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Volume 25 - No. 1<br />

Winter 2007<br />

Journal<br />

<strong>The</strong> ETAS<br />

<strong>The</strong> <strong>Magazine</strong> <strong>for</strong> <strong>English</strong> <strong>Professionals</strong><br />

1 3<br />

ISBN 9771660650003<br />

9 7 7 1 6 6 0 6 5 0 0 0 3


Volume 25 - No. 1<br />

Winter 2007<br />

Publisher:<br />

ETAS, <strong>English</strong> <strong>Teachers</strong> Association, Switzerland<br />

Rue de l’Hôpital 32, CH-1400 Yverdon<br />

Publications Chair:<br />

Steve Lander, Basel<br />

Editorial Board:<br />

Frances Burkhalter, Eclépens<br />

Nicola Martignoni, Quartino<br />

John Raggett, Cornaux<br />

Diane <strong>The</strong>obald, Biel-Bienne<br />

Lee Wennerberg, Berg<br />

Graphic Design:<br />

Angela Munson Pfenninger, Oberdürnten<br />

e-mail: layout@e-tas.ch<br />

Printer:<br />

KDMZ, Zürich<br />

ISSN: 1660-6507<br />

Price <strong>for</strong> non-members: SFr. 20.–<br />

Circulation: 1500<br />

Advertisements:<br />

To place an advertisement in ETAS publications,<br />

please contact ETAS Administration<br />

e-mail: office@e-tas.ch<br />

© Each article in this ETAS Journal is the property of<br />

its author(s) and may not be reprinted without prior<br />

permission of the author. Opinions expressed by<br />

contributors to this Journal do not necessarily reflect the<br />

policies of ETAS or the opinion of the ETAS Committee.<br />

Articles, letters and reviews are accepted on the basis of<br />

appropriateness and general interest to ETAS members.<br />

<strong>The</strong> publication of an article or advertisement does not<br />

necessarily constitute product or service endorsement by<br />

ETAS. <strong>The</strong> ETAS Journal team reserve the right to alter or<br />

edit <strong>for</strong> reasons of clarity or brevity.<br />

Index of Advertisers Page<br />

Bergli Bookshop 8<br />

Bergli Bookshop 8<br />

Bider & Tanner 39<br />

University of Cambridge ESOL 37<br />

Cambridge University Press 21<br />

Castle’s <strong>English</strong> Institute 34<br />

Express Publishing 35<br />

Harcourt Education 5<br />

Hull’s School 11<br />

Langenscheidt 6<br />

Macmillan 45<br />

Ox<strong>for</strong>d University Press 22<br />

PC Designs 40<br />

Pearson Longman 12 & 55<br />

Summertown Publishing 2<br />

TLC Baden 56<br />

Contents<br />

NEWS<br />

ETAS Organisation 4<br />

Editorial 5<br />

President’s Report 7<br />

SIG Day 2007: Workshop Reviews 16 - 33<br />

Call <strong>for</strong> Papers: ETAS SIG Day 2008 34<br />

Matopo Primary School, Zimbabwe: Teacher-to-Teacher Project 2007 36<br />

SPECIAL Supplement: Explorations in ELT<br />

Editorial 8<br />

Revising Vocabulary Task 8<br />

Vocab Taboo 9<br />

Pairwork; in Small Groups? 9<br />

Exploiting Your Students’ Experiences 10<br />

Creating a Picture Book <strong>for</strong> Adult Students 10<br />

Earning a Crust 13<br />

Bringing Your Books To Life 13<br />

Adapting Speaking Activities <strong>for</strong> Assessment Purposes 14<br />

MEMBER MIX<br />

10 Ideas <strong>for</strong> Using Comic Strips and Cartoons in Language Teaching 38<br />

Institutional Constraints and Resources - Implications <strong>for</strong> Teaching and the<br />

Convergence between Talk Inside and Outside the Classroom 38<br />

Homophones, Homonyms, Homographs: some Exercises to Use Straight Out of<br />

the Box 41<br />

What’s a Life Worth? 42<br />

Indian <strong>English</strong> 43<br />

<strong>The</strong> Place of a ‘Résumé’ in <strong>English</strong> <strong>for</strong> Occupational Purposes (EOP)<br />

A Practitioner’s Perspective 44<br />

REGIONS REVIEWS<br />

News and Events 46 - 47<br />

A Look at Books 48 - 50<br />

Books to Review 50 - 51<br />

SERVICES<br />

Library Updates 52<br />

Library Order and Check-out Form 53<br />

Membership Administration 54<br />

ETAS Journal 24/3 Summer 2007 3


Editorial<br />

After a few editions without a special theme<br />

Supplement, we’re pleased to welcome back<br />

the ‘Mini-Supplement’, produced by a Region<br />

and a SIG. Thanks to Vanessa Ostertag,<br />

JoAnn Salvisberg and their teams <strong>for</strong> getting<br />

their Supplement on Explorations in ELT<br />

ready <strong>for</strong> this issue of the Journal.<br />

<strong>English</strong> is the lifeblood of the global economy,<br />

oiling and smoothing the channels of communication<br />

between different cultures and different<br />

language groups. We had a very insightful<br />

analysis of what this might mean <strong>for</strong> the future<br />

at our 2006 AGM, when David Graddol presented<br />

the results of his research to 2 packed<br />

lecture theatres in Winterthur. David said<br />

then that the ability to speak <strong>English</strong> means<br />

the possibility of work in countries like China<br />

and India, and I am delighted that, in this<br />

edition of the Journal, we can offer a further<br />

account of the reality <strong>for</strong> young job-seekers<br />

in India. Visuvasam Prakash experiences<br />

their difficulties on a day-to-day basis, and his<br />

contribution tells us a lot about how things are<br />

developing there. Thanks to Sarah Emch, our<br />

specialist on India, <strong>for</strong> her help in liaising with<br />

Visuvasam to bring this article to the Journal.<br />

John Raggett also provided an anecdote<br />

on his experience with the Indian flavour of<br />

<strong>English</strong>, a reminder that <strong>English</strong> is a global<br />

resource and not owned by any one nation or<br />

group. I’m pleased to see that this topic is not<br />

going to be neglected at our next AGM, where<br />

we can welcome Jennifer Jenkins <strong>for</strong> a keynote<br />

address on <strong>English</strong> as a Lingua Franca.<br />

Among the other articles, <strong>for</strong> practical teaching<br />

materials and ideas we have a couple of<br />

articles on how to use cartoons in class and<br />

exercises on homographs, homophones, etc.<br />

We have also not <strong>for</strong>gotten our sponsored<br />

project in Zimbabwe, with an update from<br />

Cindy Hauert on how our friends there are<br />

managing with the enormous problems they<br />

face.<br />

As always, this Journal was a team ef<strong>for</strong>t from<br />

many different people: the Editorial Board,<br />

NEWS<br />

the ETAS Committee, our tireless DTP expert<br />

Angela Munson and many others. Thanks to<br />

all who helped to make this issue a reality and<br />

a success.<br />

I wish everybody a very Merry Christmas and<br />

Happy New Year, and hope to see as many as<br />

possible at the AGM in Lugano in January.<br />

Steve Lander<br />

ETAS Journal 25/1 Winter 2007 5


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President’s Report<br />

After four years and sixteen publications,<br />

it’s hard to believe that I am writing my last<br />

President’s Report. At the AGM in Lugano in<br />

January I will be handing over to Amy Jost,<br />

the new ETAS President, and I will then serve<br />

on the next committee as Past President.<br />

As I look back over these four years, following<br />

the four years I was on the committee as<br />

Teacher Development Chair and the five<br />

years I spent as Branch Contact, I believe that<br />

ETAS has many reasons to be proud. We are<br />

a vibrant professional organisation run almost<br />

entirely by enthusiastic volunteers. I cannot<br />

mention everyone who has worked so hard to<br />

make ETAS into the professional organisation<br />

it is today, but I would like to thank everyone<br />

I have worked with over the years <strong>for</strong> your<br />

enthusiasm, commitment and support.<br />

ETAS has become much more professional<br />

and things are also becoming more expensive.<br />

<strong>The</strong>re<strong>for</strong>e, the Committee has decided to<br />

propose that the annual subscription fees be<br />

raised <strong>for</strong> the next financial year 2008/2009.<br />

<strong>The</strong>re are details of the new rates in the AGM<br />

invitation and Amy, our Treasurer, has written<br />

clearly about the reasons <strong>for</strong> this decision.<br />

<strong>The</strong> new fees will be discussed and voted on<br />

at the AGM and we hope that you will support<br />

the Committee on this. It is the first increase<br />

since 2000 and ETAS membership still<br />

represents extraordinarily good value. For<br />

less than SFr.100.-, members get four<br />

Journals, the chance to attend two national<br />

events, use of an extensive library, access to<br />

insurance and pension schemes at special<br />

rates and the opportunity to network with<br />

other members through our regional events<br />

and SIG groups.<br />

In order to have enough time to discuss this<br />

and other important issues, the AGM has<br />

been moved to the beginning of the day in<br />

Lugano. <strong>The</strong> Committee members will also<br />

be giving their reports personally (a printed<br />

version will no longer be included in your<br />

AGM packs) and we hope that you will come<br />

along and become involved in this important<br />

meeting.<br />

One challenge that is facing ETAS is falling<br />

membership. Many of the original members<br />

are now reaching retirement age and the<br />

number of new members does not cover the<br />

number of those leaving. For this reason we<br />

included an extra pay-in slip with your renewal<br />

letters this summer, in the hope that every<br />

member would encourage a colleague to join.<br />

Un<strong>for</strong>tunately, the response was not as great<br />

as we had hoped but the names of everyone<br />

who did introduce a new member will be<br />

included in a draw <strong>for</strong> a free membership in<br />

Lugano – many thanks to you and good luck. I<br />

would also like to extend a special welcome to<br />

all our new members!<br />

A similar prize will also be drawn <strong>for</strong> everyone<br />

who has written an article or review <strong>for</strong> the<br />

Journal over the past year. <strong>The</strong> wealth of<br />

talent and wide range of interests in ETAS<br />

are clearly displayed in this fascinating<br />

Winter Journal. In addition to the reports<br />

from the excellent SIG Day in Wil and the<br />

useful practical ideas in the Mini-Supplement<br />

(both coordinated by JoAnn Salvisberg and<br />

Vanessa Ostertag), there is a wide range of<br />

thought-provoking articles and reviews. Many<br />

thanks go to JoAnn and Vanessa, to the<br />

Publications Chair, Steve Lander, DTP wizard<br />

Angela Munson Pfenninger - and everyone<br />

else who has contributed to this intellectually<br />

stimulating and visually stunning issue.<br />

As you read this, the 24th AGM in Lugano on<br />

January 12-13 will not be far away. Jayne<br />

Herzog has put together an exciting<br />

programme and Nicole Jaks and Gabriella<br />

Pedrini and the LOC team have been working<br />

hard to ensure that this will be a truly memorable<br />

occasion. <strong>The</strong>re is also a Friday Evening<br />

Event with a cruise, aperitif and talk, so I hope<br />

that many of you will also be able to join us<br />

then to start the weekend off in style.<br />

As I said, this weekend is when the presidency<br />

will be handed over to Amy. <strong>The</strong> transition will<br />

be very smooth as she has been a wonderfully<br />

efficient Treasurer over the past four<br />

years and as such has been involved in every<br />

aspect of ETAS Committee work. She will be<br />

an excellent President, and is already full of<br />

good ideas and exciting plans <strong>for</strong> next year.<br />

We are also very <strong>for</strong>tunate that we now have<br />

a full Committee, as Steve Lander, who was<br />

co-opted onto the Committee in August, will<br />

have his position as Publications Chair confirmed<br />

by the membership at the AGM. <strong>The</strong><br />

Committee members who were elected last<br />

year, Norelee Wolf (in charge of RCs), Karen<br />

Kerley (PR), Gillian Nussbaum (Secretary)<br />

and JoAnn Salvisberg (Teacher Development),<br />

have worked with great enthusiasm<br />

and commitment throughout the year and will<br />

have the chance to continue putting their<br />

NEWS<br />

innovative ideas into practice next year. In<br />

addition to these newer members, we are delighted<br />

that Jayne Herzog will serve a second<br />

term expertly overseeing our annual convention,<br />

Angela Munson will continue to revamp<br />

our website, and we are very pleased to<br />

welcome Cindy Hauert as our new Treasurer.<br />

Next year will be a particularly important one<br />

as ETAS is celebrating its 25th birthday. <strong>The</strong>re<br />

will be a Special Supplement in the Summer<br />

Journal, looking back over this quarter of a<br />

century, our SIG Day in Baden on September<br />

20th promises to be another stimulating event<br />

and our 25th AGM in Chur will be an extra<br />

special one.<br />

Another important aspect of ETAS is our<br />

Teacher-to-Teacher Fund. Cindy’s reports on<br />

the Matopo Primary School in Zimbabwe have<br />

captured the imagination of our members and<br />

we have been able to send some muchneeded<br />

help to this desperately poor country.<br />

<strong>The</strong>re<strong>for</strong>e, the Committee has decided to<br />

extend our support <strong>for</strong> this very deserving<br />

project <strong>for</strong> a second year. You will be able to<br />

contribute to the fund by buying raffle tickets<br />

at our national events or by sending a<br />

donation directly to Cindy, our Treasurer.<br />

I would like to wish you all a very merry<br />

Christmas and hope that 2008 will be a<br />

wonderful year <strong>for</strong> you all, both personally and<br />

professionally.<br />

Very best wishes<br />

Alison Taylor<br />

ETAS President (2003-2007)<br />

ETAS Journal 25/1 Winter 2007 7


SPECIAL Supplement Explorations in ELT<br />

Editorial<br />

In the spirit of networking and encouraging<br />

members to get involved by contributing to the<br />

ETAS Journal Mini-Supplement, the Regional<br />

and SIG Coordinators will be teaming up to<br />

draw on the members under their respective<br />

domains. This is the first offering – a joint<br />

ef<strong>for</strong>t of the St. Gallen Region and the<br />

Research SIG members.<br />

<strong>The</strong> topic <strong>for</strong> this edition was Explorations in<br />

ELT, and we advertised <strong>for</strong> adventurous,<br />

creative authors to write articles on:<br />

� Exploits in bringing classbooks to life<br />

through supplementary tasks/games<br />

� Ferreting out successful revision tasks<br />

� Creating/adapting materials <strong>for</strong> the smaller<br />

classroom<br />

<strong>The</strong> following articles were drawn from the<br />

authors’ personal research, and are based<br />

on what they found worked <strong>for</strong> them in their<br />

classes.<br />

Starting off we have Caroline Bauer’s article<br />

Revising Vocabulary Task, which offers not<br />

only a new twist on getting students involved<br />

in activating their vocabulary, but an easy and<br />

valid filler <strong>for</strong> those often ten to fifteen minutes<br />

extra time at the end of a lesson.<br />

Following this theme, Caroline Grünig has<br />

written Vocab Taboo, an activity which can be<br />

used at any age and level, in small groups<br />

or larger ones. <strong>The</strong> purpose is to revise<br />

vocabulary the students have been working<br />

on in their course material (e.g. end of unit,<br />

book, article).<br />

Next up, we have three different pieces<br />

submitted by Elsbeth Mäder, Pairwork; in<br />

Small Groups?, Exploiting Your Students’<br />

Experiences and Creating a Picture Book <strong>for</strong><br />

Adult Students. Each one, in its own way,<br />

offers practical ways to involve your students<br />

in meaningful exchanges of in<strong>for</strong>mation. <strong>The</strong><br />

last one is particularly intriguing as it gives<br />

guidelines and examples of one of her classes<br />

revising writing and speaking by using<br />

language they had learned to invent to<br />

describe characters.<br />

John Raggett, in his piece Earning a Crust...,<br />

begins by explaining why he doesn’t feel he<br />

fits into the mold of a ‘proper teacher’. Yet he<br />

is able to draw on his past managerial experi-<br />

8 ETAS Journal 25/1 Winter 2007<br />

ence to help professional executives achieve<br />

their specific language-learning goals as well<br />

as improve their career prospects.<br />

Tracy Tobler offers a fresh genre of text in<br />

Bringing Your Books To Life. She tells the tale<br />

of a beautiful princess, I mean teacher, who<br />

heard tiny voices groaning about having to<br />

write, and how the heroine succeeded in<br />

turning lifeless writing tasks into creative<br />

ones.<br />

Last but not least, JoAnn Salvisberg offers<br />

practical guidelines to trans<strong>for</strong>m a simple<br />

pairwork fluency task into an assessment<br />

tool to see how well the students are able<br />

to exchange meaningful in<strong>for</strong>mation (e.g.<br />

negotiations).<br />

We hope that you, the ETAS members, will<br />

find something interesting and useful to try out<br />

in your lessons. Future ideas that members<br />

have found useful can be submitted to the<br />

Editor, Steve Landers, <strong>for</strong> the Member Mix<br />

section of the Journal.<br />

Vanessa Ostertag<br />

Regional Coordinator – St. Gallen<br />

JoAnn Salvisberg<br />

Research SIG Coordinator<br />

Revising Vocabulary Task<br />

Whenever I see, towards the end of a lesson,<br />

that my lesson plan is about to exhale its last<br />

breath and my class and I will be left with ten<br />

to fifteen idle minutes, I give my students the<br />

following vocabulary revision activity to do.<br />

Without any preparation I pick enough<br />

recently learned words and phrases from<br />

my past lesson notes, the wordlist or the<br />

coursebook so that there are about three per<br />

student. I dictate the words around the class<br />

fairly quickly until each student has written<br />

down their three. Students now have about<br />

five to ten minutes to write short definitions of<br />

the words (not including any elements of the<br />

word or phrase itself, of course). So, <strong>for</strong><br />

example, if the word is ‘experience’, the<br />

student can write, “When you know a lot about<br />

something because you’ve done it many<br />

times.” (pre-intermediate and up) or “You<br />

know a lot. You did many things.” (elementary).<br />

<strong>The</strong> definitions do not have to be sophisticated<br />

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Explorations in ELT<br />

at all, just enough to trigger the other<br />

students’ memory. I circulate, monitor and<br />

help with any difficulties students may have.<br />

In the last five minutes of the lesson, students<br />

take turns in reading out their definitions. <strong>The</strong><br />

first student to call out the correct word or<br />

phrase gets a point. My adult students usually<br />

dig into this one with enthusiasm, and it gives<br />

the end of a lesson that buzz we teachers<br />

love.<br />

Caroline Bauer<br />

Caroline was born in England but has spent most<br />

of her life in Switzerland. She’s a trained translator<br />

but finds working with people much more rewarding.<br />

After completing CELTA, she started up her<br />

own <strong>English</strong> school in Küsnacht, where she enjoys<br />

teaching General and Business <strong>English</strong> to adults.<br />

www.communicate-english.ch<br />

Vocab Taboo<br />

This can be used at any age and any level, in<br />

small groups or larger ones to revise vocabulary<br />

you have been working with, e.g. at the<br />

end of a unit, book or article.<br />

Preparation:<br />

� Write one ‘vocab word’ on each note-size<br />

piece of paper/card. This is the word that has<br />

to be guessed, so underline it or write it in<br />

colour.<br />

� Use a different-coloured pen to write<br />

two to five ‘definition words’ you would use<br />

to describe the ‘vocab word’. <strong>The</strong> number of<br />

definition words you choose depends on the<br />

level of your class.<br />

Lesson:<br />

� Give each student one piece of paper with<br />

the words written on it. <strong>The</strong>y are not allowed<br />

to show this to anyone.<br />

� One student has to try to describe the<br />

‘vocab word’ but is not allowed to use that<br />

word or any part of it, nor any of the ‘definition<br />

words’.<br />

� <strong>The</strong> other students have to guess the<br />

‘vocab word’ and call out their answers.<br />

With teams there is more competition and<br />

they score points <strong>for</strong> the team, or subtract<br />

points <strong>for</strong> wrong answers shouted out. Also,<br />

when you prepare the cards/pages you can<br />

select ‘definition words’ you feel your students<br />

know, or should know. <strong>The</strong>y learn these<br />

indirectly, too.<br />

Caroline Grünig<br />

Be<strong>for</strong>e ending up here in Switzerland about 20<br />

years ago, I lived, studied, worked and travelled<br />

in several countries. I am British and grew up in<br />

South Africa where I did my schooling and<br />

university. I teach all sorts and ages, privately and<br />

at the Seeländische Volkshochschule.<br />

Pairwork; in Small Groups?<br />

My advice: no matter how small your groups,<br />

make them work in pairs as often as possible.<br />

You can make them practice certain given<br />

structures, let them go through their homework,<br />

make them chat, give them all kind of tasks,<br />

etc., just like in large classes.<br />

Advantages <strong>for</strong> students: they get to talk more<br />

and become more fluent. <strong>The</strong>y learn from<br />

SPECIAL Supplement<br />

each other and also get to know each other<br />

better.<br />

Advantages <strong>for</strong> teachers: if there is an even<br />

number of students, you can take turns<br />

listening to each pair and take notes. You<br />

are also ready to help if needs be. If there is<br />

an uneven number of students, take turns<br />

working yourself with individual students while<br />

the others are in pairs. I’ve even done this<br />

successfully in groups of just three students.<br />

You will find out more about your students, not<br />

just their command of the language.<br />

Mind: your notes should be not only a collection<br />

of mistakes, telling you what needs<br />

revising or explaining and helping you plan<br />

further lessons, but also, a collection of<br />

language structures and vocabulary your<br />

students have used well (<strong>for</strong> positive<br />

feedback) and, very important, of any kind<br />

of content, which helps you remember your<br />

individual student’s likes, dislikes, home,<br />

family, job, opinions, trips abroad, problems,<br />

etc., because your knowledge of students’<br />

background and circumstances may come<br />

in handy one day. You’ll be able to help them<br />

personalise language structures and you’ll get<br />

some ideas <strong>for</strong> interesting extra reading or<br />

listening material to give to individual students.<br />

Topics suitable <strong>for</strong> pairwork<br />

After the summer holiday I gave various-level<br />

students the following list to choose from and<br />

make them talk. I made this list, because<br />

some people hadn’t had a holiday and that<br />

way nobody could say: “I have nothing to tell, I<br />

have just been working all summer.”<br />

That way I could also counter students’<br />

stereotype sentences: “I have done nothing,<br />

I have <strong>for</strong>gotten all my <strong>English</strong>.” In fact, after<br />

doing this task even the lowest-level students<br />

realised that they were still able to contribute<br />

something.<br />

Tell each other about:<br />

� A person you met,<br />

� A place you visited,<br />

� A meal (at home or in a restaurant),<br />

� A journey,<br />

� A conversation,<br />

� <strong>The</strong> 1st of August,<br />

� A book you read,<br />

� A film you saw,<br />

� Something you learnt,<br />

� A story you heard,<br />

ETAS Journal 25/1 Winter 2007 9


SPECIAL Supplement Explorations in ELT<br />

� An encounter with an animal, ……during<br />

the past five weeks.<br />

Exploiting Your Students’ Experiences<br />

Emergency<br />

One of my private A1-level students is a<br />

professional firefighter. <strong>The</strong> other week he<br />

had to rush off because of some emergency<br />

be<strong>for</strong>e his lesson was finished. So the<br />

following week I, of course, wanted to know<br />

more about it. Thanks to my curiosity we both<br />

learned something: I found out that there are<br />

actually all-female ambulance teams (driver<br />

and nurse) and that in case strong arms are<br />

needed, they just call the firefighters (that day<br />

my student had to help carry an injured man<br />

from the fourth floor down to the ambulance).<br />

My student learnt the use of female/male in<br />

connection with jobs and some more vocabulary<br />

to do with emergencies. Plus, he had to<br />

use past and present tenses in a meaningful<br />

context.<br />

Lift<br />

A student of an A2-level group of six arrived<br />

first and since I knew that she sometimes<br />

came on foot and the weather was bad that<br />

night, I asked her whether she had walked,<br />

just to get her into speaking <strong>English</strong>. She<br />

turned out to have been given a lift by her<br />

husband, so I put ‘give a lift’, ‘get a lift’ on the<br />

board and when her co-students arrived by<br />

and by, they wondered about these strange<br />

expressions and the first student could explain<br />

and there<strong>for</strong>e repeat it several times. <strong>The</strong><br />

following weeks we kept repeating, just by<br />

briefly asking how students had come here<br />

and now, several months later, all of them<br />

remember.<br />

My advice: find out as much as you can about<br />

your individual students in whatever possible<br />

ways and supplement your coursebooks by<br />

exploiting your knowledge. If necessary, start<br />

by giving them all kinds of in<strong>for</strong>mation about<br />

yourself and your past week and they will start<br />

doing the same.<br />

Creating a Picture Book <strong>for</strong> Adult Students<br />

... or: How to supplement a course book and<br />

get students to revise writing and speaking.<br />

A group of five adult beginner/false-beginner<br />

students of various ages and gender were<br />

willing to do some extra homework besides<br />

working with Hueber <strong>English</strong> Elements Basic<br />

10 ETAS Journal 25/1 Winter 2007<br />

Course. As this very recommendable coursebook<br />

<strong>for</strong> beginners gives instructions in<br />

German as well as in <strong>English</strong> and includes<br />

CDs and a home study section with answers<br />

and, as I also encourage them to do whatever<br />

bits of the units they can understand, what<br />

they feel like doing and find time <strong>for</strong> as homework,<br />

the students are very motivated to get<br />

as much as possible done and, thus, make<br />

faster progress. So in our 90-minute weekly<br />

lessons, we can focus our ef<strong>for</strong>ts on all kinds<br />

of speaking tasks linked to the vocabulary and<br />

grammar of the various coursebook units.<br />

In order to give them an extra incentive <strong>for</strong><br />

writing and speaking, I first make them create<br />

a character in the following way:<br />

1. I let them choose a postcard of a place<br />

from my collection.<br />

2. I did a drawing dictation where students<br />

had to pass on their paper after each single<br />

step: draw a circle – draw eyes – draw a nose<br />

– draw a mouth, etc. (At the time my students<br />

didn’t know any <strong>English</strong> body words yet, so I<br />

just pointed to my own head.)<br />

When we had finished I told them to take<br />

one drawing and their postcard home and<br />

create a character, which we then used in the<br />

following lesson <strong>for</strong> speaking practice in pairs<br />

and to which we kept adding, as you’ll see<br />

below, while we were progressing through our<br />

coursebook.<br />

<strong>The</strong> group have meanwhile started working<br />

with <strong>English</strong> Elements A1 and some students<br />

are still happy to add anything linked somehow<br />

to the Units of their coursebook, like<br />

e.g., the recipe of their individual character’s<br />

favourite dish, description of a wedding their<br />

character attended, a trip in a luxury train, etc.<br />

<strong>The</strong> ultimate goal is <strong>for</strong> the students to have<br />

a picture book which contains a personalised<br />

summary of topics, vocabulary and structures<br />

they’ve been working with throughout the<br />

course while, at the same time, providing<br />

them with their own useful material <strong>for</strong> further<br />

oral practice.<br />

Character (Beginners’ Group)<br />

1. Portrait character 1 (drawing on white<br />

paper): name, age, job, family, home place,<br />

likes/dislikes<br />

2. Home (picture of house door): Where?<br />

How many rooms?, etc.<br />

3. Postcard from rich relative (hotel<br />

description from brochure* + photo of a person):<br />

the person in the photo is a rich<br />

relative of character 1 and writes a postcard<br />

to character 1 from the hotel. <strong>The</strong> person is on<br />

holiday in this hotel.<br />

4. Daily routine/weekly routine<br />

a) What does character 1 do every day/<br />

every week?<br />

b) What does the rich relative (photo) do<br />

every day on holiday?<br />

5. Poor relative (drawing on yellow paper)<br />

a) portrait (see 1 above)<br />

b) home (see 2 above)<br />

c) daily/weekly routine<br />

6. Yesterday/last Monday/last weekend<br />

a) character 1<br />

b) rich relative<br />

c) poor relative<br />

7. Biographies<br />

a) character 1<br />

b) rich relative<br />

c) poor relative<br />

8. At work (find a picture of a workplace):<br />

Where does he/she work? (describe the<br />

place: there is/there are ...)<br />

How does he/she get to work? (by car …, etc.)<br />

What does he/she do every day/every week?<br />

When does he/she work?<br />

How long does he/she work?<br />

a) character 1<br />

b) rich relative<br />

c) poor relative<br />

9. Holidays (2 postcards)<br />

Where did he/she go on holiday?<br />

Who did he/she go on holiday with?<br />

How did he/she go on holiday?<br />

What did he/she do on holiday?<br />

What did he/she see on holiday?<br />

How long did he/she go on holiday <strong>for</strong>?<br />

What was the weather like on holiday?<br />

What was the hotel/holiday house/campsite<br />

... like?<br />

*Concerning the hotel description: each<br />

student had one page from an authentic<br />

brochure giving lots of in<strong>for</strong>mation about<br />

each hotel. As homework, the students first<br />

highlighted all the words they actually could<br />

understand. In our lesson they tried to tell<br />

their partner as much as possible about the<br />

hotel. We worked without dictionaries and<br />

they realised that they could pick out all the<br />

relevant in<strong>for</strong>mation. From the work in their<br />

coursebooks they had already learnt the<br />

structure ‘there is/there are’ plus how to write<br />

postcards.


Explorations in ELT<br />

An example of the characters we created in<br />

our drawing dictation and the corresponding<br />

text from a student (corrected version):<br />

Character: Mister Jack Braun.<br />

Jack Braun is from London. He’s an artist and<br />

he’s single. Jack is 35 years old. He lives and<br />

works in Paris. Jack paints. He has a studio at<br />

“Montmartre Quartier”.<br />

His girlfriend’s name is Cathrine Vernier. She’s<br />

from Marseille. She lives and works in Paris,<br />

too. Cathrine is a musician.<br />

Jack loves Paris. It’s a beautiful city. In his<br />

free time he likes going <strong>for</strong> a walk “au bord de<br />

la Seine”, meeting artist friends, going window<br />

shopping in the Champs-Elysées with Cathrine<br />

or going to the Louvre museum together.<br />

In the evening, they like listening to jazz or<br />

going to the cinema.<br />

On weekends Jack works, he draws portraits<br />

at Place du Tertre. His hobbies are reading,<br />

playing chess and learning French.<br />

He has two brothers, David and Michael.<br />

Hull’s School – Zürich’s downtown<br />

international school<br />

Beautiful centrally located turn-of-the-century building<br />

just behind the Zürich Opera House.<br />

10 th School Year Programme <strong>for</strong><br />

teenagers aged 15+<br />

• Full-time tuition, all subjects taught in <strong>English</strong><br />

• For Swiss and expat teenagers alike<br />

• Two international language certificates,<br />

European Computer Driving Licence<br />

• Preparatory year <strong>for</strong> the university entrance<br />

programme<br />

University Entrance Programme <strong>for</strong> teenagers<br />

• 2-year full-time tuition, all subjects taught in <strong>English</strong><br />

• British GCE O- and A-levels<br />

• Recognised by all universities in Switzerland and<br />

worldwide<br />

Hull’s School<br />

Seehofstrasse 3, CH-8008 Zürich<br />

Phone 01 267 60 60, Fax 01 267 60 65<br />

info@hullschool.ch<br />

www.hullschool.ch<br />

David is married and he has a child. He lives<br />

in the USA with his family. Michael is married<br />

too. He lives in London.<br />

Jack doesn’t like cooking, he prefers having<br />

dinner in a restaurant. He loves French food<br />

with a glass of red wine.<br />

Mister Braun’s home:<br />

Mister Jack Braun lives in Paris. He lives in<br />

an old block of flats in the town centre, not far<br />

from the “Place du Tertre”, where he works.<br />

Mister Braun’s apartment is on the 5th floor.<br />

It’s a nice flat with a beautiful view of the roofs<br />

of Paris. It has 3 bedrooms, a bathroom, a<br />

kitchen and a living room.<br />

When Mister Braun comes into his house<br />

there’s a small and dark hall with old stairs. In<br />

his apartment, on the right, there are the kitchen,<br />

a bathroom and a bedroom. <strong>The</strong> kitchen is<br />

small, but it’s very nice with a lovely balcony.<br />

And then on the left there are a bedroom, a<br />

study and the living room. <strong>The</strong> living room is<br />

very big and has three windows. This is his<br />

work room.<br />

Ltd.<br />

University Entrance Programme <strong>for</strong> adults<br />

• Full-time and part-time tuition, all subjects taught<br />

in <strong>English</strong><br />

• British GCE O- and A-levels<br />

Language Courses<br />

• German, <strong>English</strong>, French, Italian, Russian, Japanese<br />

<strong>for</strong> adults and Teenagers<br />

Hull’s School is a member of<br />

the Zürich Association of Private Schools (VZP).<br />

Robin Hull will be pleased to answer your queries.<br />

SPECIAL Supplement<br />

Elsbeth Mäder<br />

Swiss primary school teacher (1969), fell in love<br />

with England and <strong>English</strong> (Swan School Ox<strong>for</strong>d<br />

1971), studied <strong>English</strong> at Zürich University (Lic Phil<br />

I + Dipl. Für Höheres Lehramt Uni Zürich, 1979),<br />

owner of a small school <strong>for</strong> teaching EFL to adults<br />

of ages 18 – 80 since 1987 (result of juggling<br />

family/job).<br />

Principal: Robin Hull, lic. phil. I Dip. RSA<br />

<strong>The</strong> school is the authorized centre <strong>for</strong> the following examining boards:<br />

EDEXCEL, Chambre de Commerce et d’Industrie Paris, <strong>The</strong> Open University, University of London, CIMA<br />

Member of the<br />

International House<br />

World Organisation<br />

ETAS Journal 25/1 Winter 2007 11


Language Leader<br />

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factual and content-rich <strong>for</strong> serious-minded students<br />

systematic skills work and study skills<br />

lots of reading texts taken from a variety of authentic sources<br />

stimulating writing lesson and ‘scenario’ spread in each unit<br />

range of adult speaking tasks, e.g. discussions, debates, problem-solving<br />

For further in<strong>for</strong>mation and sample copy requests please contact:<br />

Pearson Education Schweiz AG, Pearson Longman Verlag<br />

Chollerstrasse 37, 6300 Zug<br />

Telefon 041 / 747 47 47 Telefax 041 / 747 47 77<br />

E-Mail: mailbox@longman.ch<br />

David Cotton, David Falvey, Simon Kent et al.<br />

Elementary, Pre-intermediate, Intermediate<br />

and Upper Intermediate<br />

Coursebook with CD-ROM<br />

NEW<br />

All 4 levels<br />

available in 2008<br />

www.longman.ch


Explorations in ELT<br />

Earning a Crust…<br />

<strong>The</strong> trouble is, see, I don’t consider myself a<br />

proper teacher. Oh, I earn a crust (of bread)<br />

as a self-employed tutor in professional<br />

<strong>English</strong> to a number of financial and commercial<br />

institutions in Geneva and Lausanne. But<br />

I didn’t get my CELTA qualification until I was<br />

60, came to <strong>The</strong> “Switz” when I was 62, and<br />

didn’t start to use the qualification until I was<br />

63. So, I’m not sure I’m really in a position to<br />

give advice to anyone.<br />

However, from my 40 years’ management<br />

experience in hotels, legal and financial<br />

businesses and, most recently, medical<br />

services, both public and private, I know what<br />

is important: do not take life seriously. <strong>The</strong><br />

best any of us can do is to touch life lightly<br />

and be kind to those around us. Life is not an<br />

obstacle race to heaven; this is it.<br />

My students (between three and five in a<br />

class) are mature people who, if not already<br />

in senior positions, are on the way up. In my<br />

working life, I have done most of the tasks<br />

that they are doing. In the conference room, I<br />

do not use textbooks because I am not<br />

teaching them to pass an examination set<br />

by some academic who perhaps has never<br />

had to deal with an angry client who thinks<br />

he should be paying less tax than my student<br />

says he owes. I am helping her - and him - to<br />

achieve their own objectives or improve their<br />

career prospects.<br />

I use original material: financial and legal<br />

reports, television news items and newspaper<br />

articles. For example, the telephone always<br />

presents problems so, imitating some regional<br />

British, American or Indian accent, I ring them<br />

up playing the role of their ‘back office’<br />

assistant. If they have a problem with their<br />

<strong>English</strong>, <strong>for</strong> a specific task, they can e-mail<br />

me, at any time, and I will help them sort it<br />

out. We have a strict code of confidentiality,<br />

anything discussed during the tutorial or in<br />

any document where I give help is not<br />

discussed by me or with anyone else.<br />

In some ways I do not consider myself to be a<br />

proper teacher. If you asked me to teach you<br />

the present perfect, I would have to go away<br />

and hide <strong>for</strong> a while to look it up. But, putting<br />

a report together, precisely and elegantly, with<br />

no b.s., we can do that now. <strong>The</strong>n we do<br />

PowerPoint presentations. We have<br />

arguments: they state a case and I take the<br />

contrary view. We have round-table<br />

discussions and we have a good time.<br />

After the tutorial, I send them, usually the<br />

same day, a Reminder Note (what we call in<br />

<strong>English</strong> an Aide-Memoire) to explain any of<br />

the points that caused difficulty or which I feel<br />

need further explanation.<br />

And don’t <strong>for</strong>get, there are three types of<br />

accountant: those that can count and those<br />

that can’t.<br />

John Raggett<br />

John, a <strong>for</strong>mer waiter, barman, cook, Hotel<br />

Manager, uni<strong>for</strong>med policeman, plain-clothes<br />

detective, Office Manager City of London, Director<br />

of Radiology Services, Hospital Director, and<br />

Practice Manager, is now House Husband and<br />

<strong>English</strong> Teacher. John is also a new member of the<br />

ETAS Editorial Board.<br />

Bringing Your Books To Life<br />

Once upon a time in a faraway land, there<br />

lived a beautiful teacher who was full of ideas<br />

and had 10 happy and motivated students.<br />

<strong>The</strong>n one day during class a tiny voice said,<br />

“This is boring,” and then she heard more<br />

voices chiming in with, “Yeah, we don’t want<br />

to write!” and they added groans <strong>for</strong> effect.<br />

<strong>The</strong>n the beautiful teacher was disheartened.<br />

Later as she was preparing her next lesson,<br />

she cried out, “How can I inspire them<br />

to write?” A loud booming voice answered,<br />

“Bring the books to life and they will learn.” At<br />

first she was puzzled and thought about this<br />

answer <strong>for</strong> a few moments. “How do I bring<br />

them to life?” she pondered. <strong>The</strong>n she heard<br />

the loud voice again, “<strong>The</strong> way to bring a book<br />

SPECIAL Supplement<br />

to life is to become a part of it.” Curious as to<br />

where this voice was coming from, she tested<br />

it by asking, “Will I get a raise this year?” and<br />

the voice did not reply. “So clearly it is just a<br />

pedagogic guide,” she said to herself with a<br />

chuckle as she shrugged her shoulders. She<br />

took the pedagogic guide’s advice and from<br />

that day on she had brilliantly inspired lessons<br />

with stories that came to life in the hands of<br />

her students. It is easy to take any story and<br />

make it one’s own. Here are her notes as they<br />

were transcribed to me.<br />

Sometimes it is difficult <strong>for</strong> students to think<br />

of a story topic on their own. By using a book<br />

that you are reading in class, they can easily<br />

add new characters and create a world of<br />

their own within that story, and then the book<br />

becomes a life and the student a part of it. In<br />

her book Jojo’s Story, a Cambridge <strong>English</strong><br />

Reader, Antoinette Moses wrote about a boy<br />

soldier within an anonymous country, so the<br />

reader could place it where they imagined. At<br />

the beginning of her ETAS SIG Day workshop<br />

Antoinette read a passage from the book in<br />

which Jojo describes the violence that he had<br />

experienced around him. <strong>The</strong>n she asked us<br />

all to create a character that would fit into the<br />

story and provide a different perspective. We<br />

then wrote a story based on that character’s<br />

perspective. This is called “creating a parallel<br />

text.” In the case of Jojo’s story, a character<br />

could be a BBC reporter on location, speaking<br />

to the camera and reacting to the scene of the<br />

war: the putrid odors, the sights, maybe finding<br />

Jojo still alive, hiding near a war-ravaged<br />

home. Another character idea could be a boy<br />

in the orphanage where Jojo might go later<br />

after being rescued by the UN. <strong>The</strong> student<br />

could write what this boy might think, feel or<br />

ask Jojo when he arrives at the orphanage.<br />

It allows the student to experience the story<br />

from another angle, and involves each person<br />

in the story, making it much more personal.<br />

This could be done with any book and any<br />

age of student.<br />

Other possibilities include: creating alternative<br />

endings or writing narrative interventions.<br />

One way to gain more personal contact with<br />

the characters in a story is to turn the narrative<br />

into a drama, or vice versa. By acting out<br />

the story, students physically live the story<br />

and can develop the characters deeper as<br />

well as give them a spatial presence, which<br />

is also important <strong>for</strong> some types of learners<br />

who are spatially and movement oriented. By<br />

ETAS Journal 25/1 Winter 2007 13


SPECIAL Supplement Explorations in ELT<br />

re-constructing and de-constructing a story,<br />

you can have fun by moving scenes and<br />

characters around and re-creating your own<br />

new story.<br />

For further reading on this topic please take a<br />

look at the following books:<br />

Moses, Antoinette: Jojo’s Story, Frozen Pizza<br />

and Other Slices of Life; Let Me Out!, Cambridge<br />

<strong>English</strong> Readers. Cambridge University<br />

Press, 2000-2007<br />

Pope, Rob: Textual Intervention, Routledge,<br />

1994<br />

Sidman, Joyce: This is Just to Say: Poems<br />

of Apology and Forgiveness, Houghton Mifflin<br />

Company, 2007<br />

Spiro, Jane: Creative Poetry Writing. Ox<strong>for</strong>d<br />

University Press, 2004<br />

Spiro, Jane: Storybuilding. Ox<strong>for</strong>d University<br />

Press, 2007<br />

Tracy Tobler<br />

Tracy Tobler is an <strong>English</strong> teacher at the Institüt auf<br />

dem Rosenberg and the FHS in St. Gallen. She<br />

has been teaching <strong>English</strong> in Switzerland since<br />

her arrival in 2004. Recently, Tracy has begun<br />

working with Crystal and Indigo children and plans<br />

to focus her Master’s research on the learning<br />

styles of these remarkable children. Tracy holds a<br />

BA Degree in International Business and previously<br />

worked in banking and management in the United<br />

States. Her hobbies include: writing, cooking,<br />

traveling and playing tennis. She is married and<br />

has a one-year-old kitten named Mia.<br />

14 ETAS Journal 25/1 Winter 2007<br />

Adapting Speaking Activities <strong>for</strong><br />

Assessment Purposes<br />

For in-company classes that I have taught, the<br />

company has often required that the students<br />

be tested on a regular basis. In one situation,<br />

the twenty-week semester <strong>for</strong> all classes<br />

ended with an improved overall attendance<br />

and motivation was high. After discussing<br />

about the students and classes with the<br />

responsible person at the company, it was<br />

decided that a communicative skills test could<br />

be given at the end of term rather than the<br />

usual grammar and vocabulary type of test.<br />

This was partly to reflect the interests of the<br />

students, and their needs gleaned from needs<br />

analyses. <strong>The</strong>y were also designed to reflect<br />

the types of real-life (authentic) tasks/activities<br />

we had done in the classroom.<br />

It was also agreed that the primary skill to<br />

assess would be speaking since most<br />

students wanted to improve their fluency and<br />

ability to communicate effectively. <strong>The</strong> primary<br />

sub-skill being assessed was task achievement.<br />

Students would also be required to<br />

make notes, based on their discussion with<br />

their partner. Writing skills, however, would<br />

not be assessed (i.e. notes not checked <strong>for</strong><br />

accuracy in spelling/grammar). Rather they<br />

would be used to make sure the two students<br />

who were negotiating an agreement had<br />

understood each other, a valid skill in today’s<br />

world of business.<br />

<strong>The</strong> original tasks were taken from Face to<br />

Face (Langenscheidt 1993) under the topic<br />

‘Making Complaints’ (p.152-153):<br />

Original Tasks<br />

68A.3 You are on holiday in a 3-star hotel,<br />

and your room is on the 7th floor. You have<br />

some complaints to make to the manager<br />

(your partner) about the following:<br />

� the lift (AmE elevator) has been out of<br />

order since you arrived<br />

� the chambermaid (AmE maid) has not<br />

changed your sheets or cleaned your room<br />

because the lift is out of order<br />

� in front of the hotel is a church, and every<br />

morning at 7 o’clock the bells wake you up<br />

� there is no air conditioning in the dining<br />

room<br />

� there is only hot water between 5 o’clock<br />

and 7 o’clock in the morning<br />

� the hotel discotheque on the 8th floor<br />

keeps you awake until 3 o’clock in the<br />

morning<br />

68B.3 You are the manager of a 3-star<br />

hotel. A guest (your partner) is coming to<br />

see you to make some complaints. You can<br />

accept or reject the complaints. You can also<br />

clarify the situation, if you think this is appropriate.<br />

68A.4 You are the owner of a house. Your<br />

neighbor (your partner) is coming to see you<br />

to make some complaints. You can decide to<br />

accept or reject the complaints that he/she<br />

makes. You can also clarify the situation, if<br />

you think this is appropriate.<br />

68B.4 You have recently bought a new<br />

house and your neighbor (your partner) is<br />

causing you some problems. You have some<br />

complaints to make about the following:<br />

� there is often a lot of noise at night which<br />

keeps you awake<br />

� the neighbor’s son stole apples from the<br />

tree<br />

� your neighbor sometimes throws rubbish<br />

into your garden<br />

� your neighbor’s dog destroyed your<br />

favorite flowers<br />

� your neighbor’s elder son is a motor-bike<br />

fanatic and he often rides his motor-bike<br />

around the garden (even on Sunday<br />

morning)<br />

� smoke from your neighbor’s house often<br />

makes your clean washing dirty again<br />

Adapted Task and Sheets<br />

Similar to the original fluency tasks, students<br />

were given a specific identity and role to play<br />

and took turns discussing a specific complaint<br />

with another student. In both cases they were<br />

to negotiate a solution and make notes. This<br />

was marked on an individual basis and the<br />

focus was to ascertain how well they could<br />

achieve a communicative task, as described<br />

below. Each student had two roles, listed as<br />

(1) and (2), giving each one the chance to be<br />

the ‘complainer’ and the ‘responsible person’.<br />

Student A<br />

1. You are on holiday in a hotel and your<br />

room is on the 7th floor. You have some<br />

complaints to make to the manager and have<br />

made the following notes. You go and share<br />

them with him/her. Try to negotiate a peaceful


Explorations in ELT<br />

solution, then write notes <strong>for</strong> yourself about what you agreed on, in case you need to write a<br />

follow-up letter of complaint.<br />

Your complaints � the lift has been out of order since you arrived<br />

� the chambermaid has not changed your sheets or cleaned<br />

your room because the lift is out of order<br />

� in front of the hotel is a church, and every morning at 7 o’clock<br />

the bells wake you up<br />

� there is no air conditioning in the dining room<br />

� there is only hot water between 5 o’clock and 7 o’clock in the<br />

morning<br />

� the hotel discotheque on the 8th floor keeps you awake until<br />

3 o’clock in the morning<br />

<strong>The</strong> Hotel Manager’s<br />

Proposed Solutions<br />

2. You are the owner of a house. Your neighbor has called to say he/she is coming to see you to<br />

make some complaints. Write the complaints down so you won’t <strong>for</strong>get them. <strong>The</strong>n try to negotiate<br />

a peaceful solution and write notes <strong>for</strong> yourself about what you agreed on (in case there are<br />

some problems later with the same neighbor). Ask your neighbor some personal questions to get<br />

acquainted, and write notes about that, too.<br />

Complaints<br />

Your Proposed Solutions<br />

Details about your neighbor<br />

Name<br />

Hobbies<br />

Family status<br />

Job<br />

Student B<br />

1. You are the manager of a hotel. A guest is coming to see you to make some complaints. Tell<br />

them you need to fill in a <strong>for</strong>mal report <strong>for</strong> the owner. Ask them <strong>for</strong> the in<strong>for</strong>mation you need and<br />

fill in the chart below. You can accept or reject the complaints, but try to negotiate a compromise.<br />

<strong>The</strong>n write a few notes on your negotiated situation just in case you need it <strong>for</strong> legal purposes<br />

later.<br />

Guest’s name<br />

Telephone<br />

E-mail address<br />

Floor which they stayed on<br />

Complaints<br />

Notes<br />

2. You have recently bought a new house and your neighbor is causing you some problems.<br />

You go and share the following complaints with them. Try to negotiate a peaceful solution, then<br />

write notes <strong>for</strong> yourself about what you agreed on (<strong>for</strong> future reference/discussions with your<br />

neighbor).<br />

SPECIAL Supplement<br />

Complaints<br />

� there is often a lot of noise at night which<br />

keeps you awake<br />

� the neighbor’s son stole apples from the<br />

tree<br />

� your neighbor sometimes throws rubbish<br />

into your garden<br />

� your neighbor’s dog destroyed your<br />

favorite flowers<br />

� your neighbor’s elder son is a motor-bike<br />

fanatic and he often rides his motor-bike<br />

around the garden (even on Sunday<br />

morning)<br />

� smoke from your neighbor’s house often<br />

makes your clean washing dirty again<br />

Your Neighbor’s Proposed Solutions<br />

This type of assessment gives students the<br />

opportunity to do their best because they are<br />

used to working in pairs, and the exchange<br />

of in<strong>for</strong>mation is not new <strong>for</strong> them. In this<br />

particular case, the company was content with<br />

the report provided from the assessment as it<br />

underlined the validity of their paying <strong>for</strong> the<br />

courses (i.e. students were learning practical<br />

skills they could use in their jobs). <strong>The</strong> data<br />

from the task sheets also allowed me to<br />

see how well the students could negotiate<br />

meaningfully, based on whether or not their<br />

notes agreed with what their partner had also<br />

written.<br />

It is not always necessary to re-invent the<br />

wheel when adapting tasks suitable <strong>for</strong> your<br />

classes. If you want to use them <strong>for</strong> assessment<br />

purposes, as I have, then the tasks and<br />

sub-skills should reflect classroom practice<br />

(working in pairs) and course content (e.g. the<br />

function of negotiations <strong>for</strong> these in-company<br />

learners). It is possible to adapt pairwork<br />

fluency activities offered by most publishers.<br />

In the immortal words of Cole Porter –<br />

Experiment!<br />

JoAnn Salvisberg<br />

JoAnn has eighteen years’ experience teaching<br />

adult <strong>English</strong> language learners at all levels. <strong>The</strong><br />

primary focus of her doctoral research involved<br />

designing a framework <strong>for</strong> diagnostic oral skills<br />

assessment in the EFL classroom. Within the field<br />

of ELT she is particularly curious about <strong>English</strong> <strong>for</strong><br />

specific purposes (ESP), oral skills assessment<br />

(OSA), and how we develop ourselves, and our<br />

skills and qualifications as teachers.<br />

ETAS Journal 25/1 Winter 2007 15


SIGDAY<br />

Special Interest Group<br />

ETAS SIG Day 2007<br />

12th May 2007 - Kantonsschule Wil<br />

<strong>The</strong> SIG Day 2007 Conference was once<br />

again a roaring success. Close to 250 participants<br />

from all parts of Switzerland gathered<br />

in the Kantonsschule Wil to listen, learn and<br />

let themselves be inspired. Although many<br />

people are responsible <strong>for</strong> its success, it was<br />

Vanessa Ostertag who took primary responsibility<br />

<strong>for</strong> the local organization. Hats off and<br />

sincerest appreciation to Vanessa and her<br />

team <strong>for</strong> an excellent event!<br />

Taking a slight deviation from his planned<br />

plenary, Dave Willis kick-started the day with<br />

a brilliant keynote address on Accuracy,<br />

Fluency and Autonomous Learning: A Three-<br />

Way Distinction, and was quoted by speakers<br />

and participants continuously throughout the<br />

day. Sincerest thanks again to Dave and Ox<strong>for</strong>d<br />

University Press who sponsored his visit,<br />

and to the many other sponsors of workshop<br />

speakers, raffle prizes, and other goodies<br />

enjoyed by the conference participants<br />

including:<br />

� Bio<strong>for</strong>ce AG – Raffle Prize<br />

� Brilliantmont International School-<br />

Lausanne – Fruit Baskets<br />

� British Council Switzerland – Speakers<br />

� Cambridge ESOL-St. Gallen – Flowers<br />

� <strong>The</strong> Cambridge Institute Zürich –<br />

Cash Donation<br />

� Cambridge University Press – Notepads<br />

and Speakers<br />

� Hull’s School – Croissants<br />

� Express Publishing – Speaker<br />

� Georgian Press – Cash Donation<br />

� Kantonsschule Wil – Venue Rental<br />

� Macmillan – Bags and Speaker<br />

� Max Zeller Sohne – Fruit Basket<br />

� Migros Klubschule Basel – Pens<br />

� NILE – Raffle Grand Prize*<br />

� Ox<strong>for</strong>d University Press – Speaker<br />

� Pearson Longman – Speaker<br />

� Pension Fund Music and Education –<br />

Apero and Speaker<br />

� Ringier Print – Raffle Prize<br />

� Spotlight Verlag – 5 Raffle Prizes<br />

16 ETAS Journal 24/3 Summer 2007<br />

� Summertown – Lanyards and Speaker<br />

� Wil Rathaus – Cash Donation<br />

� Thurella AG – Raffle Prize<br />

� Winterthur Insurance – Speaker<br />

A special attraction to ETAS national events<br />

is the tempting book and resource material<br />

display provided by our exhibitors. This year<br />

was no exception and we were pleased the<br />

venue offered these exhibitors an ideal setting<br />

to show off their new and popular offerings:<br />

Cambridge ESOL St. Gallen, Cambridge<br />

University Press, Chadburn Publishing,<br />

CIDEB Publishing-Black Cat, Express<br />

Publishing, Flying <strong>Teachers</strong> GmbH, Garnet<br />

Education, Hull’s School-International House<br />

Zürich, Langenscheidt KG, Macmillan<br />

Education, Marshall Cavendish, ELT<br />

Ox<strong>for</strong>d University Press, PC Designs,<br />

Pearson Education, Spotlight Verlag GmbH,<br />

Stäheli’s Bookshops Ltd “Interlingua”, Summertown<br />

Publishing, Thomson ELT, and<br />

Winterthur Insurance<br />

Pension Fund Music and Education.<br />

We are also deeply indebted to all the SIG<br />

Coordinators and their guest speakers. With<br />

twelve different SIGs, it was the widest array<br />

of workshops offered at a SIG Day<br />

Conference yet – 39 to be exact! <strong>The</strong> number<br />

one pre- and post-conference complaint from<br />

participants was the difficulty in choosing<br />

which workshop to attend in each of the three<br />

session. <strong>The</strong> collaboration between SIGs<br />

which began this year will be expanded on so<br />

that in future the quality will not be overshadowed<br />

by the quantity of workshops on<br />

offer.<br />

Please note, too, that the annual timeframe<br />

of SIG Day Conferences will be moving from<br />

May to September to avoid both national holidays<br />

and exam schedules. Be sure to reserve<br />

September 20th in your calendar <strong>for</strong> the 2008<br />

SIG Day Conference to be held in Baden.<br />

JoAnn Salvisberg<br />

ETAS Teacher Development Chair<br />

and SIG Day Coordinator<br />

* Will the winner of the Raffle Grand Prize<br />

(offered by NILE) please get in touch with<br />

me? tede@e-tas.ch


Business <strong>English</strong> SIG (BESIG)<br />

A1.2<br />

Business <strong>English</strong> <strong>for</strong> pre-service learners<br />

Steve Pawlett<br />

Steve’s energetic and engaging personality<br />

kept everyone interested throughout the<br />

whole session. He started off with the question<br />

“What are the challenges of teenagers who<br />

need to learn Business <strong>English</strong>?” Although<br />

our group was quite small, we had a great<br />

exchange of opinions and ideas during the<br />

brainstorming and feedback in class and<br />

came up with the following:<br />

Challenges<br />

� Not enough time<br />

� Other subjects have a higher priority<br />

� Mixed-ability classes<br />

� Little experience in the world of work<br />

� Various levels of motivation<br />

Needs<br />

� Relevance<br />

� Engaging and up-to-date materials<br />

� Teacher support/extra material<br />

� Background in<strong>for</strong>mation, no assumption<br />

Steve went on, “What do they need Business<br />

<strong>English</strong> <strong>for</strong>?”<br />

<strong>The</strong> answers were instant: e-mails, reports<br />

(PowerPoint presentations), meetings, charts,<br />

figures, presentations, telephoning, communication<br />

and passing exams.<br />

“Where do we set priorities?” Reflecting <strong>for</strong> a<br />

moment, we came up with the following rank:<br />

01. Specific vocabulary<br />

02. Writing<br />

03. Speaking<br />

04. Listening<br />

05. Telephoning<br />

06. General <strong>English</strong><br />

07. Reading<br />

08. Grammar<br />

09. Meetings<br />

10. Negotiating<br />

Specific vocabulary is vital as students need<br />

to understand and be able to work in a<br />

particular field.<br />

It was an exciting moment when the new<br />

course book series Ox<strong>for</strong>d <strong>English</strong> <strong>for</strong> Careers<br />

Tourism 1, Commerce 1, Nursing 1 and<br />

Technology 1 was introduced. Everybody<br />

looked expectantly through the colourful and<br />

well-organised books. A quick tour and short<br />

analysis of the units was quite useful.<br />

Regarding the participants’ feedback, most<br />

people found the topic interesting and their<br />

expectations were mainly met. However, more<br />

detailed ideas of how to work with pre-service<br />

learners would have been appreciated. All in<br />

all, everyone left the classroom with useful<br />

new books and fresh ideas.<br />

Isabelle Amrein<br />

Business <strong>English</strong> SIG (BESIG)<br />

B1<br />

What is behind blended learning anyway?<br />

Karen Richardson<br />

This semi-commercial workshop was<br />

presented by Karen Richardson, Business<br />

<strong>English</strong> teacher in Germany, teacher trainer,<br />

member of ELTAS (Stuttgart), mother, student<br />

and juggler. And yes, she can juggle.<br />

On arrival we found on our desks: an article<br />

on the juggling world record holders and<br />

sibling prodigies Vova and Olga Galchenko,<br />

a questionnaire, and a blank yellow card. We<br />

were then asked to write on this card what we<br />

thought blended learning was.<br />

So what does blended learning mean? We<br />

then looked at some words that usually come<br />

up in this context: ‘mix’ ‘face to face’, ‘technology’,<br />

‘different teaching mediums’, ‘multiple<br />

approaches to leaning’, ‘blending of the virtual<br />

and the physical’.<br />

We were then guided through a section of the<br />

DVD-ROM from <strong>The</strong> Business, Intermediate<br />

level, by John Allison with Paul Emmerson,<br />

Macmillan 2007, which comes with the coursebook<br />

and is the next level from the usual<br />

course book with an Audio CD.<br />

“It’s happening…,” as Karen said and apart<br />

from some of the advantages mentioned there<br />

is also the aspect of fun. Fun, because the<br />

young learners of today enjoy using technology<br />

and are now spoken of as the “net<br />

generation” or “digital natives” as opposed to<br />

the older generation of “digital immigrants”.<br />

Having started the workshop with a onedimensional<br />

(or should that actually be twodimensional?)<br />

written text on the jugglers, we<br />

2007<br />

ended this in<strong>for</strong>mative workshop by watching<br />

the siblings actually juggling on video, with<br />

sound and emotion coming through, showing<br />

how much more fun three-dimensional<br />

language presentation can be.<br />

We all came away from this workshop with a<br />

copy of <strong>The</strong> Business Intermediate Student’s<br />

Book with DVD-ROM, compliments<br />

of Macmillan, and a better understanding of<br />

what blended learning is all about, as was<br />

promised in the workshop description. Thank<br />

you, Karen.<br />

Caroline Rickli<br />

Business <strong>English</strong> SIG (BESIG)<br />

C1<br />

Good business practice<br />

Stuart Beaumont<br />

You might think that we Business <strong>English</strong><br />

teachers and trainers have exhausted the<br />

topic of What Business <strong>English</strong> Is, but you<br />

would be wrong. We all still have plenty to say<br />

on this topic, as Stuart’s workshop discussion<br />

proved.<br />

After a short discussion in pairs, Stuart shifted<br />

the focus by asking us if we thought that such<br />

ESP areas as <strong>English</strong> <strong>for</strong> Tourism, Nursing,<br />

Engineering and so on are also Business<br />

<strong>English</strong>. After all, tour operators, nurses and<br />

engineers also make telephone calls, give<br />

presentations, take part in negotiations and<br />

<strong>for</strong> sure go to meetings. We came to the<br />

conclusion that these areas could be called<br />

‘Professional <strong>English</strong>’, and that Business<br />

<strong>English</strong> falls under this umbrella term.<br />

Stuart told us about a student of his who,<br />

when asked what she expected to gain from<br />

her Business <strong>English</strong> course, said that she<br />

wanted to learn how to “appear professional”.<br />

This idea is food <strong>for</strong> thought. It seems to<br />

indicate that our role as Business <strong>English</strong><br />

teachers and trainers is to help people to become<br />

more “slick”! Indeed, Business <strong>English</strong><br />

does convey an air of elitism and exclusivity.<br />

Just look at the Business <strong>English</strong> materials<br />

around these days. <strong>The</strong> images and colours,<br />

topics and themes all have a certain look and<br />

feel. But is it all just “bling” and “spin”, with no<br />

substance?<br />

Moving on to the theme of Good Business<br />

Practice, we tried to answer this question<br />

by examining the professional skills we are<br />

ETAS Journal 24/3 Summer 2007 17


SIGDAY<br />

Special Interest Group<br />

teaching our Business <strong>English</strong> students.<br />

<strong>The</strong>se include, like any ELT course, the<br />

teaching (or reminding) of basic grammar<br />

and vocabulary, but also functions which are<br />

appropriate to a working environment, an<br />

understanding of style and <strong>for</strong>mality in a given<br />

setting, and cultural aspects. In so doing, it<br />

often seems that what we are doing could be<br />

better described as CLIL (Content Language<br />

Integrated Learning) than as ELT.<br />

I loved Stuart’s conclusion: “Business <strong>English</strong><br />

is General <strong>English</strong> dressed in Armani”!<br />

Cindy Hauert<br />

Drama & Literature SIG<br />

A2<br />

Write now! Creative writing <strong>for</strong> the ELT<br />

classroom<br />

Antoinette Moses<br />

Antoinette Moses started this fascinating<br />

workshop by explaining that she is not an<br />

EFL teacher, but a published writer of several<br />

plays and stories and a tutor on the University<br />

of East Anglia’s famous MA course in Creative<br />

Writing. She then cleverly linked her workshop<br />

to Dave Willis’s excellent plenary talk, agreeing<br />

that, as with Dave’s granddaughter, our<br />

need to tell stories precedes language and<br />

we use language because of this need – a<br />

realistic task.<br />

Creative writing, there<strong>for</strong>e, has a place in the<br />

language classroom. Students can practice<br />

and gain confidence in writing and speaking,<br />

can develop cooperative teamwork (as there<br />

is often a pre-writing collaborative task), can<br />

improve editing and rewriting skills, and, by<br />

understanding the process of writing, become<br />

more appreciative readers.<br />

We brainstormed ideas <strong>for</strong> generating stories:<br />

books (a topic which was explored further<br />

in her second excellent workshop which I<br />

also attended), newspapers, and especially<br />

pictures. Pictures are very powerful as we can<br />

look both into and beyond them to explore<br />

character, causality, motivation and mood.<br />

Character is the key to good writing (which<br />

explained a puzzling sentence in the workshop<br />

description “writers never write dialogue”<br />

– this is because once a character is created,<br />

the dialogue comes naturally!) We<br />

18 ETAS Journal 24/3 Summer 2007<br />

experienced a powerful example of this<br />

phenomenon ourselves. Antoinette showed us<br />

a black and white photo of a man looking<br />

through a window onto a bleak snowy landscape<br />

(which she had just found on Google<br />

Images) and we had to answer the “W…”<br />

questions: Who? Where? When? Why? about<br />

him. We did this individually but it could also<br />

be done in groups. After this stage, we had<br />

to move into the first person and write his<br />

story. I experienced myself how powerful and<br />

effective a writing experience this was, as the<br />

character developed his own “voice” and, as I<br />

wrote, the story and character developed and<br />

became clear.<br />

We then compared our stories, discussed<br />

the names we had chosen and the evocative<br />

power of a name. Antoinette also gave us<br />

other ideas <strong>for</strong> generating stories, like discovering<br />

a character from the contents of a bag<br />

and “hot seating”.<br />

Un<strong>for</strong>tunately, there were only seven people<br />

at this workshop but every participant was<br />

enriched, not only with ideas <strong>for</strong> the classroom<br />

and tips from a published writer, but<br />

also a key to unlocking creativity in ourselves.<br />

Many thanks to CUP <strong>for</strong> bringing Antoinette to<br />

Switzerland.<br />

Alison Taylor<br />

Drama & Literature SIG<br />

B2<br />

Poetry <strong>for</strong> the classroom<br />

Eva König<br />

In total seven people attended this workshop<br />

whose stated aim was to provide ideas and<br />

suggestions about the ways in which teachers<br />

of <strong>English</strong> might incorporate poetry into the<br />

classroom and how poetry might provide the<br />

stimulus <strong>for</strong> a variety of other activities including<br />

language acquisition, developing language<br />

skills, as well as <strong>for</strong>ming the basis <strong>for</strong> reading<br />

and writing tasks.<br />

<strong>The</strong>se aims were most certainly well fulfilled<br />

over the course of this fascinating and thoughtprovoking<br />

workshop. <strong>The</strong> success of Eva<br />

König’s workshop lay in the way in which she<br />

anchored her theoretical framework – the<br />

value of something that at times can be<br />

abstract and intimidating to students – in concrete<br />

examples in which workshop attendees<br />

were invited to participate. Thus we were<br />

given an idea how the exemplars might<br />

actually play out in the classroom and the<br />

manner in which the primary text, the poem itself,<br />

might serve as the basis <strong>for</strong> further work.<br />

<strong>The</strong> first exercise in which we participated<br />

was based on the Roger McGough poem<br />

‘Forty Love’. <strong>The</strong> text of the poem was<br />

handed out to us as continuous text and we<br />

were invited to punctuate it. Our suggestions<br />

were then discussed as a group be<strong>for</strong>e Eva<br />

König showed us the actual, very novel way<br />

in which the text appears. <strong>The</strong>re followed a<br />

discussion as to why the poet chose this particular<br />

structure and the exercise terminated<br />

with a chorus reading between two groups.<br />

This was great fun and showed the possibility<br />

of teaching poetry without being bound to<br />

discussion of tone, <strong>for</strong>m, imagery, etc. which<br />

students frequently find monotonous.<br />

Another particularly successful exercise was<br />

the one that used the Peter Appleton poem<br />

‘<strong>The</strong> Responsibility’. We were given the poem<br />

with each stanza printed on individual sheets<br />

and had to create our own sequence <strong>for</strong> the<br />

stanzas. This was a very effective exercise as<br />

it meant that you really had to concentrate on<br />

the text and what was being said, and evaluate<br />

your own ideas about what was the likely<br />

logical order and thus the message the text<br />

was conveying.<br />

Personally, I thought that the workshop taught<br />

me more about teaching poetry than a year<br />

of seminars on <strong>English</strong> teaching during my<br />

teacher training, the reason being that Eva<br />

König illustrated her examples so clearly<br />

that each exercise functioned almost like an<br />

individual lesson plan and that was extremely<br />

helpful. Especially as I find that when teaching<br />

second-language speakers, the teacher<br />

constantly needs to come up with innovative<br />

ideas to maintain their interest.<br />

Joan Ennis


Drama & Literature SIG<br />

C2<br />

Creative writing: Working with voices<br />

Franz Morrissey<br />

It had been a rather consuming day full of inputs<br />

– of both intellectual and physical nature.<br />

Thus, it was a somewhat tired group of ten<br />

people assembling <strong>for</strong> their last workshop of<br />

the day.<br />

From the presenter’s (i.e. Franz Morrissey’s)<br />

point of view the task was probably an unenviable<br />

one. However, he rose to the challenge<br />

and came out with flying colours.<br />

Franz kept us busy and interested with handson<br />

writing activities that were as much fun as<br />

they were challenging. <strong>The</strong> ninety minutes<br />

passed all too quickly, and in the process a<br />

number of original (and also weird!) written<br />

products evolved.<br />

Franz supplied us with step-by-step procedures<br />

<strong>for</strong> several creative writing activities,<br />

four of which we tried out ourselves. <strong>The</strong>se<br />

activities mostly need little or no copyroom<br />

preparation; pens and paper suffice.<br />

As a starter, Franz used an activity called<br />

‘Value-Added Dialogue’, which may serve as<br />

an example to illustrate this:<br />

It is a pairwork activity <strong>for</strong> which you need two<br />

pieces of paper. Goal: creation of two dialogues,<br />

each beginning with one word, adding<br />

a word <strong>for</strong> each change of speaker until you<br />

reach seven words, and then the whole process<br />

in reverse. As the two people are writing<br />

two dialogues at the same time, each one is<br />

always busy writing and there is hardly any<br />

empty waiting time. Franz emphasized the<br />

need to begin with an ‘unusual’ word rather<br />

than with the classic “Hi” or “Hello” to trigger<br />

engaging conversations. So, my partner and I<br />

started scribbling away, our two pieces having<br />

as their respective openers ‘Milk’ and ‘Diarrhoea’!<br />

Soon, the room was full of giggling,<br />

our tiredness magically blown away and our<br />

energy tanks refueled. Finally, all the pairs<br />

had to choose the dialogue they liked better<br />

and per<strong>for</strong>m it <strong>for</strong> the class (in radio play<br />

fashion).<br />

<strong>The</strong> workshop continued in an equally rewarding<br />

vein through activities called ‘Conflict<br />

Situations’, ‘An Old Song Resung’ and ‘Animal<br />

Vegetable Mineral’. Should any readers be<br />

interested in what they missed, go to Franz<br />

Morrissey’s homepage: http://www.creativewriting.ch/creativeways.html,<br />

where you will<br />

find a pdf file <strong>for</strong> download entitled ‘Creative<br />

Ways’ containing a plethora of writing ideas<br />

and activities.<br />

All in all, an excellent finish to an interesting<br />

and well-organised ETAS SIG Day on the<br />

premises of the Kantonsschule Wil.<br />

Oliver Töngi<br />

2007<br />

Examinations, Testing & Assessment SIG<br />

(ETA SIG)<br />

A3<br />

An introduction to IELTS<br />

Sarah Fabel<br />

<strong>The</strong> IELTS (Independent <strong>English</strong> Language<br />

Testing System) exam was developed in 1989<br />

by Cambridge ESOL, IDP Australia and the<br />

British Council to provide proof of a candidate’s<br />

level and ability in <strong>English</strong>. It is now<br />

taken by around 500,000 candidates per year,<br />

a figure which is increasing, and is recognised<br />

by over 3,800 educational institutions, government<br />

agencies and professional organisations<br />

in 120 countries, including the US and the UK.<br />

Achieving a specific grade in the IELTS exam,<br />

which can also be taken by native speakers,<br />

is a requirement <strong>for</strong> immigration to Australia,<br />

New Zealand and Canada.<br />

<strong>The</strong> exam consists of 4 papers: Listening,<br />

Reading, Writing and Speaking. Candidates<br />

may choose between an Academic or a<br />

General strand, the latter being suitable <strong>for</strong><br />

candidates who wish to study in an <strong>English</strong>speaking<br />

environment. Results are graded<br />

from 1 (false beginner) to 9 (native speaker),<br />

and in Switzerland are sent out on the 13th<br />

day after the exam. More details can be obtained<br />

from the British Council in Bern (www.<br />

britishcouncil.org/switzerland) or from the<br />

IELTS website (www.ielts.org).<br />

Sarah gave workshop participants a clear<br />

overview of the exam, and was very willing<br />

and competent to answer our many questions.<br />

Lots of useful tips to help prepare students <strong>for</strong><br />

the exam were given, including in<strong>for</strong>mation<br />

about training sessions, exam materials and<br />

coursebooks. Sarah shared her knowledge as<br />

well as her experience as an examiner in an<br />

in<strong>for</strong>mative, interesting and helpful way. <strong>The</strong><br />

feedback sheets returned serve to confirm<br />

my own impression – this was 90 minutes<br />

valuably spent!<br />

Maggi Lussi Bell<br />

Examinations, Testing & Assessment SIG<br />

(ETA SIG)<br />

B3<br />

Assessing Speaking Skills<br />

Ann Humphry-Baker<br />

A good turnout of 18 participants attended<br />

Ann Humphry-Baker’s presentation, hoping<br />

ETAS Journal 24/3 Summer 2007 19


SIGDAY<br />

Special Interest Group<br />

to gain, as according to the feedback,”‘more<br />

in<strong>for</strong>mation and insight into this grey area of<br />

assessment”. Ann in<strong>for</strong>med us of a myriad of<br />

aspects to consider when preparing to assess<br />

your students’ oral skills:<br />

Assessment<br />

� self-assessment<br />

� peer assessment<br />

� teacher/examiner assessment<br />

Tasks<br />

� presentations<br />

� interactive<br />

Stakes<br />

� in<strong>for</strong>mal assessment - low stakes<br />

� <strong>for</strong>mal assessment - high stakes<br />

Formative<br />

� assessment with feedback on per<strong>for</strong>mance<br />

and how to improve in future<br />

Summative<br />

� assessing what has been achieved to date<br />

Anne pointed out that the positive aspects of<br />

doing ‘self-’ and ‘peer’ assessment is that it<br />

doesn’t take a lot of preparation time and the<br />

feedback can be kept and used in the students’<br />

dossier. <strong>The</strong> positive points of teacher<br />

assessment were that the teacher knows the<br />

students’ level, what has been taught, and<br />

students tend to feel more com<strong>for</strong>table being<br />

assessed by someone they know. On the<br />

other hand, an examiner would be unbiased<br />

and impartial and is trained to look at students<br />

differently.<br />

Ann went on to illustrate examples of criteria<br />

which students could use to carry out selfand<br />

peer assessment, as well as showing us<br />

the different criteria to take into consideration<br />

when producing our own assessment grids.<br />

Besides the usual <strong>for</strong>m, content, structure and<br />

features of spoken <strong>English</strong>, the differences<br />

which were highlighted were when assessing<br />

either an oral presentation or an oral interaction.<br />

Criteria <strong>for</strong> self- and peer assessment<br />

� Did I get my message across?<br />

� Was my speech logically organized?<br />

� Was my grammar accurate and varied?<br />

� Did I use an appropriate range of<br />

vocabulary?<br />

� Was my pronunciation clear?<br />

20 ETAS Journal 24/3 Summer 2007<br />

Oral presentation:<br />

Criteria <strong>for</strong> communicative quality<br />

� maintaining interest of audience<br />

� independence of notes<br />

� reply to questions<br />

� body language<br />

� visual support<br />

� fluency<br />

Oral interaction:<br />

Criteria <strong>for</strong> interactive communication<br />

� interpersonal skills<br />

� initiating and responding<br />

� turn taking<br />

� cooperation<br />

� body language<br />

� fluency<br />

� repair strategies<br />

Ann armed us with examples of assessment<br />

scales, a presentation evaluation and a global<br />

assessment grid and a little more theory to<br />

hopefully facilitate us in becoming better<br />

assessors of speaking skills.<br />

Norelee Wolf<br />

Immersion/CLIL SIG (ICSIG)<br />

A4<br />

First-hand Catalan immersion experience<br />

Caroline Huelva<br />

Caroline introduced herself and the lesson<br />

in Catalan and as someone with very little<br />

experience of Catalan or Spanish, I was<br />

surprised that I got the gist. She then gave a<br />

longer introduction that completely lost me.<br />

Fortunately, she then handed out a text with<br />

a diagram and I was relieved to see that this<br />

helped me get back on track.<br />

After reading the text we answered some<br />

comprehension questions and completed a<br />

series of exercises not unlike those in the<br />

EFL classroom (cloze, word matching and<br />

diagram labelling). Although some words<br />

looked familiar, others were totally <strong>for</strong>eign and<br />

so I found myself using all the exam strategies<br />

I know to make up <strong>for</strong> lack of language and<br />

subject knowledge. Also, I found myself trying<br />

to analyse the language in order to guess<br />

the answers. By the end of the lesson I was<br />

surprised that I had managed to learn some<br />

vocabulary and understood the subject matter.<br />

Credit should be given to Caroline’s way of<br />

speaking clearly, using body language and a<br />

very calm and friendly manner to motivate us<br />

and help keep us working at a fairly fast pace.<br />

Equally important, her materials and<br />

exercises worked well to gradually build up<br />

our language skills and subject knowledge.<br />

Also, the tasks were varied and there was<br />

plenty of repetition.<br />

Most of us felt positive about the 60-minute<br />

lesson as Eveline Reichel asked <strong>for</strong> feedback.<br />

Some mentioned feeling tired and frustrated<br />

when they did not understand or could not<br />

complete a task and I certainly felt under<br />

stress at times. As one participant mentioned,<br />

the focus was on biology and the goal was<br />

to complete the tasks while the Catalan<br />

language was the medium. Attending biology<br />

classes regularly in Catalan with parallel<br />

language classes, I could imagine learning<br />

the language and being able to gauge my<br />

progress.<br />

By the end, there was much to ponder about<br />

learning styles and ways of learning a language.<br />

We had a chance to put ourselves in<br />

our pupils’ shoes and realise the importance<br />

of a positive learning situation. Thanks to<br />

Caroline <strong>for</strong> the interesting lesson and being a<br />

model teacher. Eveline Reichel also deserves<br />

congratulations <strong>for</strong> starting off the ICSIG with<br />

this successful first workshop and leading an<br />

interesting discussion.<br />

Hazel Trepp


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Immersion/CLIL (ICSIG)<br />

B4/7<br />

Enhancing language acquisition through<br />

immersion<br />

Dr des Heidi Bürgi<br />

Ms Bürgi started her speech in a crowded<br />

room, with the OHP showing a map of<br />

Switzerland entitled “<strong>The</strong> Swiss Languagescape”,<br />

which she used to show where the<br />

three surveyed schools were (Lucerne, Winterthur<br />

and Zürich). She talked about a threeyear<br />

survey in these schools. Whilst doing<br />

her survey the difficulty lay in the fact that the<br />

programs were different, though they all had<br />

in common that students had no additional<br />

lessons in respect to the regular classes and<br />

moreover the schools selected the students<br />

<strong>for</strong> the immersion courses. She stated that<br />

the pupils’ language skills improved due<br />

to special ties with the <strong>English</strong> language,<br />

<strong>English</strong> seemed more interesting and exciting<br />

to students and the latter were looking <strong>for</strong> a<br />

challenge. In fact, they stated that they were<br />

putting in, depending on which subject, an<br />

average of 0% to 50% more ef<strong>for</strong>t than in the<br />

same subject in their first language (L1). She<br />

tested the receptive skills, the productive skills<br />

and the systems (vocabulary) at B2, C1 and<br />

C2 levels and these were the findings: on<br />

the listening and the reading comprehension<br />

generally the immersion classes were better<br />

than the regular ones at the B2 level. She<br />

also did a survey on how many words learners<br />

need, using frequency lists and Nation’s<br />

Vocabulary Levels Tests. She pointed out<br />

that even if <strong>English</strong> is the language with the<br />

largest vocabulary (800,000), learners need<br />

3,000–5,000 words <strong>for</strong> comprehension and<br />

2,000–3,000 words <strong>for</strong> production seem to<br />

be enough. In fact, if pupils only knew 2,000<br />

words, they understood 20% of the text,<br />

exploiting knowledge in other languages, too.<br />

<strong>The</strong> results showed that after only one immersion<br />

year only 50% of the students mastered<br />

2,000 words. By the end of the three-year<br />

program they knew 100% of the words,<br />

whereas students in the regular classes only<br />

knew a few words.<br />

According to the workshop feedback sheets<br />

most participants found the workshop interesting,<br />

because some saw it as an eye-opener<br />

on immersion classes. <strong>The</strong>n, most found the<br />

content good due to the preciseness and the<br />

load of in<strong>for</strong>mation, and nearly all thought that<br />

the speaker’s preparation and presentation<br />

was very good.<br />

Gabriella Pedrini<br />

2007<br />

Immersion/CLIL SIG (IC SIG)<br />

C4<br />

<strong>The</strong> Zürich immersion project <strong>for</strong> a<br />

bilingual matura<br />

Eveline Reichel<br />

You may be asking yourself—What’s a<br />

bilingual matura and what project are they<br />

immersing in Zürich? Well, immersion teaching,<br />

as it is known in Switzerland, is a <strong>for</strong>m of<br />

Content and Language Integrated Learning<br />

(CLIL).<br />

Actually, immersion teaching is a very simple<br />

idea. School subjects (i.e. history, geography,<br />

math) are taught in <strong>English</strong> to non-native<br />

<strong>English</strong>-speaking students. Students expand<br />

their vocabulary and skills while being<br />

exposed to more <strong>English</strong> during the school<br />

week. This results in them learning <strong>English</strong><br />

at a faster and more complete pace than the<br />

‘normal tract’ students. In a bilingual matura<br />

some subjects are taught in German and<br />

some are taught in <strong>English</strong>. It should be noted<br />

that these immersion classes do not replace<br />

the EFL lessons, which continue as usual.<br />

<strong>The</strong> Zürich Bilingual Matura Program started<br />

in 2002/03 with only three secondary schools.<br />

By 2004/05 there were 10 secondary schools<br />

in the pilot project. <strong>The</strong> project was a big<br />

success and as a result there are 13<br />

secondary schools now in Canton Zürich<br />

with bilingual maturas. Interestingly, each<br />

gymnasium has a different mix of immersion<br />

subjects and requirements. Swiss individualism<br />

in action!<br />

Since only a handful of people attended, we<br />

were able to personalize the workshop. It<br />

started off as a presentation of the project and<br />

developed quickly into a very in<strong>for</strong>mative and<br />

enjoyable exchange of ideas and in<strong>for</strong>mation<br />

about immersion teaching. I particularly<br />

benefited from the insider experience and<br />

viewpoint of the presenter, Eveline Reichel.<br />

Eveline has been involved with the project<br />

from the beginning. In addition, she teaches<br />

the course <strong>for</strong> those teachers who would like<br />

to teach immersion classes (http://www.<br />

mba.zh.ch/downloads/Projektstellen/Infoblatt_Kurs.pdf)<br />

It was the perfect way to wind down a very<br />

hectic and busy SIG Day and I look <strong>for</strong>ward<br />

to more events and workshops from this new<br />

SIG.<br />

See the following links <strong>for</strong> more details about<br />

immersion teaching and what is happening in<br />

ETAS Journal 24/3 Summer 2007 23


SIGDAY<br />

Special Interest Group<br />

Canton Zürich:<br />

http://www.mba.zh.ch/downloads/Projektstellen/broschuereimmersion.pdfhttp://www.mba.zh.ch/downloads/Projektstellen/FAQs_Antworten2.pdfhttp://www.mba.zh.ch/downloads/Projektstellen/Arbeitsblatt_guidelines.pdfhttp://www.mba.zh.ch/downloads/Projektstellen/Arbeitsblatt_handout1.pdf<br />

Janet M. Borner<br />

Learning Technologies SIG (L Tech)<br />

A5<br />

Efficient use of interactive<br />

whiteboards in the classroom<br />

Jayne Herzog<br />

It was Hugh Dellar at the Winterthur ETAS<br />

AGM 2006 that started me thinking I should<br />

exploit the whiteboard more in class. He<br />

brought to my attention how often we teachers<br />

neglect to use the whiteboard to its full<br />

potential. So I was eagerly awaiting Jayne’s<br />

workshop to activate some new ideas. I<br />

wasn’t disappointed!<br />

When we entered the room Jayne had<br />

already been busy and sectioned off a part<br />

of the board with different in<strong>for</strong>mation <strong>for</strong> the<br />

students. <strong>The</strong> lesson plan was on one part of<br />

it, the date and weather on another, a section<br />

<strong>for</strong> new vocabulary and one <strong>for</strong> the last<br />

lesson’s vocabulary. <strong>The</strong>re was also some<br />

empty space <strong>for</strong> new phrases or things that<br />

came up in the lesson. For me it gave immediate<br />

focus on learning and the path the lesson<br />

would take.<br />

In a lot of my lessons there is general chatting<br />

among the students until finally they all have<br />

arrived and I usually say what we’ll be doing.<br />

<strong>The</strong> presence of the plan to view on entering<br />

the classroom settles students into the<br />

learning mode at the onset. <strong>The</strong> simplicity<br />

and beauty of this it that it can be adapted to<br />

suit your learners and the level they are at, be<br />

they business, exam students or beginners.<br />

Several activities were looked at where<br />

students can come to the board and either<br />

add ideas or words and phrases on a topic or<br />

even correct other contributions from peers.<br />

<strong>The</strong> idea of the board being an active, public,<br />

physical and competitive attraction gave a<br />

24 ETAS Journal 24/3 Summer 2007<br />

new dimension to the classroom and moves<br />

away from pairwork and groupwork. Jayne<br />

had a plethora of ideas including getting to<br />

know you, picture dictation, pronunciation,<br />

writing and speaking and also feedback<br />

activities all taking place at the board and with<br />

everyone participating. <strong>The</strong>se ideas together<br />

with a comprehensive handout ensured we<br />

went away with plenty of motivation to make<br />

better use of an age-old but eternally useful<br />

prop.<br />

Gillian Nussbaum<br />

Learning Technologies SIG (L Tech)<br />

B5<br />

A dictionary at your fingertips<br />

Gwyneth Fox<br />

Have you often wished you were making<br />

better use of learners’ dictionaries as a<br />

teaching resource in the classroom? Do you<br />

do more than turn to it hurriedly to look up a<br />

difficult word just be<strong>for</strong>e class starts?<br />

If you attended Gwyneth Fox’s workshop,<br />

you would, like 25 other excited teachers that<br />

day, have walked away not only with a bunch<br />

of great ideas and activities to support you<br />

but also a free copy of the new edition of the<br />

award-winning Macmillan <strong>English</strong> Dictionary<br />

(MED) <strong>for</strong> Advanced Learners plus CD-ROM.<br />

Gwyneth, Associate Editor of Macmillan<br />

Dictionaries, and Matt Kay, their marketing<br />

manager, gave us a highly entertaining<br />

demonstration of the innovative features of<br />

this new edition on CD-ROM.<br />

<strong>The</strong> most important new feature is the clear<br />

distinction it makes between high frequency<br />

core vocabulary (coded in red) and the less<br />

common words (coded in black). Extensive<br />

research from a 200-million word corpus<br />

shows that native speakers use about 7,500<br />

words 90% of the time in anything they read,<br />

write or speak. By identifying these essential<br />

7,500 words in red (Ox<strong>for</strong>d <strong>English</strong> Dictionary<br />

focuses on 3,000 words), MED helps give<br />

students the confidence and ability to get their<br />

message across whether in writing or speaking,<br />

with the ease of a native speaker.<br />

Sporting a user-friendly navigation system,<br />

this CD-ROM dictionary has over 1,300<br />

illustrations, animations and photographs and<br />

more than 300 sound effects. It contains over<br />

6,000 items of clearly labelled subject-specific<br />

vocabulary on 5 key subject areas: business<br />

and economics, science, in<strong>for</strong>mation technology,<br />

medicine and the arts.<br />

<strong>The</strong> ‘supersearch’ facility can be used to build<br />

a lesson around a particular topic, say, the<br />

theatre – class brainstorm as many words<br />

as possible, then use ‘supersearch’ to find<br />

more, up to 100 words. <strong>The</strong> results ranked<br />

in red and black code together with common<br />

collocations, idioms, etc. could be used as a<br />

basis <strong>for</strong> storytelling or essay writing.<br />

Another completely new feature is the<br />

thesaurus (little book symbol beside every<br />

word), boasting 77 synonyms <strong>for</strong> ‘angry’<br />

alone!


Simply a wealth of new material, innovative<br />

search features, … the list goes on. Do give<br />

this dictionary a try.<br />

Christina Kwok<br />

Learning Technologies SIG (L Tech)<br />

C5<br />

Exploration of internet tools relevant to<br />

teaching and teacher development<br />

Illya Arnet-Clark<br />

Drop what you are doing. Go to the computer<br />

and enter http://etasblog.wordpress.com<br />

This will take you to the ETAS Blog where<br />

you can retrieve this workshop’s PowerPoint<br />

in<strong>for</strong>mation and more than enough websites<br />

to keep you busy <strong>for</strong> some time. (Click on the<br />

blue lettered... A quick tour through the internet).<br />

In<strong>for</strong>mation about blogs, blog providers,<br />

wikis, and RSS feeds are listed. Don’t worry<br />

if you don’t understand this terminology; the<br />

PowerPoint site will explain it.<br />

When someone starts talking tech I smile,<br />

nod, and wonder how you can change the<br />

subject. <strong>The</strong> other response is panic. It was<br />

in this spirit that I attended this workshop and<br />

was impressed by the speaker’s passion and<br />

knowledge of this area.<br />

But, best made plans don’t always work.<br />

Several people had computer problems and<br />

Illya went right to their assistance but this<br />

left others waiting. It was necessary to have<br />

provider in<strong>for</strong>mation of your e-mail site, which<br />

I had, so I was able to start a blog.<br />

In<strong>for</strong>mation can be posted and students can<br />

communicate with each other, in <strong>English</strong> of<br />

course, to complete assignments using this<br />

tool. Classes from literally all over the globe<br />

can be contacted. Time is the factor but what<br />

a wonderful way to meet teenagers on their<br />

turf. Go to the ETAS Blog and see the brilliant<br />

idea it inspired another teacher to do!<br />

Participants were requested to have at least<br />

basic knowledge of how to use the internet.<br />

Perhaps this should have mentioned having<br />

their provider in<strong>for</strong>mation so they could<br />

access their e-mail sites, necessary <strong>for</strong><br />

starting a blog. <strong>The</strong> topics to be discussed<br />

may have been too broadly described in the<br />

programme. If everything had gone smoothly,<br />

it would have been a lot to cover in that period<br />

of time and with that number of participants.<br />

Other tools were mentioned on the internet<br />

but time didn’t allow us to explore them in<br />

detail. This gave me the opportunity to try<br />

something I had just read about.<br />

Elizabeth Ulrich<br />

Multimedia SIG<br />

A6<br />

Podcasting<br />

Tom O’Sullivan<br />

<strong>The</strong> title ‘podcasting’ intrigued me as I had<br />

seen the term often on the internet and in connection<br />

to my iPod, but I had never bothered<br />

to find out what it meant. I was obviously not<br />

alone as the workshop was fully attended with<br />

every computer terminal occupied.<br />

Tom set out not to teach us how to us podcasting<br />

in a lesson but, as his online handout<br />

stated, to help find internet multimedia which<br />

we could use in the class room. It was not<br />

a ‘regular’ workshop, as some might have<br />

expected, but instead Tom had produced<br />

a detailed online-handout which contained<br />

many sites where we could find multimedia.<br />

2007<br />

All of the relevant sites were hyperlinked so,<br />

while on the computer, we could go into his<br />

document and hyperlink around the internet<br />

to see the relevant sources. If interested, I do<br />

recommend that you e-mail Tom on tos.tefl@<br />

citycable.ch <strong>for</strong> a copy of this eleven page<br />

interactive handout.<br />

For the rest of the time, with some guidance<br />

from Tom, we looked at some issues raised<br />

on his worksheet like ‘streaming’ versus<br />

‘podcasts’; ‘copyright’ versus ‘copy protection’;<br />

understanding different types of search<br />

engines; and what are ‘aggregators’?<br />

I was more than happy to go along with Tom’s<br />

loose control of the workshop where he acted<br />

more as a facilitator and we were allowed<br />

to explore his worksheet. However, I think,<br />

though most were more than happy with the<br />

quality of in<strong>for</strong>mation given, they would have<br />

liked more hands-on guidance about what to<br />

do.<br />

For the future there is obviously a need <strong>for</strong><br />

workshops which are <strong>for</strong> the less technical<br />

minded to help them with more step by step<br />

guidance about how to access the different<br />

types of multimedia and <strong>for</strong> other workshops<br />

which might take a piece of multimedia and<br />

show how to convert it into something that can<br />

be used in a lesson.<br />

Thanks to Tom <strong>for</strong> sharing his in-depth knowledge<br />

and starting the ball rolling.<br />

Tim Black<br />

Multimedia SIG<br />

B6<br />

Read and watch – using the movie of the<br />

Reader to motivate students to read<br />

Steve Pawlett<br />

I chose this workshop because I thought it<br />

was something different to the usual lectures<br />

and wanted to know if it really works. Well, I<br />

wasn’t disappointed when a friendly,<br />

motivated, well-prepared, confident and<br />

dynamic Steve Pawlett started by putting<br />

a few sentences to us and said, “Who said<br />

this and in which movie?” Wow, I thought,<br />

how does anyone remember sentences from<br />

movies? To everyone’s surprise there were<br />

participants who knew! This sort of broke the<br />

ice and everyone joined in automatically.<br />

Thanks to modern technology, we can now<br />

use movies easily in our classrooms. Visual<br />

ETAS Journal 24/3 Summer 2007 25


SIGDAY<br />

Special Interest Group<br />

images are important as they are memorable<br />

and motivating. When students know that they<br />

can watch a movie in class, the reading task<br />

involved does not seem such an uphill task.<br />

Steve also showed us many interesting activities<br />

that we can use with film clips.<br />

We watched a clip from Cry Freedom. We discussed<br />

feelings, impressions and questions.<br />

It was great as all the attending participants<br />

communicated spontaneously and we found<br />

ourselves in a very relaxed atmosphere.<br />

‘Vision on, sound off’ was an especially interesting<br />

guessing game. Actually, it was rather a<br />

brainstorming exercise with much laughter as<br />

we tried to reconstruct the dialogue! It amazed<br />

me how much one can take from a movie,<br />

<strong>for</strong> example, grammar, reading, writing and<br />

discussing.<br />

<strong>The</strong> second clip was a highly-charged<br />

emotional scene from <strong>The</strong> Elephant Man. We<br />

brainstormed a) visual images b) reactions<br />

c) sounds d) feelings and realised how much<br />

language had been generated - as well as<br />

having a lot of fun.<br />

<strong>The</strong> conclusion of this workshop revealed how<br />

easily one participates in reading questions<br />

and writing by watching. This is a great way of<br />

encouraging students to develop their reading<br />

and writing skills and can be used at all levels.<br />

Steve Pawlett definitely delivered what he<br />

had promised. Thanks, Steve, <strong>for</strong> all the great<br />

ideas we took with us and to OUP <strong>for</strong> sponsoring<br />

this workshop, which was attended by<br />

15 participants.<br />

Colleen Hasler<br />

Multimedia SIG<br />

C6<br />

Looking at the future with film<br />

Graham Workman<br />

For those of us who are always looking <strong>for</strong><br />

new ways to put across our ‘future’ lessons,<br />

this workshop presented by Graham<br />

Workman was just what the doctor ordered.<br />

By using futuristic films as a tool <strong>for</strong> awareness<br />

raising we, and hopefully our students,<br />

were propelled into the future down three<br />

exciting and thought-provoking avenues. <strong>The</strong><br />

first film was about the environment and the<br />

effects of global warming. Using <strong>The</strong> Day<br />

After Tomorrow directed by Roland Emmerich<br />

26 ETAS Journal 24/3 Summer 2007<br />

(2004), we saw how strange weather patterns<br />

could cause devastation on well-loved cities<br />

such as New York and Los Angeles. This film<br />

dramatically illustrates the effects of global<br />

warming, and its special effects will make your<br />

students sit up in their seats and want to talk<br />

more about it.<br />

<strong>The</strong> second film Gattica, directed by Andrew<br />

Nicole (1997), gave us a scary look at the<br />

future with regard to genetic engineering.<br />

Your students will love this film <strong>for</strong> its horrific<br />

virtual reality and it should provoke lively<br />

classroom discussions and a strong plat<strong>for</strong>m<br />

<strong>for</strong> the language requirements <strong>for</strong> advanced<br />

speaking tests.<br />

<strong>The</strong> next film Artificial Intelligence (A.I.), a<br />

science-fiction movie from director Steven<br />

Spielberg (2001), illustrates another popular<br />

futuristic topic – robots. Can robots love? Can<br />

a robot be created to love? In the movie a<br />

robot manufacturer, Roboter, attempts to do<br />

just this and creates David, a robot boy who<br />

is adopted by a family whose own son lies in<br />

a coma. David eventually longs to become<br />

‘real’ so that he can experience the love of his<br />

human mother. A provocative, thoughtprovoking<br />

as well as disturbing topic which will<br />

promote great classroom discussions <strong>for</strong> your<br />

advanced students.<br />

Graham’s language focus was not only ‘the<br />

future’ but rather a collection of well-designed<br />

speaking (predicting and reviewing), lexis<br />

(great collocations) and exam practice speaking<br />

tasks. As usual, his handouts were first<br />

class and suitable <strong>for</strong> immediate classroom<br />

use at B2-C2 levels.<br />

If anyone would like more in<strong>for</strong>mation about<br />

using these films in class, e-mail Graham at<br />

grahamworkman@aol.com. Thanks, Graham.<br />

Denise Mattsson<br />

Multimedia SIG Coordinator Report<br />

Another successful SIG Day has come and<br />

gone. This one was especially important <strong>for</strong><br />

me as it was in my own region and of course<br />

we wanted it to be as successful as all of the<br />

other ones. I think we can in all modesty say<br />

that we achieved our goal thanks to Vanessa<br />

and her team’s organisational skill and hard<br />

work – so thank you, Vanessa.<br />

As Coordinator <strong>for</strong> the Multimedia SIG it was<br />

a pleasure to be able to offer such a variety of<br />

workshops again. As technology is taking an<br />

ever-big place in our classrooms and our<br />

students - especially those of us who work<br />

with adolescents - are more computer than<br />

coursebook oriented, it was exciting to be<br />

able to have an insight into what podcasting<br />

actually is and how to integrate it into our<br />

teaching.<br />

I still haven’t worked out all of the ins and outs<br />

of this tool, but at least I have learned that is<br />

has nothing to do with an iPod! Thanks <strong>for</strong><br />

making that point clear, Tom!<br />

For those of us who either already know about<br />

podcasting or are too much in awe of this new<br />

dimension in the classroom to try it out, there<br />

was the chance to see how Readers, when<br />

used in connection with films, can turn even<br />

the younger generation into avid readers.<br />

Steve’s activities were motivating, combined<br />

various skills, and gave the participants ideas<br />

<strong>for</strong> activities <strong>for</strong> their own favourite book and<br />

film.<br />

Thank you, Steve, <strong>for</strong> sharing your know-how<br />

and humour with us.<br />

Those of us teaching examination classes are<br />

under terrible time pressure to get through the<br />

book, yet at the same time we would like to<br />

make the lessons as interesting as possible.<br />

Graham once again demonstrated that this<br />

is possible if we can just find the right film,<br />

combine it with challenging activities and voilà<br />

- the routine lesson about genetic engineering<br />

becomes livelier and students are actually<br />

using more sophisticated vocabulary to get<br />

their meaning across. As always Graham’s<br />

enthusiasm and knowledge of films, combined<br />

with his excellent handouts, made his<br />

workshop well worth attending. Also thanks to<br />

you, Graham.<br />

I’m sure that many of us know that lovely<br />

song sung by Sarah Brightman ‘Time to Say<br />

Goodbye’. That song has been going around<br />

in my head <strong>for</strong> a few months now and I have<br />

finally decided to heed its words. After many


years as an active member of ETAS I have<br />

decided that the time has come to hand over<br />

my job to someone with more time and also<br />

more initiative. I have enjoyed working with<br />

all of the presenters, the organisational teams<br />

and of course the ETAS Committee. I have<br />

learned a great deal in this job and would like<br />

to thank everyone <strong>for</strong> their support and their<br />

trust in me.<br />

I wish everyone lots of fun trying out what we<br />

learned from Tom, Steve and Graham, and<br />

look <strong>for</strong>ward to seeing all of you at our next<br />

AGM.<br />

Ilona Bossart<br />

Research SIG (RSIG)<br />

A7<br />

Doing TESOL research<br />

Simon Borg<br />

Simon Borg, Senior Lecturer in TESOL and<br />

Postgraduate Research Tutor <strong>for</strong> the School<br />

of Education at the University of Leeds, structured<br />

his presentation into three main parts all<br />

concerned with research:<br />

1. What is research?<br />

2. Why do research?<br />

3. How do you do research?<br />

Simon convincingly got one of his key<br />

messages across to the 18 participants:<br />

academic research cannot be a model <strong>for</strong><br />

teacher research. We often find teachers<br />

being scared away from doing research by<br />

thinking of it as academic research. By scaling<br />

down on what is research, classroom teachers<br />

lose their inhibitions concerning the time<br />

investment, which is the most often heard<br />

reason <strong>for</strong> not doing research.<br />

In a survey on why teachers do research the<br />

most frequent answers included improved<br />

teaching and professional development.<br />

<strong>The</strong>re are countless other reasons <strong>for</strong> doing<br />

research. Participants also mentioned that<br />

institutes of higher education more and more<br />

expect their teachers to do research as part of<br />

their work obligation. <strong>The</strong> presenter commented<br />

that such top-down decisions are likely to<br />

cause resentment.<br />

<strong>The</strong> last section of the presentation dealt with<br />

the way research could be done. <strong>The</strong>re will<br />

always be an extra requirement in time even<br />

<strong>for</strong> small-scale teacher research, but as mentioned<br />

above, by reducing the requirements<br />

the task becomes less daunting. Additionally,<br />

work can be shared by colleagues in<br />

collaborative approaches. When thinking<br />

about the data collecting options we realized<br />

that it does not always have to be a questionnaire:<br />

observation, learning materials, interviews,<br />

recordings can be equally efficient.<br />

<strong>The</strong> findings can be shared either orally (staff<br />

meetings, local teachers’ meetings, regional<br />

events) or in writing (website, noticeboards,<br />

newsletters, journals).<br />

Participants liked the clear and well-organized<br />

structure of the presentation. One said it was<br />

the best ETAS workshop she has been to yet.<br />

Other feedback, inspired by the presentation,<br />

looked ahead and wished <strong>for</strong> networking<br />

2007<br />

possibilities on an international level. This<br />

certainly has been a very competently led and<br />

reassuring meeting – is there anything more<br />

one could wish <strong>for</strong> the kick-off of our new<br />

Research SIG?<br />

Urs Kalberer<br />

Research SIG (RSIG)<br />

C7/9<br />

Classroom research and the whole teacher<br />

Alan Pulverness<br />

Developing teaching skills is a continuing<br />

process which should accompany every<br />

teacher throughout their career. It is so easy<br />

to get in a rut, run from lesson to lesson one<br />

year after the next, yearning <strong>for</strong> the summer<br />

holidays (which pass by all too fast) and<br />

then it’s back again, new faces, perhaps a<br />

different classroom, with a bit of luck a new<br />

coursebook, but basically the same thing all<br />

over again. <strong>The</strong> danger is when the ritual<br />

outweighs the creative; that is the straight<br />

road towards burn-out. This workshop showed<br />

us strategies to help keep us on our toes and<br />

retain the enthusiasm we started out with.<br />

Unlike teacher training, which is end-focused<br />

and limited in its time span, teacher development<br />

is about realising one’s own potential<br />

and aiming at “being one’s own best” (Adrian<br />

Underhill), and most importantly, developing<br />

one’s own style.<br />

Developing one’s classroom skills can be<br />

achieved through a systematic cycle of data<br />

collection, e.g. audio recording, video recording<br />

(daring!), teacher diary, student interviews<br />

and feedback, to name but a few. <strong>The</strong> three<br />

conditions <strong>for</strong> success are: don’t tackle what<br />

you can’t change, take on small-scale limited<br />

projects, choose something relevant to you<br />

and your students.<br />

This well-attended workshop was reviewed<br />

positively by most participants; a few<br />

comments from more experienced teachers<br />

indicated that there was not enough new<br />

input. Personally I felt it was a pity the groupwork<br />

tended to be somewhat rushed; fewer<br />

activities at a more leisurely pace would have<br />

brought more. However, all in all, it was a very<br />

interesting workshop. Thank you, Alan.<br />

Carol Siegenthaler<br />

ETAS Journal 24/3 Summer 2007 27


SIGDAY<br />

Special Interest Group<br />

School Management SIG<br />

A8<br />

What schools should know about social<br />

security<br />

Jürg Lehmann<br />

Roughly 10 school managers and freelancers<br />

attended this workshop including Claire<br />

Jackson, who had put in a great deal of work<br />

on the ETAS Committee to enable the ETAS<br />

BVG scheme to go <strong>for</strong>ward. Robin kicked off<br />

by reminding participants of the history of the<br />

ETAS social security scheme set up with<br />

Winterthur Insurance. <strong>The</strong> main point had<br />

been to offer a solution to part-timers who<br />

worked <strong>for</strong> two or three schools and did not<br />

reach the BVG minimum of roughly CHF<br />

19,000.- at either school, or only at one school<br />

but not at others. Clearly these teachers<br />

missed out on the benefits of the Second<br />

Pillar and exposed themselves to serious<br />

risks. Falling seriously ill was not a good<br />

idea if there was no Second Pillar scheme<br />

in place. Jürg answered a great number of<br />

questions with his customary professionalism.<br />

For instance, he pointed out that teachers<br />

should beware of ‘pseudo self-employment’<br />

implying that whoever worked <strong>for</strong> a school<br />

was basically employed and that authorities<br />

were not happy about ‘agreements’ which<br />

relieved schools of the obligation to pay their<br />

share of the BVG. <strong>The</strong> discussion showed<br />

that the ETAS BVG solution offers considerable<br />

advantages to freelancers and part-timers<br />

who work <strong>for</strong> different schools. However,<br />

some managers of larger schools employing<br />

full-timers felt they would need to consider an<br />

alternative to the ETAS BVG scheme which<br />

offered more benefits to teachers who teach<br />

all their hours <strong>for</strong> one school. Finally Jürg as<br />

the representative of a large insurance was<br />

reminded by participants that the percentage<br />

teachers and schools had to pay <strong>for</strong> accidents<br />

on and off the job was way too high and by no<br />

means reflected the low occupational hazards<br />

of the teaching industry. Jürg agreed and<br />

held out the hope that the year 2008 would<br />

see a revaluation of the UVG and how it was<br />

calculated in the case of teachers. Good news<br />

all along the line and many thanks, Jürg!<br />

Robin Hull<br />

28 ETAS Journal 24/3 Summer 2007<br />

School Management SIG<br />

B8<br />

???Problem students – school’s<br />

problems?<br />

Elsbeth Mäder<br />

Elsbeth Mäder started by distributing a<br />

number of cards with scenarios to participants<br />

who then started to think about possible<br />

solutions. As usual, Elsbeth prepared carefully<br />

and offered input in<strong>for</strong>med by many years of<br />

experience. <strong>The</strong> scenarios were so interesting<br />

that the discussion was able to cover only<br />

the first two or three and we all regretted that<br />

a mere 60 minutes had been reserved <strong>for</strong><br />

this workshop. Some of the problems which<br />

seemed to strike a chord with many school<br />

managers were students who do not have<br />

enough time to learn and do homework due<br />

to work pressure, students in their mid-50s or<br />

even early sixties who are pressurised by their<br />

employers into taking tests (shortly be<strong>for</strong>e<br />

they retire…), young learners who have been<br />

told by their primary or secondary school<br />

teachers that they lack the talent to learn<br />

languages, students who are in too much of<br />

a hurry to take examinations but are not yet<br />

at the level, students who do not want to pay<br />

<strong>for</strong> the three or four evenings they have not<br />

attended, students who have a chemistry<br />

problem with their teacher or their fellow students.<br />

<strong>The</strong> main benefit of this workshop was<br />

to hear how other school managers deal with<br />

these issues. Everyone agreed that Elsbeth<br />

should offer a follow-up workshop with the<br />

same focus some time in 2008. Well done and<br />

many thanks, Elsbeth!<br />

Robin Hull<br />

School Management SIG<br />

C8<br />

What is a qualified teacher? How to find<br />

them? How to keep them?<br />

Robin Hull<br />

<strong>The</strong> presentation covered a large number<br />

of issues related to selecting, recruiting and<br />

retaining staff. <strong>The</strong> aim was not to provide<br />

participants with ready-made answers, but<br />

rather to invite managers to reflect on their<br />

own schools.<br />

In a buoyant economy <strong>English</strong> teachers<br />

become more scarce while the number of<br />

students sharply increases. Robin pointed out<br />

that the time had come again <strong>for</strong> schools to<br />

increase their fees in order to offer better<br />

terms to their staff. <strong>The</strong> market, at least in<br />

larger cities in Switzerland, may now be ready<br />

<strong>for</strong> this, though it is by no means certain as<br />

competition remains fierce. <strong>The</strong>re are probably<br />

fewer and smaller language schools<br />

teaching <strong>English</strong> to adults now than there<br />

were 10 years ago. Where there has been<br />

a sharp rise in demand in 2007 schools are<br />

struggling to staff new courses and face a<br />

number of thorny problems, such as finding<br />

applicants, recruiting with the necessary care<br />

and professionalism, mentoring new staff<br />

properly whilst trying to offer existing staff an<br />

increasingly interesting package of pay, social<br />

security, the right teaching jobs, the desired<br />

number of hours and a professional development<br />

programme. Participants agreed that<br />

ETAS was an important organisation as it<br />

could assist in advertising jobs, providing<br />

professional development and by offering<br />

schools an attractive Second Pillar and Krankentaggeld<br />

solution. <strong>The</strong> discussion showed<br />

that larger schools would do well to offer more<br />

professional development opportunities to<br />

their staff. <strong>The</strong>re was a need <strong>for</strong> incentives <strong>for</strong><br />

experienced staff not to wander off into different<br />

careers. It seemed conceivable again that<br />

DELTA programmes would stage a comeback,<br />

together with post-CELTA programmes,<br />

language awareness courses and in-service<br />

teacher training workshops. Managers of<br />

larger schools also felt that membership of<br />

international school organisations such as<br />

EAQUALS and International House would<br />

help them to retain staff, as these organisations<br />

offered an impressive range of professional<br />

development packs <strong>for</strong> teachers. Working<br />

<strong>for</strong> an ‘accredited’ language school looked<br />

good in teachers’ CVs. Schools received<br />

unsolicited applications from teachers who<br />

had worked <strong>for</strong> similar schools abroad and<br />

- at least in some organisations – there was<br />

a sense of community extending beyond the<br />

individual school.<br />

Robin Hull


Teacher Development SIG (TD SIG)<br />

B9<br />

Learner types and task-based learning<br />

Paul Raper<br />

<strong>The</strong> presentation on ‘learner types and taskbased<br />

learning’ is part of Paul Raper’s MSc<br />

degree at Aston University and also his first<br />

presentation at an ETAS event.<br />

Paul first addressed the question of why there<br />

is a connection with students in some classes<br />

but not in others. As an example he focused<br />

on his engineer students and compared<br />

them to ‘normal’ students. A class full of<br />

engineers has different needs and a different<br />

learner style than other classes. According to<br />

research findings certain learner styles can<br />

be attached to a profession. This means that<br />

if you have a class of people from the same<br />

profession, particular learner types are found<br />

more often than others. If one’s teaching style<br />

and methodology is not adapted to students’<br />

needs and learner style, teacher and learners<br />

are not on the same wavelength. <strong>The</strong>re<strong>for</strong>e,<br />

learning cannot successfully take place<br />

because the lesson lacks meaningfulness <strong>for</strong><br />

the students. In his case of the engineers Paul<br />

found it very useful to introduce his version of<br />

task-based learning.<br />

This first part was followed by a brief look<br />

at the findings of researchers in the field of<br />

learner types such as Vester, Looss, Felder,<br />

Jung, Myers & Briggs, Caine & Caine and<br />

Gardner.<br />

Key aspects of Paul Raper’s presentation<br />

were:<br />

� learner styles can be attached to<br />

professions<br />

� learning is better context-based<br />

� task-based learning may promote learning,<br />

provided it is context-based.<br />

But what about the majority of us who are<br />

confronted with more heterogeneous classes<br />

and mixed-learner types? <strong>The</strong> reality is that<br />

we have a vast array of learner styles in our<br />

classes and there are some vital questions<br />

that remained unanswered. This presentation<br />

may not have been ground-breaking but I left<br />

the room with my own conclusions, which are:<br />

� My responsibility as a teacher is to find out<br />

as much as possible about my students.<br />

� Reflect on my lessons and per<strong>for</strong>mance in<br />

the classroom.<br />

� Be aware of my own teacher and learner<br />

2007<br />

style.<br />

IHC TEFLA have acquired “analogue” status<br />

� Include a selection of methods, techniques from eduQua, meaning that staff with an<br />

and tasks that appeal to different learner “analogue” qualification are suitably qualified<br />

styles.<br />

to teach in the school. Trinity College is currently<br />

involved in acquiring “analogue” status.<br />

Irene Wiesendanger<br />

A number of workshop participants with TEFL<br />

related degrees were naturally keen to know<br />

what their position was. However, so far no<br />

such status has been recognised <strong>for</strong> degree<br />

Teacher Development SIG (TD SIG)<br />

courses.<br />

B9.2<br />

A number of providers are currently offering a<br />

<strong>The</strong> SVEB Debate: what schools aren’t<br />

two-day bridge course to obtain the SVEB 1<br />

telling teachers<br />

Certificate. However, only holders of CELTA<br />

Jeanne C. Baer<br />

and IHC TEFLA may do this course. By the<br />

end of the workshop, we had established that<br />

<strong>The</strong> participants of this workshop included<br />

the only reason <strong>for</strong> acquiring this certificate<br />

both teachers and school managers who<br />

is simply to have a Swiss qualification when<br />

were clearly attending with the hope of get-<br />

dealing with non-TEFLA professionals or<br />

ting some clarification as to what exactly the<br />

employers! <strong>The</strong> workshop was certainly help-<br />

SVEB certificate is, and whether it is a necesful<br />

in clarifying the salient points regarding this<br />

sary qualification to have.<br />

certificate. Thank you, Jeanne.<br />

Jeanne, herself a teacher trainer, explained<br />

Nicola Chillingworth<br />

that the aim of the workshop was to give us<br />

answers to the following questions:<br />

� What is the difference between SVEB and<br />

CELTA/IHC TEFLA/Trinity cert. TESOL?<br />

� Do you, as a TEFLA teacher working in<br />

Switzerland, need to acquire the SVEB<br />

certificate?<br />

� Why are schools asking <strong>for</strong> the SVEB<br />

certificate regardless of your TEFLA<br />

qualifications?<br />

However, along the way we were able to raise<br />

our own queries, of which there were many,<br />

according to what qualifications we already<br />

had, or, in the case of the school managers,<br />

exactly what eduQua (the quality label <strong>for</strong><br />

Swiss Institutions in Adult Education) requires<br />

institutions to make sure their teachers have.<br />

<strong>The</strong> SVEB certificate is an in-service qualification,<br />

focusing only on the methodology<br />

involved in teaching adults. It can be done by<br />

anyone who wants to teach adults in any subject<br />

in which they already have a recognised<br />

qualification and teaching experience.<br />

In terms of content, there is no logical reason<br />

to take this course if you already have a<br />

TEFLA qualification. It is being offered, however,<br />

because members of eduQua wishing to<br />

acquire or maintain membership need to have<br />

staff who are qualified in adult methodology<br />

to SVEB 1 Certificate level or higher. Hence a<br />

number of schools are making it a<br />

requirement.<br />

Jeanne explained that both the CELTA and<br />

ETAS Journal 24/3 Summer 2007 29


SIGDAY<br />

Special Interest Group<br />

Teacher Training SIG (TT SIG)<br />

A10<br />

Language as a topic <strong>for</strong> the task-based<br />

classroom<br />

Dave Willis<br />

<strong>The</strong> stated aims of this workshop were:<br />

1) to show how language itself can be a<br />

relevant and worthwhile topic <strong>for</strong> learners,<br />

and 2) to use the insights gained from looking<br />

at language to develop lesson plans <strong>for</strong><br />

intermediate-level learners. <strong>The</strong> first aim was<br />

completely fulfilled but time limitations meant<br />

that <strong>for</strong> the second aim, participants came<br />

away with ideas rather than developed lesson<br />

plans. However, <strong>for</strong> most of the approximately<br />

thirty experienced teachers who took part, this<br />

was clearly acceptable.<br />

We looked first at some of the language topics<br />

we might ask learners to consider. <strong>The</strong>se<br />

included: collocation, how to be polite, fixed<br />

phrases, what is a dialect, and even, what is<br />

a language. Bees, whales and dolphins communicate<br />

but do they tell jokes and lies? Does<br />

this ability define language?<br />

We then focused on the differences between<br />

spoken and written language using a<br />

transcription of a recording of native speakers.<br />

Particular features of spoken language<br />

such as unusual word order resulting from<br />

bringing together the main topic points early<br />

in a statement, and frequent repetition, were<br />

noted and discussed. This led naturally to<br />

the subject of vague language exemplified in<br />

words and phrases like ‘sort of’, or ‘around’,<br />

‘about’, and so on. Do native speakers use<br />

these imprecise terms in order to sound less<br />

threatening? What are the equivalent terms<br />

in other languages? Do <strong>English</strong> speakers use<br />

these more than German speakers do?<br />

Such examination of language may seem<br />

rather theoretical, but learners as well as<br />

teachers can find such aspects valuable.<br />

As far as practical application is concerned,<br />

I immediately thought of its usefulness <strong>for</strong><br />

Cambridge classes: put a transcript of a spoken<br />

narrative into an acceptable written <strong>for</strong>m,<br />

eliminate redundancy, make the language<br />

more <strong>for</strong>mal, <strong>for</strong> example. <strong>Teachers</strong> of exam<br />

classes usually already do these things with<br />

their students, but the task-based approach<br />

certainly contributes focus and structure. It<br />

would have been interesting to have developed<br />

a lesson plan <strong>for</strong> a General <strong>English</strong><br />

class.<br />

Thank you, Dave Willis, <strong>for</strong> a stimulating work-<br />

30 ETAS Journal 24/3 Summer 2007<br />

shop accompanied by an excellent handout.<br />

Julia Blackwell<br />

Teacher Training SIG (TT SIG) & Young<br />

Learners SIG (YL SIG)<br />

B 10/12<br />

Using TPR creatively in the primary<br />

classroom<br />

Graham Workman<br />

Using Total Physical Response creatively in<br />

the classroom appealed to me as I expected it<br />

to be an active workshop, and I wasn’t disappointed.<br />

<strong>The</strong> room filled as Graham Workman<br />

welcomed everyone personally.<br />

First we were asked to predict how TPR<br />

works and then compared this to a toddler<br />

learning his first language. We watched a<br />

short documentary film from James Asher<br />

and saw that children learn in a stress-free<br />

environment and they first speak when they<br />

are ready. <strong>The</strong>ir initial language is mostly<br />

commands and they respond physically which<br />

means they listen and understand be<strong>for</strong>e they<br />

speak. We learned that TPR tries to mimic<br />

the way children learn their first language.<br />

Graham gave us many examples on how to<br />

use TPR, well, actually he made us do them.<br />

<strong>The</strong> class followed Japanese commands such<br />

as walk, run, and jump. Through the actions<br />

and repetition we learned the words. Later we<br />

were jumping out of bed, making coffee, and<br />

singing in the shower to see how we were<br />

learning the language through everyday situations.<br />

We were not only learning words like<br />

milk and chocolate, but through actions the<br />

collocation along with them, drinking milk and<br />

eating chocolate.<br />

Graham showed that TPR can be as simple<br />

as a cut and paste activity. After a physical<br />

break chant filled with rhyme and action to<br />

bring oxygen back into the brain, we thought<br />

of known stories where TPR elements could<br />

be used. <strong>The</strong> last activity showed the<br />

effectiveness of miming, and we were acting<br />

out gorillas, clowns, and toilets. This workshop<br />

showed the benefits of using TPR and<br />

many excellent examples.<br />

We learned by doing that TPR is memorable,<br />

kinesthetic and creates a sense of success. It<br />

is aptitude free, can be used <strong>for</strong> adults as well<br />

as children, and can be integrated with little<br />

preparation. Most of all Graham, allowed us to<br />

make the experience ourselves that learning<br />

with TPR means less stress and less stress<br />

equals more learning. Thanks to Graham <strong>for</strong><br />

another well-presented and action packed<br />

workshop.<br />

Sharon Mettler<br />

Teacher Training SIG (TT SIG)<br />

C10<br />

Writing to read: reading to write<br />

Antoinette Moses<br />

<strong>The</strong> aims of Antoinette Moses workshop were<br />

to demonstrate how classroom readers can<br />

be used in creative writing assignments that<br />

develop students’ writing skills as well as<br />

reading comprehension.<br />

<strong>The</strong> workshop included hands-on writing of<br />

short stories based on different angles that<br />

were created using her reader Jojo’s Story, a<br />

story about a child soldier with an unspecified<br />

location, which allows the reader to imagine it<br />

takes place anywhere in the world. She created<br />

writing assignments that developed our<br />

creativity by having us write from the perspective<br />

of the news journalist covering the story<br />

or from the child soldier that murders Jojo’s<br />

family. It was incredibly inspirational.<br />

We also wrote poems based on clues and<br />

questions given by her. <strong>The</strong>n we read the<br />

actual published poems, which had inspired<br />

the assignment, such as: This is Just to Say<br />

by William Carlos Williams, and Cats Sleep<br />

Anywhere by Eleanor Farjeon. It was delightful<br />

and intriguing.<br />

She offered so many ideas and resources that<br />

provided us with many exercises which we<br />

could take back and use in the classroom on<br />

Monday. I personally liked the eye-opening<br />

topics and being able to write about themes<br />

that I never thought about, such as the<br />

immense problem of children soldiers in the<br />

world today. Also, receiving ideas that students<br />

would actually really relate to was priceless.<br />

All of the participants were positively<br />

moved by this excellent workshop and gave<br />

rave reviews and feedback of this workshop.<br />

Tracy Tobler


Teen SIG<br />

A11<br />

Keeping boredom at bay<br />

Barbara Stucki-Schenk<br />

In a room of nearly 30 teachers keen to hear<br />

how to keep teenage students from being<br />

bored, Barbara took us through an actionpacked<br />

workshop of games and activities.<br />

We were able to have hands-on experience<br />

of several very interactive games, some new<br />

and others old favourites. One game Barbara<br />

has adapted <strong>for</strong> use in the ESL classroom is<br />

<strong>The</strong> Bomb. Students sit in a circle and are<br />

given a vocabulary or grammar task that<br />

requires a one word input. <strong>The</strong>y then get<br />

a plastic ticking bomb to pass around and<br />

the aim is to give a contribution as quickly<br />

as possible and hand on the bomb be<strong>for</strong>e it<br />

‘explodes’. <strong>The</strong> atmosphere becomes quite<br />

electrified and I can imagine this would<br />

certainly be an energy raiser on a dull day.<br />

Barbara also demonstrated other well-known<br />

games such as Battleship to drill the alphabet<br />

and numbers in a more enjoyable way than is<br />

often done.<br />

Barbara is very interested in songs and tries<br />

to start at least one lesson a week with a<br />

gap- fill exercise or other vocabulary discovery<br />

activity using a song text. Not only<br />

are the words in the song used, but also the<br />

background to the text. For example, who was<br />

Carly Simon talking about when she wrote<br />

‘You’re so vain’? For teenagers on the roller<br />

coaster of adolescent emotions, songs can be<br />

quite thought-provoking and provide interesting<br />

vocabulary and grammar examples.<br />

Many of the games and activities are quite<br />

time intensive to prepare but if used with<br />

different levels and parallel classes, the work<br />

pays off. <strong>The</strong> room was buzzing during the<br />

activities and Barbara’s enthusiasm <strong>for</strong> teaching<br />

and learning was obvious. <strong>The</strong>re was not<br />

enough time to explore the wealth of ideas<br />

and activities she had but we were given<br />

several handouts with descriptions of many<br />

other activities.<br />

Gabrielle Schiegg-Cleary<br />

2007<br />

Teen SIG<br />

C11.1<br />

Much, little or none, sooner or later…. but<br />

how much and when?<br />

Anick Mariller<br />

Anick had a full house <strong>for</strong> her first workshop. I,<br />

<strong>for</strong> one, had come along to see if I could glean<br />

some ideas to pass on to my own teachers<br />

because we are constantly confronted by<br />

multi-level groups in our language club <strong>for</strong> 3<br />

to 15-year-olds. Who isn’t ? How do we keep<br />

the one who finishes first from bugging the<br />

others whilst he has to wait, or allow that<br />

terribly slow student to complete at least a<br />

few sentences without making her once again<br />

feel low because she did not have the time to<br />

finish the exercise (sigh)?<br />

Anick is obviously confronted, like us all, with<br />

this problem every day, and showed us<br />

immediately, on a stand-up-and-show-theclass<br />

scale, where we considered our classes<br />

to be. Homogenous? No, obviously not.<br />

We were all standing bunched up somewhere<br />

around the middle, which showed that as<br />

a group, we were all concerned with the<br />

problems of a mixed-ability class in one way<br />

or another.<br />

Anick led a discussion about how we perceive<br />

our students. Do we consider our classes<br />

as A Class, or as a group of individuals who<br />

each have their own ways of learning? Are our<br />

tasks adapted to the individuals or are we just<br />

preparing our lessons <strong>for</strong> the average student<br />

mass within the class? What is a multi-level<br />

class and are teachers’ tasks appropriate?<br />

On a more detailed level, we looked at reading<br />

and writing, since this is an area where<br />

many multi-level problems frequently occur.<br />

Anick took us through a reading task scenario<br />

using small groups of students. <strong>The</strong> tasks<br />

<strong>for</strong> the groups were varied in level, allowing<br />

quicker or slower students to feel able to<br />

complete something. Looking at stories (stemming<br />

from a short video cartoon), creating<br />

a group story, then reading it, editing it, and<br />

reviewing it were some of the suggestions <strong>for</strong><br />

teenage classes. Anick also showed us other<br />

ways to allow students to feel satisfied with<br />

their work on different levels, including more<br />

story creating using objects, class work-plans<br />

so each individual works at their own pace,<br />

preparation using clear instructions and selfcorrection,<br />

different level reading tasks, and<br />

so on.<br />

ETAS Journal 24/3 Summer 2007 31


SIGDAY<br />

Special Interest Group<br />

On a personal level, this workshop was satisfying<br />

because it showed me that we are all<br />

concerned with multi-level classes, no matter<br />

how old the students are. Also, it opened discussion<br />

about our own possible solutions that<br />

we could find if we took more time to think<br />

things through properly <strong>for</strong> the different individual<br />

students. Lesson planning, preparing<br />

appropriate material, knowing our students<br />

well and thinking about potential difficulties<br />

are key elements to a more successful lesson.<br />

Thank you, Anick.<br />

Ruth Benvegnen<br />

Teen SIG<br />

C11.2<br />

Motivation and fun <strong>for</strong> your pupils: using<br />

Spot on magazine in the classroom<br />

Carrie Andrews<br />

<strong>The</strong> workshop with Carrie started off very well,<br />

with all of us getting a package full of useful<br />

material. Not only did we get two issues of<br />

Spot on but also a Spot on MORE! a Spot<br />

on EXTRA and two issues of Spot on in the<br />

classroom.<br />

<strong>The</strong>n Carrie explained the magazine to those<br />

of us who had never used it, which was quite<br />

challenging, as there are so many symbols<br />

used in the magazines: light bulbs mean the<br />

text is more difficult; the MORE sign tells you<br />

that there are extra exercises in the MORE<br />

magazine; POD on means there is a podcast<br />

online about the topic; a bomb means rude<br />

expressions are used and a loudspeaker<br />

means you can listen to the text online or on<br />

the phone. Once we got the hang of how it<br />

all worked, we had time to browse through all<br />

the issues, looking at the teaching ideas and<br />

exchanging our own ideas.<br />

<strong>The</strong>n Carrie showed us the Spot on<br />

homepage, which provided some of the ‘fun<br />

ideas <strong>for</strong> your pupils’ which the workshop title<br />

had promised. It is full of material you can<br />

download and use. <strong>The</strong>re is a new podcast<br />

every week, which you can burn onto a CD or<br />

play directly from the internet in the classroom.<br />

It is related to an article in the current<br />

magazine, but you can easily use it alone.<br />

You can also download audio files (including<br />

the tapescript) relating to certain articles<br />

- some taken from films or interviews, others<br />

from surveys or other interesting soundbites<br />

32 ETAS Journal 24/3 Summer 2007<br />

you can easily use in your classroom.<br />

So, all in all it was a really interesting<br />

presentation with good materials and a great<br />

homepage I’ll certainly visit again soon.<br />

Natalie Milsom<br />

Young Learners SIG (YL SIG)<br />

A12<br />

Classroom language<br />

Rosemary Smeets<br />

Eleven participants attended this lively, very<br />

in<strong>for</strong>mative and hands-on workshop as promised<br />

in the title. To relieve putting the onus on<br />

one person to do the write-up, some of the<br />

participants volunteered to do it collaboratively.<br />

Here are a few impressions from some<br />

of the enthusiastic participants:<br />

We enjoyed the interactive, hands-on activities<br />

with many very practical and interesting<br />

ideas which made this workshop so great.<br />

We were given excellent tips to teach children,<br />

especially the memory cards game - matching<br />

pictures of classroom objects such as a<br />

paper clip, a pencil sharpener, some glue, etc.<br />

with the appropriate words; and introductory<br />

activity – write the name of an object in the<br />

classroom on a post-in and stick it on the object<br />

and walk around the classroom looking at<br />

all the names. <strong>The</strong>n collect all the post-its and<br />

stick them onto the whiteboard in their respective<br />

category - which I will use and cannot wait<br />

to try it out in the classroom. <strong>The</strong> time flew! A<br />

very stimulating workshop. I appreciated the<br />

variety of activities Rosemary showed us. A<br />

very enriching workshop. Great workshop with<br />

lots of material and ideas to take home. Time<br />

passed so quickly. This was a great hands-on<br />

workshop. We were given ideas and examples<br />

and used them ourselves. One of the<br />

ideas I liked best was getting the students to<br />

imitate the language we use in the classroom.<br />

‘Be quiet!’ ‘May I borrow…’<br />

<strong>The</strong> workshop was totally hands-on from<br />

memory cards <strong>for</strong> learning classroom language<br />

to Play-Doh <strong>for</strong> giving and following<br />

instructions (children learning propositions,<br />

numbers, adjectives, comparatives, etc.)<br />

Thank you very much, Rosemary.


Young Learner SIG (YL SIG)<br />

C12<br />

How do children think and learn?<br />

Vicky Sereti<br />

This workshop emphasized the importance<br />

of making and doing in the young learners<br />

classroom. We looked at the tools available<br />

to the teacher such as rhymes, drama, songs,<br />

games and stories, and did several of the activities<br />

ourselves. One activity was ‘color and<br />

movement’. <strong>The</strong> teacher distributes a variety<br />

of colored strips of paper to the students. <strong>The</strong><br />

teacher then calls out a particular color and<br />

waves that strip of colored paper. All students<br />

repeat the color and those with the same<br />

colored strip of paper stand up and wave it in<br />

the air. <strong>The</strong> second step is <strong>for</strong> the teacher to<br />

show the colored strip and the students with<br />

the same color stand, wave the strip and give<br />

the color. <strong>The</strong> third step is to add the clapping<br />

of hands creating a rhythm as students waved<br />

and said colors.<br />

This simple activity demonstrated the<br />

importance of integrating speech and movement<br />

and involving the senses. It required<br />

concentration but at the same time was age<br />

appropriate and can be used to build on,<br />

which we did in a second activity, ‘me and<br />

you’. <strong>The</strong> purpose of this chant was to revise<br />

colors, practice directions, pronunciation,<br />

linking and coordination of speech and movement.<br />

This could be followed up with a skills<br />

activity focusing on guided writing by having<br />

the students create their own chant.<br />

Vicky stressed the importance of visual<br />

rein<strong>for</strong>cement, listening and repeating, and<br />

demonstrating actions then rehearsing along<br />

with the students when teaching at this level.<br />

It’s all child’s play with an added component. A<br />

language game will not only develop cognitive<br />

and motor skills but encourage and develop<br />

social skills as well.<br />

This workshop was an excellent combination<br />

of theory and practice. I would like to thank<br />

Vicky <strong>for</strong> her well-prepared, action-packed<br />

session, Express Publishing <strong>for</strong> providing<br />

the materials and ETAS <strong>for</strong> sponsoring the<br />

workshop.<br />

Donna Aebersold<br />

SIG Day Conference – May 12 2007<br />

Plenary given by Dave Willis<br />

Accuracy, Fluency and Autonomous<br />

Learning: A Three-Way Distinction<br />

Addressing an auditorium full of teachers and<br />

trainers with various backgrounds and levels<br />

of experience, Dave began his talk by disarming<br />

us with the notion that we can’t teach<br />

grammar because:<br />

� it’s too complex.<br />

� there’s too much of it.<br />

� that’s not how learners learn.<br />

“Good news,” thought many of us who still<br />

find teaching grammar a bit of a challenge.<br />

He didn’t let us off the hook, though. Instead<br />

he quickly pointed out that he wasn’t saying<br />

that we would never focus on grammar in the<br />

<strong>English</strong> language classroom, as grammar is<br />

needed:<br />

� to express some complex notions<br />

� to be receiver friendly (textual)<br />

� <strong>for</strong> precision (textual)<br />

� <strong>for</strong> presentation of self (interpersonal)<br />

� to respect the receiver (interpersonal)<br />

<strong>The</strong> defining difference between the two<br />

approaches involves either a focus on meaning<br />

or on <strong>for</strong>m. A focus on meaning was<br />

illustrated by the ‘macro-functions’ identified<br />

by Halliday:<br />

� ideational (getting the message across)<br />

� textual (making the message readily<br />

accessible)<br />

� interpersonal (taking account of the<br />

receiver and presentation of self)<br />

By contrast, a focus on <strong>for</strong>m, or accuracy,<br />

explained Dave, would include:<br />

� a focus on one or two <strong>for</strong>ms, specified by<br />

the teacher<br />

� learners’ language production is controlled<br />

by the teacher<br />

� the success of the procedure is judged in<br />

terms of whether or not learners do<br />

produce the target <strong>for</strong>ms with an acceptable<br />

level of accuracy.<br />

Nevertheless, learners benefit from having<br />

a break during a meaning-focused activity<br />

to contemplate how they can best express<br />

2007<br />

what they want to say. He said that this is the<br />

ideal moment in the lesson <strong>for</strong> the teacher to<br />

take part in the interaction and facilitate the<br />

discourse by rephrasing or clarifying the<br />

learner’s language as they are planning.<br />

SIG Day participants were then given the task<br />

of discussing the topic “How strict were your<br />

parents?” in pairs or groups. Using a set of<br />

questions as guidelines, we had the chance<br />

to try out, first-hand, the process of priming,<br />

mining and rehearsing which was designed<br />

to focus on meaning and fluency as well as<br />

on language and autonomous learning. <strong>The</strong><br />

first approach to the task required a focus<br />

on meaning. In other words, what would our<br />

answer to one of the questions be, and how<br />

to get this message across (ideational). It is<br />

during this planning stage that learners draw<br />

on the language resources they have<br />

(autonomous). At the report stage, learners<br />

then focus more on precision or accuracy<br />

(textual) and the presentation of self (interpersonal).<br />

<strong>The</strong> advantage of incorporating autonomous<br />

learning (focus on language) into the language<br />

task is that it:<br />

� maximises learning opportunities<br />

� encourages learners to incorporate ‘new’<br />

<strong>for</strong>ms in their language<br />

� promotes genuine learning<br />

Dave closed by reminding us of the fact that<br />

without autonomous learning, no one could<br />

possibly learn a language as the (language)<br />

systems are too complex and too numerous<br />

<strong>for</strong> conscious learning. His depicted his concept<br />

of the three-way distinction in this way:<br />

� Meaning<br />

� Language<br />

� Form<br />

� Autonomous learning<br />

� Fluency<br />

� Accuracy<br />

� Con<strong>for</strong>mity<br />

Judging by the number of references made to<br />

Dave’s plenary talk throughout the day, it was<br />

clear that the points had been well received<br />

and appreciated. Those not able to attend the<br />

event can find further reference to this topic<br />

in Dave and Jane Willis’ book which just hit<br />

shelves this May, Doing Task-Based Learning,<br />

published by Ox<strong>for</strong>d University Press.<br />

JoAnn Salvisberg<br />

ETAS Journal 24/3 Summer 2007 33


34 ETAS Journal 25/1 Winter 2007<br />

NEWS<br />

24th AGM and<br />

Convention<br />

Università della Svizzera<br />

Italiana, Lugano<br />

Saturday 12th and<br />

Sunday 13th January<br />

2008<br />

Call <strong>for</strong> Papers:<br />

ETAS SIG Day 2008<br />

<strong>The</strong> ETAS SIG Day 2008 will take place at the beautiful Berufsfachschule BBB in<br />

Baden on Saturday September 20, 200.8<br />

We are looking <strong>for</strong>ward to welcoming you! If you are interested in offering a presentation <strong>for</strong><br />

this event, please send an e-mail by 31st January 2008 to: JoAnn Salvisberg, ETAS Teacher<br />

Development Chair: tede@e-tas.ch and ask <strong>for</strong> the Call <strong>for</strong> Papers <strong>for</strong>m.


UPSTRM A4 15-02-07 15:34 Page 1<br />

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News from Matopo Primary School,<br />

Zimbabwe<br />

Autumn Update<br />

A quarter of Zimbabweans – more than three<br />

million people – now live abroad, having fled<br />

the horrendous living conditions which now<br />

prevail. Many of these pay remittances to half<br />

of Zimbabwe’s families who depend on their<br />

friends and relatives <strong>for</strong> <strong>for</strong>eign currency and<br />

vouchers <strong>for</strong> food, fuel and medicine. Hyperinflation<br />

of over 4,500% is destroying the<br />

economy, <strong>for</strong>cing people to resort to bartering.<br />

Rural areas like Matopo are the worst off.<br />

All of this has resulted in Zimbabwe having<br />

the lowest life expectancy in the world: it has<br />

dropped under Mugabe from 60 to 37 <strong>for</strong> men<br />

and from 65 to 34 <strong>for</strong> women.<br />

<strong>The</strong>re is no hope of recovery until Mugabe’s<br />

regime is replaced. All of this makes our<br />

ef<strong>for</strong>ts to help Matopo Primary School seem<br />

futile … but how can we decline? Our donations<br />

have already given the teachers and<br />

children a small ray of hope, little victories<br />

which, I hope, will enable survival until the tide<br />

finally turns.<br />

As I reported in the Spring and Summer Journals,<br />

the ETAS Teacher-to-Teacher Project<br />

has already provided funds <strong>for</strong> books and<br />

uni<strong>for</strong>ms. Denis Paul, our on-site go-between<br />

on the project, was also able to bring in some<br />

36 ETAS Journal 25/1 Winter 2007<br />

NEWS Teacher-to-Teacher Project 2007<br />

basic supplies such as cooking oil from Botswana.<br />

I hope to use some of the remaining<br />

funds to assist with school fees <strong>for</strong> the neediest<br />

pupils, and <strong>for</strong> repairs to the crumbling<br />

infrastructure of the school.<br />

Many of my students, friends and colleagues<br />

have spontaneously come <strong>for</strong>ward with donations,<br />

large and small. One ETAS member<br />

(who prefers to remain anonymous), even<br />

donated his retirement bonus - SFr. 500.- to<br />

the project!<br />

One of my students, Sabrina Fasano from<br />

Ringier Print AG in Zofingen, took a special<br />

interest in the project and began busily calling<br />

up companies and asking <strong>for</strong> freebies. It was<br />

amazing what she came up with: paper and<br />

pens, an enormous box of coloured pencils,<br />

bags, even samples of Nivea cream! In the<br />

end we had 90 kilos of stuff to send to the<br />

school. <strong>The</strong> only problem was how to get it<br />

there! <strong>The</strong> postage would cost over SFr. 500.and<br />

I didn’t really want to use our hard-won<br />

ETAS donation money <strong>for</strong> that! But Sabrina<br />

didn’t give up. She kept on making her phone<br />

calls, and in the end she got the Swiss Post<br />

to cover the costs of sending the materials to<br />

Zimbabwe!<br />

By the time you are reading this, I will have<br />

already returned from visiting the school in<br />

October. This visit is especially important, as I<br />

will be leading a day-long series of workshops<br />

<strong>for</strong> the Matopo Primary School teachers as<br />

well as teachers from the surrounding primary<br />

and secondary schools. Right now I am busy<br />

preparing booklets <strong>for</strong> each teacher which<br />

will contain ideas <strong>for</strong> teaching <strong>English</strong> which<br />

require little or no materials. This is quite a<br />

challenge, as most published material these<br />

days highlights activities which need<br />

computers and internet access, not to say<br />

unlimited amounts of paper and drawing and<br />

writing equipment, and usually show children<br />

and teenagers living a lifestyle nothing at all<br />

like that of the people who live in Zimbabwe.<br />

Speaking <strong>for</strong> myself, however, I find that<br />

activities which use the students’ ideas and<br />

don’t have to have any whistles and bells are<br />

often the best anyway.<br />

So I am very much looking <strong>for</strong>ward to the<br />

event, as is everyone in Matopo. I plan to<br />

write up a report on it which should appear in<br />

the next Journal, with lots of pictures!<br />

A big thank you once again to everyone who<br />

has donated to this year’s Teacher-to-Teacher<br />

Project. Your help has really made a difference<br />

and touched the lives of many children<br />

who would otherwise be <strong>for</strong>gotten.<br />

Cindy Hauert<br />

e-mail: business@e-tas.ch


MEMBER MIX<br />

10 Ideas <strong>for</strong> Using Comic Strips and<br />

Cartoons in Language Teaching<br />

<strong>The</strong> visual element in comic strips and<br />

cartoons, which in many cases will be both<br />

amusing and topical, can be very motivating<br />

<strong>for</strong> some learners. <strong>The</strong>re are a number of different<br />

ways to use comic strips and cartoons.<br />

I have found the following simple activities to<br />

be fairly successful with classes at various<br />

levels from pre-intermediate to advanced:<br />

1) Comic strips typically consist of 4 to 6<br />

pictures telling a simple story, often with a<br />

joke or punchline in the final picture. Cutting<br />

the strip into individual boxes and getting the<br />

students to rearrange them into an appropriate<br />

order is a simple alternative to doing a similar<br />

activity with strips of text. However, it may not<br />

be quite as simple as it seems because<br />

ordering the pictures appropriately will often<br />

involve recognising discourse markers as<br />

well as putting the pictures themselves into<br />

an order that makes some sort of sense. You<br />

can either use a single strip comprising 4 to 6<br />

boxes (Fig. i) or a longer series of strips when<br />

you can cut up and mix four or five sets of 4<br />

to 6 boxes, requiring the students to decide<br />

a logical order <strong>for</strong> each set (Fig. ii). <strong>The</strong> first<br />

activity can be compared to rearranging the<br />

sentences within a paragraph, while the<br />

second activity is more or less equivalent to<br />

rearranging the paragraphs within a whole<br />

story.<br />

Fig. i<br />

�+ �+�+ �<br />

Fig ii.<br />

+<br />

+<br />

+<br />

2) As an alternative to gap-fill exercises with<br />

continuous text you can also try blanking out<br />

some or all of the speech bubbles in a comic<br />

strip. If you blank out the lines spoken by one<br />

character, the questions or responses given<br />

by the other character or characters will help<br />

the students to suggest possible responses or<br />

questions respectively. If you blank out all the<br />

speech bubbles, the students will have more<br />

scope <strong>for</strong> creativity, depending on what is<br />

going on in the pictures.<br />

3) Another activity you can use is blanking out<br />

all the speech bubbles in alternate boxes, so<br />

38 ETAS Journal 25/1 Winter 2007<br />

that the storyline is given continuity and the<br />

students have to fill in the speech bubbles in<br />

the blank boxes.<br />

4) For lowe- level students, simply blank out<br />

key words in some of the speech bubbles and<br />

either ask them to select words from a list to<br />

fill the gaps or ask them to suggest words that<br />

could logically fill the gaps.<br />

5) Combine activities 1) and 2) by cutting up<br />

a strip into individual boxes and also blanking<br />

out the speech bubbles in the final box. When<br />

the students have reordered the strip correctly,<br />

ask them to suggest possible endings.<br />

6) For a lesson that is more focused on structure,<br />

you could ask your students to rewrite<br />

a comic strip dialogue in reported <strong>for</strong>m. This<br />

might involve the use of verbs such as ask,<br />

reply, wonder, exclaim and so on.<br />

7) Ask your students to bring in examples<br />

of comic strips in their native language and<br />

ask them to work in pairs or small groups<br />

and translate a brief section into <strong>English</strong>. Ask<br />

them to compare their <strong>English</strong> versions of the<br />

original.<br />

8) Select five or six cartoons and remove the<br />

captions. Write the captions on the board and<br />

ask the students to guess what the cartoons<br />

might be or even draw the cartoons. For<br />

example, “He’s at a difficult age”; “How was<br />

your first day at school?”; “I think we’ve come<br />

to the wrong house”.<br />

9) Give the students two or three cartoons<br />

without captions and ask them to think of<br />

suitable captions <strong>for</strong> each cartoon.<br />

10) Give the students a worksheet with<br />

ten cartoons without captions and another<br />

worksheet with the ten captions in random<br />

order. Ask them to match the captions to the<br />

cartoons.<br />

Comic strips and cartoons can easily be<br />

found in the online editions of British and<br />

American newspapers. For a huge database<br />

of downloadable cartoons grouped according<br />

to category (e.g. medical, law, politics), go to<br />

www.cartoonstock.com<br />

You can download various comic strips from<br />

www.unitedmedia.com<br />

For sets of the Doonesbury cartoon strip that<br />

are typically published every day <strong>for</strong> a week<br />

in the International Herald Tribune (and <strong>The</strong><br />

Guardian), go to www.doonesbury.com<br />

Tim Bowen<br />

Tim Bowen has taught <strong>English</strong> and trained teachers<br />

in more than 20 countries, including Russia,<br />

China, Brazil, Germany, Hungary, Poland and<br />

Turkey. He graduated in Slavonic languages at the<br />

University of Leeds, did a postgraduate Certificate<br />

in Education (TESL) at the University College of<br />

North Wales, Bangor, and has an MPhil in the field<br />

of TEFL from the University of Southampton. He<br />

is co-author of <strong>The</strong> Pronunciation Book (Longman),<br />

Inside Teaching (Macmillan) and the student<br />

portfolios <strong>for</strong> Straight<strong>for</strong>ward (Macmillan), and<br />

author of Build Your Business Grammar (Thomson<br />

ELT) and the teacher’s books <strong>for</strong> the Attitude and<br />

Expressions series (Macmillan). He also writes<br />

regularly <strong>for</strong> the Onestopenglish website. His current<br />

interests include contrastive linguistics, etymology<br />

and pronunciation. Outside the classroom his<br />

interests include learning <strong>for</strong>eign languages, history<br />

and politics, long-distance running and (tragically)<br />

following Shrewsbury Town football<br />

Institutional Constraints and Resources<br />

– Implications <strong>for</strong> Teaching and the<br />

Convergence between Talk Inside and<br />

Outside the Classroom<br />

Introduction<br />

<strong>The</strong> objective of this paper is to contextualise<br />

and summarise the main points put <strong>for</strong>ward by<br />

Leo van Lier (2001) in his article ‘Constraints<br />

and resources in classroom talk: issues of<br />

equality and symmetry’ and to evaluate them<br />

in view of my personal and professional experience<br />

as a language teacher and learner and<br />

that of some of my colleagues. <strong>The</strong> sources<br />

I will refer to are van Lier’s article, Open University<br />

literature and Open University online<br />

conferences.<br />

Main points in van Lier’s paper<br />

In line with more recent thinking that sees a<br />

shift from ‘learner in isolation to contexts of<br />

learning’, Van Lier puts contexts at the centre<br />

of language teaching and language learning<br />

and consequently <strong>for</strong> doing research in this<br />

field. He inserts his analysis into the wider<br />

shift of language learning as a social function<br />

rather than notions to be acquired in a purely<br />

systematic way. Van Lier refers to two main<br />

types of classroom interactions related to<br />

language learning, namely teacher-learner<br />

and learner-learner interactions and considers


their implications <strong>for</strong> language learning and<br />

teaching in today’s contexts. <strong>The</strong> <strong>for</strong>mer is a<br />

more traditional approach in which techniques<br />

such as IRF (initiation-response-feedback)<br />

find their place. This type of interaction puts<br />

the teacher in control and gives generally<br />

little scope <strong>for</strong> dynamics similar to those that<br />

occur outside the classroom. <strong>The</strong> latter, on<br />

the other hand, to greater or lesser extents,<br />

facilitates ‘natural communication’, maintains<br />

intrinsic motivation, which is closely related<br />

to self motivation, own choice, and control of<br />

one’s actions, and provides learner autonomy,<br />

creating greater convergence between talk<br />

inside and outside the classroom.<br />

<strong>The</strong> backdrop to van Lier’s analysis is the<br />

language classroom and the resources and<br />

constraints, applied by institutional settings<br />

that aid or hinder language learning and<br />

teaching. He states that institutional settings<br />

can constrain the types of talk and create<br />

asymmetry and inequality and he questions<br />

the extent to which teachers are free to ignore<br />

them. Van Lier further argues that contingent<br />

talk offers greater equality and symmetry. He<br />

then considers the value of strategies typical<br />

of the two groups of interactions and their implications<br />

<strong>for</strong> language learning and calls <strong>for</strong><br />

change if teachers and schools are to provide<br />

better quality.<br />

Development and implications of van<br />

Lier’s arguments<br />

Issues of equality and symmetry<br />

Issues of equality and symmetry incorporate<br />

those of control and power versus negotiation<br />

and joint construction of talk. In teacher-learner<br />

interactions, teacher-fronted monologues and<br />

IRF structures tip the scale in favour of the<br />

teacher. This might also happen in learnerlearner<br />

interactions when the divide in skills<br />

and competences is such as to create noticeable<br />

imbalances, such as in native speaker<br />

and non-native speaker talk, or in more and<br />

less proficient non-native speaker talk. However,<br />

generally, learner-learner interactions<br />

“require an orientation toward interactional<br />

symmetry” (van Lier, in Candlin and Mercer,<br />

2001, p.98) which is expressed in “relations of<br />

contingency between an utterance and other<br />

entities, primarily other utterances (preceding,<br />

concurrent, and following), shared knowledge<br />

and relevant features in the world” (Gibson,<br />

1979 cited in van Lier in Candlin and Mercer,<br />

2001, p.98) and is most typically associated<br />

with conversational talk.<br />

In my experience of teaching in <strong>English</strong><br />

speaking and non-<strong>English</strong> speaking countries,<br />

where the language is being learned plays an<br />

important role in any further developments.<br />

In <strong>English</strong>-speaking countries learner-learner<br />

interactions tend to be in <strong>English</strong> (unless<br />

students are from the same linguistic background)<br />

and are more likely to be carried on<br />

outside the classroom. However, in non-<br />

<strong>English</strong>-speaking contexts, L1 tends to be<br />

the language used <strong>for</strong> peer communication<br />

and learner-learner interaction outside the<br />

classroom. <strong>The</strong> implications of this are that<br />

what happens outside the classroom comes<br />

into the classroom and what happens inside<br />

rarely goes out. In these contexts, learnerlearner<br />

interactions have to be designed by<br />

the teacher and then co-constructed with the<br />

students. Pollard (2007) raises an interesting<br />

point and question in saying that “even in<br />

a highly student-centred classroom it is still<br />

the teacher who sets the agenda... Does the<br />

teacher need to hand explicit control of the<br />

agenda over to the students, or is it enough to<br />

allow students’ interests and concerns to influence<br />

us as we plan lessons and courses?”<br />

MEMBER MIX<br />

(online conference).<br />

In my experience as a learner and teacher,<br />

the type of context that is artificially created<br />

(the roles and the objectives of the tasks at<br />

hand) becomes of great importance in ‘stimulating’<br />

and triggering learners’ instrinsic<br />

motivation and there<strong>for</strong>e simulating the patterns<br />

of ‘natural’ conversations where “contingent<br />

language use encourages, justifies and<br />

motivates grammaticalization” (van Lier, 2001,<br />

p. 99). This seems to be one of the driving<br />

<strong>for</strong>ces of Task Based Learning. Once again,<br />

the notion of contingency leading to grammaticalization<br />

finds a headstart in<br />

<strong>English</strong>-speaking countries where the<br />

contingent language use enters the realm of<br />

the learners’ resources more readily through<br />

exposure.<br />

Constraints<br />

As the title suggests, the classroom and<br />

classroom talk are the setting and the objects<br />

of van Lier’s analysis. Classrooms, however,<br />

are part of institutional settings which offer<br />

resources and constraints in the <strong>for</strong>m of<br />

“budgets, materials, equipment and the like,<br />

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ETAS Journal 25/1 Winter 2007 39


MEMBER MIX<br />

but also in the <strong>for</strong>m….of authority and power<br />

to set the agenda, control and evaluate the<br />

speech of others” (van Lier, 2001, p. 93). He<br />

does nevertheless question whether a teacher<br />

is free to ignore such (institutional) constraints<br />

in the interest of pedagogical action.<br />

My experience is that while generally there<br />

is scope <strong>for</strong> creating greater equality and<br />

symmetry in any classroom setting by including<br />

a variety of activities that follow different<br />

dynamics, the overall objectives set by the<br />

‘commissioners’ cannot be left out of the<br />

picture. Sometimes less noble ‘market <strong>for</strong>ces’<br />

take over from the more noble educational<br />

and pedagogical ones. For instance, companies<br />

may set micro functional objectives (e.g.<br />

learning to write e-mails or telephone talk in a<br />

restricted communicative context). As Furlong<br />

(2007) states, “the increasing focus on clear<br />

functional objectives and pressure on<br />

resources seems to be reducing learning<br />

space to almost nothing in so many areas<br />

and/or making the objectives so detailed<br />

that we get lost in them” (online conference).<br />

However, the teacher’s role remains vital in<br />

the co-construction of classroom dynamics. “It<br />

all comes back to keeping our lessons varied<br />

and using a range of teaching tools to move<br />

from dependence to autonomy” (Furlong,<br />

2007).<br />

Pedagogical value of IRF structures<br />

Van Lier considers the effects and potential of<br />

IRF (initiation-response-feedback) structures,<br />

which although a step ahead of totally frontal<br />

and teacher-led lessons, do not seem to<br />

respond to the current needs of co-construction,<br />

responsive teaching or critical pedagogy<br />

(Bowers and Flinders 1990; Shuy 1991;<br />

Darder 1991; Shor 1992 cited in van Lier,<br />

2001, p. 96). “Not only are students’ utterances<br />

often highly elliptical and syntactically<br />

reduced ……they provide little opportunity to<br />

the language learners <strong>for</strong> interrupting, turn<br />

taking and negotiating” (van Lier 1996a cited<br />

in van Lier, 2001, p. 96).<br />

In van Lier’s opinion, IRF sequences should<br />

be seen occupying a “continuum between<br />

mechanical and demanding where the depth<br />

of processing ranges from mere recitation to<br />

display to cognition and finally precision” (and<br />

there<strong>for</strong>e) “knowing the purpose of a particular<br />

IRF exercise, is crucial in determining its<br />

pedagogical value” (van Lier, 2001, p.95).<br />

40 ETAS Journal 25/1 Winter 2007<br />

<strong>The</strong> pedagogical benefit of IRF structures<br />

consist in their temporary existence which<br />

must lead to what Bruner (1983 cited in van<br />

Lier, 2001, p. 96) calls handover. “For handover<br />

to be possible, IRF must be abandoned<br />

at some point to make place <strong>for</strong> autonomous<br />

learner discourse … (and) this switch (is) a<br />

crucial pedagogical decision point”. (van Lier,<br />

2001, p. 96).<br />

IRF can play a role in a ‘Vygotskian’ perspective<br />

of zones of proximal development (ZPD).<br />

This is a situation where some activities and<br />

skills are positioned higher than the learners’<br />

competence and can be attained through the<br />

guidance of a more able companion. This<br />

system of “guiding a learner into an activity<br />

that initially is too complex (is) also called<br />

scaffolding” (Bruner 1983 cited in van Lier ,<br />

2001, p. 96).<br />

Similarly, in a more learner autonomous perspective,<br />

IRF structures must be considered<br />

“discoursal training wheels” (van Lier, 2001, p.<br />

97) and “pedagogical action must be oriented<br />

toward increasing levels of intrinsic motivation”<br />

(van Lier, 2001, p. 97). This means that<br />

IRF to be of real value must eventually “break<br />

its lockstep and yield to other participation<br />

patterns” (van Lier, 2001, p. 97). Finally, critical<br />

pedagogy aims to provide learners with<br />

the means <strong>for</strong> finding their own voices and so<br />

become “critical and autonomous learners”<br />

(van Lier, 2001, p. 97). With this objective in<br />

mind van Lier sees the potential of IRF as “a<br />

preparatory step toward more emancipatory<br />

<strong>for</strong>ms of discourse; … valuable not <strong>for</strong> what<br />

it is but, rather <strong>for</strong> what it potentially leads to”<br />

(van Lier, 2001, p. 97). As an example I refer<br />

to an instance where conditionals had been<br />

practiced in the morning (including IRF and<br />

freer practice). During a class dinner the same<br />

evening an interesting and spontaneous<br />

debate arose on adoption and fostering<br />

that moved on ‘contingently’ and through<br />

the grammatically correct use of conditional<br />

structures.<br />

Conclusions<br />

Language is not a mechanical set of rules that<br />

must be acquired and ‘per<strong>for</strong>med’. Language<br />

has a vital social role and far reaching<br />

implications. Through language society exists,<br />

identities are created, and rules and roles<br />

are established. <strong>The</strong> language classroom<br />

should be able to mirror these dynamics. <strong>The</strong><br />

changing role of the teacher from a position of<br />

authority and power to a catalyst <strong>for</strong> contingent<br />

communication, with greater symmetry<br />

and equality, is central to the shift that sees<br />

the incorporation or emulation of real life in<br />

the classroom.<br />

In his article, van Lier seems to come ‘full<br />

circle’. <strong>The</strong> circle closes with the notion that<br />

there are overlaps between teaching and<br />

learning contexts and that strategies from<br />

teacher-learner and learner-learner spheres<br />

are pedagogically valid, providing the main<br />

shift (part of a wider social shift) in approach<br />

and delivery is the common thread and linking<br />

factor.<br />

Nadia Marzocco<br />

Nadia Marzocco has been professionally active<br />

in the ELT world <strong>for</strong> over 15 years. She has a<br />

multicultural and multi-linguistic background, which<br />

is what sparked her early interest in languages,<br />

people, literacy and identity. She completed her<br />

MA in the Geography of Third World Development,<br />

in 1995 and, after an academic break, is currently<br />

studying <strong>for</strong> her PhD in Education. She also enjoys<br />

life outside the ELT environment.<br />

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Homophones, Homonyms and<br />

Homographs: some Exercises to Use<br />

Straight Out of the Box<br />

Homophones are words that sound the same<br />

but are spelt differently, PIECE and PEACE,<br />

<strong>for</strong> example. Now find the homophones that fit<br />

into the following pairs of sentences:<br />

1a. Although we were expecting them to be<br />

late, they turned up right on ... .<br />

1b. I’m afraid there’s rather a long ... so you’ll<br />

just have to be a bit patient.<br />

2a. Every night be<strong>for</strong>e I go to bed I ... <strong>for</strong> your<br />

good health and happiness.<br />

2b. A vulture is classified as a bird of ... .<br />

3a. You seem to have a real ... <strong>for</strong> languages<br />

and I’m sure you’ll make a fine linguist one<br />

day.<br />

3b. <strong>The</strong> survivors of the shipwreck sent up a<br />

... from the lifeboat when they saw a plane<br />

passing overhead.<br />

4a. How can I know ... you’re telling me the<br />

truth or not?<br />

4b. You’re as changeable as the ... so I never<br />

know what to expect.<br />

5a. Knowing your illness isn’t as serious as<br />

you had first thought it to be must be a great<br />

... off your mind.<br />

5b. I’m afraid there’s been a delay so you’ll<br />

just have to be patient and ... a bit.<br />

6a. Swimming here can be dangerous at<br />

times because of the strong ... .<br />

6b. Muesli is a breakfast cereal that contains<br />

nuts and ... .<br />

7a. Were you ... invited to the party or did you<br />

find out about it purely by chance?<br />

7b. He was ... a Cabinet Minister but now<br />

works voluntarily <strong>for</strong> a charity <strong>for</strong> the homeless.<br />

8a. If you put on your Wellington boots, you’ll<br />

be able to ... through the stream and cross<br />

over to the other side.<br />

8b. When I ... myself after my holiday, I found<br />

I’d put on three kilos and I needed to go on a<br />

diet.<br />

9a. Why do you moan and ... all the time?<br />

What on earth’s wrong with you?<br />

9b. How the children have ... since the last<br />

time I saw them!<br />

10a. <strong>The</strong>y say all’s ... in love and war but I’m<br />

not sure I agree.<br />

10b. I wonder how much the return ... costs.<br />

It’s likely to be little more than a single.<br />

11a. Although the authorities tried to ... the<br />

wreck from the seabed, un<strong>for</strong>tunately it<br />

proved to be impossible.<br />

11b. To protect you from the harmful ... of the<br />

sun, you should wear a high factor suntan<br />

lotion.<br />

12a. It’s as plain as the ... on your face!<br />

12b. Nobody ... the trouble I’ve seen!<br />

13a. A word is enough to the ... .<br />

13b. I don’t know all the ... and where<strong>for</strong>es of<br />

the situation, so I’m unable to comment on it,<br />

I’m afraid.<br />

14a. <strong>The</strong> trouble with you is that you can’t see<br />

the ... <strong>for</strong> the trees.<br />

14b. I ... if I could but I’m afraid I can’t.<br />

15a. My next-door neighbour always ... into<br />

my personal life and I find it really annoying.<br />

15b. My flatmate won first ... in a Poetry<br />

Competition.<br />

16a. <strong>The</strong>y say there’s no ... without gain and I<br />

have to say I’ve found it to be true in my case.<br />

16b. <strong>The</strong> ... of glass in the front window had to<br />

be replaced.<br />

ANSWERS: 1a. cue 1b. queue 2a. pray 2b.<br />

prey 3a. flair 3b. flare 4a. whether<br />

4b. weather 5a. weight 5b. wait 6a. currents<br />

6b. currants 7a. <strong>for</strong>mally 7b. <strong>for</strong>merly<br />

8a. wade 8b. weighed 9a. groan 9b. grown<br />

10a. fair 10b. fare 11a. raise 11b. rays<br />

12a. nose 12b. knows 13a. wise 13b. whys<br />

14a. wood 14b. would 15a. pries 15b. prize<br />

16a. pain 16b. pane<br />

Homonyms are words that are pronounced<br />

the same but have different meanings, FINE<br />

(adjective) and A FINE (noun), <strong>for</strong> example.<br />

Now find the homonyms that fit into the<br />

following pairs of sentences:<br />

1a. If people are happy the way they are, we<br />

should let sleeping dogs ... .<br />

1b. If you ... when under oath, you can be<br />

convicted of perjury.<br />

MEMBER MIX<br />

2a. Thread the cotton through the ... of the<br />

needle, then you can start to sew.<br />

2b. Please keep an ... on the children <strong>for</strong> me<br />

to make sure they behave themselves.<br />

3a. Every worker in the company has an<br />

important ... to play to ensure its success.<br />

3b. I hope we can stay together <strong>for</strong>ever - till<br />

death do us ..., as they say.<br />

4a. I’m single and I live on my ... in a studio<br />

flat.<br />

4b. Everything I ... will go to my children when<br />

I die because they are my sole heirs.<br />

5a. If you want a ... with a sea view, then you<br />

have to pay a supplement.<br />

5b. <strong>The</strong>re isn’t enough ... <strong>for</strong> all of us here so<br />

I’m afraid you’ll have to find somewhere else<br />

to stay.<br />

6a. <strong>The</strong> doctor will try to ... the patient with<br />

antibiotics to clear up the infection.<br />

6b. On my birthday, as a special ..., my partner<br />

brought me breakfast in bed.<br />

7a. One ... doesn’t make a summer.<br />

7b. When you’ve got a sore throat it’s difficult<br />

to ... .<br />

8a. If you exceed the speed limit, you have to<br />

pay a ... .<br />

8b. I’m feeling absolutely ... so please stop<br />

worrying about me.<br />

9a. If there was a General Election tomorrow,<br />

which political ... would you vote <strong>for</strong>?<br />

9b. I’d like to invite you to my birthday ... and I<br />

hope you can come.<br />

10a. To tell you the truth, you’re getting on my<br />

nerves and I’ll be pleased to see the ... of you.<br />

10b. If I’m going to stand up against the Director<br />

of the company, I need to know that my<br />

colleagues will ... me.<br />

11a. Reserve team football matches are an<br />

opportunity <strong>for</strong> coaches to ... new players.<br />

11b. It was a gruesome sight at the scene of<br />

the crime and it made my ... run cold.<br />

12a. Are you going to ... the bill, or shall we go<br />

Dutch this time?<br />

12b. I decided not to bring the car and I came<br />

on ... this time.<br />

13a. All work and no ... makes Jack a dull boy.<br />

ETAS Journal 25/1 Winter 2007 41


MEMBER MIX<br />

13b. Shakespeare’s most famous ... is<br />

probably Hamlet.<br />

14a. You can’t judge a ... by its cover.<br />

14b. If you want a low-cost flight, you need to<br />

... at least one month in advance.<br />

15a. I don’t know how you can justify such a<br />

position. You haven’t got a leg to ... on.<br />

15b. I can’t ... it when you keep nagging me<br />

all the time. How about giving me some peace<br />

<strong>for</strong> a change?<br />

ANSWERS: 1. lie 2. eye 3. part 4. own<br />

5. room 6. treat 7. swallow 8. fine 9. party<br />

10. back 11. blood 12. foot 13. play 14. book<br />

15. stand<br />

Homographs are different words that are spelt<br />

the same, ROSE (the flower) and ROSE (the<br />

past tense of TO RISE), <strong>for</strong> example. Now<br />

find the homographs that fit into the following<br />

pairs of sentences:<br />

1a. If you ... the way, I’ll follow behind you.<br />

1b. <strong>The</strong> … in the pencil is broken. Have you<br />

got a sharpener, please?<br />

2a. Why did you ... the letter up? I hadn’t read<br />

it yet.<br />

2b. I thought the news would upset you, but<br />

surprisingly you didn’t shed a ... .<br />

3a. <strong>The</strong>y had such a blazing ... with each<br />

other that I thought they were going to come<br />

to blows.<br />

3b. We had front ... stalls <strong>for</strong> the play so we<br />

were sitting right next to the stage.<br />

4a. I’m one of the very few people who have<br />

been lucky enough to hear the group play ... .<br />

4b. People who ... in glass houses shouldn’t<br />

throw stones.<br />

5a. In case of fire, you should ... the alarm.<br />

5b. Although they got lost along the way, they<br />

eventually arrived home safe and ... .<br />

6a. I did all the homework you set but I’m<br />

afraid I ... it at home.<br />

6b. I had no money ... so I had to ask a friend<br />

to lend me some.<br />

7a. It’s time you learnt the difference between<br />

what’s ... and wrong.<br />

7b. I thought you were going to be late again,<br />

42 ETAS Journal 25/1 Winter 2007<br />

but <strong>for</strong>tunately you arrived ... on time.<br />

8a. <strong>The</strong> coffee beans are roasted then ... into<br />

powder.<br />

8b. Don’t get too excited just yet because<br />

things could still go wrong and you need to<br />

keep your feet on the ... .<br />

9a. It’s time we brought matters to a ... and<br />

had a face-to-face meeting with each other in<br />

an attempt to clear the air.<br />

9b. I’m ... over heels in love with you and<br />

you’re the answer to all my prayers.<br />

10a. <strong>The</strong> ruling of the judge was highly controversial<br />

and there were many who considered<br />

that he had not been ... and had failed to act<br />

impartially.<br />

10b. Why should I always have to do all the<br />

dirty work? It’s ... not fair!<br />

11a. You need to be ... with the children or<br />

else they’ll walk all over you.<br />

11b. I work <strong>for</strong> a ... that makes software <strong>for</strong><br />

computers.<br />

12a. We don’t have a dishwasher so we do<br />

the washing-up in the kitchen ... .<br />

12b. When the Titanic was built, its designers<br />

What’s a Life Worth?<br />

proudly claimed it would never ... .<br />

13a. You’ve still got plenty of time. <strong>The</strong> plane’s<br />

not ... to take off <strong>for</strong> another two hours yet.<br />

13b. ... to the high level of unemployment in<br />

this country, a lot of young people are going<br />

overseas in search of work.<br />

14a. If you pass a wishing ..., throw a coin in<br />

and maybe your dreams will come true.<br />

14b. If you’re not feeling ..., you should make<br />

an appointment to see a doctor.<br />

15a. I’m looking <strong>for</strong>ward to going away, but<br />

I’m going to ... you and I just wish you could<br />

come with me.<br />

15b. A ... is as good as a mile.<br />

16a. I wanted to buy you a birthday ... but I<br />

don’t have any money so I baked you a cake<br />

instead and put a candle on it.<br />

16b. <strong>The</strong>y say there’s no time like the ..., so<br />

it’s important you make the most of it.<br />

ANSWERS: 1. lead 2. tear 3. row 4. live<br />

5. sound 6. left 7. right 8. ground 9. head<br />

10. just 11. firm 12. sink 13. due 14. well<br />

15. miss 16. presen<br />

Michael Berman<br />

In the shamanic story presented in this article a father, to save his life, gives his daughter’s soul<br />

away, but ultimately she gets her revenge. It was told to Vladimir Bogoras by Ai´wan, a Maritime<br />

Chukchee man, at Mariinsky Post, October 1900, and taken from Bogoras, W. (1910) Chukchee<br />

Mythology, Leiden & New York.<br />

<strong>The</strong> term shamanic story is used here to describe a story that has either been based on or<br />

inspired by a shamanic journey (a numinous experience in non-ordinary reality) or one that<br />

contains a number of the elements typical of such a journey.<br />

Vladimir Germanovich Bogoras (1865-1936) was a Russian writer and anthropologist, especially<br />

known <strong>for</strong> his studies of the Chukchee people. He had the opportunity to study them in North-<br />

Eastern Siberia from 1889-1899 when he was exiled there <strong>for</strong> what was labelled by the authorities<br />

as “revolutionary activity”.<br />

In the <strong>English</strong>-language teaching classroom the story could perhaps be used as a springboard<br />

into a discussion on arranged marriages or belief in the supernatural. Alternatively, you might<br />

like to consider the following question with your class: what would you be prepared to sacrifice to<br />

save yourself if your life was at risk?<br />

Sacrifice to the Sea<br />

<strong>The</strong>re lived one time a Maritime man. He had eight children. <strong>The</strong> youngest was a girl. One day


he went to hunt walrus. A storm came up,<br />

and he was carried out to sea. He was tossed<br />

about and nearly drowned. <strong>The</strong>n he said to<br />

the sea, “Oh, sea! Calm yourself! Do so, that<br />

I may still look upon the world! I will give you<br />

the best that I have, the nearest to my heart,<br />

the <strong>for</strong>emost dog, the leader of the team, one<br />

with a spotted skin I will give you.” <strong>The</strong> sea<br />

did not calm itself. “Oh, then, my youngest<br />

daughter, unmarried, a good one, clad in spotted<br />

skins! I will give her to you!” After that the<br />

sea smoothed down. He landed on the shore.<br />

<strong>The</strong>n he went up the shore, and entered the<br />

house. All the children were with him except<br />

the daughter, who still remained on the shore.<br />

<strong>The</strong> mother came out from the house. “Oh,<br />

oh, my child! You have roughed the storm!”<br />

She was quite sad. She looked down at the<br />

ground, and said, “Yes!” — “Come in, change<br />

your clothes, put on some dry ones.” She<br />

entered, downcast, as be<strong>for</strong>e. Just as she<br />

changed her clothes, the father entered. He<br />

took her by the hand, took his spear, and<br />

went to the seashore. <strong>The</strong>n he turned to the<br />

sea, and said, “Oh sea! Do not be angry. That<br />

which I promised, I give you now.” He pierced<br />

her with the spear, and left the body lying<br />

there on the shore. An abundance of blood<br />

covered the whole beach. It grew dark. She<br />

was lying on the sand lifeless. A certain man,<br />

a kind of Sea-<br />

Being (A´ñqa-va’ irġin) came to her and<br />

pushed her lightly with his toe. “Hallo! Get<br />

up! Let us go home!” <strong>The</strong>n after a little while,<br />

again, “Hallo! Get up! Let us go home!” At last<br />

she awoke and sat up: “Eġeġeġeġei´. I have<br />

slept quite long.” He took her to his house<br />

and married her. <strong>The</strong>y lived quite well and<br />

contented. <strong>The</strong>y had a large reindeer-herd.<br />

<strong>The</strong> daughter, of course, did not return home.<br />

Since the father said nothing, her mother<br />

thought, “Let me go and look <strong>for</strong> her! Where<br />

may she be?” She arrived at the place. <strong>The</strong><br />

bloodstains were on the ground, but the body<br />

had disappeared. She found and followed<br />

some footprints along the seashore. At last<br />

she came to a cliff. <strong>The</strong> tracks ran upward<br />

to the very top. She climbed up, and found a<br />

settlement on the very top. Her daughter was<br />

busy scraping skins. “Oh, it is here you are<br />

staying?” — “Yes.” She lived <strong>for</strong> some time<br />

with her daughter; then the daughter said, “Go<br />

and fetch father. I should like to see him also.”<br />

<strong>The</strong> old man was brought and pampered with<br />

food. <strong>The</strong> next morning the sea was rough<br />

again. She said to her father, “Let us go and<br />

have a look at the sea!” <strong>The</strong>y went to the<br />

very edge of the cliff. She said to him, “Look<br />

down upon the sea! How rough it is again!” He<br />

looked down upon the sea. She pushed him<br />

from behind, and he fell down, broke his back,<br />

and was taken by the sea. <strong>The</strong> end.<br />

Told by Ai´wan, a Maritime Chukchee man, at<br />

Mariinsky Post, October 1900 and taken from<br />

Bogoras, W. (1910): Chukchee Mythology,<br />

Leiden & New York.<br />

Michael Berman<br />

Michael Berman BA, MPhil (Wales), RSA Dip<br />

TEFLA, LTCL Dip TESOL is currently a full-time<br />

research student at Cardiff University and working<br />

as a part-time teacher at Ox<strong>for</strong>d House College in<br />

London. Publications include “A Multiple Intelligences<br />

Road to an ELT Classroom” and “<strong>The</strong><br />

Power of Metaphor” <strong>for</strong> Crown House Publishing<br />

and “<strong>The</strong> Shaman and the Storyteller” <strong>for</strong><br />

Superscript. Michael has been involved in TESOL<br />

<strong>for</strong> over thirty years and has given presentations<br />

at Conferences in Austria, Azerbaijan, Croatia, the<br />

Czech Republic, Cyprus, Finland, France, Georgia,<br />

Germany, Ireland, Italy, Poland, Romania, Russia,<br />

Scotland, Slovenia, Spain, Turkey, the Ukraine and<br />

Wales. Contact: Michaelberman@blueyonder.co.uk<br />

Website: www.<strong>The</strong>storyteller.co.uk<br />

Indian <strong>English</strong><br />

While talking to an ex-colleague a few weeks<br />

ago, I was reminded just how many different<br />

types there are of this language we call<br />

<strong>English</strong>. Twenty-four years ago, I had the<br />

good <strong>for</strong>tune to be the director of a brand new<br />

private hospital in England. I commissioned it,<br />

staffed it and then ran it <strong>for</strong> seven years.<br />

One of the people I employed was a lovely,<br />

young, aristocratic Indian Lady, called Ami<br />

(pronounced ‘Army’). Her job was to charm<br />

MEMBER MIX<br />

the patients and look after their accounts.<br />

She had been brought up in India and had<br />

been educated at an <strong>English</strong>-speaking public<br />

school there. Her husband, on the other hand,<br />

had been born in England, of Indian parents,<br />

and educated in England. He was a pharmacist<br />

and was now running his own successful<br />

business.<br />

Two years earlier, his parents had sent him<br />

over to their families in India to bring back<br />

the young lady they had chosen <strong>for</strong> him to<br />

marry. Negotiations had not taken very long<br />

because his parents already knew the bride’s<br />

family well. Nevertheless, his mother’s last<br />

piece of advice to him, as he went through the<br />

departure gate at Heathrow Airport, had been<br />

to “make sure she’s got good teeth”. Well, he<br />

came back with Ami. She had lovely teeth, a<br />

radiant smile and a personality that charmed<br />

us all.<br />

She also spoke ‘Indian’ <strong>English</strong>. She told us<br />

that her arranged marriage “will be definitely<br />

much more secure than the ones that you are<br />

having in England.” She knew, from the very<br />

beginning, that she would be entering into<br />

a relationship where both parties, who will<br />

always be wanting to have the best <strong>for</strong> each<br />

other, would be having to work hard to make<br />

it successful. She would not be having the impediment<br />

of a relationship <strong>for</strong>med during the<br />

period of temporary insanity that, over here,<br />

you are calling romantic love. Romantic love<br />

is, possibly, being fun <strong>for</strong> a short while but it<br />

was not being a basis <strong>for</strong> a lasting relationship;<br />

oh, golly no.<br />

You only have to read Damon Runyon’s comic<br />

masterpiece, On Broadway, to realise just<br />

what an unnecessary complication are all<br />

these tenses that we use. In my edition of the<br />

book, there are 49 short stories about New<br />

York low-life during Prohibition. <strong>The</strong>y are written<br />

almost exclusively in the present tense: no<br />

use of any past tenses and precious little of<br />

the future, or anything else. Yet, it works and<br />

it’s wonderful.<br />

Anyway, during the next two years that she<br />

was with us, Ami’s language, its rhythm and<br />

vocabulary became more like ours. But ours<br />

changed a bit as well. Instead of saying<br />

“I’m on my way”, or “I’ll be right down”, we<br />

all ended up saying, “Oh, I’m coming very<br />

quickly.”<br />

<strong>The</strong>n one day, just be<strong>for</strong>e lunch, she came<br />

into my office and said that she would like<br />

ETAS Journal 25/1 Winter 2007 43


to be registering <strong>for</strong> maternity leave. She<br />

was going to have a baby and I was the first<br />

person in the hospital she was telling. So,<br />

we sorted out the dates and then I said that<br />

we had better go down and have lunch and,<br />

there, she could tell all her friends the good<br />

news. Everyone congratulated her, of course.<br />

My colleague, the finance director, said, “Ami,<br />

that’s wonderful news. When’s the happy<br />

event?”<br />

“Oh,” she said, with a shy smile, “six weeks<br />

ago.”<br />

John Raggett<br />

MEMBER MIX<br />

<strong>The</strong> Place of a ‘Résumé’ in <strong>English</strong> <strong>for</strong> Occupational<br />

Purposes (EOP)<br />

A Practitioner’s Perspective<br />

1.0. ENGLISH IN THE INDIAN CONTEXT<br />

<strong>English</strong> is taught in most of the Asian countries<br />

as a <strong>for</strong>eign language and it is accepted<br />

by the takers as an international lingua franca.<br />

In that sense, it is taught and learnt as a<br />

second or sometimes even as a third or a<br />

fourth language and is essential <strong>for</strong> many job<br />

applications in these countries; <strong>English</strong> also<br />

has a vital role to play as a unifying factor.<br />

To cite an example, in Tamilnadu, a Dravidian<br />

state in India, most of the people speak<br />

Tamil, a two-thousand-year-old language,<br />

as their mother tongue. Hence a southerner<br />

in Tamilnadu may have Telugu, Kannada or<br />

Malayalam as the mother tongue, but he or<br />

she should be proficient in using the regional<br />

language Tamil <strong>for</strong> maintaining the ‘identity’<br />

in the main stream. <strong>The</strong>y need, however, to<br />

master <strong>English</strong> <strong>for</strong> occupational and academic<br />

purposes and he or she should also be familiar<br />

with Hindi <strong>for</strong> fulfilling national needs. <strong>The</strong><br />

case is true in the northern part of India too,<br />

where Hindi replaces the regional language.<br />

In general, all students have to master not<br />

less than three languages to obtain better job<br />

prospects.<br />

1.1. ENGLISH FOR THE JOB MARKET IN<br />

INDIA<br />

Foreign companies are fast entering the job<br />

44 ETAS Journal 25/1 Winter 2007<br />

markets of India and they are looking <strong>for</strong> the<br />

best to appoint as managers of their firms.<br />

Apart from the usual qualifications, they are<br />

also looking <strong>for</strong> interpersonal skills and an<br />

ability to deal with the unexpected. Globalisation<br />

means competition in the job market and<br />

only the best will win.<br />

2.0. A PORTRAIT OF YOUNGSTERS IN<br />

INDIA<br />

Young Indians are used to the fast food<br />

culture and the mushrooming of educational<br />

institutions offering more or less instant<br />

degrees naturally appeals. <strong>The</strong>se colleges<br />

offer easy degrees but the young people are<br />

disappointed afterwards when they have to<br />

struggle to gain a place in the job market,<br />

exchanging the pleasure palace of Xanadu <strong>for</strong><br />

the trials of the bullring. Reality kicks in when<br />

they have to submit a résumé.<br />

3.0 THE LACUNAE IN ELT<br />

<strong>The</strong> world of entry <strong>for</strong> youngsters seeking jobs<br />

is dinosaurian in magnitude and the entrant<br />

appears just a Lilliputian in the outside world;<br />

it takes considerable time to digest reality<br />

and to shed the ego. Whose fault is this? <strong>The</strong><br />

instructor of <strong>English</strong> Language Teaching (ELT)<br />

should have said that there is a difference<br />

between the <strong>English</strong> <strong>for</strong> Academic Purposes<br />

(EAP) and EOP. EAP is a sharp and minute<br />

tool; a skilled craftsman makes objects using<br />

it. A hammer shatters glass, but rather <strong>for</strong>ges<br />

steel. Is it too much to assume that the trainer<br />

should have taught how the hammer is to be<br />

handled?<br />

4.0. THE COMMON MISTAKES OF A<br />

‘RÉSUMÉ’<br />

<strong>The</strong> primary mistake of a résumé presenter<br />

is to exaggerate the academic achievements,<br />

ignoring the expectations of the employer.<br />

Often there exists confusion between a<br />

résumé and curriculum vitae (CV). <strong>The</strong> latter<br />

is what one has studied, taught, written,<br />

researched and exhibited. A résumé is a<br />

quick summary of what one has done, leading<br />

to an in-depth discussion in the interview. So<br />

there is no need to drown the employer in<br />

verbiage when a résumé is <strong>for</strong>warded. Often<br />

the résumé presenter <strong>for</strong>gets that there will be<br />

many more to play the musical chords more<br />

melodiously than he or she does. But usually<br />

employers are realistic in their expectations;<br />

they don’t cherish the sweetness of the<br />

melody composed by a novice.<br />

5.0. THE ROLE OF ELT<br />

We can there<strong>for</strong>e say that the <strong>English</strong> teacher<br />

has a great deal of responsibility to make the<br />

student aware of the importance of a résumé.<br />

which after all is the first contact that the<br />

employer has with the applicant. It has to be<br />

balanced – showing the merits and the willingness<br />

to make up the weaknesses.<br />

A résumé is not the stereotypical summary<br />

of a lesson that is kept ready <strong>for</strong> the examination,<br />

whatever be the question asked. A<br />

résumé has to per<strong>for</strong>m a function: the function<br />

of obtaining the outcome. <strong>The</strong> expectations<br />

and needs of the employer are to be assessed<br />

primarily and then a write-up comes<br />

to the focus. Inflated and bloated statements<br />

may cause disturbance in the long run.<br />

A résumé is not an exercise that is closed with<br />

the submission of it. Firstly it has to do the job<br />

of winning the toss*; secondly it has to do the<br />

function of standing testimony to the qualities<br />

described. Any gap in between will cause<br />

disturbance in the working or functional relationship.<br />

<strong>The</strong> ELT teacher becomes prominent<br />

here in telling the youngsters during EAP that<br />

one has to be sincere in expressions; “I shall<br />

be insincere within, but pretend intelligently<br />

when I speak” is the greatest myth that one<br />

can have.<br />

* “winning the toss” is a term derived from the<br />

<strong>English</strong> sport of cricket, a sport subsequently<br />

exported to the rest of the British Empire. Be<strong>for</strong>e<br />

a game starts, the umpire tosses a coin.<br />

<strong>The</strong> captain of one team calls “heads”. <strong>The</strong><br />

other captain, by default, must have “tails”.<br />

Whichever one has chosen the correct face<br />

showing when the coin comes to rest then has<br />

the right to decide whether his team should<br />

bat or field. So, in life, generally, “to win the<br />

toss” is to be one step ahead; to have the ability<br />

to choose the circumstances in which you<br />

do something. Ed.<br />

5.1. THE MULTIPLE RESPONSIBILITIES<br />

OF ELT<br />

So ELT is a medium where multiple crafts are<br />

taught. Grammatically accurate <strong>English</strong> is the<br />

need of EAP, and agreeable and communicative<br />

<strong>English</strong> are the needs of EOP. If we look<br />

deep, one is not different from the other. It is<br />

good to remember Jaques of As You Like It<br />

– one has to play all the seven stages of life,


each one efficiently and effectively, no running<br />

away from any one of them. ELT should<br />

be designed, like a tall banyan tree offering<br />

shade and shelter to animals, birds, humans<br />

and reptiles, to nurture different abilities and<br />

skills. Teaching ‘content’ alone in the classes<br />

of ELT or having an obsession to complete<br />

the syllabus will only produce undernourished<br />

children to this society. So it is obligatory <strong>for</strong><br />

an instructor of ELT to tell the student that a<br />

‘résumé’ should be prepared remembering<br />

that it is a touchstone of the real-life game and<br />

this instruction is to be given in the classroom.<br />

So the practical needs of the student and<br />

not the theoretical recommendations of the<br />

experts or the whimsical fancies of the instructors<br />

should decide the curriculum and the<br />

syllabi of ELT.<br />

Visuvasam Prakash<br />

Dr V. Prakash has been in the field of <strong>English</strong><br />

Language Teaching (ELT) <strong>for</strong> the past 30 years.<br />

Having taught Literature and ESL (ELT) to the<br />

undergraduate and the postgraduate students at<br />

the tertiary education in India (an approximate<br />

number of 50,000), he has established himself as<br />

an innovative instructor of <strong>English</strong>. At present he<br />

holds the position of the Head of the Department<br />

of <strong>English</strong> in Sacred Heart College, India. Some<br />

of his publications are: “<strong>The</strong> Inner Dimension of a<br />

Personality”, “An Intensive Course in Functional<br />

<strong>English</strong>”, “Hints on Making Short Speeches”,<br />

“Strengthen Your <strong>English</strong> – Book One”, “Blend of<br />

<strong>English</strong> Usage with Journalism”. His presentations<br />

have been accepted as talks and workshops by<br />

the organisers of the International Conferences in<br />

Aberdeen, Taiwan, Sharjah, Hawaii and Cali<strong>for</strong>nia.<br />

MEMBER MIX<br />

ETAS Journal 25/1 Winter 2007 45


Baden<br />

Workshop: <strong>The</strong> best thing you can do <strong>for</strong><br />

your students?<br />

Look after Yourself!<br />

Presenter: Sandra Ondraschek-Norris<br />

Date: 22nd June 2007<br />

As teachers, we are all familiar with the<br />

concept of burn-out, so anything aimed at<br />

preventing us from being sucked into that<br />

particular black hole is to be welcomed with<br />

open arms (or at least open minds).<br />

If teacher trainer and counsellor Sandra<br />

Ondraschek-Norris had come bearing only a<br />

mysterious potion promising a panacea <strong>for</strong> all<br />

our various woes and ailments, we might have<br />

been <strong>for</strong>given a healthy dose of scepticism.<br />

As it was, and as we all know, there’s much<br />

more to it than that.<br />

One of the workshop’s stated aims was to<br />

instill an awareness of self-management, with<br />

an especial focus on the word resilience – or<br />

the ability to bounce back, as we collectively<br />

understood it. This included learning about<br />

how resilience works best <strong>for</strong> each individual;<br />

recognising the warning signs <strong>for</strong> things which<br />

get us down; and practising something called<br />

distancing techniques. If I understood it correctly,<br />

this involves mentally detaching yourself<br />

as far as possible from the source of any<br />

conflict or stress, so that you are able to put it<br />

into some kind of perspective. At one point we<br />

were floating – metaphorically, of course – not<br />

only above the problem, but above the school,<br />

the country, the world and possibly higher,<br />

depending on your head <strong>for</strong> heights, that is.<br />

Another tip was to introduce into our lessons<br />

60 seconds of quiet time (or, in Sandra’s<br />

words: just take a moment to...). <strong>The</strong> benefit<br />

of this is to relax both teacher and students<br />

by focussing on such mundane matters as<br />

the weather, or the journey to class. Interest-<br />

46 ETAS Journal 25/1 Winter 2007<br />

REGIONS News and Events<br />

ingly, there was also a short discussion on<br />

the positive effects of yawning: how it aids the<br />

body physiologically, <strong>for</strong> example, and why<br />

it doesn’t necessarily mean that the student<br />

yawning in class is bored (phew!). Just <strong>for</strong><br />

good measure, we were even encouraged<br />

to have a good old yawn ourselves in order<br />

to sample the benefits first-hand. Much fun it<br />

was, too.<br />

Amidst all the theory and the jargon (hot<br />

buttons and thinking traps are two memorable<br />

phrases I took home with me), there was<br />

clearly much common sense and a practical<br />

focus on how we can learn to know and look<br />

after ourselves better. Burn-out, we were told,<br />

is invariably preceeded by warning signs, so<br />

the trick is to recognise your own warning<br />

signs and act on them accordingly, be<strong>for</strong>e it’s<br />

too late. To paraphrase what I think was one<br />

of Sandra’s own paraphrases (and a very nice<br />

one at that): how do we go on kindling fires<br />

without burning out ourselves?<br />

Kevin Foster<br />

Graubünden<br />

Workshop: Cambridge FCE – Focus on<br />

Paper 2<br />

Presenter: John Potts<br />

Date: 1st September 2007<br />

Within a relaxed and congenial atmosphere<br />

we looked at FCE (Paper 2) student exam<br />

preparation criteria. <strong>The</strong> workshop highlighted<br />

some important criteria necessary <strong>for</strong> teachers<br />

to successfully evaluate and assist the<br />

student.<br />

Anecdotes are always difficult to carry off at<br />

the best of times, but even more so during<br />

a seminar. Obviously, experience shows<br />

because all of John Potts’s anecdotes were<br />

both really funny and relevant to the point<br />

being made.<br />

During the workshop, we analyzed several<br />

constructive examples of exam questions and<br />

their subsequent evaluation assessments<br />

which demonstrated a clear, practical guide to<br />

accurate student appraisal.<br />

<strong>The</strong> suggestions and hints regarding writing<br />

and language activities provided a valuable<br />

source of practical advice which can be simply<br />

and effectively implemented in the classroom.<br />

<strong>The</strong> <strong>for</strong>thcoming changes to the exam paper<br />

content were also briefly reviewed and<br />

discussed. However, as far as the FCE writing<br />

section is concerned, these changes will be<br />

minimal.<br />

<strong>The</strong> seminar provided a useful approach<br />

to the question of how best to prepare the<br />

student <strong>for</strong> the writing section of the FCE<br />

exam paper.<br />

Practical guidelines of how to achieve this<br />

were effectively demonstrated by John.<br />

For example, while correcting a student’s<br />

writing task it is useful to highlight the posi-


News and Events<br />

tive aspects as well as the problem areas.<br />

Furthermore, it would be especially constructive<br />

to give a writing task report along with the<br />

corrected text. This would provide clarity and<br />

avoid misunderstandings <strong>for</strong> both the student<br />

and teacher.<br />

John’s pragmatic approach to the subject as<br />

well as the diverse handouts and booklets distributed<br />

during the workshop will provide the<br />

participants with a valuable ongoing source of<br />

in<strong>for</strong>mation, advice and reference.<br />

I would like to take this opportunity to thank<br />

John on behalf of all the workshop participants<br />

<strong>for</strong> such a lively, in<strong>for</strong>mative and entertaining<br />

presentation.<br />

Anna Steffner<br />

Valais<br />

Workshop: Reading with Graded Readers<br />

Presenter: Susanne Clavadetscher<br />

Date: 14th May 2007<br />

Joined by her Monday-evening audience at<br />

the HES-SO Valais Wallis in Sierre, Susanne<br />

began by explaining Longman’s reason <strong>for</strong><br />

introducing Graded Readers: to get students<br />

into reading <strong>for</strong> gist with relative ease and,<br />

most importantly, enjoyment.<br />

During the 90-minute interactive workshop,<br />

we became familiar not only with the wide<br />

range of Readers currently available, but<br />

also and especially with the impressive array<br />

of additional materials on hand <strong>for</strong> the busy<br />

teacher: Teacher’s Guides, Placement Test,<br />

Fact Sheets, Tests and Audio Packs.<br />

After a brainstorming session, Susanne supplemented<br />

our ideas on be<strong>for</strong>e-, during- and<br />

after-reading activities with a selection of her<br />

own examples, encouraging us to try some of<br />

them out with the hilarious Mrs. Doubtfire:<br />

Be<strong>for</strong>e<br />

� Guess the storyline by looking at the cover<br />

and chapter headings.<br />

� Discuss the theme of marriage – <strong>for</strong><br />

example, what makes a good one!<br />

� If the DVD is available (and of course<br />

many students will be familiar with Mrs.<br />

Doubtfire), play a short extract and, with<br />

the sound off, get students to work in pairs,<br />

one questioning the other about what s/he<br />

can see on the screen.<br />

During<br />

� Discuss the characters and recall the story<br />

so far.<br />

� Match dialogue and/or events to the<br />

relevant characters.<br />

� Choose a character and write his/her diary.<br />

� Per<strong>for</strong>m role-plays.<br />

� Listen to extracts from the accompanying<br />

CD.<br />

After<br />

� Discuss alternative endings.<br />

� Continue the story.<br />

� Write a review <strong>for</strong> the class magazine.<br />

REGIONS<br />

� Cast a film version of the book – which<br />

celebrity (or student) should play which<br />

character?<br />

On the question of which level to select, we<br />

were advised to use the Placement Test or, if<br />

possible, distribute Readers of various levels<br />

<strong>for</strong> students to experiment with, the idea being<br />

they shouldn’t need to look up more than a<br />

dozen words per page if at the appropriate<br />

level.<br />

Finally, we learnt about the new Penguin<br />

Active Reading series, ideal <strong>for</strong> providing<br />

extra activities, project work, access to related<br />

websites and an interactive CD-ROM into the<br />

bargain.<br />

Many thanks to Susanne <strong>for</strong> a worthwhile and<br />

enriching evening, from which we all came<br />

away with plenty of ideas <strong>for</strong> our first/next<br />

Reader class!<br />

Barbara Althaus<br />

For the latest in<strong>for</strong>mation on<br />

upcoming ETAS events, visit our<br />

website at www.e-tas.ch<br />

ETAS Journal 25/1 Winter 2007 47


<strong>English</strong> <strong>for</strong> academic study: Vocabulary<br />

Colin Campbell<br />

Garnet Publishing Ltd<br />

Coursebook (195 pages)<br />

ISBN 0-978185964898-8<br />

<strong>English</strong> <strong>for</strong> academic study is a series<br />

introducing new university students to presessional<br />

courses in language skills, helping<br />

them to develop strategies and knowledge <strong>for</strong><br />

reading and writing skills in particular. <strong>English</strong><br />

<strong>for</strong> academic study: Vocabulary is a self-study<br />

book aimed at students having an IELTS level<br />

between 5.0 and 7.0. This is a representation<br />

of a bandwidth pre-B2 to a good C1 CEF<br />

level.<br />

<strong>The</strong> book is comprised of ten units, of which<br />

the first five are concerned with raising a<br />

reader’s awareness of the need to assess a<br />

word’s definitions, its class, family, as well as<br />

to note any collocations and specific grammar<br />

to which the word may be linked. <strong>The</strong><br />

remaining five units offer the reader academic<br />

wordlists (AWL) and diverse exercises. <strong>The</strong><br />

appendices include an alphabetized version<br />

of each academic word sublist, an achievement<br />

test and the key to the exercises found<br />

in each unit.<br />

Readers will find an interesting introduction<br />

to the book, in which the author makes the<br />

suggestion of working through the book unit<br />

by unit. Tips on retaining vocabulary words<br />

such as repetition, or following the age-old<br />

axiom: the more you see a word, the more it<br />

becomes attached to your long-term memory,<br />

follow through with advising the reader on the<br />

importance of keeping a vocabulary notebook<br />

and especially jotting down how the word is<br />

used.<br />

Forgetting that we also review general<br />

education and teacher resource books, my<br />

first impression of this book was that it was<br />

too simplified <strong>for</strong> academic study. I would<br />

think that the majority of language learners<br />

would already be aware of the necessities<br />

in vocabulary learning. EFL teachers surely<br />

elucidate their students into the intricacies of<br />

learning words. On the other hand, this book<br />

is thorough and lightweight, meaning the<br />

basics taught in units 1-5 are studied or put to<br />

use in glimpses of specific vocabulary as the<br />

book briefly dips into diverse fields such as<br />

education, health, business, finance,<br />

48 ETAS Journal 25/1 Winter 2007<br />

REVIEWS a Look at Books<br />

economics, environment, etc. Each AWL<br />

sublist unit has the reader climb the rungs of<br />

a ladder: bottom to top – meaning of words,<br />

multi-meaning words, word classes, word<br />

families, prefixes, collocations, grammar and<br />

a review. <strong>The</strong> reader is employed to discover<br />

‘word entirety’ as they work their way through<br />

300 of the possible 560 word families of AWL.<br />

For this reason, yes, this book is recommended<br />

to all learners embarking on studying<br />

at university or other <strong>for</strong>m of higher education<br />

and especially recommendable <strong>for</strong> EFL<br />

language learners. Provided the reader<br />

works through the whole book, the ways and<br />

means of vocabulary learning will certainly be<br />

instilled. <strong>The</strong> other advantage is the addition<br />

made to their academic vocabulary base, or<br />

polishing of it. Considering my proficiency<br />

students and their request <strong>for</strong> vocabulary lists,<br />

I now know where to look!<br />

Janet Joos<br />

Ox<strong>for</strong>d Wordpower Dictionary<br />

Ox<strong>for</strong>d University Press 2006<br />

New 3rd edition with CD-ROM<br />

IBSN 0-19439925-7<br />

This dictionary is recommended <strong>for</strong> intermediate<br />

learners and professes not only to help<br />

students build their vocabulary fast, but also<br />

to help them learn how to use the new words.<br />

It claims to contain 36,000 examples of how<br />

words are used and 4,400 collocations. (Sorry,<br />

I am unable to verify these figures.) Weighing<br />

in at 700gr and measuring 20x13x3.5 cm, I<br />

would consider it to be of a suitable size <strong>for</strong><br />

accompanying students to their classes – as<br />

opposed to <strong>for</strong> pressing flowers at home. <strong>The</strong><br />

dictionary begins with a clear ‘Guide to the<br />

dictionary’ as well as a ‘Wordpower workout’,<br />

which trains the learner to use the dictionary<br />

optimally.<br />

<strong>The</strong> headwords stand out clearly in blue, and<br />

there are some nice illustrations. <strong>The</strong> ‘Ox<strong>for</strong>d<br />

3000 TM keywords’, the 3,000 words considered<br />

the most important to know, are denoted<br />

by a key icon. Grammar patterns go a little<br />

further than in the average dictionary in that<br />

they include extra help with certain words; <strong>for</strong><br />

example, by in<strong>for</strong>ming the learner what they<br />

cannot say.<br />

<strong>The</strong> learner is offered the usual irregular verbs<br />

list, phonetic spellings, geographical names,<br />

punctuation, and models <strong>for</strong> letter writing.<br />

E-mails and text messages also receive a<br />

mention, as does telephoning. Additionally,<br />

there is a brief summary of tenses and conditionals.<br />

<strong>The</strong> passive, reported speech, verb<br />

patterns, modals, prefixes and suffixes are<br />

all dealt with. Although, by necessity, these<br />

aspects are extremely condensed, I believe<br />

this section could be very useful <strong>for</strong> reference.<br />

Two pages are devoted to tips <strong>for</strong> learning<br />

vocabulary and a further page to important<br />

differences between British and American<br />

<strong>English</strong>. Dotted throughout the dictionary and<br />

highlighted in blue boxes are snippets of in<strong>for</strong>mation<br />

headed ‘more’, ‘help’, ‘topic’, ‘grammar’<br />

or ‘other words <strong>for</strong>’. For example, under<br />

the headword ‘insect’, in a ‘help’ box, we learn<br />

that: some other small animals, <strong>for</strong> example<br />

spiders, are often also called insects although<br />

this is technically incorrect. <strong>The</strong>re are indeed<br />

many interesting titbits offered, including a<br />

recipe <strong>for</strong> Shepherd’s Pie.<br />

Accompanying the dictionary are a 32-page<br />

activity booklet and a CD-ROM. <strong>The</strong> latter is<br />

reasonably easy to navigate and offers the<br />

complete Wordpower Dictionary as well as<br />

the Ox<strong>for</strong>d Learner’s Wordfinder Dictionary.<br />

‘<strong>The</strong> Ox<strong>for</strong>d Genie’ is also featured. It enables<br />

learners to look up words in e-mails or online.<br />

(Provided they are less ‘technically<br />

challenged’ than I am.) Additionally, examstyle<br />

exercises and games <strong>for</strong> extra practice<br />

are provided.<br />

What is missing from this dictionary? Well,<br />

I did notice a total absence of offensive or<br />

taboo words. Perhaps learners are always<br />

sheltered from vulgarisms until they reach<br />

the advanced threshold – I am not sure. In<br />

any case this dictionary would definitely be<br />

no help <strong>for</strong> learners hoping to increase their<br />

score in ‘Rude-Word-Scrabble’. For all other<br />

purposes, however, I believe it to be a very<br />

practical and interesting publication.<br />

Diana Herzog


a Look at Books<br />

Professional <strong>English</strong> in Use: Finance<br />

Ian Mackenzie<br />

Cambridge University Press 2006<br />

ISBN 0-521-61627-1<br />

As an integral part of the <strong>English</strong> Vocabulary<br />

in Use series, this self-study manual is<br />

composed of 50 units dealing with technical<br />

vocabulary specific to the field of Finance.<br />

Within this series is the all-new Professional<br />

<strong>English</strong> in Use series, which targets a more<br />

restrictive and technical readership in the<br />

areas of Law, In<strong>for</strong>mation Communications<br />

Technology, Medicine and Finance. This<br />

means that a true ef<strong>for</strong>t is being made by<br />

Cambridge to finally cover the individual and<br />

highly specific fields that make up Professional<br />

<strong>English</strong>. Does this mean that we can expect<br />

to look <strong>for</strong>ward to future works in areas such<br />

as Accounting, Management, Marketing, and<br />

others in domains such as Chemistry, Biology<br />

and myriads of other subjects?<br />

This particular volume is specifically intended<br />

<strong>for</strong> students in the intermediate to advanced<br />

levels (B1-C2) and rightly so as the content<br />

is rather technical. Like most of the publications<br />

in this series, it can be used either in the<br />

classroom, as supplementary study material<br />

or as a means of teaching oneself the intricacies<br />

of the finance world. It takes an in-depth<br />

look at key concepts, which are part of daily<br />

routine in the financial world. Ian is no novice<br />

in the field as he has published previous<br />

works in the same domain both with CUP and<br />

elsewhere. <strong>The</strong> book meets a visible need<br />

and prepares students <strong>for</strong> the new Cambridge<br />

International Certificate in Financial <strong>English</strong>.<br />

Much like the other books in the <strong>English</strong> in<br />

Use series, this one is very practical in terms<br />

of acquiring and making use of key concepts<br />

and language. <strong>The</strong> “over to you” section at<br />

the end of each lesson is a good attempt at<br />

putting this newly-acquired competence into<br />

practical everyday use in the thought-provoking<br />

situations provided.<br />

Vincent Vandersluis<br />

Skills in <strong>English</strong><br />

Reading, Writing, Speaking and Listening<br />

Level 2<br />

Speaking Level 3<br />

Terry Phillips and Anna Phillips<br />

Garnet Education<br />

ISBN 1-85964791-X<br />

ISBN 1-85964782-0<br />

ISBN 1-85964783-9<br />

ISBN 1-85964781-2<br />

ISBN 1-85964780-4<br />

This is a skills-based course with 3 levels <strong>for</strong><br />

beginners to upper-intermediate level. <strong>The</strong><br />

course is designed to prepare students <strong>for</strong><br />

skills-based examinations such as the International<br />

<strong>English</strong> Language Testing System<br />

(IELTS).<br />

<strong>The</strong>re are four books per level. Each book<br />

covers a skill; reading, writing, speaking and<br />

listening, and there is a Teacher’s Book and<br />

test package within the set.<br />

All the books are linked by the same continuing<br />

theme and are designed to be used<br />

interchangeably.<br />

I loved the flexibility this course offers with<br />

the possibility of choosing the skills covered<br />

in each lesson, all linked by the same theme.<br />

<strong>The</strong>re are 4 lessons in a theme and each<br />

of the 4 lessons are based around a learning<br />

technique within the skill being covered.<br />

<strong>The</strong>se techniques are continued throughout<br />

the book. <strong>The</strong> writing skills book covers<br />

vocabulary, writing, learning new skills and<br />

applying new skills.<br />

<strong>The</strong>re are also skills checks throughout the<br />

books which are either grammatical or directly<br />

based on the skill being covered. In the listening<br />

book, <strong>for</strong> example, there is a skills check<br />

<strong>for</strong> making notes and another <strong>for</strong> using<br />

comparatives.<br />

<strong>The</strong> books are set out very clearly and have a<br />

good amount of written and visual elements.<br />

<strong>The</strong>y are easy to understand and in general<br />

each new lesson starts on a new page so it is<br />

easy <strong>for</strong> the students to follow.<br />

If I had a criticism of the book it would be the<br />

length. <strong>The</strong>re are only 10 themes per book<br />

and although there are 4 lessons per theme<br />

there is the tendency to cover 2 lessons at a<br />

time from just 2 of the books depending on<br />

the length of the lesson. I did particularly like<br />

REVIEWS<br />

the themed wordlists that identified the words<br />

by their grammatical name, and there are final<br />

summaries of the wordlists at the end of the<br />

book which are organised thematically and<br />

alphabetically.<br />

<strong>The</strong> Teacher’s Book is also very well set out<br />

and very clear to follow. <strong>The</strong>re are, however, a<br />

lot of blank pages after every lesson which is<br />

ideal <strong>for</strong> writing notes but tends to be irregular.<br />

<strong>The</strong> Teacher’s Book is great because it has<br />

a small copy of the Student’s Books in the<br />

corner so you do not have to keep referring to<br />

the Student’s Book, which is really ideal in this<br />

course as there are so many books. <strong>The</strong>re is<br />

also a methodology note which is very helpful<br />

and useful to refer to.<br />

In general I really liked this course and I would<br />

recommend it to anyone preparing <strong>for</strong> a skillsbased<br />

exam. Rather than focusing on exam<br />

preparation, the books focus on the skills<br />

needed <strong>for</strong> skills-based exams. I thoroughly<br />

enjoyed using this course and there was a lot<br />

of positive feedback from the students.<br />

Louise Gladwin<br />

Skills in <strong>English</strong>: Reading Level 3<br />

2nd edition, 2005<br />

Terry Phillips and Anna Phillips<br />

Garnet Education<br />

Coursebook and Resource Book<br />

ISBN: 1-85964792-8<br />

Teacher’s Book ISBN: 1-85964796-0<br />

Garnet’s Reading Level 3 book in their comprehensive<br />

four-level Skills in <strong>English</strong> course<br />

is <strong>for</strong> intermediate to upper-intermediate<br />

learners of <strong>English</strong> with a score of 5.0-5.5 on<br />

the IELTS or 500-527 on the TOEFL. Although<br />

it is not a strategy book, it drills the skills<br />

they test and raises learners’ general level of<br />

language ability. Its teaching method is testpresent-test,<br />

which intends first to sensitize<br />

learners by raising their awareness and then<br />

to present, produce and revise skills. Within<br />

the series of interrelated books, it revises and<br />

augments theme-related vocabulary as well<br />

as academic reading skills.<br />

<strong>The</strong> beginning of each unit emphasizes<br />

building up vocabulary. Previously introduced<br />

words printed in red are revised while new<br />

words printed in green are introduced in<br />

ETAS Journal 25/1 Winter 2007 49


context. At the back of the book the lexis is<br />

grouped thematically and listed alphabetically.<br />

What kinds of reading skills are we talking<br />

about? <strong>The</strong>se include finding the main point<br />

of an article, learning precise vocabulary,<br />

mastering negative prefixes, finding the main<br />

in<strong>for</strong>mation in active and passive sentences,<br />

analyzing complex sentences containing<br />

relative clauses and/or participles, looking <strong>for</strong><br />

evidence, understanding internal definitions,<br />

predicting, understanding the writer’s attitude<br />

and making inferences.<br />

Its ten topics include education, daily life, work<br />

and business, science, the physical world, culture<br />

and civilization, labor-saving devices, arts<br />

and literature, sports and leisure, and nutrition<br />

and health. Each four-page unit is meant to be<br />

covered in two two-hour classes. Treating topics<br />

which learners can relate to helps motivate<br />

and activate them. For example, unit three<br />

provides a survey questionnaire containing<br />

14 factors which people looking <strong>for</strong> a job take<br />

into consideration. After reading the relevant<br />

articles in the Resource Book, learners can<br />

interview their classmates who rank these<br />

factors, then evaluate and tabulate the results,<br />

and finally write a report or an article. Thus,<br />

utilizing exercises like this also helps transmit<br />

academic methods by learning by doing.<br />

<strong>The</strong> substantial Teacher’s Book contains<br />

answer keys, supplementary in<strong>for</strong>mation, tips,<br />

special language and culture notes especially<br />

geared <strong>for</strong> Arabic students. Notes <strong>for</strong> students<br />

of other cultures can be found on the website<br />

along with a downloadable test <strong>for</strong> each unit,<br />

a revision test after units 1-5, a final test after<br />

unit 10, and vocabulary and grammar games.<br />

<strong>The</strong> high-quality pdfs, printable, adaptable<br />

and resizable, require access to broadband,<br />

but downloading them still takes a lot of time.<br />

Reading Resources containing one article<br />

per theme provides a considerable amount<br />

of input, which can be discussed or used to<br />

generate writing tasks.<br />

I like the boxes with the ‘skills checks’ which<br />

could be adapted <strong>for</strong> board work. <strong>The</strong>y assume<br />

students have been exposed to the<br />

key points of the unit, but that they are not<br />

yet able to use them correctly. In addition, the<br />

authentic texts are brimming with the grammatical<br />

structures being handled, while the<br />

exercises focus on locating and manipulating<br />

them.<br />

Based on the assumption that some<br />

50 ETAS Journal 25/1 Winter 2007<br />

REVIEWS a Look at Books<br />

learners need to focus on certain skills more<br />

than others, the books in the series are published<br />

separately. Thus, teachers can focus<br />

on one skill at a time or combine segments<br />

of it. Cost-wise they are by no means more<br />

economical than traditional four-skills-in-one<br />

coursebooks, but this one practices valuable<br />

reading skills needed to excel on tests or in<br />

academic life in a focused manner. Learners<br />

of <strong>English</strong> who are about to begin a course<br />

of studies using <strong>English</strong> on a tertiary level<br />

would find working through Reading Level 3<br />

beneficial.<br />

Margret Rohmeder<br />

Telephone <strong>English</strong><br />

John Hughes<br />

Macmillan 2006<br />

ISBN 1-40508221-6<br />

<strong>The</strong> title may be simple and straight<strong>for</strong>ward,<br />

but it’s a topic that makes many ESL students<br />

cringe. Telephone <strong>English</strong> aims to help learners<br />

feel more confident when using the phone.<br />

Divided into five language review units, the<br />

book covers both everyday and business<br />

situations. Thanks to the clear contents page,<br />

it’s easy <strong>for</strong> teachers and students to find<br />

exercises related to specific tasks like taking<br />

messages, confirming arrangements, selling<br />

on the phone, etc. For pairwork, there are<br />

about 30 role-plays.<br />

In addition to the answer key, the back of the<br />

book also includes complete listening scripts<br />

plus a convenient phrase bank of useful<br />

expressions. Meanwhile, the accompanying<br />

CD has a secure pouch attached to the back<br />

cover. <strong>The</strong> CD itself is of good quality and<br />

offers a range of accents.<br />

<strong>The</strong> book’s layout is simple and features just<br />

a few black-and-white illustrations. Having<br />

watched students struggle to write on pages<br />

bursting with fancy design elements, I welcome<br />

the extra white space. As <strong>for</strong> the content,<br />

it’s spot-on. I tested it on some students,<br />

and they found it to be interesting, useful and<br />

realistic. Used on its own or as a supplement<br />

to a standard coursebook, Telephone <strong>English</strong><br />

is a good investment.<br />

Susan Vogel-Misicka<br />

If you would like to write a review <strong>for</strong> the<br />

ETAS Journal and earn the review copy, contact<br />

Nicola Martignoni at bookreview@e-tas.ch<br />

Books to Review<br />

GRAMMAR<br />

RAYMOND MURPHY<br />

Essential Grammar in Use new edition with<br />

CD-ROM, Cambridge University Press<br />

ISBN 978 0 521675437<br />

MICHAEL McCARTHY and RONALD CARTER<br />

Cambridge Grammar of <strong>English</strong> with CD-ROM<br />

Cambridge University Press<br />

ISBN 978 0 521674393<br />

DEREK SELLEN<br />

Fusion, a reference and practice book in<br />

vocabulary and grammar (Basic to intermediate)<br />

with Audio CD-ROM, BlackCat Publishing<br />

ISBN 978 88 53006172<br />

HESTER LOTT<br />

Real <strong>English</strong> Grammar (Intermediate)<br />

Marshall Cavendish Education<br />

ISBN 0 462007448<br />

HESTER LOTT<br />

Real <strong>English</strong> Grammar (Pre-Intermediate)<br />

Marshall Cavendish Education<br />

ISBN 0 462007448<br />

NORMAN COE, MARK HARRISON and KEN PATERSON<br />

Ox<strong>for</strong>d Practice Grammar (Basic)<br />

with CD-ROM, Ox<strong>for</strong>d University Press 2006<br />

ISBN 0 194309142<br />

Cambridge Learner’s Dictionary new edition with<br />

CD-ROM, Cambridge University Press<br />

ISBN 052 1682022<br />

Ox<strong>for</strong>d Student’s Dictionary B2-C1<br />

Ox<strong>for</strong>d University Press<br />

ISBN 0 194317474<br />

SKILLS<br />

RICHARD HARRISON<br />

New Headway Academic Skills 1<br />

Student’s Book, Ox<strong>for</strong>d University Press<br />

ISBN 978 0 194715584<br />

SARAH PHILPOT<br />

New Headway Academic Skills 2<br />

Student’s Book, Ox<strong>for</strong>d University Press<br />

ISBN 978 0 194715676<br />

LESLEY CURNICK<br />

New Headway Academic Skills 3<br />

Student’s Book, Ox<strong>for</strong>d University Press<br />

ISBN 978 0 194715768<br />

MARTIN HEWINGS<br />

<strong>English</strong> Pronunciation in Use Advanced with<br />

Audio CDs and CD-ROM, Cambridge University Press<br />

ISBN 978 0 521693769<br />

ANN BAKER<br />

Tree or Three?<br />

Cambridge University Press<br />

ISBN 978 0 521685276<br />

ANN BAKER<br />

Ship or Sheep?<br />

Cambridge University Press<br />

ISBN 978 0 521606738<br />

BOB DIGNEN<br />

50 ways to improve your presentation skills<br />

Summertown Publishing 2007<br />

ISBN 978 1 902741 86 4<br />

COLIN CAMPBELL and JONATHAN SMITH<br />

<strong>English</strong> <strong>for</strong> academic study: listening<br />

Garnet Education 2007<br />

Course Book ISBN 978 1 85964986-2<br />

JOAN McCORMACK and SEBASTIAN WATKINS


Books to Review<br />

<strong>English</strong> <strong>for</strong> academic study: speaking<br />

Garnet Education 2007<br />

Course Book ISBN 978 85964990-9<br />

JONATHAN SMITH and ANNETTE MARGOLIS<br />

<strong>English</strong> <strong>for</strong> academic study: pronunciation<br />

Garnet Education 2007<br />

Course Book ISBN 978 185964982-4<br />

Transferable Academic Skills Kit<br />

12 essential steps to academic success<br />

(contains all 12 student modules)<br />

Garnet Education<br />

ISBN 978 185964927-5<br />

JEREMY HARMER, ANA ACEVEDO, CAROL LETHABY with<br />

CHERYL PELTERET<br />

Just, Listening and Speaking (Pre-Intermediate)<br />

Marshall Cavendish Education 2007<br />

ISBN 0-462-00777-4<br />

JEREMY HARMER, ANA ACEVEDO, CAROL LETHABY with<br />

CHERYL PELTERET<br />

Just, Vocabulary (Pre-Intermediate)<br />

Marshall Cavendish Education 2007<br />

ISBN 0-462-00776-6<br />

JEREMY HARMER, ANA ACEVEDO, CAROL LETHABY with<br />

CHERYL PELTERET<br />

Just, Reading and Writing (Pre-Intermediate)<br />

Marshall Cavendish Education 2007<br />

ISBN 0-462-00774-X<br />

ENGLISH FOR SPECIFIC PURPOSES<br />

PENNY MCKAY and JENNI GUSE<br />

5 Minute Activities <strong>for</strong> Young Learners<br />

Cambridge University Press<br />

ISBN 978 0521691345<br />

NICK BILBROUGH<br />

Dialogue Activities<br />

Cambridge University Press<br />

ISBN 978 0521689519<br />

CINDY LEANEY<br />

Dictionary Activities<br />

Cambridge University Press<br />

ISBN 978 0521690409<br />

GILLIAN D. BROWN AND SALLY RICE<br />

Professional <strong>English</strong> in Use Law<br />

Cambridge University Press<br />

ISBN 978 0521685429<br />

SANTIAGO REMACHA ESTERAS and ELENA MARCO<br />

FABRE<br />

Professional <strong>English</strong> in Use ICT<br />

Cambridge University Press<br />

ISBN 978 0521685436<br />

IAN MACKENZIE<br />

Professional <strong>English</strong> in Use Finance<br />

Cambridge University Press<br />

ISBN 978 0521616270<br />

ERIC GLENDINNING and RON HOWARD<br />

Professional <strong>English</strong> in Use Medicine<br />

Cambridge University Press<br />

ISBN 978 0521682015<br />

SHEELAGH DELLER and CHRISTINE PRICE<br />

Teaching Other Subjects Through <strong>English</strong> (CLIL)<br />

Ox<strong>for</strong>d University Press<br />

ISBN 0-19-442578-0<br />

KEITH HARDING<br />

<strong>English</strong> <strong>for</strong> Specific Purposes<br />

Ox<strong>for</strong>d University Press<br />

ISBN 0-19-442575-9<br />

JANE SPIRO<br />

Storybuilding<br />

Ox<strong>for</strong>d University Press<br />

ISBN 0-19-442193-5<br />

GILLIAN PORTER LADOUSSE<br />

Role Play<br />

Ox<strong>for</strong>d University Press<br />

ISBN 0-19-442191-1<br />

COURSES<br />

LELIO PALLINI<br />

Connections - Cross-curricular exercises and tests<br />

Black Cat Publishing 2007<br />

With Audio CD ISBN 88-530-0697-4<br />

JUDY GARTON-SPRENGER and PHILIP PROWSE<br />

Inspiration<br />

Macmillan 2007<br />

Student’s Book 4 ISBN 1-405-02950-6<br />

LINDSEY CLANDFIELD<br />

Straight<strong>for</strong>ward (Beginner)<br />

Macmillan 2007<br />

Student’s Book ISBN 0-230-02076-4<br />

Straight<strong>for</strong>ward Portfolio (Elementary)<br />

Macmillan<br />

ISBN 1-4050-9580-6<br />

PHILIP KERR and CERI JONES<br />

Straight<strong>for</strong>ward (Upper-Intermediate)<br />

Macmillan 2007<br />

Student’s Book ISBN 0-230-02080-1<br />

SUE KAY and VAUGHAN JONES<br />

New InsideOut (Beginner)<br />

Macmillan 2007<br />

Student’s Book with CD-ROM ISBN 1-4050-9946-2<br />

PETER MAGGS and CATHERINE SMITH<br />

Workbook with key<br />

SUE KAY and VAUGHAN JONES<br />

New InsideOut (Elementary)<br />

Macmillan 2007<br />

Student’s Book with CD-ROM ISBN 1-4050-9949-3<br />

BILL BOWLER and SUE PARMINTER<br />

Move (Elementary)<br />

Macmillan 2007<br />

Coursebook with CD-ROM ISBN 1-4050-9512-9<br />

REBECCA ROB BENNE and JON HIRD<br />

Move (Advanced)<br />

Macmillan 2007<br />

Coursebook with CD-ROM ISBN 1-4050-9514-3<br />

BUSINESS/PROFESSIONAL COURSES<br />

ERIC BABER<br />

50 ways to improve your Business <strong>English</strong><br />

using the internet<br />

Summertown Publishing 2007<br />

ISBN 1-902-741-89-5<br />

JOHN ALLISON with PAUL EMMERSON<br />

<strong>The</strong> Business (Intermediate)<br />

Macmillan 2007<br />

Student’s Book with DVD-ROM ISBN 1-4050-8369-0<br />

Teacher’s Book ISBN 1-4050-8186-3<br />

GUY BROOK-HART, NORMAN WHITBY and CAMBRIDGE<br />

ESOL<br />

Business Benchmark Pre-Intermediate to Intermediate<br />

BEC edition<br />

Cambridge University Press<br />

ISBN 9780521671170<br />

GUY BROOK-HART, NORMAN WHITBY and CAMBRIDGE<br />

ESOL<br />

Business Benchmark Upper-Intermediate BEC edition<br />

Cambridge University Press<br />

ISBN 9780521671163<br />

GUY BROOK-HART, NORMAN WHITBY and CAMBRIDGE<br />

ESOL<br />

Business Benchmark Advanced BEC edition<br />

Cambridge University Press<br />

REVIEWS<br />

ISBN 9780521672955<br />

PAUL EMMERSON<br />

Business <strong>English</strong> Handbook (Advanced)<br />

Macmillan 2007<br />

For class and self study ISBN 1-4050-8605-9<br />

MARIE KAVANAGH, DAVID GORDON SMITH, PAT<br />

PLEDGER, EVAN FRENDO,<br />

SEAN MALONEY, ROSMARY RICHEY, REBECCA CHAP-<br />

MAN, KENNETH THOMSON, MARION GRUSSENDORF,<br />

and SYLEE GORE<br />

Express (specialized Business <strong>English</strong> books)<br />

Ox<strong>for</strong>d University Press<br />

<strong>English</strong> <strong>for</strong> Accounting Student’s Book and MultiROM<br />

ISBN 978 0 19 457909 4<br />

<strong>English</strong> <strong>for</strong> the Automobile Industry Student’s Book and<br />

MultiROM<br />

ISBN 978 0 19 457900 1<br />

<strong>English</strong> <strong>for</strong> Customer Care Student’s Book and MultiROM<br />

ISBN 978 0 19 457906 3<br />

<strong>English</strong> <strong>for</strong> Emails Student’s Book and MultiROM<br />

ISBN 978 0 19 457912 4<br />

<strong>English</strong> <strong>for</strong> Human Resources Student’s Book and<br />

MultiROM<br />

ISBN 978 0 19 457903 2<br />

<strong>English</strong> <strong>for</strong> Marketing and Advertising Student’s Book and<br />

MultiROM<br />

ISBN 978 0 19 457918 6<br />

<strong>English</strong> <strong>for</strong> Meetings Student’s Book and MultiROM<br />

ISBN 978 0 19 457933 9<br />

<strong>English</strong> <strong>for</strong> Presentations Student’s Book and MultiROM<br />

ISBN 978 0 19 457936 0<br />

<strong>English</strong> <strong>for</strong> Socializing Student’s Book and MultiROM<br />

ISBN 978 0 19 457939 1<br />

<strong>English</strong> <strong>for</strong> Telephoning Student’s Book and MultiROM<br />

ISBN 978 0 19 457927 8<br />

EXAMS<br />

ANNE ROBINSON<br />

Fun <strong>for</strong> Starters<br />

Cambridge University Press<br />

ISBN 978 0521613583<br />

ANNE ROBINSON<br />

Fun <strong>for</strong> Movers<br />

Cambridge University Press<br />

ISBN 978 0521613620<br />

ANNE ROBINSON<br />

Fun <strong>for</strong> Flyers<br />

Cambridge University Press<br />

ISBN 978 0521613668<br />

SCOTT THORNBURY and PETER WATKINS<br />

<strong>The</strong> CELTA Course<br />

Cambridge University Press<br />

ISBN 978 0521692069<br />

LOUISE HASHEMI and BARBARA THOMAS<br />

Cambridge Grammar <strong>for</strong> PET<br />

Cambridge University Press<br />

ISBN 978 0521601207<br />

ETAS Journal 25/1 Winter 2007 51


52 ETAS Journal 25/1 Winter 2007<br />

SERVICES Library Updates<br />

RECENT ACQUISITIONS<br />

Number Title Description<br />

3007 A Communicative<br />

Grammar of <strong>English</strong><br />

Innovative and reliable grammar, with clear<br />

explanations, which employs a communicative rather<br />

than a structural approach. Fully revised 3rd edition.<br />

With separate workbook.<br />

1232 Applied Linguistics Concise but comprehensive overview of the main<br />

concerns of applied linguistics today, including<br />

intercultural communication, the impact of new<br />

technologies, the growth of <strong>English</strong>, <strong>for</strong>eign language<br />

teaching, etc.<br />

1229 Conversation:<br />

from Description<br />

to Pedagogy<br />

1231 Cooperative Learning<br />

and Second Language<br />

Teaching<br />

1233 Culture in Second<br />

Language Teaching<br />

and Learning<br />

Comprehensive account of conversation in <strong>English</strong><br />

and its implications <strong>for</strong> the ELT classroom.<br />

Systematic description of conversational <strong>English</strong><br />

(vocabulary, grammar, discourse, genre). Also<br />

describes techniques <strong>for</strong> teaching conversation in<br />

<strong>English</strong>.<br />

Provides the grounding <strong>for</strong> cooperative learning<br />

(student-centered approach to teaching grounded in<br />

the belief that an individual's potential to succeed is<br />

enhanced by working in groups), with discussion of<br />

educational issues. Includes six case histories.<br />

Addresses the impact of culture when learning to<br />

interact, speak and write in a second language.<br />

Provides insights into factors that affect the ways in<br />

which learners construct meaning in a second<br />

language.<br />

1236 Describing Language This introduction to descriptive linguistics is<br />

essentially practical in its orientation. Topics covered<br />

include phonetics, prosody, word structure, syntax,<br />

text and discourse structure, word and utterance<br />

meaning, and non-verbal behaviour. (revised 2nd<br />

edition)<br />

1234 Developing a<br />

Framework <strong>for</strong><br />

Designing a Diagnostic<br />

Instrument <strong>for</strong> Oral<br />

Skills Assessment<br />

15488 ETAS Journal<br />

7th AGM Special<br />

Journal<br />

15489 ETAS Journal<br />

Summer 2007<br />

Vol. 24 No. 3<br />

3016 Ox<strong>for</strong>d Practice<br />

Grammar<br />

- Advanced<br />

3009 Ox<strong>for</strong>d Practice<br />

Grammar<br />

- Intermediate<br />

10106 <strong>The</strong> Business -<br />

Intermediate<br />

1235 <strong>The</strong> Cambridge<br />

Encyclopedia of the<br />

<strong>English</strong> Language<br />

This doctoral research led to the development of a<br />

framework <strong>for</strong> EFL teachers to use when designing<br />

diagnostic oral skills assessments (i.e. speaking<br />

tests) <strong>for</strong> their classes. This copy is dedicated to the<br />

ETAS Library in appreciation of the ETAS members<br />

who participated in the research process.<br />

23rd ETAS AGM & Convention<br />

Solothurn, January 2007<br />

With keynote addresses and workshop reports.<br />

Author(s) /<br />

Editor(s)<br />

Leech G. &<br />

Svartvik J.<br />

Publisher Category<br />

Longman<br />

2002<br />

Cook G. OUP<br />

2003<br />

Thornbury S. &<br />

Slade D.<br />

McCafferty S.,<br />

Jacobs G. &<br />

DaSilva Iddings A.<br />

C.<br />

CUP<br />

2006<br />

CUP<br />

2006<br />

Hinkel E. (Ed.) CUP<br />

1999<br />

Graddol D.,<br />

Cheshire J. &<br />

Swann J.<br />

OUP<br />

1994<br />

Grammar and<br />

Language Practice<br />

Methodology and<br />

Linguistics<br />

Methodology and<br />

Linguistics<br />

Methodology and<br />

Linguistics<br />

Methodology and<br />

Linguistics<br />

Methodology and<br />

Linguistics<br />

Salvisberg J. 2007 Methodology and<br />

Linguistics<br />

ETAS<br />

2007<br />

Special theme: ETAS and the World Lander S. (Ed.) ETAS<br />

2007<br />

Reference book with detailed explanations, practice<br />

activities, extended texts <strong>for</strong> analysis and practice,<br />

plus interactive exercises and tests on the CD-rom.<br />

(New 2006 edition.) Helps students prepare <strong>for</strong><br />

advanced-level exams.<br />

Reference & practice book with clear explanations,<br />

practice activities, illustrated dialogues, regular<br />

progress tests. With extra interactive exercises and<br />

tests on CD-rom. (New 2006 edition.)<br />

Multi-level business <strong>English</strong> course. Suitable <strong>for</strong><br />

students studying business at college or university, or<br />

to working business people. With self-study DVD-<br />

ROM, a flexible modular structure and detailed<br />

language support. (SB, TB, DVD)<br />

<strong>The</strong> most comprehensive general reference book on<br />

the history, structure and worldwide use of <strong>English</strong><br />

ever written. (Updated paperback edition, 1997.)<br />

Please remember to quote the Catalogue Number<br />

when ordering a book. Thank you!<br />

George Y. OUP<br />

2006<br />

Eastwood J. OUP<br />

2006<br />

Allison J.,<br />

Emmerson P.<br />

Macmillan<br />

2007<br />

Crystal D. CUP<br />

1997<br />

ETAS Journals<br />

ETAS Journals<br />

Grammar and<br />

Language Practice<br />

Grammar and<br />

Language Practice<br />

<strong>English</strong> <strong>for</strong> Special<br />

Purposes: Business<br />

<strong>English</strong><br />

Methodology and<br />

Linguistics


Library Order and<br />

Check-out Form<br />

� I am an Infrequent User and have enclosed SFr. 6.– in stamps<br />

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� SFr. 30.– <strong>for</strong> 6 lots<br />

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(Up to 3 items, plus accompanying books and/or cassettes/CDs, may be ordered at any one time.)<br />

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Please send me the following items from the ETAS library <strong>for</strong> 23 days:<br />

SERVICES<br />

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If any of the above items are not available, please send me the following instead:<br />

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How to use the ETAS Library<br />

� All current members of ETAS with an address in Switzerland can use the ETAS mail-service library.<br />

� You can order books in two ways:<br />

1) As an Infrequent User, you fill in the printed Library Order and Check-out Form (see above) and return it to ETAS<br />

Administration with SFr. 6.– in stamps (to cover postage costs) and a self-addressed adhesive label.<br />

2) As a Priority User, you pay <strong>for</strong> postage costs in advance - SFr. 30.– <strong>for</strong> six lots or SFr. 60.– <strong>for</strong> twelve lots - into<br />

the ETAS postal account. You can then order books online (www.e-tas.ch, click on “Services” then “Library”) or<br />

by using the paper <strong>for</strong>m as in 1) (but you don’t need to send stamps).<br />

� Ordering books online is reserved <strong>for</strong> our Priority Users.<br />

� One order consists of up to 3 items (including any accompanying books and/or cassettes/CDs). In case some books are out on loan, feel free to give additional titles. <strong>The</strong> first three<br />

items that are available will be sent to you.<br />

� If a book you wanted is out on loan, a <strong>for</strong>m will be sent to you enabling you to reserve the missing book, should you still require it. <strong>The</strong> book will then be sent to you when it is<br />

returned to the library.<br />

� Books can be borrowed <strong>for</strong> up to 23 days.<br />

� To request a renewal, please contact ETAS Administration be<strong>for</strong>e the return-by date, quoting the title, catalogue number and return-by date of the borrowed items. If the books<br />

have not been reserved by another reader, you will be given a new return-by date.<br />

� Personal viewing is possible by appointment.<br />

� <strong>The</strong> full list of items is available on our website (www.e-tas.ch). An update with recent acquisitions is in each ETAS Journal.<br />

ETAS Journal 25/1 Winter 2007 53


54 ETAS Journal 25/1 Winter 2007<br />

SERVICES<br />

Membership: I/we apply <strong>for</strong> membership in the following category:<br />

� Individual Member: � Switzerland SFr. 80.- per annum<br />

� EU SFr. 105.- per annum<br />

� Overseas SFr. 130.- per annum<br />

� Institutional Member: SFr. 160.- per annum<br />

� Associate Member: SFr. 350.- per annum<br />

Payment:<br />

Membership<br />

Administration<br />

Old Address New Address valid as of: _____________________________<br />

Full Name _______________________________________ Full Name _______________________________________<br />

Address _______________________________________ Address _______________________________________<br />

_______________________________________ _______________________________________<br />

Telephone _______________________________________ Telephone _______________________________________<br />

E-mail _______________________________________ E-mail _______________________________________<br />

ETAS Region _______________________________________ ETAS Region _______________________________________<br />

Membership Application Form<br />

Membership year: 1st July - 30th June. Membership contracted between July and December = full fee, between January and June = half fee<br />

� I/we have paid SFr. _________ into the ETAS postal account: Zürich 80-43533-3<br />

� I/we have paid SFr. _________ into the ETAS bank account:<br />

642165-10 Credit Suisse, CH-8058 Zürich/Flughafen<br />

Please return to: ETAS Administration, Rue de l’Hôpital 32, CH-1400 Yverdon<br />

� Please send me an invoice (<strong>for</strong> Institutional and Associate Members only)<br />

Full Name _______________________________________________________________<br />

Address _______________________________________________________________<br />

_______________________________________________________________<br />

Telephone ____________________________ Fax ____________________________<br />

E-mail _______________________________________________________________<br />

Date/Signature _______________________________________________________________<br />

Change of Address Form<br />

Please help to keep our records up-to-date by notifying us be<strong>for</strong>e you move!<br />

Individual Members Only:<br />

Please indicate which ETAS Region you wish to join<br />

(tick only one):<br />

� Baden � Basel � Bern/Neuchâtel<br />

� Central Switzerland � Geneva � Graubünden<br />

� Lausanne � Solothurn/Olten � St. Gallen<br />

� Ticino<br />

� Zürich<br />

� Valais � Winterthur/Uster<br />

Please indicate which ETAS Special Interest Groups<br />

(SIGs) you wish to join:<br />

� Business <strong>English</strong> � Drama & Literature<br />

� Examinations, Testing � Immersion/CLIL<br />

& Assessment<br />

� Learning Technologies � Research<br />

� School Management � Teacher Development<br />

� Teacher Training � Teen<br />

� Young Learners<br />

� I do not wish my name to be passed on to EFL publishers<br />

� Please send in<strong>for</strong>mation on the occupational pension fund<br />

� Please send in<strong>for</strong>mation on the loss-of-earnings & accident<br />

insurance<br />

For queries please contact: ETAS Administration, Rue de l‘Hôpital 32<br />

CH-1400 Yverdon, T: +41(0) 24 420 3254, F: +41(0) 24 420 3257<br />

e-mail: office@e-tas.ch, website: www.e-tas.ch


ETAS07.FH11 17.09.2007 10:44 Uhr Seite 3<br />

C M Y CM MY CY CMY K<br />

Be well prepared <strong>for</strong> the updated<br />

FCE and CAE exams 2008<br />

<strong>The</strong> updated editions are fully in line with the December 2008 exams<br />

specifications. New Editions will be published in February 2008.<br />

New Editions<br />

<strong>The</strong> Expert course delivers the rigorous exam training and<br />

thorough language development that will have your students<br />

scoring top marks every time.<br />

Authentic interactive exam practice on the new iTest CD-ROM<br />

in every coursebook!<br />

Gold PLUS is the newly-updated edition of the trusted<br />

Gold series. Perfect <strong>for</strong> mixed classes, the Gold Plus balances<br />

enjoyable topics and tasks together with a rigorous exam<br />

syllabus.<br />

Authentic interactive exam practice on the new iTest<br />

CD-ROM in every coursebook!<br />

For further in<strong>for</strong>mation and sample copy requests please contact:<br />

Pearson Education Schweiz AG, Pearson Longman Verlag<br />

Chollerstrasse 37, 6300 Zug<br />

Telefon 041 / 747 47 47 Telefax 041 / 747 47 77<br />

E-Mail: mailbox@longman.ch<br />

www.longman.ch


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