> a more<br />
professional, interesting touch.<br />
Thank goodness we were a small group<br />
and double thanks <strong>for</strong> JoAnn Salvisberg’s<br />
patience. We were given a CD of her Power-<br />
Point presentation and other helpful hints.<br />
This was followed later by a supportive e-mail<br />
with even more in<strong>for</strong>mation. I <strong>for</strong> one felt<br />
this was worth a lot more than what we were<br />
charged: so, talk about value <strong>for</strong> money <strong>for</strong><br />
ETAS members!<br />
You can hear the feedback of the participants<br />
on the ETAS blog site:<br />
http://etasblog.wordpress.com<br />
I found this very sophisticated, intimidating<br />
technology, but with such support around<br />
me I was able to enter a bit of the Brave<br />
New World of the 21st century with my 20th<br />
century dignity and self-confidence intact and<br />
restored.<br />
Thank you, JoAnn Salvisberg and Gabrielle<br />
Schiegg-Cleary, RC Bern/Neuchâtel, <strong>for</strong> this<br />
wonderful experience. Another big thank you<br />
to ETAS <strong>for</strong> helping me improve my teaching<br />
skills as well as to the participants of this<br />
workshop.<br />
Elizabeth Ulrich<br />
TLC, <strong>The</strong> Language Company, Baden<br />
For the latest in<strong>for</strong>mation on<br />
upcoming ETAS events, visit our<br />
website at www.e-tas.ch<br />
REGIONS<br />
Forthcoming Event<br />
Workshop: Teaching Young Learners :<br />
Vocabulary Materials and Ideas<br />
Presenter: Graham Workman<br />
Date: Saturday, 26th April 2008<br />
Time: 9:00 -13:00<br />
Venue: BFB Biel-Bienne<br />
Cost: SFr. 40.- ETAS member<br />
SFr. 60.- guest<br />
Registration: Gabrielle Schiegg-Cleary<br />
bern@e-tas.ch<br />
Deadline: 19th April 2008<br />
Workshop:<br />
This 4-hour workshop will provide you with<br />
plenty of materials and ideas you can use<br />
<strong>for</strong> teaching vocabulary with your classes<br />
of young learners. <strong>The</strong> topic areas will be<br />
relevant <strong>for</strong> all young learners and the session<br />
will cover a wide range of classroom activities<br />
and teaching approaches.<br />
ETAS Journal 25/1 25/2 Winter Spring 2008 2007 25
Winterthur/Uster<br />
Workshop: Business <strong>English</strong> -<br />
Communicative Activating<br />
Vocabulary<br />
Presenter: Mark Fletcher<br />
Date: 6th November 2007<br />
This was definitely a very welcome first – an<br />
ETAS workshop held in Schaffhausen.<br />
Mark Fletcher, the well-known author of many<br />
activity books <strong>for</strong> the EFL classroom, aimed at<br />
showing us how to exploit handouts in more<br />
ways, or as he put it, “how to milk the cow”.<br />
In the first block we tried out different communicative<br />
activities that were more or less<br />
work-oriented. Let me just give you one<br />
example, <strong>The</strong> Channel Tunnel:<br />
<strong>The</strong> class was divided in two. Half the class<br />
26 ETAS Journal 25/1 25/2 Winter Spring 2008 2007<br />
REGIONS News and Events<br />
Your our special special <strong>English</strong> <strong>English</strong> <strong>English</strong> bookshop<br />
bookshop<br />
right right right in in the the heart heart heart of of Basel<br />
Basel<br />
temporarily became directors of the Channel<br />
Tunnel, the other half journalists who had to<br />
interview the directors in order to write an<br />
article about the tunnel. Each group first<br />
convened <strong>for</strong> some preparatory work using<br />
the same handout with some simple technical<br />
drawings of the tunnel but in the directors’<br />
case, with the data, and in the journalists’<br />
case, without the data. Mark then in<strong>for</strong>med us<br />
journalists that the directors were on their way,<br />
arriving at the airport by helicopter and then<br />
being driven to our office by Rolls Royce, and<br />
that we should offer them a drink and make<br />
them com<strong>for</strong>table but also be aware that<br />
they would only have about seven minutes to<br />
answer our questions. With this preparation<br />
we all slipped very easily into our new roles.<br />
When the time was up, Mark announced that<br />
un<strong>for</strong>tunately the Rolls was waiting to take the<br />
directors to their next appointment, lunch with<br />
the Queen.<br />
- the meeting place <strong>for</strong> the Swiss and<br />
international <strong>English</strong>-speaking community<br />
- novels, thrillers, books on world affairs,<br />
business, language learning and <strong>for</strong> children<br />
- on-line ordering of any book you want through<br />
www www.bergli.ch<br />
www .bergli.ch<br />
- Talk Parties, book discussion groups, readings<br />
and other events<br />
Bergli Bergli Bookshop<br />
Bookshop<br />
Rümelinsplatz 19, CH-4001 Basel,<br />
Tel.: 061 373 27 77, Fax: 061 373 27 78<br />
E-mail: info@bergli.ch www.bergli.ch<br />
Mark then followed this up by showing us different<br />
ways of exploiting the same material/<br />
topic further:<br />
<strong>The</strong> teacher/director could give a talk about<br />
the tunnel, making it a listening and notetaking<br />
exercise.<br />
<strong>The</strong> Channel Tunnel could be replaced by<br />
some local project. Free material in <strong>English</strong><br />
(including DVD) is available <strong>for</strong> instance <strong>for</strong><br />
the new Lötschberg tunnel www.uvek.admin.<br />
ch<br />
Again, lots of ideas were presented in the<br />
vocabulary workshop. Let me just pick out<br />
work done with a Folkstone/Mark Fletcherspecific<br />
handout, a rough drawing of a<br />
landscape containing a shop, a seafood stall,<br />
a road, a theatre, the sea and a ship, plus 24<br />
nouns to match to each of the six areas. Such<br />
an easily home-made handout, adapted to the<br />
local environment (so in SH it would probably<br />
contain the categories Rhine and vineyard<br />
and somewhere the terms oriel window<br />
and square), could be used to introduce or<br />
consolidate locally relevant vocabulary <strong>for</strong> a<br />
guided tour of the city.<br />
Some further tasks with such a handout:<br />
Write three of the words on the back of the<br />
handout and find someone with 3/2/1 words<br />
the same as you.<br />
Write three words on the back of the handout.<br />
Now in pairs (first modelled by the teacher)<br />
tell your partner five things about a ‘pling’<br />
(i.e. one of your words) and let your partner<br />
find out what a ‘pling’ is.<br />
<strong>The</strong> teacher gives the students a talk incorporating<br />
three of the words. Can the students<br />
name the three words after the talk? And then<br />
the students write a story incorporating three<br />
of the words and read it to the class.<br />
I hope I have been successful in at least<br />
hinting at the wealth of ideas that made this<br />
evening a very worthwhile and enjoyable<br />
experience.<br />
Thank you, Mark, <strong>for</strong> this inspiring evening.<br />
And thank you, Gillian, <strong>for</strong> bringing Mark to<br />
our region. Needless to say, I am looking<br />
<strong>for</strong>ward to the next ETAS workshop in<br />
Schaffhausen.<br />
Naomi Schneider<br />
Klubschule Schaffhausen
New Cambridge Books…<br />
… <strong>for</strong> the updated 2008 First Certificate and CAE exams.<br />
• • • For updated exam from December 2008<br />
Student’s Book with answers<br />
Guy Brook-Hart<br />
Includes an official FCE exam paper from Cambridge ESOL<br />
<strong>The</strong> first session of the updated First Certificate and CAE exams<br />
will take place in December 2008. To ensure that you and your<br />
students have everything you need Cambridge University Press<br />
has lots of new material specifically designed <strong>for</strong> the new exams.<br />
Cambridge Books <strong>for</strong> Cambridge Exams…<br />
www.cambridge.org/elt/exams
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<strong>Teachers</strong>’ Future<br />
You may have already read about the ETAS<br />
new pension scheme in cooperation with<br />
Pension Fund Music and Education<br />
(established in 1978 and backed by AXA<br />
Winterthur – one of the world’s strongest<br />
insurance companies), or our loss of earnings<br />
and accident insurance, specially offered by<br />
AXA Winterthur <strong>for</strong> ETAS members.<br />
Available to all our members, individuals,<br />
schools, and even publishers, we offer very<br />
favourable rates. <strong>The</strong> more who join the<br />
scheme, the cheaper it is; a greater number of<br />
insured will likely result in lower premiums <strong>for</strong><br />
all ETAS members, long-term. For insurance,<br />
the rate is determined by age, and the chosen<br />
delay (from 14 – 90 days of inability to work).<br />
Old age pension as well as insurance in case<br />
of death or disability in Switzerland is covered<br />
partly by the State Pension (and State<br />
Invalidity Insurance), and partly by occupational<br />
pension schemes, to which employers are<br />
obliged to contribute by law if you are earning<br />
more than SFr. 19,890.- in one employment<br />
(or in total per year).<br />
<strong>English</strong> teaching as a profession in Switzerland,<br />
<strong>for</strong> many of us, consists of several positions<br />
or contracts <strong>for</strong> several employers or clients.<br />
It has, until now, been difficult or impossible<br />
to join a 2nd pillar (occupational pension)<br />
scheme. <strong>The</strong> 1st pillar is the State Pension, to<br />
which we all contribute by law, either through<br />
our employer in the <strong>for</strong>m of deductions from<br />
your pay, or, if you are self-employed, you pay<br />
the full contribution quarterly according to your<br />
declared income.<br />
<strong>The</strong> 2nd pillar is shared: contributions are paid<br />
50% by you and 50% by your employer – in<br />
an ideal world – but we are teachers, usually<br />
working <strong>for</strong> private schools, or freelance.<br />
Consequently, the 2nd pillar is missing in<br />
many teachers’ retirement plans. You may<br />
think it is too far off to be thinking about, but<br />
starting regular contributions already now<br />
makes a big difference to the sum available at<br />
your retirement.<br />
Some may rely on their partners’ retirement<br />
plans and, in many cases, that may be<br />
sufficient. But is it really enough <strong>for</strong> you both<br />
to carry on living in the manner to which you<br />
are accustomed? A relatively small regular<br />
contribution could lead to you being more<br />
com<strong>for</strong>table in retirement.<br />
Pension Fund Music and Education offers<br />
ETAS members three different types of<br />
plan: four BV plans <strong>for</strong> mandatory cover (<strong>for</strong><br />
employers to fulfill their legal obligation); three<br />
SE plans <strong>for</strong> the self-employed; and one MV<br />
plan <strong>for</strong> those with several employers and<br />
who are not yet part of a pension plan. <strong>The</strong><br />
rates of contribution are determined by age<br />
and the plan chosen. Detailed in<strong>for</strong>mation of<br />
all these plans, application <strong>for</strong>ms, as well as<br />
an alphabetic glossary, are available in<br />
<strong>English</strong> online at www.musikervorsorge.ch<br />
In this regular column we will print some<br />
questions frequently asked by members.<br />
<strong>The</strong>se questions and answers will be available<br />
on the ETAS website too, and we look <strong>for</strong>ward<br />
to receiving all further questions. Several of<br />
you have already joined the pension scheme<br />
and/or the insurance. We would like to hear<br />
your comments and to share any advice you<br />
may have <strong>for</strong> those considering joining.<br />
This month we look at the following FAQs:<br />
What are vested benefits?<br />
This is a lump sum from a previous employer’s<br />
pension fund, deposited in a non-accessible<br />
account reserved <strong>for</strong> your retirement and<br />
earning minimal interest, which you can invest<br />
in your current occupational pension fund in<br />
order to improve your retirement pension. 2nd<br />
pillar accounts currently earn 2.75%, but the<br />
Pension Fund Music and Education offers<br />
3% interest. You can also make tax-relevant,<br />
one-off payments from your savings to your<br />
pension fund.<br />
Can I still join the pension fund if I am over<br />
60?<br />
You can join the pension fund until the age<br />
of 64 (65 <strong>for</strong> men) and make contributions<br />
until you are 69 (70). <strong>The</strong> longer contribution<br />
period (as well as interest) will increase your<br />
future annual pension.<br />
What are the advantages of being insured<br />
through the ETAS collective AXA Winterthur<br />
Insurance?<br />
ETAS has worked closely with AXA Winterthur,<br />
Bern and arranged cheaper premiums <strong>for</strong><br />
schools and self-employed teachers who are<br />
ETAS members.<br />
AXA Winterthur in Bern has wide experience<br />
in working with professional associations and<br />
also works closely with Pension Fund Music<br />
and Education.<br />
NEWS<br />
How should I proceed?<br />
Find out about your current cover from your<br />
employer or your existing policy.<br />
Ask <strong>for</strong> an offer from AXA Winterthur, Bern.<br />
Only give notice on existing policies once you<br />
have written definitive acceptance from AXA<br />
Winterthur.<br />
Go to www.e-tas.ch <strong>for</strong> more in<strong>for</strong>mation.<br />
Please address any questions to:<br />
Claire Jackson, member-services@e-tas.ch<br />
ETAS Journal 25/2 Spring 2008 29
MEMBER MIX<br />
Language and Identity: a post-structuralist<br />
approach<br />
Discourse and identity<br />
Discourse is seen as a social practice framework<br />
both as “stretches of language in<br />
context” and “systems of knowledge and<br />
cultural frameworks” (SG, p. 13) and plays a<br />
central role in the process of identity <strong>for</strong>mation<br />
and trans<strong>for</strong>mation. Equally, identity is<br />
understood as a dynamic element in a series<br />
of interconnected perspectives that locate<br />
one’s own position and meaning in the world<br />
and reflects how one is identified by others.<br />
As these factors are mutually rein<strong>for</strong>cing,<br />
identity has to be seen in relation to the social<br />
world.<br />
This view is central to a post-structuralist<br />
approach, where language is but one element<br />
of the ongoing social process of meaning<br />
making and identity <strong>for</strong>mation. For sociolinguists<br />
the introduction of practice theory<br />
and in particular of the community of practice<br />
model has provided “a useful alternative to<br />
the speech community model where the focus<br />
was primarily on language”. By extending the<br />
speech community model it has become<br />
possible to explain identities as “the outcome<br />
of positive and negative identity practices<br />
rather than as fixed social categories”<br />
(Goodman et al. in Language, Literacy and<br />
Education, p. 139). Social categories like<br />
class, gender or ethnic groups are not intrinsic<br />
labels of identity residing within individuals,<br />
but are experienced by people “as more or<br />
less salient aspects of who they are through<br />
their experience in different interactions and<br />
dialogues, across different contexts”<br />
(SG, p. 48).<br />
Community of practice, identity and hybridity<br />
<strong>The</strong> concepts of communities of practice and<br />
discourse community have underpinned much<br />
research into language and identity. In particular<br />
Eckert (cited in SG, p. 51 and Bucholtz,<br />
2003, p. 146) and Bucholtz’s (2003) studies<br />
show how individual identity is constructed in<br />
collaboration with others in and around these<br />
communities of practice. It could be argued<br />
that the ETAS Journal or the Open University<br />
online conference qualify as a community of<br />
practice in as much as positive and negative<br />
identity practices (what we are and what we<br />
are not) are played out by people of multiple<br />
30 ETAS Journal 25/2 Spring 2008<br />
backgrounds and interests but with a common<br />
identity as professionals sharing similar<br />
interests. We use appropriate discourse. We<br />
are a discourse community or community of<br />
practice.<br />
As mentioned above different communities of<br />
practice can be involved in identity <strong>for</strong>mation<br />
(in <strong>for</strong>mal and in<strong>for</strong>mal educational contexts)<br />
with potential <strong>for</strong> ‘hybridisation’.<br />
Hybridity is not new and can be an opportunity<br />
to bridge, <strong>for</strong> example, home and school or<br />
different communities of practice with<br />
interesting implications <strong>for</strong> learning within<br />
or across these differences. Hybridity and<br />
diversity can be viewed not as problematic<br />
but rather as important cultural resources in<br />
children’s (and adults’ - author’s note)<br />
development (Cole cited in Gutierrez et al.,<br />
2003, p. 172). However, teachers may not<br />
always “recognise nor have the training<br />
necessary to see diversity and difference<br />
and the resulting hybridity as resources <strong>for</strong><br />
creating new learning spaces. Although such<br />
an understanding can in<strong>for</strong>m practice in any<br />
learning community, it can be particularly<br />
productive in ethnically, racially and linguistically<br />
diverse learning communities where<br />
difference as a resource is not an organising<br />
principle of instruction” (Gutierrez et al., 2003,<br />
p. 172).<br />
Just like the Sola and Bennett and Kamberelis<br />
and Scott (SG, p. 57) reports about teachers<br />
endeavouring to bridge the disjunction<br />
between the influential discourses and<br />
ideologies in pupils’ home communities and<br />
those of the school or college by encouraging<br />
students to bring the voices of their community<br />
into the classroom, so Gutierrez et al. (2003)<br />
see in what they call “third space” the<br />
potential “<strong>for</strong> reconfiguring what counts<br />
as institutionally approved knowledge and<br />
language use, thus drawing on a fuller range<br />
of teacher and student resources than is<br />
possible in either the ‘official space’ or the<br />
‘unofficial space’. This reconfiguring provides<br />
new possibilities <strong>for</strong> student positions and<br />
identities” (SG, p. 57). “Utilising multiple,<br />
diverse and even conflicting mediational tools<br />
promotes the emergence of third spaces,<br />
or zones of development and thus expands<br />
learning” (e.g. Estrom cited in Gutierrez et al.,<br />
2003, p. 172).<br />
Intertextuality and the dialogic nature of<br />
identity<br />
Identity is fluid and is often constructed jointly<br />
through talk (Mercer, 2000). In Bakhtin’s<br />
words it is “dialogic” (SG, p. 53). It is<br />
dialogically orientated in two directions,<br />
towards the past and towards the future. What<br />
he means is that meaning is constructed and<br />
emerges not simply from an individual<br />
utterance but by the position of the utterance<br />
itself. In fact “the utterance is itself a response,<br />
explicit or implicit, to other utterances, either<br />
in the current conversation or in the past and<br />
every utterance is always shaped in<br />
anticipation of its own possible response in<br />
the future” (SG, p. 53). <strong>The</strong>re is another layer<br />
of intertextual connection which contributes<br />
to meaning making (intertextuality being the<br />
relation invoked explicitly or implicitly between<br />
one text - spoken, written, multimodal, etc.<br />
- and another). Moreover, the process of<br />
meaning making is catalysed through what<br />
he calls the “electric spark” when the speaker<br />
and the listener connect. For instance, an<br />
explanation or a concept only acquires<br />
meaning if the listener ‘metabolises’ it into<br />
active, responsive understanding (SG, p. 54).<br />
It is the process of internalisation and active<br />
appropriation that create the link that provides<br />
meaning and the basis <strong>for</strong> language in identity<br />
<strong>for</strong>mation.<br />
Dynamic tensions and sites <strong>for</strong> struggle<br />
Different kinds of identities may be tried out<br />
and negotiated in different contexts, and<br />
language variety and style may be salient to<br />
people’s identities. As a multilingual and<br />
multicultural person I have often had to<br />
negotiate multiple identities which were<br />
mediated by language. At a macro level<br />
these were played out in different European<br />
countries and in different languages with<br />
great potential <strong>for</strong> conflict among the multiple<br />
centripetal and centrifugal <strong>for</strong>ces (see below).<br />
At a micro level personal relationships were<br />
often a site of struggle <strong>for</strong> conflicts between<br />
different identities that emerged and merged<br />
within me. In fact I am very familiar with the<br />
powerful tool <strong>for</strong> meaning making provided by<br />
code switching.<br />
Language and identity represent “an arena<br />
of ongoing cultural conflict, struggle, choice<br />
and decision-making” (SG, p. 63). Not only<br />
are these struggles non-unitary within a given<br />
community, they are also volatile and changeable<br />
within personal domains, in space and<br />
time. For trans-migratory groups, the politics
of identity and difference is played out<br />
invariably in everyday “dilemmatic choices<br />
and negotiations” (Honig cited in Rassool,<br />
2000, p. 391) which paradoxically, also<br />
provide the basis of agency <strong>for</strong> changes and<br />
hybridisation within the migrant as well as the<br />
host communities. <strong>The</strong> dialogical interplay<br />
between cultures, people’s needs, wants<br />
and desires, and wider power processes, is<br />
altering the nation-state from within whilst, at<br />
the same time, it is also redefining the cultural<br />
and socio-political terrain (Rassool, 2000,<br />
p. 392).<br />
A connection may be found with Bakhtin’s<br />
idea (SG, p. 52) of language as involving a<br />
constant, dynamic tension between centripetal<br />
and centrifugal <strong>for</strong>ces. Centripetal <strong>for</strong>ces<br />
which produce authoritative discourses which<br />
are relatively fixed and often associated with<br />
political centralization and a unified cultural<br />
‘canon’ can come into conflict with centrifugal<br />
<strong>for</strong>ces which lead to the diversification of<br />
language and the fragmentation of cultural<br />
and political institutions. At their most extreme,<br />
these centrifugal <strong>for</strong>ces are associated with<br />
what Bakhtin calls “inwardly persuasive<br />
discourse”, which accompanies everyday<br />
experience and is intensely interactive and<br />
contemporaneous. <strong>The</strong> conflict is played out<br />
by the centripetal <strong>for</strong>ces of schools, authorities<br />
and communities (religious, migrant, etc.)<br />
and the centrifugal <strong>for</strong>ces of personal and/or<br />
community experience and the day-to day<br />
concerns of people and students.<br />
Tension and struggle often resolve in finding a<br />
voice which implies taking up a particular<br />
ideological position within the struggle between<br />
centripetal and centrifugal <strong>for</strong>ces (SG, p. 52).<br />
As voices represent other people’s words<br />
and intentions they are never neutral. Words<br />
have associations with particular genres and<br />
discourses and are, as Bakhtin puts it, overpopulated<br />
with other people’s intentions (SG,<br />
p. 53). He called the many-voiced quality of<br />
language “heteroglossia”. Contexts which are<br />
saturated with ideologically loaded words and<br />
overpopulated with other people’s intentions<br />
are a site of continual struggle <strong>for</strong> identity.<br />
My own experience confirms the above, as<br />
over time I have appropriated and elaborated<br />
voices to help me find my own identities<br />
and to date they remain multiple. Over time,<br />
awareness of them and the playing out of the<br />
tensions and conflicts have helped me situate<br />
them and make them more interactive/<br />
inclusive rather than isolating/exclusive.<br />
Identity and second/other language learning<br />
I would now like to look at language and<br />
identity in a second language learning<br />
context. Norton (2000, cited in SG, p. 62)<br />
argues that second language acquisition<br />
theory needs to recognize that questions of<br />
identity are crucial <strong>for</strong> second language<br />
learning. In line with a post-structuralist<br />
outlook, Norton argues further that identity is<br />
“non-unitary”, a “site of struggle” and “changing<br />
over time”. Second/other language learning<br />
is a need often associated with geographical<br />
mobility, with immigration and with the use of<br />
<strong>English</strong> as a ‘lingua franca’.<br />
While Mercer uses Vygotskian ideas to argue<br />
that teacher-pupil dialogues construct “common<br />
knowledge”, post-structuralists would argue<br />
that they also construct the identities of<br />
‘teacher’ and ‘student’, and the practices and<br />
procedures of schooling (SG, p. 49). As<br />
teachers we take on different identities<br />
depending on what type of class we are<br />
teaching. This is probably particularly true in<br />
the ELT world, as the spectrum of learners<br />
covers in-company professionals, immigrants,<br />
people in search of employment, leisure<br />
travellers and so on, encompassing different<br />
identities with different linguistic needs.<br />
<strong>The</strong> context shapes the teacher’s identity in<br />
terms of approach, language, material used,<br />
personal presentation, i.e. clothes and so on.<br />
I am very aware of the different identities I<br />
embody in my own profession.<br />
Language vs. social practice as outlined by<br />
Bucholtz (2003, p. 144) is also reflected in<br />
methodologies of language teaching where<br />
the emphasis has shifted to the contingent,<br />
the local, the practice, and away from a topdown,<br />
central and categoriseable approach.<br />
Here interaction is extended from a linguistic<br />
concept to other <strong>for</strong>ms of mutual engagement<br />
– that is, including all non-linguistic aspects<br />
of social activity. Community of practice quite<br />
literally reincorporates language into the<br />
physical self (echoing Bourdieu’s concept of<br />
hexis – Bucholtz, 2003, p. 142). However,<br />
there are tensions played out at this level too.<br />
On the one hand, there is greater attention to<br />
local identities and communities of practice,<br />
and on the other, the emergence of a different<br />
<strong>for</strong>m of imperialism. Morris-Di Boscio (2006)<br />
raised the following interesting questions: “By<br />
teaching academic writing to EFL students,<br />
MEMBER MIX<br />
could we in fact be changing the way they<br />
think? And is the way you think not part of<br />
your identity? So we must be then changing<br />
their identities into more Western ones. And is<br />
that not imperialistic?”<br />
In fact <strong>English</strong> as a world language is opening<br />
up new circuits of cultural imperialism via<br />
mass communication practices such as cable<br />
and satellite television and predominance on<br />
the internet of <strong>English</strong> as a world language<br />
(Rassool, 2000 p. 396). Pennycook (1998,<br />
cited in SG, p. 62) suggests inequalities<br />
between Anglophone communities and<br />
second language learners are also deeply<br />
encoded within the discourse of ESL teaching<br />
and within the textbooks used with learners.<br />
“From a Foucauldian point of view, all these<br />
uses of authoritative voices are part of the<br />
more diffuse, institutional processes, through<br />
which power reaches into the very grain of<br />
individuals, touches their bodies and inserts<br />
itself into their actions and attitudes, their<br />
discourses, learning processes and everyday<br />
lives” (Foucault cited in Maybin, 2003, p. 164).<br />
This area of work and study is receiving<br />
increasing professional and academic attention,<br />
and critical literacy and (paradoxically?) ELF<br />
(<strong>English</strong> as a lingua franca) can be seen<br />
as powerful tools to counter this potential<br />
‘danger’.<br />
Conclusion<br />
Bucholtz (2003, SG) identifies the shift from<br />
treating identity as a set of fixed attributes to<br />
seeing it as a more fluid, contested, ongoing<br />
social process (contextualised in communities<br />
of practice) … (and focuses on) the per<strong>for</strong>mances<br />
of identity and the struggles over it,<br />
which are achieved through language (SG,<br />
p. 51).<br />
Similarly, Baktin (SG, p. 52) stresses that<br />
internalisation is not a neutral process. When<br />
people internalise voices and dialogues,<br />
they are also internalising cultural and social<br />
aspects of the institutional order and in this<br />
sense, “the history of the process of the<br />
internalisation of social speech is also the<br />
history of the socialisation of children’s (and<br />
adults’ – author’s note) practical intellect”<br />
(Vygotsky cited in Maybin, 2003, p. 163). This<br />
is an arena in which the conflicting roles of<br />
<strong>English</strong> language teaching/learning and the<br />
role of <strong>English</strong> as a global or world language<br />
are played out.<br />
ETAS Journal 25/2 Spring 2008 31
Language and discourse play an important<br />
role in identity <strong>for</strong>mation and trans<strong>for</strong>mation,<br />
and a post-structural approach recognises the<br />
ideological dimension of language and the<br />
fact that notions of identity, and particularly<br />
language identity, are tied up with broader<br />
social structures and historical processes<br />
and that the concept of identity is inextricably<br />
implicated within multidimensional discourses<br />
of ‘self’, ‘being’ and ‘belonging/otherness’, of<br />
past and present; of rootedness and displacement<br />
(Rassool, 2000).<br />
Nadia Marzocco<br />
References<br />
MEMBER MIX<br />
Bucholtz, M. (2003): Why be normal?: language<br />
and identity practices in a community of nerd girls<br />
in Goodman, S., Lillis, T., Maybin, J. and<br />
Mercer, N. (eds.): Language, Literacy and<br />
Education: a reader, Stoke-on-Trent, Trentham<br />
Books/<strong>The</strong> Open University, pp. 141-158<br />
Gutierrez, K.D., Baquedano-Lopez, P. and Tejeda,<br />
C. (2003): Rethinking diversity: hybridity and<br />
hybrid language practices in the Third Space in<br />
Goodman, S., Lillis, T., Maybin, J. and Mercer,<br />
N. (eds.): Language, Literacy and Education: a<br />
reader, Stoke-on-Trent, Trentham Books/<strong>The</strong> Open<br />
University, pp. 171-187<br />
Maybin, J. (2003): Voices, intertextuality and induction<br />
into schooling in Goodman, S., Lillis, T., Maybin,<br />
J. and Mercer, N. (eds.): Language, Literacy<br />
and Education: a reader, Stoke-on-Trent, Trentham<br />
Books/<strong>The</strong> Open University, pp. 159-170<br />
McKinney, C. (2003): Developing critical literacy<br />
in a changing context: the challenges of ‘critique’<br />
in South Africa in Goodman, S., Lillis, T., Maybin,<br />
J. and Mercer, N. (eds.): Language, Literacy and<br />
Education: a reader, Stoke-on-Trent, Trentham<br />
Books/<strong>The</strong> Open University, pp. 189-202<br />
Mercer, N. (2000): Words & Minds – How we use<br />
language to think together, London, Routledge,<br />
pp. 2, 105-1180<br />
Morris-Di Boscio, C: E844 online conference rlc5<br />
rlc5 TMA04, 28 July, 2006<br />
URL: http://webfc1.open.ac.uk/ E844 -2006 rlc5<br />
TMA04<br />
Ramanathan, V. (2003): <strong>English</strong> is here to stay:<br />
a critical look at institutional and educational<br />
practices in India in Goodman, S., Lillis, T., Maybin,<br />
J. and Mercer, N. (eds.): Language, Literacy and<br />
Education: a reader, Stoke-on-Trent, Trentham<br />
Books/<strong>The</strong> Open University, pp. 203-216<br />
Rassool, N. (2000): Contested and contesting<br />
identities: conceptualising linguistic minority rights<br />
within the global cultural economy, in Journal of<br />
Multilingual and Multicultural Development, Vol. 21,<br />
no. 5, pp. 386-398 (online)<br />
32 ETAS Journal 25/2 Spring 2008<br />
Accessible from:<br />
http://www.multilingual-matters.net.libezproxy.<br />
open.ac.uk/jmmd/021/0386/jmmd0210386.pdf<br />
SG - Open University Study Guide (2004): E844<br />
Language and Literacy in a Changing World, Milton<br />
Keynes, UK<br />
<strong>The</strong> tools of Systemic Functional<br />
Linguistics in the <strong>English</strong> Classroom<br />
Introduction<br />
“Using discourse analyses through systemic<br />
functional grammar theory, teachers can make<br />
explicit to learners the patterns of language<br />
choices made by native speakers <strong>for</strong> specific<br />
writing purposes” (Er, 2001, p. 229).<br />
Field, tenor and mode <strong>for</strong>m the register<br />
variables which are the result of language<br />
choices and it is by analysing these elements<br />
that students’ language problems can often<br />
be identified and addressed. Problem areas<br />
may “stem from unfamiliarity with the culturally<br />
expected schematic structure, or from a lack<br />
of technical vocabulary <strong>for</strong> the field, or from<br />
inexperience of the textual linguistic choices<br />
that are needed <strong>for</strong> a sophisticated ‘written<br />
mode’” (Painter, 2001, p. 178). Having<br />
identified these areas, the writer could then<br />
be helped by his/her awareness being raised<br />
through specific activities, role models and<br />
practice exercises. <strong>The</strong> instructional cycle put<br />
<strong>for</strong>ward by Gibbons (Study Guide, pp. 98-99)<br />
which consists of different stages, i.e. focusing,<br />
recognition, guided practice, application and<br />
evaluation, provides an excellent method <strong>for</strong><br />
achieving this goal and monitoring and<br />
scaffolding improvement.<br />
This paper seeks to analyse and comment on<br />
a text (see Appendix 1) produced in response<br />
to the prompt: ‘Do you agree or disagree with<br />
the following statement? A zoo has no useful<br />
purpose. Use specific reasons and examples<br />
to explain your answer’ (Open University<br />
PAG, 2007, p. 17) by looking at it through<br />
the lens of the three components of register,<br />
namely Field (what the text is about), Tenor<br />
(interactants and their roles and relationships)<br />
and Mode (channel and medium of communication)<br />
and their meta-functional components<br />
of the language system, i.e. ideational,<br />
interpersonal and textual elements (Painter,<br />
2001, p. 178).<br />
Field<br />
As mentioned above, the text clearly belongs<br />
to the genre of exposition and the writer puts<br />
<strong>for</strong>ward arguments in favour of zoos. <strong>The</strong><br />
chain of vocabulary (e.g. zoo, animal lives,<br />
sense of smell, dog, people, free time, family,<br />
have fun, reduce stress, benefit) allows the<br />
reader to clearly identify the field. <strong>The</strong><br />
arguments in favour of zoos are then<br />
developed into ‘benefits from animals’ and<br />
‘benefits <strong>for</strong> people’. However, the lexical<br />
range is rather limited as repetition often<br />
occurs, i.e. ‘learn animal lives, a lot of benefit,<br />
having fun’. <strong>The</strong> writer could benefit from<br />
activities that present synonyms or words/<br />
expressions with the same meaning and then<br />
be asked to do gap-filling or substitution<br />
exercises to improve his/her lexical range.<br />
Tenor and Modality<br />
“Modality plays a vital role in the construction<br />
and distinction of persuasive and opinion<br />
texts” (Gibbons and Marwick-Smith, Study<br />
Guide, p. 98). While the writer makes a very<br />
good attempt at using modality to express<br />
his/her opinion without being over-emphatic,<br />
in <strong>for</strong> example ‘…you would not have fun’,<br />
‘You could be reduced your stress’ (ignoring<br />
the incorrect use of the passive), ‘…you<br />
would see many kind of animals...’ or ‘A family<br />
can be happy going to the zoo’, its use is<br />
inconsistent and there is a good number of<br />
examples where the lack of modality makes<br />
the statements sound very categorical and<br />
where the reader might question its<br />
universality. Examples of this can be found in<br />
‘Zoo gives people a lot of benefit’, ‘…learning<br />
animal lives give to people a lot of benefit’, ‘In<br />
the world, the zoo gives family having fun’.<br />
<strong>The</strong> writer could be guided through exercises<br />
where he/she is asked to turn categorical<br />
statements into less over-emphatic ones by<br />
using modals and at the same time be made<br />
aware of cultural aspects in the area of giving<br />
opinions.
Mode – Nominalisation and cohesion<br />
<strong>The</strong> genre of exposition belongs mainly to the<br />
‘written mode’; this means organising ‘spoken<br />
text’ into exposition, highlighting its theses,<br />
setting <strong>for</strong>th the arguments and possibly<br />
summing up (Martin, J.M., 2001, p. 220).<br />
Inherent in this process is the use of<br />
language of abstraction and linking words<br />
such as ‘first’, ‘however’, ‘similarly’, ‘finally’.<br />
In the text, the writer seems to have been<br />
introduced to the use of clear paragraphs to<br />
structure the text but the lack of conjunctively<br />
related units gives it a disjointed feel. <strong>The</strong>re<br />
are no clear signposts with the exception of<br />
the concluding paragraph. If the writer had<br />
signposted the paragraphs with ‘first’ and<br />
‘secondly’, the overall structure would have<br />
sounded more coherent and easily identifiable<br />
by the reader.<br />
Moreover, the perceived lack of cohesion is<br />
rein<strong>for</strong>ced through the use of mainly single<br />
clauses and simple sentences. <strong>The</strong> student<br />
could be helped by being made more aware<br />
of how to link sentences into clause complex<br />
structures. This is an aspect that the student<br />
could be encouraged to develop further, as a<br />
basic understanding seems to be there. This<br />
is shown <strong>for</strong> instance in ‘If you go to zoo you<br />
would see many kind of animals and have<br />
fresh air’. Activities could include joining<br />
sentences using pronouns or linking devices<br />
and then incorporating these into the<br />
re<strong>for</strong>mulation of their original piece of writing.<br />
Abstraction is generally obtained through<br />
nominalisation. <strong>The</strong>re are examples of<br />
nominalisation and impersonal pronouns<br />
to distance the writer from the reader as<br />
would be expected in this genre. In fact it<br />
would seem that the student has had some<br />
exposure to it as shown in ‘By learning animal<br />
lives you get a better understanding...’ and ‘...<br />
Going to the zoo…’. A simple activity where<br />
the student has to turn verbs into nouns and<br />
then rewrite the sentences accordingly would<br />
expose him/her to this language feature.<br />
Identifying this structure in sample texts and<br />
then reproducing their own would also help<br />
them focus on this construction and language<br />
use.<br />
Tenor and mode would also justify the use<br />
of the passive voice, thereby distancing the<br />
relationship between reader and writer and<br />
complying with the written style <strong>for</strong> this kind of<br />
generic production. Activities where students<br />
turn active sentences into passive ones could<br />
serve the purpose of focusing on language<br />
structure as well as levels of <strong>for</strong>mality and<br />
differences between written and spoken<br />
modes.<br />
If we now turn to referencing, the text<br />
presents a number of problems. “Reference<br />
is the system <strong>for</strong> tracking participants through<br />
a text. It constitutes an important grammatical<br />
resource <strong>for</strong> maintaining text cohesion.<br />
Grammatically, it is realised largely through<br />
pronouns and definite/indefinite article<br />
systems” (Er, 2001, p. 235). <strong>The</strong> sentence ‘By<br />
having fun with family…’ would sound better<br />
with the inclusion of ‘your’ (your family) as<br />
done in the second part ‘you give you family a<br />
lot of fun’.<br />
<strong>The</strong>re are examples of errors with homophoric<br />
reference. This occurs where “reference<br />
assumes membership of a shared context<br />
of culture” (Er, 2001, p. 235). An example of<br />
homophoric reference can be found in ‘If you<br />
don’t go to zoo…’ and not ‘the zoo’. However,<br />
in the following sentence the student uses the<br />
correct homophoric reference ‘…in the zoo…’.<br />
<strong>The</strong> student could be helped fine-tune these<br />
aspects of writing.<br />
Mode – <strong>The</strong>me and Rheme<br />
Another area that could be developed<br />
concerns thematic development through the<br />
analysis of <strong>The</strong>me and Rheme patterns. “If<br />
the <strong>The</strong>me is the signpost <strong>for</strong> a speaker or<br />
writer’s point of departure, then each Rheme<br />
is the temporary destination. Usually the bit of<br />
the message that the writer or speaker<br />
considers interesting or important comes in<br />
the Rheme … many texts are signposted<br />
by placing elements from the Rheme of one<br />
clause into the <strong>The</strong>me of the next, or by<br />
repeating meanings from the <strong>The</strong>me of one<br />
clause in the <strong>The</strong>me of subsequent clauses”<br />
(Butt et al., 2000, p. 142).<br />
<strong>The</strong> writer makes an attempt at providing<br />
thematic continuity. However, he/she tends<br />
to use more <strong>The</strong>me-<strong>The</strong>me patterns than<br />
<strong>The</strong>me-Rheme ones. “Fries (1983, p. 124<br />
cited in Er, 2001, p. 232) makes the point that<br />
this type of thematic progression … is more<br />
likely to be found in narrative-type texts…<br />
Academic texts, on the other hand, correlate<br />
with thematic progression which shows a<br />
high incidence of cross-referential links from<br />
the Rheme of one sentence to the <strong>The</strong>me of<br />
MEMBER MIX<br />
the next”. <strong>The</strong> above can be exemplified by<br />
the clauses ‘Learning animal lives is really<br />
interesting. By learning animal lives you get<br />
a better understanding their lives’ or ‘…dogs<br />
have good sense of smell. <strong>The</strong>y usually help<br />
people to find lost people’. A similar situation<br />
is presented in the clauses ‘If you go to zoo<br />
… fresh air. Zoo is Natural Park so it doesn’t<br />
have air pollution’. Both clauses are supported<br />
by the same <strong>The</strong>me and this gives the<br />
impression of the text lacking in the development<br />
of ideas. “Checking <strong>for</strong> effective thematic<br />
progression and drift in their own texts can be<br />
one of the earliest editing skills student writers<br />
are taught” (Butt et al, p. 157). Students could<br />
work in pairs or groups and through a soft introduction<br />
to metalanguage identify why a text<br />
may be difficult to read (thematic progression,<br />
signposting, etc.) and edit it to make it more<br />
easily accessible.<br />
Conclusion<br />
Through the lens of the three components of<br />
Register it was possible to identify some of<br />
the writer’s strengths and weaknesses. He or<br />
she seems to operate within the schematic<br />
structure required by the genre of exposition:<br />
statement of position, elaboration of arguments,<br />
rein<strong>for</strong>cement of statement of position. <strong>The</strong><br />
field includes a clear chain of vocabulary but a<br />
limited range of Process/Participant/<br />
Circumstance. <strong>The</strong> tenor is expressed using<br />
the declarative mood (appropriate <strong>for</strong> the<br />
genre) but the inconsistent use of modality<br />
and a limited use of attitudinal language <strong>for</strong><br />
appraisal create an ‘uneasy’ relationship with<br />
the reader. Lastly, the student seems to show<br />
some difficulty with <strong>The</strong>me-Rheme patterns<br />
and the marked absence of cohesive devices<br />
give the text a rather disjointed feel.<br />
All these areas could be addressed<br />
successfully in the classroom with activities<br />
that explicitly develop the writer’s awareness<br />
and competence.<br />
Nadia Marzocco<br />
References<br />
Butt, D., Fahey, R., Feez, S. and Yallop, C. (2000):<br />
Using Functional Grammar, An Explorer’s Guide,<br />
Sydney, Macquarie University<br />
Er, E. (2001): Text Analysis and Diagnostic Assessment<br />
in Burns, A. and Coffin, C. (eds): Analysing<br />
ETAS Journal 25/2 Spring 2008 33
MEMBER MIX<br />
<strong>English</strong> in a Global Context, London, Routledge<br />
Martin, J.M. (2001): Language, Register and Genre<br />
in Burns, A. and Coffin, C. (eds): Analysing <strong>English</strong><br />
in a Global Context, London, Routledge<br />
Marwick-Smith and Gibbons (2001), Exploring the<br />
use of a systemic Semantic Description in Burns,<br />
A., Candlin, C., Hall, D., Hewings, A. and Mercer,<br />
N. (eds): Study Guide, UK, <strong>The</strong> Open University<br />
Open University Project and Assignment Guide,<br />
2007: E841 Teaching <strong>English</strong> to Speakers of Other<br />
Languages Worldwide, Milton Keynes, UK<br />
Painter, C (2001): Understanding Genre and Register:<br />
implications <strong>for</strong> Language Teaching in Burns, A.<br />
and Coffin, C. (eds): Analysing <strong>English</strong> in a Global<br />
Context, London, Routledge<br />
Appendix 1 – Text<br />
People have free time with family. Some of<br />
family travel to other cities or countries. Other<br />
families go to park and zoo. Zoo gives people<br />
a lot of benefit. I Disagree with a zoo has no<br />
useful purpose because people can learn<br />
animal lives and have fun in the zoo.<br />
Learning animal lives is really interesting.<br />
By learning animal lives you get a better<br />
understanding their lives. A dog, which is best<br />
friend to people, helps people a lot of things.<br />
For example, dogs have good sense of smell.<br />
<strong>The</strong>y usually help people to find lost people.<br />
If people go to the zoo they would know more<br />
animal’s lives and they can get their help.<br />
In my opinion, learning animal lives give to<br />
people a lot of benefit.<br />
In the world, the zoo gives family having fun.<br />
By having fun people can reduce stress and<br />
get energy. If you go to zoo you would see<br />
many kind of animals and have fresh air. Zoo<br />
is Natural Park so it doesn’t have air pollution.<br />
You could be reduced your stress and having<br />
fun. If you don’t go to zoo you would not have<br />
fun. By having fun with family in the zoo you<br />
give you family a lot of fun.<br />
In conclusion, Going to the zoo give people<br />
a lot of benefit like learning animal lives and<br />
having fund with family. This mean you should<br />
go to find out beneficial zoo. A family can be<br />
happy going to the zoo.<br />
Note: <strong>The</strong> text was taken from http://www.<br />
wayabroad.com/chinese/twe/essays/todaystopic.cfm<br />
34 ETAS Journal 25/2 Spring 2008<br />
Nadia Marzocco has been professionally active in<br />
the ELT world <strong>for</strong> over 16 years. She has held<br />
positions in the private and public sectors, has<br />
taught adults from all walks of life in the UK, Italy<br />
and Switzerland and now works <strong>for</strong> Scuola Club<br />
Migros Ticino. She has a multicultural and<br />
multilingual background, which is what sparked her<br />
early interest in languages, people, literacy and<br />
identity. She completed her MA in the Geography<br />
of Third World Development in 1995 and, after an<br />
academic break, is currently studying <strong>for</strong> her PhD<br />
in Education (Applied Linguistics). She also enjoys<br />
life outside the ELT environment.<br />
Do you like taking photographs?<br />
Would you like to have your photos published?<br />
ETAS needs someone to take photographs at<br />
national events like the SIG Day and AGM.<br />
If you are interested, please contact Steve<br />
Lander (publ@e-tas.ch or Tel: 061 693 0086.)<br />
<strong>English</strong> <strong>for</strong> Specific Purposes Special<br />
Interest Group (ESP SIG)<br />
In the year 2000, on the cusp of a brave new<br />
millennium, linguist Dave Allan predicted that<br />
there would be an increase in the demand <strong>for</strong><br />
‘specialist <strong>English</strong>es’. So he might be pleased<br />
to know that that very demand has called into<br />
being ETAS’ latest specialist <strong>English</strong> group -<br />
the ESP or <strong>English</strong> <strong>for</strong> Specific Purposes SIG.<br />
Teaching ‘specialist <strong>English</strong>’ is not really<br />
like teaching any other kind of <strong>English</strong>. Your<br />
students probably already have a high level of<br />
<strong>English</strong> and they know more about their<br />
specialist subjects than you ever will. So<br />
what’s left <strong>for</strong> the teacher to do?<br />
Good question.<br />
Basically, the ground rules <strong>for</strong> teaching<br />
‘specialist <strong>English</strong>’ are the same as teaching<br />
general <strong>English</strong>. <strong>The</strong> students want to be able<br />
to communicate with native speakers or, even<br />
more likely these days, with other speakers<br />
<strong>for</strong> whom <strong>English</strong> is a second language. What<br />
distinguishes specialist <strong>English</strong> from general<br />
<strong>English</strong> is that the students need to be able<br />
to communicate effectively in a particular<br />
professional niche. He or she is learnèd in<br />
their subject in their own language, now they<br />
need to be able to exercise their expertise in<br />
suitably elegant <strong>English</strong>. In other words, the<br />
students are the experts. All we have to do<br />
is to equip them with the right set of <strong>English</strong><br />
language tools to enable them to get on with<br />
the job.<br />
Sounds easy, right?<br />
Well, yes and no. To some extent it depends<br />
upon your own background but to a greater<br />
extent on your willingness to learn. For in<br />
reality, particularly in the beginning, teaching<br />
a specific <strong>English</strong> can be very challenging.<br />
Perhaps, <strong>for</strong> example, you’re teaching<br />
medical <strong>English</strong> but can never be quite sure<br />
that the materials you’ve designed really<br />
give the students what they need. Or you’ve<br />
embarked upon teaching a class of young<br />
engineers but are starting to worry whether<br />
you’ll ever get the hang of thermo dynamics or<br />
the finer points of metal fatigue. And as if that<br />
wasn’t enough, different professionals have<br />
different ways of thinking: your students may<br />
be grappling with concepts familiar to them<br />
but utterly <strong>for</strong>eign to you.<br />
On the other hand, perhaps you’ve been
teaching financial <strong>English</strong> or legal <strong>English</strong> or<br />
<strong>English</strong> <strong>for</strong> academic purposes <strong>for</strong> years and<br />
have built up considerable knowledge in your<br />
specialist subject. You’ve grown to understand<br />
the world through the eyes of your students.<br />
And now you are willing to share your hardwon<br />
wisdom with teachers new to the field.<br />
And that’s exactly where this special interest<br />
group comes in. <strong>The</strong> aim of the <strong>English</strong> <strong>for</strong><br />
Specific Purposes SIG is to give support<br />
and encouragement to members who teach<br />
<strong>English</strong> to specialist groups ranging from<br />
aviators to zoologists; to match teachers with<br />
less experience to those more experienced,<br />
and to provide a <strong>for</strong>um where teaching tips<br />
can be passed on, new material recommended<br />
and ideas exchanged.<br />
I don’t pretend to be an expert in any of those<br />
fields - not even in my own specialist subject,<br />
<strong>English</strong> <strong>for</strong> lawyers. But I do know what it’s<br />
like to feel somewhat overwhelmed when<br />
faced with the challenge of teaching ESP and,<br />
equally, what it’s like coming across other<br />
teachers in the same boat willing to give a<br />
hand. So look out <strong>for</strong> the ESP SIG events at<br />
the new improved SIG Day in September, and<br />
be sure to sign up.<br />
ESP teachers of ETAS, unite! This is the SIG<br />
<strong>for</strong> you.<br />
Alison Wiebalk<br />
Alison was born in the UK but lived in many<br />
different countries be<strong>for</strong>e arriving in Switzerland<br />
with a growing family. Shortly thereafter she started<br />
to teach General <strong>English</strong> at home be<strong>for</strong>e branching<br />
out into teaching Business <strong>English</strong> in-company.<br />
In 2004 she began to specialise in legal <strong>English</strong><br />
and has since given workshops and legal <strong>English</strong><br />
teacher training sessions in Germany and<br />
Switzerland. Alison teaches legal <strong>English</strong> freelance<br />
and at a college of further education in Zürich.<br />
After graduating with a BA in <strong>English</strong> literature and<br />
linguistics and an LLB from Macquarie University in<br />
Sydney, Australia, Alison went on to gain a<br />
doctorate in international law from UNISA in<br />
Pretoria, South Africa. With some 15 years’<br />
teaching experience under her belt she completed<br />
the CELTA in Zürich, attended an intensive legal<br />
<strong>English</strong> teacher training course in Cambridge and<br />
became a founder member of EULETA (the<br />
European Legal <strong>English</strong> <strong>Teachers</strong> Association).<br />
Special Interest Areas:<br />
<strong>English</strong> literature, the law, legal, academic and<br />
other <strong>English</strong>(es).<br />
MEMBER MIX<br />
Teaching in India?<br />
In 2005 ETAS supported an <strong>English</strong>-medium school <strong>for</strong> tribal and Dalit (previously “untouchable”)<br />
children outside Hyderabad, India. Perhaps you read the reports from the school written by ETAS<br />
member Sarah Emch-Jones. <strong>The</strong> school is run by the HATI charity, which is based in Zürich and<br />
was set up by Dr Asif Mirza, who is himself originally from Hyderabad. Now we are looking <strong>for</strong><br />
volunteers to teach children from Lower Kindergarten (age 4) to 10th Class (age 16) and/or train<br />
teachers. We need:<br />
� qualified teachers of <strong>English</strong>, maths or science subjects<br />
� qualified teacher trainers to raise teachers’ awareness of methodology<br />
� native speakers or non-native speakers with Proficiency level<br />
� to stay <strong>for</strong> at least one month<br />
If you are interested, and in good health, very flexible and keen to work in a demanding but very<br />
rewarding environment, then please contact<br />
sarah.emchjones@gmx.net<br />
and we will arrange an interview <strong>for</strong> you. Board and lodging is provided <strong>for</strong> you in India, but you<br />
will need to pay <strong>for</strong> your flight. We’re looking <strong>for</strong>ward to hearing from you.<br />
If you would like to write a book review <strong>for</strong> the ETAS Journal and earn the review copy,<br />
contact Nicola Martignoni at bookreview@e-tas.ch<br />
ETAS Journal 25/2 Spring 2008 35
Library Updates<br />
RECENT ACQUISITIONS<br />
SERVICES<br />
Number Title Description<br />
Author(s) /<br />
Editor(s)<br />
Publisher Category<br />
2187 500 Activities <strong>for</strong> the Resource book with practical ideas and activities <strong>for</strong> Read C. Macmillan Resource Books<br />
Primary Classroom teaching <strong>English</strong> to primary-aged children. <strong>The</strong> activities<br />
are grouped according to type (storytelling & drama, art<br />
& craft, reading & writing, etc.) and can be taught with no<br />
or minimal resources.<br />
2007<br />
2188 700 Classroom Provides a huge repertoire of practical, classroom-tested Seymour D. & Macmillan Resource Books<br />
Activities<br />
supplementary activities, organised into 4 sections<br />
(conversation, functions, grammar, vocabulary). Can be<br />
used to support any ELT course- coursebook<br />
book from elementary<br />
to upper-intermediate and beyond.<br />
Popova M. 2005<br />
3100 ABC of Common<br />
Grammatical Errors<br />
6418 Academic Writing - from<br />
paragraph to essay<br />
Practical reference book <strong>for</strong> learners and teachers of<br />
<strong>English</strong> as a second or <strong>for</strong>eign language. Provides<br />
intermediate and advanced learners with easy access to<br />
the in<strong>for</strong>mation they need in order to correct their errors.<br />
For intermediate-level students who are preparing to<br />
study, or are already studying, in an academic<br />
environment and need to improve their writing skills.<br />
1237 An A-Z of ELT Fully cross-referenced, alphabetical guide to ELT.<br />
Explains grammatical, phonological & lexical terms,<br />
describes language teaching techniques and theories,<br />
suggests ways of teaching common grammar points,<br />
etc.<br />
1238 Beyond the Sentence -<br />
Introducing discourse<br />
analysis<br />
Introduction to discourse analysis. Examines the<br />
features and functions of different types of texts and<br />
shows how to incorporate them into language teaching.<br />
1239 Blended Learning "Using technology in and beyond the language<br />
classroom." Ideal companion <strong>for</strong> any teacher interested<br />
in the use of technology in the language classroom.<br />
Provides a practical overview of the different<br />
technologies available.<br />
10243 Business Builder -<br />
Modules 1-2-3<br />
10244 Business Builder -<br />
Modules 4-5-6<br />
10245 Business Builder -<br />
Modules 7-8-9<br />
10104 Business <strong>English</strong><br />
Handbook (Advanced)<br />
6424 College Writing - from<br />
paragraph to essay<br />
3101 Destination B2 -<br />
Grammar and<br />
Vocabulary<br />
Intermediate Teacher's Resource Book. Activities <strong>for</strong><br />
language development and skills training. Modules 1-2-<br />
3: Social <strong>English</strong>, Telephoning, Job interviews.<br />
Intermediate Teacher's Resource Book. Activities <strong>for</strong><br />
language development and skills training. Modules 4-5-<br />
6: Discussions and meetings, Business correspondence,<br />
Business reports.<br />
Intermediate Teacher's Resource Book. Activities <strong>for</strong><br />
language development and skills training. Modules 7-8-<br />
9: Presentations; Company, products and customer<br />
relations; Negotiations.<br />
Comprehensive book of business language <strong>for</strong> learners<br />
of <strong>English</strong> at upper-intermediate or advanced level.<br />
Provides intensive vocabulary input and practice +<br />
optional writing and speaking activities. (+ CD)<br />
Designed to take university-level students with an<br />
intermediate ability in <strong>English</strong> as a second language<br />
from paragraph writing through essay writing. Covers:<br />
generating ideas, organizing, drafting, reviewing and<br />
revising.<br />
Grammar and vocabulary practice book <strong>for</strong> all students<br />
preparing to take any B2 level exam (e.g. Cambridge<br />
FCE). Wide range of exercise types, including those<br />
found in FCE Use of <strong>English</strong>. (SB, no key)<br />
3013 Discover <strong>English</strong> "Language awareness <strong>for</strong> teachers." This book will help<br />
you to understand and explain common problems in<br />
<strong>English</strong>. It suggests motivating and practical activities<br />
which lead to learning. For teacher training seminars or<br />
self-study. (3rd ed.)<br />
Please remember to quote the Catalogue Number<br />
when ordering a book. Thank you!<br />
Turton N. D. Macmillan<br />
2007<br />
Zemach D. E. &<br />
Rumisek L. A.<br />
Macmillan<br />
2005<br />
Thornbury S. Macmillan<br />
2006<br />
Thornbury S. Macmillan<br />
2005<br />
Sharma P. &<br />
Barrett B.<br />
Macmillan<br />
2007<br />
Emmerson P. Macmillan<br />
2007<br />
Emmerson P. Macmillan<br />
2007<br />
Emmerson P. Macmillan<br />
2007<br />
Emmerson P. Macmillan<br />
2007<br />
Zemach D. E. &<br />
Rumisek L. A.<br />
Mann M. &<br />
Taylore-Knowles<br />
S.<br />
Bolitho R. &<br />
Tomlinson B.<br />
Macmillan<br />
2003<br />
Macmillan<br />
2006<br />
Macmillan<br />
2005<br />
Grammar and<br />
Language Practice<br />
Writing Skills<br />
Methodology and<br />
Linguistics<br />
Methodology and<br />
Linguistics<br />
Methodology and<br />
Linguistics<br />
<strong>English</strong> <strong>for</strong> Special<br />
Purposes:<br />
Business <strong>English</strong><br />
<strong>English</strong> <strong>for</strong> Special<br />
Purposes:<br />
Business <strong>English</strong><br />
<strong>English</strong> <strong>for</strong> Special<br />
Purposes:<br />
Business <strong>English</strong><br />
<strong>English</strong> <strong>for</strong> Special<br />
Purposes:<br />
Business <strong>English</strong><br />
Writing Skills<br />
Grammar and<br />
Language Practice<br />
Grammar and<br />
Language Practice<br />
ETAS Journal 25/2 Spring 2008 37
38 ETAS Journal 25/2 Spring 2008<br />
SERVICES Library Updates<br />
RECENT ACQUISITIONS<br />
Please remember to quote the Catalogue Number<br />
when ordering a book. Thank you!<br />
Number Title Description<br />
Author(s) /<br />
Editor(s)<br />
Publisher Category<br />
10109 Email <strong>English</strong> Based on hundreds of real e-mails, Email <strong>English</strong> deals Emmerson P. Macmillan <strong>English</strong> <strong>for</strong> Special<br />
systematically with key language <strong>for</strong> constructing<br />
2004<br />
Purposes:<br />
effective and convincing e-mails in <strong>English</strong>. It will help<br />
you to write effective and convincing e-mails, whether <strong>for</strong><br />
work, study or other purposes.<br />
Business <strong>English</strong><br />
10246 Essential Business Helps students improve both their grammar and Emmerson P. Macmillan <strong>English</strong> <strong>for</strong> Special<br />
Grammar Builder Business <strong>English</strong> vocabulary. For students studying at<br />
2007<br />
Purposes:<br />
elementary to lower-intermediate level. For the<br />
classroom or self-study. (with CD)<br />
Business <strong>English</strong><br />
15490 ETAS Journal<br />
Special Supplement: Explorations in ELT. Lander S. (Ed.) ETAS ETAS Journals<br />
Winter 2007<br />
Vol. 25 No. 1<br />
2007<br />
16003 IATEFL 2007 - Summaries of the plenary addresses, symposia,<br />
IATEFL Journals and<br />
Aberdeen Conference presentations, workshops, conference reviews, etc. With<br />
2008<br />
<strong>Magazine</strong>s<br />
Selections<br />
DVD containing archived materials from various<br />
sessions in Aberdeen.<br />
10247 In Company –<br />
Fast-paced, multi-level Business <strong>English</strong> course <strong>for</strong> Clarke S. Macmillan <strong>English</strong> <strong>for</strong> Special<br />
Elementary<br />
professional adults. Develops key language skills<br />
2007<br />
Purposes:<br />
through activities that reflect the real world of modern<br />
business. (with CD)<br />
Business <strong>English</strong><br />
10102 In Company – Test CD This CD of editable tests accompanies the In Company Hughes J. Macmillan <strong>English</strong> <strong>for</strong> Special<br />
series. Contains placement tests, quick progress tests,<br />
2005<br />
Purposes:<br />
mid-course tests and end-course tests <strong>for</strong> each of the 4<br />
levels of In Company (Elementary, Pre-intermediate,<br />
Intermediate, Upper-Intermediate).<br />
Business <strong>English</strong><br />
11105 KET Testbuilder Designed to help students improve their exam<br />
Dymond S., Macmillan Key <strong>English</strong> Test<br />
per<strong>for</strong>mance and increase their language competence Kenny N. & 2005<br />
Examination Books<br />
<strong>for</strong> success in the KET exam. With 4 complete tests and<br />
answer key. (SB, 2 CDs)<br />
French A.<br />
1142 Learning Teaching Practical introduction to teaching <strong>English</strong> as a <strong>for</strong>eign Scrivener J. Macmillan Methodology and<br />
second language. Invaluable resource <strong>for</strong> teacher<br />
training courses. Helps you understand the basic<br />
principles of working in a language classroom, shows<br />
how to plan successful activities, etc.<br />
2005<br />
Linguistics<br />
5226 Move - Elementary Five-level course <strong>for</strong> adults and young adults. Flexible Bowler B. & Macmillan Coursebooks<br />
modular approach with practical, everyday topics and<br />
plenty of practice and review material to build students'<br />
confidence. (Elementary / SB, CD)<br />
Parminter S. 2007<br />
5227 Move - Pre-intermediate Five-level course <strong>for</strong> adults and young adults. Flexible Maggs P. & Macmillan Coursebooks<br />
modular approach with practical, everyday topics and<br />
plenty of practice and review material to build students'<br />
confidence. (Pre-intermediate / SB, CD)<br />
Quintana J. 2006<br />
5228 Move - Intermediate Five-level course <strong>for</strong> adults and young adults. Flexible Holman A., Macmillan Coursebooks<br />
modular approach with practical, everyday topics and Milne B. & 2006<br />
plenty of practice and review material to build students'<br />
confidence. (Intermediate / SB, CD)<br />
Webb B.<br />
5229 Move - Upperintermediate<br />
Five-level course <strong>for</strong> adults and young adults. Flexible<br />
modular approach with practical, everyday topics and<br />
plenty of practice and review material to build students'<br />
confidence. (Upper-intermediate / SB, CD)<br />
5230 Move - Advanced Five-level course <strong>for</strong> adults and young adults. Flexible<br />
modular approach with practical, everyday topics and<br />
plenty of practice and review material to build students'<br />
confidence. (Advanced / SB, CD)<br />
5076 New Inside Out -<br />
Beginner<br />
5077 New Inside Out -<br />
Elementary<br />
Five-level course <strong>for</strong> adults and young adults, built<br />
around structured work on grammar and lexis, planned<br />
speaking tasks, and motivating reading and listening<br />
texts. (Beginner / SB, CD)<br />
Five-level course <strong>for</strong> adults and young adults, built<br />
around structured work on grammar and lexis, planned<br />
speaking tasks, and motivating reading and listening<br />
texts. (Elementary / SB, CD)<br />
Kay S.,<br />
Hird J. &<br />
Maggs P.<br />
Robb Benne R. &<br />
Hird J.<br />
Kay S. &<br />
Jones V.<br />
Kay S. &<br />
Jones V.<br />
Macmillan<br />
2006<br />
Macmillan<br />
2007<br />
Macmillan<br />
2007<br />
Macmillan<br />
2007<br />
Coursebooks<br />
Coursebooks<br />
Coursebooks<br />
Coursebooks
Library Updates<br />
RECENT ACQUISITIONS<br />
Number Title Description<br />
6434 Paragraph Writing -<br />
from sentence to<br />
paragraph<br />
Takes students from sentence <strong>for</strong>mation to paragraph<br />
writing through a process approach. This develops<br />
students' paragraph writing skills and encourages them<br />
to become independent and creative writers. (American<br />
<strong>English</strong>)<br />
11211 PET Testbuilder Designed to help students improve their exam<br />
per<strong>for</strong>mance and increase their language competence<br />
<strong>for</strong> success in the PET exam. With 4 complete tests and<br />
answer key. (SB, CD)<br />
1166 Sound Foundations Systematic and practical approach to helping students<br />
improve their pronunciation. Covers pronunciation<br />
systems, why sounds change in connected speech and<br />
how stress and intonation affect meaning. With many<br />
practical activities. New 3rd ed., with Audio CD.<br />
5010 Straight<strong>for</strong>ward -<br />
Beginner<br />
5009 Straight<strong>for</strong>ward -<br />
Elementary<br />
5011 Straight<strong>for</strong>ward - Preintermediate<br />
5012 Straight<strong>for</strong>ward -<br />
Intermediate<br />
5013 Straight<strong>for</strong>ward - Upper<br />
Intermediate<br />
1167 Teaching Practice - A<br />
handbook <strong>for</strong> teachers<br />
in training<br />
Multi-level course <strong>for</strong> adults and young adults. Based on<br />
observation of what good teachers do in the classroom,<br />
Straight<strong>for</strong>ward is transparent in structure, pragmatic in<br />
its methodology and varied in its content. (Beginner /<br />
SB, CD)<br />
Multi-level course <strong>for</strong> adults and young adults. Based on<br />
observation of what good teachers do in the classroom,<br />
Straight<strong>for</strong>ward is transparent in structure, pragmatic in<br />
its methodology and varied in its content. (Elementary /<br />
SB, CD)<br />
Multi-level course <strong>for</strong> adults and young adults. Based on<br />
observation of what good teachers do in the classroom,<br />
Straight<strong>for</strong>ward is transparent in structure, pragmatic in<br />
its methodology and varied in its content. (Preintermediate<br />
/ SB, CD)<br />
Multi-level course <strong>for</strong> adults and young adults. Based on<br />
observation of what good teachers do in the classroom,<br />
Straight<strong>for</strong>ward is transparent in structure, pragmatic in<br />
its methodology and varied in its content. (Intermediate /<br />
SB, CD)<br />
Multi-level course <strong>for</strong> adults and young adults. Based on<br />
observation of what good teachers do in the classroom,<br />
Straight<strong>for</strong>ward is transparent in structure, pragmatic in<br />
its methodology and varied in its content. (Upper-<br />
Intermediate / SB, CD)<br />
Handbook <strong>for</strong> EFL teachers in training (planning<br />
lessons, presenting and practising new language,<br />
working on skills, managing classroom activities,<br />
correcting and giving feedback, …).<br />
10110 Telephone <strong>English</strong> Deals systematically with the key language <strong>for</strong> making<br />
essential phone calls <strong>for</strong> everyday life and business.<br />
Includes key vocabulary and expressions, telephone<br />
etiquette, and strategies <strong>for</strong> successful business calls. (+<br />
CD) (+CD)<br />
11025 Tips <strong>for</strong> IELTS All the in<strong>for</strong>mation you need <strong>for</strong> the IELTS exam.<br />
Contains a test-by-test analysis of how to tackle specific<br />
types of questions, increase speed & accuracy, avoid<br />
common mistakes, etc.<br />
6435 Writing in paragraphs Takes students from sentence <strong>for</strong>mation to paragraph<br />
writing through a process approach. This develops<br />
students' paragraph writing skills and encourages them<br />
to become independent and creative writers. (British<br />
<strong>English</strong>)<br />
Author(s) /<br />
Editor(s)<br />
Zemach D. E. &<br />
Islam C.<br />
SERVICES<br />
Please remember to quote the Catalogue Number<br />
when ordering a book. Thank you!<br />
Luque-Mortimer<br />
L.<br />
Publisher Category<br />
Macmillan<br />
2005<br />
Macmillan<br />
2005<br />
Underhill A. Macmillan<br />
2005<br />
Clandfield L. Macmillan<br />
2007<br />
Clandfield L. Macmillan<br />
2006<br />
Kerr P. Macmillan<br />
2005<br />
Kerr P. &<br />
Jones C.<br />
Kerr P. &<br />
Jones C.<br />
Gower R.,<br />
Phillips D. &<br />
Walters S.<br />
Macmillan<br />
2006<br />
Macmillan<br />
2007<br />
Macmillan<br />
2005<br />
Hughes J. Macmillan<br />
2006<br />
McCarter S. Macmillan<br />
2006<br />
Zemach D. E. &<br />
Islam C.<br />
Macmillan<br />
2006<br />
Writing Skills<br />
PET Examination<br />
Books<br />
Methodology and<br />
Linguistics<br />
Coursebooks<br />
Coursebooks<br />
Coursebooks<br />
Coursebooks<br />
Coursebooks<br />
Methodology and<br />
Linguistics<br />
<strong>English</strong> <strong>for</strong> Special<br />
Purposes:<br />
Business <strong>English</strong><br />
Tests and Exams -<br />
General<br />
Writing Skills<br />
ETAS Journal 25/2 Spring 2008 39
________________________________________________________________________________________<br />
Catalogue No. Title Return by (please leave blank)<br />
________________________________________________________________________________________<br />
________________________________________________________________________________________<br />
________________________________________________________________________________________<br />
If any of the above items are not available, please send me the following instead:<br />
________________________________________________________________________________________<br />
________________________________________________________________________________________<br />
________________________________________________________________________________________<br />
________________________________________________________________________________________<br />
________________________________________________________________________________________<br />
Name and Address:<br />
________________________________________________________________________________________<br />
Tel: Fax: E-mail:<br />
________________________________________________________________________________________<br />
________________________________________________________________________________________<br />
________________________________________________________________________________________<br />
Date: Signature:<br />
40 ETAS Journal 25/2 Spring 2008<br />
SERVICES<br />
� I am an Infrequent User and have enclosed SFr. 6.– in stamps<br />
� I am a Priority User and have paid into the ETAS postal account<br />
no. 80-43533-3, Zürich<br />
� SFr. 30.– <strong>for</strong> 6 lots<br />
� SFr. 60.– <strong>for</strong> 12 lots<br />
(Up to 3 items, plus accompanying books and/or cassettes/CDs, may be ordered at any one time.)<br />
I’ve enclosed a self-addressed adhesive label<br />
Please send me the following items from the ETAS library <strong>for</strong> 23 days:<br />
Please return to: ETAS Administration, Rue de l’Hôpital 32, CH-1400 Yverdon<br />
Tel: +41 (0)24 420 3254, Fax: +41 (0)24 420 3257, e-mail: office@e-tas.ch, website: www.e-tas.ch<br />
Library Order and<br />
Check-out Form<br />
How to use the ETAS Library<br />
� All current members of ETAS with an address in Switzerland can use the ETAS mail-service library.<br />
� You can order books in two ways:<br />
1) As an Infrequent User, you fill in the printed Library Order and Check-out Form (see above) and return it to ETAS<br />
Administration with SFr. 6.– in stamps (to cover postage costs) and a self-addressed adhesive label.<br />
2) As a Priority User, you pay <strong>for</strong> postage costs in advance - SFr. 30.– <strong>for</strong> six lots or SFr. 60.– <strong>for</strong> twelve lots - into<br />
the ETAS postal account. You can then order books online (www.e-tas.ch, click on “Services” then “Library”) or<br />
by using the paper <strong>for</strong>m as in 1) (but you don’t need to send stamps).<br />
� Ordering books online is reserved <strong>for</strong> our Priority Users.<br />
� One order consists of up to 3 items (including any accompanying books and/or cassettes/CDs). In case some books are out on loan, feel free to give additional titles. <strong>The</strong> first three<br />
items that are available will be sent to you.<br />
� If a book you wanted is out on loan, a <strong>for</strong>m will be sent to you enabling you to reserve the missing book, should you still require it. <strong>The</strong> book will then be sent to you when it is<br />
returned to the library.<br />
� Books can be borrowed <strong>for</strong> up to 23 days.<br />
� To request a renewal, please contact ETAS Administration be<strong>for</strong>e the return-by date, quoting the title, catalogue number and return-by date of the borrowed items. If the books<br />
have not been reserved by another reader, you will be given a new return-by date.<br />
� Personal viewing is possible by appointment.<br />
� <strong>The</strong> full list of items is available on our website (www.e-tas.ch). An update with recent acquisitions is in each ETAS Journal.
Membership<br />
Administration<br />
Membership: I/we apply <strong>for</strong> membership in the following category:<br />
� Individual Member: � Switzerland SFr. 95.- per annum<br />
� EU SFr. 120.- per annum<br />
� Overseas SFr. 145.- per annum<br />
� Institutional Member: SFr. 190.- per annum<br />
� Associate Member: SFr. 420.- per annum<br />
Payment:<br />
SERVICES<br />
Old Address New Address valid as of: _____________________________<br />
Full Name _______________________________________ Full Name _______________________________________<br />
Address _______________________________________ Address _______________________________________<br />
_______________________________________ _______________________________________<br />
Telephone _______________________________________ Telephone _______________________________________<br />
E-mail _______________________________________ E-mail _______________________________________<br />
ETAS Region _______________________________________ ETAS Region _______________________________________<br />
Please return to: ETAS Administration, Rue de l’Hôpital 32, CH-1400 Yverdon<br />
Membership Application Form<br />
Membership year: 1st July - 30th June. Membership contracted between July and December = full fee, between January and June = half fee<br />
� I/we have paid SFr. _________ into the ETAS postal account: Zürich 80-43533-3<br />
� I/we have paid SFr. _________ into the ETAS bank account:<br />
642165-10 Credit Suisse, CH-8058 Zürich/Flughafen<br />
� Please send me an invoice (<strong>for</strong> Institutional and Associate Members only)<br />
Full Name _______________________________________________________________<br />
Address _______________________________________________________________<br />
_______________________________________________________________<br />
Telephone ____________________________ Fax ____________________________<br />
E-mail _______________________________________________________________<br />
Date/Signature _______________________________________________________________<br />
Change of Address Form<br />
Please help to keep our records up-to-date by notifying us be<strong>for</strong>e you move!<br />
Individual Members Only:<br />
Please indicate which ETAS Region you wish to join<br />
(tick only one):<br />
� Baden � Basel � Bern/Neuchâtel<br />
� Central Switzerland � Geneva � Graubünden<br />
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� Ticino<br />
� Zürich<br />
� Valais � Winterthur/Uster<br />
Please indicate which ETAS Special Interest Groups<br />
(SIGs) you wish to join:<br />
� Business <strong>English</strong> � Drama & Literature<br />
� ESP � Examinations, Testing<br />
& Assessment<br />
� Immersion/CLIL � Learning Technologies<br />
� Research � School Management<br />
� Teacher Development � Teacher Training<br />
� Teen � Young Learners<br />
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� Please send in<strong>for</strong>mation on the ETAS occupational pension fund<br />
� Please send in<strong>for</strong>mation on the ETAS loss-of-earnings &<br />
accident insurance<br />
For queries please contact: ETAS Administration, Rue de l‘Hôpital 32<br />
CH-1400 Yverdon, T: +41(0) 24 420 3254, F: +41(0) 24 420 3257<br />
e-mail: office@e-tas.ch, website: www.e-tas.ch<br />
ETAS Journal 25/2 Spring 2008 41
42 ETAS Journal 25/2 Spring 2008
<strong>The</strong> 12 SIG Coordinators<br />
and the Baden Regional Team<br />
proudly invite all ETAS members<br />
and guests to<br />
ETAS<br />
SIG DAY 2008<br />
― a day of professional<br />
development<br />
with a personal touch<br />
September 20th<br />
in Baden<br />
Full programme to be sent in<br />
June<br />
Be sure to register be<strong>for</strong>e<br />
leaving <strong>for</strong> summer vacation!<br />
In 2009 ETAS is celebrating!<br />
We are holding our<br />
25th ETAS<br />
AGM &<br />
Convention<br />
in the beautiful alpine city of<br />
Chur<br />
17th & 18th<br />
January 2009<br />
You won’t want to miss the<br />
bumper weekend we are<br />
planning, so put the date<br />
in your diary now!<br />
Upcoming<br />
ETAS NATIONAL EVENTS