The Magazine for English Professionals - English Teachers ...
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Volume 25 - No. 1<br />
Winter 2007<br />
Journal<br />
<strong>The</strong> ETAS<br />
<strong>The</strong> <strong>Magazine</strong> <strong>for</strong> <strong>English</strong> <strong>Professionals</strong><br />
1 3<br />
ISBN 9771660650003<br />
9 7 7 1 6 6 0 6 5 0 0 0 3
Volume 25 - No. 1<br />
Winter 2007<br />
Publisher:<br />
ETAS, <strong>English</strong> <strong>Teachers</strong> Association, Switzerland<br />
Rue de l’Hôpital 32, CH-1400 Yverdon<br />
Publications Chair:<br />
Steve Lander, Basel<br />
Editorial Board:<br />
Frances Burkhalter, Eclépens<br />
Nicola Martignoni, Quartino<br />
John Raggett, Cornaux<br />
Diane <strong>The</strong>obald, Biel-Bienne<br />
Lee Wennerberg, Berg<br />
Graphic Design:<br />
Angela Munson Pfenninger, Oberdürnten<br />
e-mail: layout@e-tas.ch<br />
Printer:<br />
KDMZ, Zürich<br />
ISSN: 1660-6507<br />
Price <strong>for</strong> non-members: SFr. 20.–<br />
Circulation: 1500<br />
Advertisements:<br />
To place an advertisement in ETAS publications,<br />
please contact ETAS Administration<br />
e-mail: office@e-tas.ch<br />
© Each article in this ETAS Journal is the property of<br />
its author(s) and may not be reprinted without prior<br />
permission of the author. Opinions expressed by<br />
contributors to this Journal do not necessarily reflect the<br />
policies of ETAS or the opinion of the ETAS Committee.<br />
Articles, letters and reviews are accepted on the basis of<br />
appropriateness and general interest to ETAS members.<br />
<strong>The</strong> publication of an article or advertisement does not<br />
necessarily constitute product or service endorsement by<br />
ETAS. <strong>The</strong> ETAS Journal team reserve the right to alter or<br />
edit <strong>for</strong> reasons of clarity or brevity.<br />
Index of Advertisers Page<br />
Bergli Bookshop 8<br />
Bergli Bookshop 8<br />
Bider & Tanner 39<br />
University of Cambridge ESOL 37<br />
Cambridge University Press 21<br />
Castle’s <strong>English</strong> Institute 34<br />
Express Publishing 35<br />
Harcourt Education 5<br />
Hull’s School 11<br />
Langenscheidt 6<br />
Macmillan 45<br />
Ox<strong>for</strong>d University Press 22<br />
PC Designs 40<br />
Pearson Longman 12 & 55<br />
Summertown Publishing 2<br />
TLC Baden 56<br />
Contents<br />
NEWS<br />
ETAS Organisation 4<br />
Editorial 5<br />
President’s Report 7<br />
SIG Day 2007: Workshop Reviews 16 - 33<br />
Call <strong>for</strong> Papers: ETAS SIG Day 2008 34<br />
Matopo Primary School, Zimbabwe: Teacher-to-Teacher Project 2007 36<br />
SPECIAL Supplement: Explorations in ELT<br />
Editorial 8<br />
Revising Vocabulary Task 8<br />
Vocab Taboo 9<br />
Pairwork; in Small Groups? 9<br />
Exploiting Your Students’ Experiences 10<br />
Creating a Picture Book <strong>for</strong> Adult Students 10<br />
Earning a Crust 13<br />
Bringing Your Books To Life 13<br />
Adapting Speaking Activities <strong>for</strong> Assessment Purposes 14<br />
MEMBER MIX<br />
10 Ideas <strong>for</strong> Using Comic Strips and Cartoons in Language Teaching 38<br />
Institutional Constraints and Resources - Implications <strong>for</strong> Teaching and the<br />
Convergence between Talk Inside and Outside the Classroom 38<br />
Homophones, Homonyms, Homographs: some Exercises to Use Straight Out of<br />
the Box 41<br />
What’s a Life Worth? 42<br />
Indian <strong>English</strong> 43<br />
<strong>The</strong> Place of a ‘Résumé’ in <strong>English</strong> <strong>for</strong> Occupational Purposes (EOP)<br />
A Practitioner’s Perspective 44<br />
REGIONS REVIEWS<br />
News and Events 46 - 47<br />
A Look at Books 48 - 50<br />
Books to Review 50 - 51<br />
SERVICES<br />
Library Updates 52<br />
Library Order and Check-out Form 53<br />
Membership Administration 54<br />
ETAS Journal 24/3 Summer 2007 3
Editorial<br />
After a few editions without a special theme<br />
Supplement, we’re pleased to welcome back<br />
the ‘Mini-Supplement’, produced by a Region<br />
and a SIG. Thanks to Vanessa Ostertag,<br />
JoAnn Salvisberg and their teams <strong>for</strong> getting<br />
their Supplement on Explorations in ELT<br />
ready <strong>for</strong> this issue of the Journal.<br />
<strong>English</strong> is the lifeblood of the global economy,<br />
oiling and smoothing the channels of communication<br />
between different cultures and different<br />
language groups. We had a very insightful<br />
analysis of what this might mean <strong>for</strong> the future<br />
at our 2006 AGM, when David Graddol presented<br />
the results of his research to 2 packed<br />
lecture theatres in Winterthur. David said<br />
then that the ability to speak <strong>English</strong> means<br />
the possibility of work in countries like China<br />
and India, and I am delighted that, in this<br />
edition of the Journal, we can offer a further<br />
account of the reality <strong>for</strong> young job-seekers<br />
in India. Visuvasam Prakash experiences<br />
their difficulties on a day-to-day basis, and his<br />
contribution tells us a lot about how things are<br />
developing there. Thanks to Sarah Emch, our<br />
specialist on India, <strong>for</strong> her help in liaising with<br />
Visuvasam to bring this article to the Journal.<br />
John Raggett also provided an anecdote<br />
on his experience with the Indian flavour of<br />
<strong>English</strong>, a reminder that <strong>English</strong> is a global<br />
resource and not owned by any one nation or<br />
group. I’m pleased to see that this topic is not<br />
going to be neglected at our next AGM, where<br />
we can welcome Jennifer Jenkins <strong>for</strong> a keynote<br />
address on <strong>English</strong> as a Lingua Franca.<br />
Among the other articles, <strong>for</strong> practical teaching<br />
materials and ideas we have a couple of<br />
articles on how to use cartoons in class and<br />
exercises on homographs, homophones, etc.<br />
We have also not <strong>for</strong>gotten our sponsored<br />
project in Zimbabwe, with an update from<br />
Cindy Hauert on how our friends there are<br />
managing with the enormous problems they<br />
face.<br />
As always, this Journal was a team ef<strong>for</strong>t from<br />
many different people: the Editorial Board,<br />
NEWS<br />
the ETAS Committee, our tireless DTP expert<br />
Angela Munson and many others. Thanks to<br />
all who helped to make this issue a reality and<br />
a success.<br />
I wish everybody a very Merry Christmas and<br />
Happy New Year, and hope to see as many as<br />
possible at the AGM in Lugano in January.<br />
Steve Lander<br />
ETAS Journal 25/1 Winter 2007 5
ELT_001_JustRightCH_A4_sw 23.04.2007 11:51 Uhr Seite 1<br />
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President’s Report<br />
After four years and sixteen publications,<br />
it’s hard to believe that I am writing my last<br />
President’s Report. At the AGM in Lugano in<br />
January I will be handing over to Amy Jost,<br />
the new ETAS President, and I will then serve<br />
on the next committee as Past President.<br />
As I look back over these four years, following<br />
the four years I was on the committee as<br />
Teacher Development Chair and the five<br />
years I spent as Branch Contact, I believe that<br />
ETAS has many reasons to be proud. We are<br />
a vibrant professional organisation run almost<br />
entirely by enthusiastic volunteers. I cannot<br />
mention everyone who has worked so hard to<br />
make ETAS into the professional organisation<br />
it is today, but I would like to thank everyone<br />
I have worked with over the years <strong>for</strong> your<br />
enthusiasm, commitment and support.<br />
ETAS has become much more professional<br />
and things are also becoming more expensive.<br />
<strong>The</strong>re<strong>for</strong>e, the Committee has decided to<br />
propose that the annual subscription fees be<br />
raised <strong>for</strong> the next financial year 2008/2009.<br />
<strong>The</strong>re are details of the new rates in the AGM<br />
invitation and Amy, our Treasurer, has written<br />
clearly about the reasons <strong>for</strong> this decision.<br />
<strong>The</strong> new fees will be discussed and voted on<br />
at the AGM and we hope that you will support<br />
the Committee on this. It is the first increase<br />
since 2000 and ETAS membership still<br />
represents extraordinarily good value. For<br />
less than SFr.100.-, members get four<br />
Journals, the chance to attend two national<br />
events, use of an extensive library, access to<br />
insurance and pension schemes at special<br />
rates and the opportunity to network with<br />
other members through our regional events<br />
and SIG groups.<br />
In order to have enough time to discuss this<br />
and other important issues, the AGM has<br />
been moved to the beginning of the day in<br />
Lugano. <strong>The</strong> Committee members will also<br />
be giving their reports personally (a printed<br />
version will no longer be included in your<br />
AGM packs) and we hope that you will come<br />
along and become involved in this important<br />
meeting.<br />
One challenge that is facing ETAS is falling<br />
membership. Many of the original members<br />
are now reaching retirement age and the<br />
number of new members does not cover the<br />
number of those leaving. For this reason we<br />
included an extra pay-in slip with your renewal<br />
letters this summer, in the hope that every<br />
member would encourage a colleague to join.<br />
Un<strong>for</strong>tunately, the response was not as great<br />
as we had hoped but the names of everyone<br />
who did introduce a new member will be<br />
included in a draw <strong>for</strong> a free membership in<br />
Lugano – many thanks to you and good luck. I<br />
would also like to extend a special welcome to<br />
all our new members!<br />
A similar prize will also be drawn <strong>for</strong> everyone<br />
who has written an article or review <strong>for</strong> the<br />
Journal over the past year. <strong>The</strong> wealth of<br />
talent and wide range of interests in ETAS<br />
are clearly displayed in this fascinating<br />
Winter Journal. In addition to the reports<br />
from the excellent SIG Day in Wil and the<br />
useful practical ideas in the Mini-Supplement<br />
(both coordinated by JoAnn Salvisberg and<br />
Vanessa Ostertag), there is a wide range of<br />
thought-provoking articles and reviews. Many<br />
thanks go to JoAnn and Vanessa, to the<br />
Publications Chair, Steve Lander, DTP wizard<br />
Angela Munson Pfenninger - and everyone<br />
else who has contributed to this intellectually<br />
stimulating and visually stunning issue.<br />
As you read this, the 24th AGM in Lugano on<br />
January 12-13 will not be far away. Jayne<br />
Herzog has put together an exciting<br />
programme and Nicole Jaks and Gabriella<br />
Pedrini and the LOC team have been working<br />
hard to ensure that this will be a truly memorable<br />
occasion. <strong>The</strong>re is also a Friday Evening<br />
Event with a cruise, aperitif and talk, so I hope<br />
that many of you will also be able to join us<br />
then to start the weekend off in style.<br />
As I said, this weekend is when the presidency<br />
will be handed over to Amy. <strong>The</strong> transition will<br />
be very smooth as she has been a wonderfully<br />
efficient Treasurer over the past four<br />
years and as such has been involved in every<br />
aspect of ETAS Committee work. She will be<br />
an excellent President, and is already full of<br />
good ideas and exciting plans <strong>for</strong> next year.<br />
We are also very <strong>for</strong>tunate that we now have<br />
a full Committee, as Steve Lander, who was<br />
co-opted onto the Committee in August, will<br />
have his position as Publications Chair confirmed<br />
by the membership at the AGM. <strong>The</strong><br />
Committee members who were elected last<br />
year, Norelee Wolf (in charge of RCs), Karen<br />
Kerley (PR), Gillian Nussbaum (Secretary)<br />
and JoAnn Salvisberg (Teacher Development),<br />
have worked with great enthusiasm<br />
and commitment throughout the year and will<br />
have the chance to continue putting their<br />
NEWS<br />
innovative ideas into practice next year. In<br />
addition to these newer members, we are delighted<br />
that Jayne Herzog will serve a second<br />
term expertly overseeing our annual convention,<br />
Angela Munson will continue to revamp<br />
our website, and we are very pleased to<br />
welcome Cindy Hauert as our new Treasurer.<br />
Next year will be a particularly important one<br />
as ETAS is celebrating its 25th birthday. <strong>The</strong>re<br />
will be a Special Supplement in the Summer<br />
Journal, looking back over this quarter of a<br />
century, our SIG Day in Baden on September<br />
20th promises to be another stimulating event<br />
and our 25th AGM in Chur will be an extra<br />
special one.<br />
Another important aspect of ETAS is our<br />
Teacher-to-Teacher Fund. Cindy’s reports on<br />
the Matopo Primary School in Zimbabwe have<br />
captured the imagination of our members and<br />
we have been able to send some muchneeded<br />
help to this desperately poor country.<br />
<strong>The</strong>re<strong>for</strong>e, the Committee has decided to<br />
extend our support <strong>for</strong> this very deserving<br />
project <strong>for</strong> a second year. You will be able to<br />
contribute to the fund by buying raffle tickets<br />
at our national events or by sending a<br />
donation directly to Cindy, our Treasurer.<br />
I would like to wish you all a very merry<br />
Christmas and hope that 2008 will be a<br />
wonderful year <strong>for</strong> you all, both personally and<br />
professionally.<br />
Very best wishes<br />
Alison Taylor<br />
ETAS President (2003-2007)<br />
ETAS Journal 25/1 Winter 2007 7
SPECIAL Supplement Explorations in ELT<br />
Editorial<br />
In the spirit of networking and encouraging<br />
members to get involved by contributing to the<br />
ETAS Journal Mini-Supplement, the Regional<br />
and SIG Coordinators will be teaming up to<br />
draw on the members under their respective<br />
domains. This is the first offering – a joint<br />
ef<strong>for</strong>t of the St. Gallen Region and the<br />
Research SIG members.<br />
<strong>The</strong> topic <strong>for</strong> this edition was Explorations in<br />
ELT, and we advertised <strong>for</strong> adventurous,<br />
creative authors to write articles on:<br />
� Exploits in bringing classbooks to life<br />
through supplementary tasks/games<br />
� Ferreting out successful revision tasks<br />
� Creating/adapting materials <strong>for</strong> the smaller<br />
classroom<br />
<strong>The</strong> following articles were drawn from the<br />
authors’ personal research, and are based<br />
on what they found worked <strong>for</strong> them in their<br />
classes.<br />
Starting off we have Caroline Bauer’s article<br />
Revising Vocabulary Task, which offers not<br />
only a new twist on getting students involved<br />
in activating their vocabulary, but an easy and<br />
valid filler <strong>for</strong> those often ten to fifteen minutes<br />
extra time at the end of a lesson.<br />
Following this theme, Caroline Grünig has<br />
written Vocab Taboo, an activity which can be<br />
used at any age and level, in small groups<br />
or larger ones. <strong>The</strong> purpose is to revise<br />
vocabulary the students have been working<br />
on in their course material (e.g. end of unit,<br />
book, article).<br />
Next up, we have three different pieces<br />
submitted by Elsbeth Mäder, Pairwork; in<br />
Small Groups?, Exploiting Your Students’<br />
Experiences and Creating a Picture Book <strong>for</strong><br />
Adult Students. Each one, in its own way,<br />
offers practical ways to involve your students<br />
in meaningful exchanges of in<strong>for</strong>mation. <strong>The</strong><br />
last one is particularly intriguing as it gives<br />
guidelines and examples of one of her classes<br />
revising writing and speaking by using<br />
language they had learned to invent to<br />
describe characters.<br />
John Raggett, in his piece Earning a Crust...,<br />
begins by explaining why he doesn’t feel he<br />
fits into the mold of a ‘proper teacher’. Yet he<br />
is able to draw on his past managerial experi-<br />
8 ETAS Journal 25/1 Winter 2007<br />
ence to help professional executives achieve<br />
their specific language-learning goals as well<br />
as improve their career prospects.<br />
Tracy Tobler offers a fresh genre of text in<br />
Bringing Your Books To Life. She tells the tale<br />
of a beautiful princess, I mean teacher, who<br />
heard tiny voices groaning about having to<br />
write, and how the heroine succeeded in<br />
turning lifeless writing tasks into creative<br />
ones.<br />
Last but not least, JoAnn Salvisberg offers<br />
practical guidelines to trans<strong>for</strong>m a simple<br />
pairwork fluency task into an assessment<br />
tool to see how well the students are able<br />
to exchange meaningful in<strong>for</strong>mation (e.g.<br />
negotiations).<br />
We hope that you, the ETAS members, will<br />
find something interesting and useful to try out<br />
in your lessons. Future ideas that members<br />
have found useful can be submitted to the<br />
Editor, Steve Landers, <strong>for</strong> the Member Mix<br />
section of the Journal.<br />
Vanessa Ostertag<br />
Regional Coordinator – St. Gallen<br />
JoAnn Salvisberg<br />
Research SIG Coordinator<br />
Revising Vocabulary Task<br />
Whenever I see, towards the end of a lesson,<br />
that my lesson plan is about to exhale its last<br />
breath and my class and I will be left with ten<br />
to fifteen idle minutes, I give my students the<br />
following vocabulary revision activity to do.<br />
Without any preparation I pick enough<br />
recently learned words and phrases from<br />
my past lesson notes, the wordlist or the<br />
coursebook so that there are about three per<br />
student. I dictate the words around the class<br />
fairly quickly until each student has written<br />
down their three. Students now have about<br />
five to ten minutes to write short definitions of<br />
the words (not including any elements of the<br />
word or phrase itself, of course). So, <strong>for</strong><br />
example, if the word is ‘experience’, the<br />
student can write, “When you know a lot about<br />
something because you’ve done it many<br />
times.” (pre-intermediate and up) or “You<br />
know a lot. You did many things.” (elementary).<br />
<strong>The</strong> definitions do not have to be sophisticated<br />
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Explorations in ELT<br />
at all, just enough to trigger the other<br />
students’ memory. I circulate, monitor and<br />
help with any difficulties students may have.<br />
In the last five minutes of the lesson, students<br />
take turns in reading out their definitions. <strong>The</strong><br />
first student to call out the correct word or<br />
phrase gets a point. My adult students usually<br />
dig into this one with enthusiasm, and it gives<br />
the end of a lesson that buzz we teachers<br />
love.<br />
Caroline Bauer<br />
Caroline was born in England but has spent most<br />
of her life in Switzerland. She’s a trained translator<br />
but finds working with people much more rewarding.<br />
After completing CELTA, she started up her<br />
own <strong>English</strong> school in Küsnacht, where she enjoys<br />
teaching General and Business <strong>English</strong> to adults.<br />
www.communicate-english.ch<br />
Vocab Taboo<br />
This can be used at any age and any level, in<br />
small groups or larger ones to revise vocabulary<br />
you have been working with, e.g. at the<br />
end of a unit, book or article.<br />
Preparation:<br />
� Write one ‘vocab word’ on each note-size<br />
piece of paper/card. This is the word that has<br />
to be guessed, so underline it or write it in<br />
colour.<br />
� Use a different-coloured pen to write<br />
two to five ‘definition words’ you would use<br />
to describe the ‘vocab word’. <strong>The</strong> number of<br />
definition words you choose depends on the<br />
level of your class.<br />
Lesson:<br />
� Give each student one piece of paper with<br />
the words written on it. <strong>The</strong>y are not allowed<br />
to show this to anyone.<br />
� One student has to try to describe the<br />
‘vocab word’ but is not allowed to use that<br />
word or any part of it, nor any of the ‘definition<br />
words’.<br />
� <strong>The</strong> other students have to guess the<br />
‘vocab word’ and call out their answers.<br />
With teams there is more competition and<br />
they score points <strong>for</strong> the team, or subtract<br />
points <strong>for</strong> wrong answers shouted out. Also,<br />
when you prepare the cards/pages you can<br />
select ‘definition words’ you feel your students<br />
know, or should know. <strong>The</strong>y learn these<br />
indirectly, too.<br />
Caroline Grünig<br />
Be<strong>for</strong>e ending up here in Switzerland about 20<br />
years ago, I lived, studied, worked and travelled<br />
in several countries. I am British and grew up in<br />
South Africa where I did my schooling and<br />
university. I teach all sorts and ages, privately and<br />
at the Seeländische Volkshochschule.<br />
Pairwork; in Small Groups?<br />
My advice: no matter how small your groups,<br />
make them work in pairs as often as possible.<br />
You can make them practice certain given<br />
structures, let them go through their homework,<br />
make them chat, give them all kind of tasks,<br />
etc., just like in large classes.<br />
Advantages <strong>for</strong> students: they get to talk more<br />
and become more fluent. <strong>The</strong>y learn from<br />
SPECIAL Supplement<br />
each other and also get to know each other<br />
better.<br />
Advantages <strong>for</strong> teachers: if there is an even<br />
number of students, you can take turns<br />
listening to each pair and take notes. You<br />
are also ready to help if needs be. If there is<br />
an uneven number of students, take turns<br />
working yourself with individual students while<br />
the others are in pairs. I’ve even done this<br />
successfully in groups of just three students.<br />
You will find out more about your students, not<br />
just their command of the language.<br />
Mind: your notes should be not only a collection<br />
of mistakes, telling you what needs<br />
revising or explaining and helping you plan<br />
further lessons, but also, a collection of<br />
language structures and vocabulary your<br />
students have used well (<strong>for</strong> positive<br />
feedback) and, very important, of any kind<br />
of content, which helps you remember your<br />
individual student’s likes, dislikes, home,<br />
family, job, opinions, trips abroad, problems,<br />
etc., because your knowledge of students’<br />
background and circumstances may come<br />
in handy one day. You’ll be able to help them<br />
personalise language structures and you’ll get<br />
some ideas <strong>for</strong> interesting extra reading or<br />
listening material to give to individual students.<br />
Topics suitable <strong>for</strong> pairwork<br />
After the summer holiday I gave various-level<br />
students the following list to choose from and<br />
make them talk. I made this list, because<br />
some people hadn’t had a holiday and that<br />
way nobody could say: “I have nothing to tell, I<br />
have just been working all summer.”<br />
That way I could also counter students’<br />
stereotype sentences: “I have done nothing,<br />
I have <strong>for</strong>gotten all my <strong>English</strong>.” In fact, after<br />
doing this task even the lowest-level students<br />
realised that they were still able to contribute<br />
something.<br />
Tell each other about:<br />
� A person you met,<br />
� A place you visited,<br />
� A meal (at home or in a restaurant),<br />
� A journey,<br />
� A conversation,<br />
� <strong>The</strong> 1st of August,<br />
� A book you read,<br />
� A film you saw,<br />
� Something you learnt,<br />
� A story you heard,<br />
ETAS Journal 25/1 Winter 2007 9
SPECIAL Supplement Explorations in ELT<br />
� An encounter with an animal, ……during<br />
the past five weeks.<br />
Exploiting Your Students’ Experiences<br />
Emergency<br />
One of my private A1-level students is a<br />
professional firefighter. <strong>The</strong> other week he<br />
had to rush off because of some emergency<br />
be<strong>for</strong>e his lesson was finished. So the<br />
following week I, of course, wanted to know<br />
more about it. Thanks to my curiosity we both<br />
learned something: I found out that there are<br />
actually all-female ambulance teams (driver<br />
and nurse) and that in case strong arms are<br />
needed, they just call the firefighters (that day<br />
my student had to help carry an injured man<br />
from the fourth floor down to the ambulance).<br />
My student learnt the use of female/male in<br />
connection with jobs and some more vocabulary<br />
to do with emergencies. Plus, he had to<br />
use past and present tenses in a meaningful<br />
context.<br />
Lift<br />
A student of an A2-level group of six arrived<br />
first and since I knew that she sometimes<br />
came on foot and the weather was bad that<br />
night, I asked her whether she had walked,<br />
just to get her into speaking <strong>English</strong>. She<br />
turned out to have been given a lift by her<br />
husband, so I put ‘give a lift’, ‘get a lift’ on the<br />
board and when her co-students arrived by<br />
and by, they wondered about these strange<br />
expressions and the first student could explain<br />
and there<strong>for</strong>e repeat it several times. <strong>The</strong><br />
following weeks we kept repeating, just by<br />
briefly asking how students had come here<br />
and now, several months later, all of them<br />
remember.<br />
My advice: find out as much as you can about<br />
your individual students in whatever possible<br />
ways and supplement your coursebooks by<br />
exploiting your knowledge. If necessary, start<br />
by giving them all kinds of in<strong>for</strong>mation about<br />
yourself and your past week and they will start<br />
doing the same.<br />
Creating a Picture Book <strong>for</strong> Adult Students<br />
... or: How to supplement a course book and<br />
get students to revise writing and speaking.<br />
A group of five adult beginner/false-beginner<br />
students of various ages and gender were<br />
willing to do some extra homework besides<br />
working with Hueber <strong>English</strong> Elements Basic<br />
10 ETAS Journal 25/1 Winter 2007<br />
Course. As this very recommendable coursebook<br />
<strong>for</strong> beginners gives instructions in<br />
German as well as in <strong>English</strong> and includes<br />
CDs and a home study section with answers<br />
and, as I also encourage them to do whatever<br />
bits of the units they can understand, what<br />
they feel like doing and find time <strong>for</strong> as homework,<br />
the students are very motivated to get<br />
as much as possible done and, thus, make<br />
faster progress. So in our 90-minute weekly<br />
lessons, we can focus our ef<strong>for</strong>ts on all kinds<br />
of speaking tasks linked to the vocabulary and<br />
grammar of the various coursebook units.<br />
In order to give them an extra incentive <strong>for</strong><br />
writing and speaking, I first make them create<br />
a character in the following way:<br />
1. I let them choose a postcard of a place<br />
from my collection.<br />
2. I did a drawing dictation where students<br />
had to pass on their paper after each single<br />
step: draw a circle – draw eyes – draw a nose<br />
– draw a mouth, etc. (At the time my students<br />
didn’t know any <strong>English</strong> body words yet, so I<br />
just pointed to my own head.)<br />
When we had finished I told them to take<br />
one drawing and their postcard home and<br />
create a character, which we then used in the<br />
following lesson <strong>for</strong> speaking practice in pairs<br />
and to which we kept adding, as you’ll see<br />
below, while we were progressing through our<br />
coursebook.<br />
<strong>The</strong> group have meanwhile started working<br />
with <strong>English</strong> Elements A1 and some students<br />
are still happy to add anything linked somehow<br />
to the Units of their coursebook, like<br />
e.g., the recipe of their individual character’s<br />
favourite dish, description of a wedding their<br />
character attended, a trip in a luxury train, etc.<br />
<strong>The</strong> ultimate goal is <strong>for</strong> the students to have<br />
a picture book which contains a personalised<br />
summary of topics, vocabulary and structures<br />
they’ve been working with throughout the<br />
course while, at the same time, providing<br />
them with their own useful material <strong>for</strong> further<br />
oral practice.<br />
Character (Beginners’ Group)<br />
1. Portrait character 1 (drawing on white<br />
paper): name, age, job, family, home place,<br />
likes/dislikes<br />
2. Home (picture of house door): Where?<br />
How many rooms?, etc.<br />
3. Postcard from rich relative (hotel<br />
description from brochure* + photo of a person):<br />
the person in the photo is a rich<br />
relative of character 1 and writes a postcard<br />
to character 1 from the hotel. <strong>The</strong> person is on<br />
holiday in this hotel.<br />
4. Daily routine/weekly routine<br />
a) What does character 1 do every day/<br />
every week?<br />
b) What does the rich relative (photo) do<br />
every day on holiday?<br />
5. Poor relative (drawing on yellow paper)<br />
a) portrait (see 1 above)<br />
b) home (see 2 above)<br />
c) daily/weekly routine<br />
6. Yesterday/last Monday/last weekend<br />
a) character 1<br />
b) rich relative<br />
c) poor relative<br />
7. Biographies<br />
a) character 1<br />
b) rich relative<br />
c) poor relative<br />
8. At work (find a picture of a workplace):<br />
Where does he/she work? (describe the<br />
place: there is/there are ...)<br />
How does he/she get to work? (by car …, etc.)<br />
What does he/she do every day/every week?<br />
When does he/she work?<br />
How long does he/she work?<br />
a) character 1<br />
b) rich relative<br />
c) poor relative<br />
9. Holidays (2 postcards)<br />
Where did he/she go on holiday?<br />
Who did he/she go on holiday with?<br />
How did he/she go on holiday?<br />
What did he/she do on holiday?<br />
What did he/she see on holiday?<br />
How long did he/she go on holiday <strong>for</strong>?<br />
What was the weather like on holiday?<br />
What was the hotel/holiday house/campsite<br />
... like?<br />
*Concerning the hotel description: each<br />
student had one page from an authentic<br />
brochure giving lots of in<strong>for</strong>mation about<br />
each hotel. As homework, the students first<br />
highlighted all the words they actually could<br />
understand. In our lesson they tried to tell<br />
their partner as much as possible about the<br />
hotel. We worked without dictionaries and<br />
they realised that they could pick out all the<br />
relevant in<strong>for</strong>mation. From the work in their<br />
coursebooks they had already learnt the<br />
structure ‘there is/there are’ plus how to write<br />
postcards.
Explorations in ELT<br />
An example of the characters we created in<br />
our drawing dictation and the corresponding<br />
text from a student (corrected version):<br />
Character: Mister Jack Braun.<br />
Jack Braun is from London. He’s an artist and<br />
he’s single. Jack is 35 years old. He lives and<br />
works in Paris. Jack paints. He has a studio at<br />
“Montmartre Quartier”.<br />
His girlfriend’s name is Cathrine Vernier. She’s<br />
from Marseille. She lives and works in Paris,<br />
too. Cathrine is a musician.<br />
Jack loves Paris. It’s a beautiful city. In his<br />
free time he likes going <strong>for</strong> a walk “au bord de<br />
la Seine”, meeting artist friends, going window<br />
shopping in the Champs-Elysées with Cathrine<br />
or going to the Louvre museum together.<br />
In the evening, they like listening to jazz or<br />
going to the cinema.<br />
On weekends Jack works, he draws portraits<br />
at Place du Tertre. His hobbies are reading,<br />
playing chess and learning French.<br />
He has two brothers, David and Michael.<br />
Hull’s School – Zürich’s downtown<br />
international school<br />
Beautiful centrally located turn-of-the-century building<br />
just behind the Zürich Opera House.<br />
10 th School Year Programme <strong>for</strong><br />
teenagers aged 15+<br />
• Full-time tuition, all subjects taught in <strong>English</strong><br />
• For Swiss and expat teenagers alike<br />
• Two international language certificates,<br />
European Computer Driving Licence<br />
• Preparatory year <strong>for</strong> the university entrance<br />
programme<br />
University Entrance Programme <strong>for</strong> teenagers<br />
• 2-year full-time tuition, all subjects taught in <strong>English</strong><br />
• British GCE O- and A-levels<br />
• Recognised by all universities in Switzerland and<br />
worldwide<br />
Hull’s School<br />
Seehofstrasse 3, CH-8008 Zürich<br />
Phone 01 267 60 60, Fax 01 267 60 65<br />
info@hullschool.ch<br />
www.hullschool.ch<br />
David is married and he has a child. He lives<br />
in the USA with his family. Michael is married<br />
too. He lives in London.<br />
Jack doesn’t like cooking, he prefers having<br />
dinner in a restaurant. He loves French food<br />
with a glass of red wine.<br />
Mister Braun’s home:<br />
Mister Jack Braun lives in Paris. He lives in<br />
an old block of flats in the town centre, not far<br />
from the “Place du Tertre”, where he works.<br />
Mister Braun’s apartment is on the 5th floor.<br />
It’s a nice flat with a beautiful view of the roofs<br />
of Paris. It has 3 bedrooms, a bathroom, a<br />
kitchen and a living room.<br />
When Mister Braun comes into his house<br />
there’s a small and dark hall with old stairs. In<br />
his apartment, on the right, there are the kitchen,<br />
a bathroom and a bedroom. <strong>The</strong> kitchen is<br />
small, but it’s very nice with a lovely balcony.<br />
And then on the left there are a bedroom, a<br />
study and the living room. <strong>The</strong> living room is<br />
very big and has three windows. This is his<br />
work room.<br />
Ltd.<br />
University Entrance Programme <strong>for</strong> adults<br />
• Full-time and part-time tuition, all subjects taught<br />
in <strong>English</strong><br />
• British GCE O- and A-levels<br />
Language Courses<br />
• German, <strong>English</strong>, French, Italian, Russian, Japanese<br />
<strong>for</strong> adults and Teenagers<br />
Hull’s School is a member of<br />
the Zürich Association of Private Schools (VZP).<br />
Robin Hull will be pleased to answer your queries.<br />
SPECIAL Supplement<br />
Elsbeth Mäder<br />
Swiss primary school teacher (1969), fell in love<br />
with England and <strong>English</strong> (Swan School Ox<strong>for</strong>d<br />
1971), studied <strong>English</strong> at Zürich University (Lic Phil<br />
I + Dipl. Für Höheres Lehramt Uni Zürich, 1979),<br />
owner of a small school <strong>for</strong> teaching EFL to adults<br />
of ages 18 – 80 since 1987 (result of juggling<br />
family/job).<br />
Principal: Robin Hull, lic. phil. I Dip. RSA<br />
<strong>The</strong> school is the authorized centre <strong>for</strong> the following examining boards:<br />
EDEXCEL, Chambre de Commerce et d’Industrie Paris, <strong>The</strong> Open University, University of London, CIMA<br />
Member of the<br />
International House<br />
World Organisation<br />
ETAS Journal 25/1 Winter 2007 11
Language Leader<br />
Purposeful and thought-provoking!<br />
factual and content-rich <strong>for</strong> serious-minded students<br />
systematic skills work and study skills<br />
lots of reading texts taken from a variety of authentic sources<br />
stimulating writing lesson and ‘scenario’ spread in each unit<br />
range of adult speaking tasks, e.g. discussions, debates, problem-solving<br />
For further in<strong>for</strong>mation and sample copy requests please contact:<br />
Pearson Education Schweiz AG, Pearson Longman Verlag<br />
Chollerstrasse 37, 6300 Zug<br />
Telefon 041 / 747 47 47 Telefax 041 / 747 47 77<br />
E-Mail: mailbox@longman.ch<br />
David Cotton, David Falvey, Simon Kent et al.<br />
Elementary, Pre-intermediate, Intermediate<br />
and Upper Intermediate<br />
Coursebook with CD-ROM<br />
NEW<br />
All 4 levels<br />
available in 2008<br />
www.longman.ch
Explorations in ELT<br />
Earning a Crust…<br />
<strong>The</strong> trouble is, see, I don’t consider myself a<br />
proper teacher. Oh, I earn a crust (of bread)<br />
as a self-employed tutor in professional<br />
<strong>English</strong> to a number of financial and commercial<br />
institutions in Geneva and Lausanne. But<br />
I didn’t get my CELTA qualification until I was<br />
60, came to <strong>The</strong> “Switz” when I was 62, and<br />
didn’t start to use the qualification until I was<br />
63. So, I’m not sure I’m really in a position to<br />
give advice to anyone.<br />
However, from my 40 years’ management<br />
experience in hotels, legal and financial<br />
businesses and, most recently, medical<br />
services, both public and private, I know what<br />
is important: do not take life seriously. <strong>The</strong><br />
best any of us can do is to touch life lightly<br />
and be kind to those around us. Life is not an<br />
obstacle race to heaven; this is it.<br />
My students (between three and five in a<br />
class) are mature people who, if not already<br />
in senior positions, are on the way up. In my<br />
working life, I have done most of the tasks<br />
that they are doing. In the conference room, I<br />
do not use textbooks because I am not<br />
teaching them to pass an examination set<br />
by some academic who perhaps has never<br />
had to deal with an angry client who thinks<br />
he should be paying less tax than my student<br />
says he owes. I am helping her - and him - to<br />
achieve their own objectives or improve their<br />
career prospects.<br />
I use original material: financial and legal<br />
reports, television news items and newspaper<br />
articles. For example, the telephone always<br />
presents problems so, imitating some regional<br />
British, American or Indian accent, I ring them<br />
up playing the role of their ‘back office’<br />
assistant. If they have a problem with their<br />
<strong>English</strong>, <strong>for</strong> a specific task, they can e-mail<br />
me, at any time, and I will help them sort it<br />
out. We have a strict code of confidentiality,<br />
anything discussed during the tutorial or in<br />
any document where I give help is not<br />
discussed by me or with anyone else.<br />
In some ways I do not consider myself to be a<br />
proper teacher. If you asked me to teach you<br />
the present perfect, I would have to go away<br />
and hide <strong>for</strong> a while to look it up. But, putting<br />
a report together, precisely and elegantly, with<br />
no b.s., we can do that now. <strong>The</strong>n we do<br />
PowerPoint presentations. We have<br />
arguments: they state a case and I take the<br />
contrary view. We have round-table<br />
discussions and we have a good time.<br />
After the tutorial, I send them, usually the<br />
same day, a Reminder Note (what we call in<br />
<strong>English</strong> an Aide-Memoire) to explain any of<br />
the points that caused difficulty or which I feel<br />
need further explanation.<br />
And don’t <strong>for</strong>get, there are three types of<br />
accountant: those that can count and those<br />
that can’t.<br />
John Raggett<br />
John, a <strong>for</strong>mer waiter, barman, cook, Hotel<br />
Manager, uni<strong>for</strong>med policeman, plain-clothes<br />
detective, Office Manager City of London, Director<br />
of Radiology Services, Hospital Director, and<br />
Practice Manager, is now House Husband and<br />
<strong>English</strong> Teacher. John is also a new member of the<br />
ETAS Editorial Board.<br />
Bringing Your Books To Life<br />
Once upon a time in a faraway land, there<br />
lived a beautiful teacher who was full of ideas<br />
and had 10 happy and motivated students.<br />
<strong>The</strong>n one day during class a tiny voice said,<br />
“This is boring,” and then she heard more<br />
voices chiming in with, “Yeah, we don’t want<br />
to write!” and they added groans <strong>for</strong> effect.<br />
<strong>The</strong>n the beautiful teacher was disheartened.<br />
Later as she was preparing her next lesson,<br />
she cried out, “How can I inspire them<br />
to write?” A loud booming voice answered,<br />
“Bring the books to life and they will learn.” At<br />
first she was puzzled and thought about this<br />
answer <strong>for</strong> a few moments. “How do I bring<br />
them to life?” she pondered. <strong>The</strong>n she heard<br />
the loud voice again, “<strong>The</strong> way to bring a book<br />
SPECIAL Supplement<br />
to life is to become a part of it.” Curious as to<br />
where this voice was coming from, she tested<br />
it by asking, “Will I get a raise this year?” and<br />
the voice did not reply. “So clearly it is just a<br />
pedagogic guide,” she said to herself with a<br />
chuckle as she shrugged her shoulders. She<br />
took the pedagogic guide’s advice and from<br />
that day on she had brilliantly inspired lessons<br />
with stories that came to life in the hands of<br />
her students. It is easy to take any story and<br />
make it one’s own. Here are her notes as they<br />
were transcribed to me.<br />
Sometimes it is difficult <strong>for</strong> students to think<br />
of a story topic on their own. By using a book<br />
that you are reading in class, they can easily<br />
add new characters and create a world of<br />
their own within that story, and then the book<br />
becomes a life and the student a part of it. In<br />
her book Jojo’s Story, a Cambridge <strong>English</strong><br />
Reader, Antoinette Moses wrote about a boy<br />
soldier within an anonymous country, so the<br />
reader could place it where they imagined. At<br />
the beginning of her ETAS SIG Day workshop<br />
Antoinette read a passage from the book in<br />
which Jojo describes the violence that he had<br />
experienced around him. <strong>The</strong>n she asked us<br />
all to create a character that would fit into the<br />
story and provide a different perspective. We<br />
then wrote a story based on that character’s<br />
perspective. This is called “creating a parallel<br />
text.” In the case of Jojo’s story, a character<br />
could be a BBC reporter on location, speaking<br />
to the camera and reacting to the scene of the<br />
war: the putrid odors, the sights, maybe finding<br />
Jojo still alive, hiding near a war-ravaged<br />
home. Another character idea could be a boy<br />
in the orphanage where Jojo might go later<br />
after being rescued by the UN. <strong>The</strong> student<br />
could write what this boy might think, feel or<br />
ask Jojo when he arrives at the orphanage.<br />
It allows the student to experience the story<br />
from another angle, and involves each person<br />
in the story, making it much more personal.<br />
This could be done with any book and any<br />
age of student.<br />
Other possibilities include: creating alternative<br />
endings or writing narrative interventions.<br />
One way to gain more personal contact with<br />
the characters in a story is to turn the narrative<br />
into a drama, or vice versa. By acting out<br />
the story, students physically live the story<br />
and can develop the characters deeper as<br />
well as give them a spatial presence, which<br />
is also important <strong>for</strong> some types of learners<br />
who are spatially and movement oriented. By<br />
ETAS Journal 25/1 Winter 2007 13
SPECIAL Supplement Explorations in ELT<br />
re-constructing and de-constructing a story,<br />
you can have fun by moving scenes and<br />
characters around and re-creating your own<br />
new story.<br />
For further reading on this topic please take a<br />
look at the following books:<br />
Moses, Antoinette: Jojo’s Story, Frozen Pizza<br />
and Other Slices of Life; Let Me Out!, Cambridge<br />
<strong>English</strong> Readers. Cambridge University<br />
Press, 2000-2007<br />
Pope, Rob: Textual Intervention, Routledge,<br />
1994<br />
Sidman, Joyce: This is Just to Say: Poems<br />
of Apology and Forgiveness, Houghton Mifflin<br />
Company, 2007<br />
Spiro, Jane: Creative Poetry Writing. Ox<strong>for</strong>d<br />
University Press, 2004<br />
Spiro, Jane: Storybuilding. Ox<strong>for</strong>d University<br />
Press, 2007<br />
Tracy Tobler<br />
Tracy Tobler is an <strong>English</strong> teacher at the Institüt auf<br />
dem Rosenberg and the FHS in St. Gallen. She<br />
has been teaching <strong>English</strong> in Switzerland since<br />
her arrival in 2004. Recently, Tracy has begun<br />
working with Crystal and Indigo children and plans<br />
to focus her Master’s research on the learning<br />
styles of these remarkable children. Tracy holds a<br />
BA Degree in International Business and previously<br />
worked in banking and management in the United<br />
States. Her hobbies include: writing, cooking,<br />
traveling and playing tennis. She is married and<br />
has a one-year-old kitten named Mia.<br />
14 ETAS Journal 25/1 Winter 2007<br />
Adapting Speaking Activities <strong>for</strong><br />
Assessment Purposes<br />
For in-company classes that I have taught, the<br />
company has often required that the students<br />
be tested on a regular basis. In one situation,<br />
the twenty-week semester <strong>for</strong> all classes<br />
ended with an improved overall attendance<br />
and motivation was high. After discussing<br />
about the students and classes with the<br />
responsible person at the company, it was<br />
decided that a communicative skills test could<br />
be given at the end of term rather than the<br />
usual grammar and vocabulary type of test.<br />
This was partly to reflect the interests of the<br />
students, and their needs gleaned from needs<br />
analyses. <strong>The</strong>y were also designed to reflect<br />
the types of real-life (authentic) tasks/activities<br />
we had done in the classroom.<br />
It was also agreed that the primary skill to<br />
assess would be speaking since most<br />
students wanted to improve their fluency and<br />
ability to communicate effectively. <strong>The</strong> primary<br />
sub-skill being assessed was task achievement.<br />
Students would also be required to<br />
make notes, based on their discussion with<br />
their partner. Writing skills, however, would<br />
not be assessed (i.e. notes not checked <strong>for</strong><br />
accuracy in spelling/grammar). Rather they<br />
would be used to make sure the two students<br />
who were negotiating an agreement had<br />
understood each other, a valid skill in today’s<br />
world of business.<br />
<strong>The</strong> original tasks were taken from Face to<br />
Face (Langenscheidt 1993) under the topic<br />
‘Making Complaints’ (p.152-153):<br />
Original Tasks<br />
68A.3 You are on holiday in a 3-star hotel,<br />
and your room is on the 7th floor. You have<br />
some complaints to make to the manager<br />
(your partner) about the following:<br />
� the lift (AmE elevator) has been out of<br />
order since you arrived<br />
� the chambermaid (AmE maid) has not<br />
changed your sheets or cleaned your room<br />
because the lift is out of order<br />
� in front of the hotel is a church, and every<br />
morning at 7 o’clock the bells wake you up<br />
� there is no air conditioning in the dining<br />
room<br />
� there is only hot water between 5 o’clock<br />
and 7 o’clock in the morning<br />
� the hotel discotheque on the 8th floor<br />
keeps you awake until 3 o’clock in the<br />
morning<br />
68B.3 You are the manager of a 3-star<br />
hotel. A guest (your partner) is coming to<br />
see you to make some complaints. You can<br />
accept or reject the complaints. You can also<br />
clarify the situation, if you think this is appropriate.<br />
68A.4 You are the owner of a house. Your<br />
neighbor (your partner) is coming to see you<br />
to make some complaints. You can decide to<br />
accept or reject the complaints that he/she<br />
makes. You can also clarify the situation, if<br />
you think this is appropriate.<br />
68B.4 You have recently bought a new<br />
house and your neighbor (your partner) is<br />
causing you some problems. You have some<br />
complaints to make about the following:<br />
� there is often a lot of noise at night which<br />
keeps you awake<br />
� the neighbor’s son stole apples from the<br />
tree<br />
� your neighbor sometimes throws rubbish<br />
into your garden<br />
� your neighbor’s dog destroyed your<br />
favorite flowers<br />
� your neighbor’s elder son is a motor-bike<br />
fanatic and he often rides his motor-bike<br />
around the garden (even on Sunday<br />
morning)<br />
� smoke from your neighbor’s house often<br />
makes your clean washing dirty again<br />
Adapted Task and Sheets<br />
Similar to the original fluency tasks, students<br />
were given a specific identity and role to play<br />
and took turns discussing a specific complaint<br />
with another student. In both cases they were<br />
to negotiate a solution and make notes. This<br />
was marked on an individual basis and the<br />
focus was to ascertain how well they could<br />
achieve a communicative task, as described<br />
below. Each student had two roles, listed as<br />
(1) and (2), giving each one the chance to be<br />
the ‘complainer’ and the ‘responsible person’.<br />
Student A<br />
1. You are on holiday in a hotel and your<br />
room is on the 7th floor. You have some<br />
complaints to make to the manager and have<br />
made the following notes. You go and share<br />
them with him/her. Try to negotiate a peaceful
Explorations in ELT<br />
solution, then write notes <strong>for</strong> yourself about what you agreed on, in case you need to write a<br />
follow-up letter of complaint.<br />
Your complaints � the lift has been out of order since you arrived<br />
� the chambermaid has not changed your sheets or cleaned<br />
your room because the lift is out of order<br />
� in front of the hotel is a church, and every morning at 7 o’clock<br />
the bells wake you up<br />
� there is no air conditioning in the dining room<br />
� there is only hot water between 5 o’clock and 7 o’clock in the<br />
morning<br />
� the hotel discotheque on the 8th floor keeps you awake until<br />
3 o’clock in the morning<br />
<strong>The</strong> Hotel Manager’s<br />
Proposed Solutions<br />
2. You are the owner of a house. Your neighbor has called to say he/she is coming to see you to<br />
make some complaints. Write the complaints down so you won’t <strong>for</strong>get them. <strong>The</strong>n try to negotiate<br />
a peaceful solution and write notes <strong>for</strong> yourself about what you agreed on (in case there are<br />
some problems later with the same neighbor). Ask your neighbor some personal questions to get<br />
acquainted, and write notes about that, too.<br />
Complaints<br />
Your Proposed Solutions<br />
Details about your neighbor<br />
Name<br />
Hobbies<br />
Family status<br />
Job<br />
Student B<br />
1. You are the manager of a hotel. A guest is coming to see you to make some complaints. Tell<br />
them you need to fill in a <strong>for</strong>mal report <strong>for</strong> the owner. Ask them <strong>for</strong> the in<strong>for</strong>mation you need and<br />
fill in the chart below. You can accept or reject the complaints, but try to negotiate a compromise.<br />
<strong>The</strong>n write a few notes on your negotiated situation just in case you need it <strong>for</strong> legal purposes<br />
later.<br />
Guest’s name<br />
Telephone<br />
E-mail address<br />
Floor which they stayed on<br />
Complaints<br />
Notes<br />
2. You have recently bought a new house and your neighbor is causing you some problems.<br />
You go and share the following complaints with them. Try to negotiate a peaceful solution, then<br />
write notes <strong>for</strong> yourself about what you agreed on (<strong>for</strong> future reference/discussions with your<br />
neighbor).<br />
SPECIAL Supplement<br />
Complaints<br />
� there is often a lot of noise at night which<br />
keeps you awake<br />
� the neighbor’s son stole apples from the<br />
tree<br />
� your neighbor sometimes throws rubbish<br />
into your garden<br />
� your neighbor’s dog destroyed your<br />
favorite flowers<br />
� your neighbor’s elder son is a motor-bike<br />
fanatic and he often rides his motor-bike<br />
around the garden (even on Sunday<br />
morning)<br />
� smoke from your neighbor’s house often<br />
makes your clean washing dirty again<br />
Your Neighbor’s Proposed Solutions<br />
This type of assessment gives students the<br />
opportunity to do their best because they are<br />
used to working in pairs, and the exchange<br />
of in<strong>for</strong>mation is not new <strong>for</strong> them. In this<br />
particular case, the company was content with<br />
the report provided from the assessment as it<br />
underlined the validity of their paying <strong>for</strong> the<br />
courses (i.e. students were learning practical<br />
skills they could use in their jobs). <strong>The</strong> data<br />
from the task sheets also allowed me to<br />
see how well the students could negotiate<br />
meaningfully, based on whether or not their<br />
notes agreed with what their partner had also<br />
written.<br />
It is not always necessary to re-invent the<br />
wheel when adapting tasks suitable <strong>for</strong> your<br />
classes. If you want to use them <strong>for</strong> assessment<br />
purposes, as I have, then the tasks and<br />
sub-skills should reflect classroom practice<br />
(working in pairs) and course content (e.g. the<br />
function of negotiations <strong>for</strong> these in-company<br />
learners). It is possible to adapt pairwork<br />
fluency activities offered by most publishers.<br />
In the immortal words of Cole Porter –<br />
Experiment!<br />
JoAnn Salvisberg<br />
JoAnn has eighteen years’ experience teaching<br />
adult <strong>English</strong> language learners at all levels. <strong>The</strong><br />
primary focus of her doctoral research involved<br />
designing a framework <strong>for</strong> diagnostic oral skills<br />
assessment in the EFL classroom. Within the field<br />
of ELT she is particularly curious about <strong>English</strong> <strong>for</strong><br />
specific purposes (ESP), oral skills assessment<br />
(OSA), and how we develop ourselves, and our<br />
skills and qualifications as teachers.<br />
ETAS Journal 25/1 Winter 2007 15
SIGDAY<br />
Special Interest Group<br />
ETAS SIG Day 2007<br />
12th May 2007 - Kantonsschule Wil<br />
<strong>The</strong> SIG Day 2007 Conference was once<br />
again a roaring success. Close to 250 participants<br />
from all parts of Switzerland gathered<br />
in the Kantonsschule Wil to listen, learn and<br />
let themselves be inspired. Although many<br />
people are responsible <strong>for</strong> its success, it was<br />
Vanessa Ostertag who took primary responsibility<br />
<strong>for</strong> the local organization. Hats off and<br />
sincerest appreciation to Vanessa and her<br />
team <strong>for</strong> an excellent event!<br />
Taking a slight deviation from his planned<br />
plenary, Dave Willis kick-started the day with<br />
a brilliant keynote address on Accuracy,<br />
Fluency and Autonomous Learning: A Three-<br />
Way Distinction, and was quoted by speakers<br />
and participants continuously throughout the<br />
day. Sincerest thanks again to Dave and Ox<strong>for</strong>d<br />
University Press who sponsored his visit,<br />
and to the many other sponsors of workshop<br />
speakers, raffle prizes, and other goodies<br />
enjoyed by the conference participants<br />
including:<br />
� Bio<strong>for</strong>ce AG – Raffle Prize<br />
� Brilliantmont International School-<br />
Lausanne – Fruit Baskets<br />
� British Council Switzerland – Speakers<br />
� Cambridge ESOL-St. Gallen – Flowers<br />
� <strong>The</strong> Cambridge Institute Zürich –<br />
Cash Donation<br />
� Cambridge University Press – Notepads<br />
and Speakers<br />
� Hull’s School – Croissants<br />
� Express Publishing – Speaker<br />
� Georgian Press – Cash Donation<br />
� Kantonsschule Wil – Venue Rental<br />
� Macmillan – Bags and Speaker<br />
� Max Zeller Sohne – Fruit Basket<br />
� Migros Klubschule Basel – Pens<br />
� NILE – Raffle Grand Prize*<br />
� Ox<strong>for</strong>d University Press – Speaker<br />
� Pearson Longman – Speaker<br />
� Pension Fund Music and Education –<br />
Apero and Speaker<br />
� Ringier Print – Raffle Prize<br />
� Spotlight Verlag – 5 Raffle Prizes<br />
16 ETAS Journal 24/3 Summer 2007<br />
� Summertown – Lanyards and Speaker<br />
� Wil Rathaus – Cash Donation<br />
� Thurella AG – Raffle Prize<br />
� Winterthur Insurance – Speaker<br />
A special attraction to ETAS national events<br />
is the tempting book and resource material<br />
display provided by our exhibitors. This year<br />
was no exception and we were pleased the<br />
venue offered these exhibitors an ideal setting<br />
to show off their new and popular offerings:<br />
Cambridge ESOL St. Gallen, Cambridge<br />
University Press, Chadburn Publishing,<br />
CIDEB Publishing-Black Cat, Express<br />
Publishing, Flying <strong>Teachers</strong> GmbH, Garnet<br />
Education, Hull’s School-International House<br />
Zürich, Langenscheidt KG, Macmillan<br />
Education, Marshall Cavendish, ELT<br />
Ox<strong>for</strong>d University Press, PC Designs,<br />
Pearson Education, Spotlight Verlag GmbH,<br />
Stäheli’s Bookshops Ltd “Interlingua”, Summertown<br />
Publishing, Thomson ELT, and<br />
Winterthur Insurance<br />
Pension Fund Music and Education.<br />
We are also deeply indebted to all the SIG<br />
Coordinators and their guest speakers. With<br />
twelve different SIGs, it was the widest array<br />
of workshops offered at a SIG Day<br />
Conference yet – 39 to be exact! <strong>The</strong> number<br />
one pre- and post-conference complaint from<br />
participants was the difficulty in choosing<br />
which workshop to attend in each of the three<br />
session. <strong>The</strong> collaboration between SIGs<br />
which began this year will be expanded on so<br />
that in future the quality will not be overshadowed<br />
by the quantity of workshops on<br />
offer.<br />
Please note, too, that the annual timeframe<br />
of SIG Day Conferences will be moving from<br />
May to September to avoid both national holidays<br />
and exam schedules. Be sure to reserve<br />
September 20th in your calendar <strong>for</strong> the 2008<br />
SIG Day Conference to be held in Baden.<br />
JoAnn Salvisberg<br />
ETAS Teacher Development Chair<br />
and SIG Day Coordinator<br />
* Will the winner of the Raffle Grand Prize<br />
(offered by NILE) please get in touch with<br />
me? tede@e-tas.ch
Business <strong>English</strong> SIG (BESIG)<br />
A1.2<br />
Business <strong>English</strong> <strong>for</strong> pre-service learners<br />
Steve Pawlett<br />
Steve’s energetic and engaging personality<br />
kept everyone interested throughout the<br />
whole session. He started off with the question<br />
“What are the challenges of teenagers who<br />
need to learn Business <strong>English</strong>?” Although<br />
our group was quite small, we had a great<br />
exchange of opinions and ideas during the<br />
brainstorming and feedback in class and<br />
came up with the following:<br />
Challenges<br />
� Not enough time<br />
� Other subjects have a higher priority<br />
� Mixed-ability classes<br />
� Little experience in the world of work<br />
� Various levels of motivation<br />
Needs<br />
� Relevance<br />
� Engaging and up-to-date materials<br />
� Teacher support/extra material<br />
� Background in<strong>for</strong>mation, no assumption<br />
Steve went on, “What do they need Business<br />
<strong>English</strong> <strong>for</strong>?”<br />
<strong>The</strong> answers were instant: e-mails, reports<br />
(PowerPoint presentations), meetings, charts,<br />
figures, presentations, telephoning, communication<br />
and passing exams.<br />
“Where do we set priorities?” Reflecting <strong>for</strong> a<br />
moment, we came up with the following rank:<br />
01. Specific vocabulary<br />
02. Writing<br />
03. Speaking<br />
04. Listening<br />
05. Telephoning<br />
06. General <strong>English</strong><br />
07. Reading<br />
08. Grammar<br />
09. Meetings<br />
10. Negotiating<br />
Specific vocabulary is vital as students need<br />
to understand and be able to work in a<br />
particular field.<br />
It was an exciting moment when the new<br />
course book series Ox<strong>for</strong>d <strong>English</strong> <strong>for</strong> Careers<br />
Tourism 1, Commerce 1, Nursing 1 and<br />
Technology 1 was introduced. Everybody<br />
looked expectantly through the colourful and<br />
well-organised books. A quick tour and short<br />
analysis of the units was quite useful.<br />
Regarding the participants’ feedback, most<br />
people found the topic interesting and their<br />
expectations were mainly met. However, more<br />
detailed ideas of how to work with pre-service<br />
learners would have been appreciated. All in<br />
all, everyone left the classroom with useful<br />
new books and fresh ideas.<br />
Isabelle Amrein<br />
Business <strong>English</strong> SIG (BESIG)<br />
B1<br />
What is behind blended learning anyway?<br />
Karen Richardson<br />
This semi-commercial workshop was<br />
presented by Karen Richardson, Business<br />
<strong>English</strong> teacher in Germany, teacher trainer,<br />
member of ELTAS (Stuttgart), mother, student<br />
and juggler. And yes, she can juggle.<br />
On arrival we found on our desks: an article<br />
on the juggling world record holders and<br />
sibling prodigies Vova and Olga Galchenko,<br />
a questionnaire, and a blank yellow card. We<br />
were then asked to write on this card what we<br />
thought blended learning was.<br />
So what does blended learning mean? We<br />
then looked at some words that usually come<br />
up in this context: ‘mix’ ‘face to face’, ‘technology’,<br />
‘different teaching mediums’, ‘multiple<br />
approaches to leaning’, ‘blending of the virtual<br />
and the physical’.<br />
We were then guided through a section of the<br />
DVD-ROM from <strong>The</strong> Business, Intermediate<br />
level, by John Allison with Paul Emmerson,<br />
Macmillan 2007, which comes with the coursebook<br />
and is the next level from the usual<br />
course book with an Audio CD.<br />
“It’s happening…,” as Karen said and apart<br />
from some of the advantages mentioned there<br />
is also the aspect of fun. Fun, because the<br />
young learners of today enjoy using technology<br />
and are now spoken of as the “net<br />
generation” or “digital natives” as opposed to<br />
the older generation of “digital immigrants”.<br />
Having started the workshop with a onedimensional<br />
(or should that actually be twodimensional?)<br />
written text on the jugglers, we<br />
2007<br />
ended this in<strong>for</strong>mative workshop by watching<br />
the siblings actually juggling on video, with<br />
sound and emotion coming through, showing<br />
how much more fun three-dimensional<br />
language presentation can be.<br />
We all came away from this workshop with a<br />
copy of <strong>The</strong> Business Intermediate Student’s<br />
Book with DVD-ROM, compliments<br />
of Macmillan, and a better understanding of<br />
what blended learning is all about, as was<br />
promised in the workshop description. Thank<br />
you, Karen.<br />
Caroline Rickli<br />
Business <strong>English</strong> SIG (BESIG)<br />
C1<br />
Good business practice<br />
Stuart Beaumont<br />
You might think that we Business <strong>English</strong><br />
teachers and trainers have exhausted the<br />
topic of What Business <strong>English</strong> Is, but you<br />
would be wrong. We all still have plenty to say<br />
on this topic, as Stuart’s workshop discussion<br />
proved.<br />
After a short discussion in pairs, Stuart shifted<br />
the focus by asking us if we thought that such<br />
ESP areas as <strong>English</strong> <strong>for</strong> Tourism, Nursing,<br />
Engineering and so on are also Business<br />
<strong>English</strong>. After all, tour operators, nurses and<br />
engineers also make telephone calls, give<br />
presentations, take part in negotiations and<br />
<strong>for</strong> sure go to meetings. We came to the<br />
conclusion that these areas could be called<br />
‘Professional <strong>English</strong>’, and that Business<br />
<strong>English</strong> falls under this umbrella term.<br />
Stuart told us about a student of his who,<br />
when asked what she expected to gain from<br />
her Business <strong>English</strong> course, said that she<br />
wanted to learn how to “appear professional”.<br />
This idea is food <strong>for</strong> thought. It seems to<br />
indicate that our role as Business <strong>English</strong><br />
teachers and trainers is to help people to become<br />
more “slick”! Indeed, Business <strong>English</strong><br />
does convey an air of elitism and exclusivity.<br />
Just look at the Business <strong>English</strong> materials<br />
around these days. <strong>The</strong> images and colours,<br />
topics and themes all have a certain look and<br />
feel. But is it all just “bling” and “spin”, with no<br />
substance?<br />
Moving on to the theme of Good Business<br />
Practice, we tried to answer this question<br />
by examining the professional skills we are<br />
ETAS Journal 24/3 Summer 2007 17
SIGDAY<br />
Special Interest Group<br />
teaching our Business <strong>English</strong> students.<br />
<strong>The</strong>se include, like any ELT course, the<br />
teaching (or reminding) of basic grammar<br />
and vocabulary, but also functions which are<br />
appropriate to a working environment, an<br />
understanding of style and <strong>for</strong>mality in a given<br />
setting, and cultural aspects. In so doing, it<br />
often seems that what we are doing could be<br />
better described as CLIL (Content Language<br />
Integrated Learning) than as ELT.<br />
I loved Stuart’s conclusion: “Business <strong>English</strong><br />
is General <strong>English</strong> dressed in Armani”!<br />
Cindy Hauert<br />
Drama & Literature SIG<br />
A2<br />
Write now! Creative writing <strong>for</strong> the ELT<br />
classroom<br />
Antoinette Moses<br />
Antoinette Moses started this fascinating<br />
workshop by explaining that she is not an<br />
EFL teacher, but a published writer of several<br />
plays and stories and a tutor on the University<br />
of East Anglia’s famous MA course in Creative<br />
Writing. She then cleverly linked her workshop<br />
to Dave Willis’s excellent plenary talk, agreeing<br />
that, as with Dave’s granddaughter, our<br />
need to tell stories precedes language and<br />
we use language because of this need – a<br />
realistic task.<br />
Creative writing, there<strong>for</strong>e, has a place in the<br />
language classroom. Students can practice<br />
and gain confidence in writing and speaking,<br />
can develop cooperative teamwork (as there<br />
is often a pre-writing collaborative task), can<br />
improve editing and rewriting skills, and, by<br />
understanding the process of writing, become<br />
more appreciative readers.<br />
We brainstormed ideas <strong>for</strong> generating stories:<br />
books (a topic which was explored further<br />
in her second excellent workshop which I<br />
also attended), newspapers, and especially<br />
pictures. Pictures are very powerful as we can<br />
look both into and beyond them to explore<br />
character, causality, motivation and mood.<br />
Character is the key to good writing (which<br />
explained a puzzling sentence in the workshop<br />
description “writers never write dialogue”<br />
– this is because once a character is created,<br />
the dialogue comes naturally!) We<br />
18 ETAS Journal 24/3 Summer 2007<br />
experienced a powerful example of this<br />
phenomenon ourselves. Antoinette showed us<br />
a black and white photo of a man looking<br />
through a window onto a bleak snowy landscape<br />
(which she had just found on Google<br />
Images) and we had to answer the “W…”<br />
questions: Who? Where? When? Why? about<br />
him. We did this individually but it could also<br />
be done in groups. After this stage, we had<br />
to move into the first person and write his<br />
story. I experienced myself how powerful and<br />
effective a writing experience this was, as the<br />
character developed his own “voice” and, as I<br />
wrote, the story and character developed and<br />
became clear.<br />
We then compared our stories, discussed<br />
the names we had chosen and the evocative<br />
power of a name. Antoinette also gave us<br />
other ideas <strong>for</strong> generating stories, like discovering<br />
a character from the contents of a bag<br />
and “hot seating”.<br />
Un<strong>for</strong>tunately, there were only seven people<br />
at this workshop but every participant was<br />
enriched, not only with ideas <strong>for</strong> the classroom<br />
and tips from a published writer, but<br />
also a key to unlocking creativity in ourselves.<br />
Many thanks to CUP <strong>for</strong> bringing Antoinette to<br />
Switzerland.<br />
Alison Taylor<br />
Drama & Literature SIG<br />
B2<br />
Poetry <strong>for</strong> the classroom<br />
Eva König<br />
In total seven people attended this workshop<br />
whose stated aim was to provide ideas and<br />
suggestions about the ways in which teachers<br />
of <strong>English</strong> might incorporate poetry into the<br />
classroom and how poetry might provide the<br />
stimulus <strong>for</strong> a variety of other activities including<br />
language acquisition, developing language<br />
skills, as well as <strong>for</strong>ming the basis <strong>for</strong> reading<br />
and writing tasks.<br />
<strong>The</strong>se aims were most certainly well fulfilled<br />
over the course of this fascinating and thoughtprovoking<br />
workshop. <strong>The</strong> success of Eva<br />
König’s workshop lay in the way in which she<br />
anchored her theoretical framework – the<br />
value of something that at times can be<br />
abstract and intimidating to students – in concrete<br />
examples in which workshop attendees<br />
were invited to participate. Thus we were<br />
given an idea how the exemplars might<br />
actually play out in the classroom and the<br />
manner in which the primary text, the poem itself,<br />
might serve as the basis <strong>for</strong> further work.<br />
<strong>The</strong> first exercise in which we participated<br />
was based on the Roger McGough poem<br />
‘Forty Love’. <strong>The</strong> text of the poem was<br />
handed out to us as continuous text and we<br />
were invited to punctuate it. Our suggestions<br />
were then discussed as a group be<strong>for</strong>e Eva<br />
König showed us the actual, very novel way<br />
in which the text appears. <strong>The</strong>re followed a<br />
discussion as to why the poet chose this particular<br />
structure and the exercise terminated<br />
with a chorus reading between two groups.<br />
This was great fun and showed the possibility<br />
of teaching poetry without being bound to<br />
discussion of tone, <strong>for</strong>m, imagery, etc. which<br />
students frequently find monotonous.<br />
Another particularly successful exercise was<br />
the one that used the Peter Appleton poem<br />
‘<strong>The</strong> Responsibility’. We were given the poem<br />
with each stanza printed on individual sheets<br />
and had to create our own sequence <strong>for</strong> the<br />
stanzas. This was a very effective exercise as<br />
it meant that you really had to concentrate on<br />
the text and what was being said, and evaluate<br />
your own ideas about what was the likely<br />
logical order and thus the message the text<br />
was conveying.<br />
Personally, I thought that the workshop taught<br />
me more about teaching poetry than a year<br />
of seminars on <strong>English</strong> teaching during my<br />
teacher training, the reason being that Eva<br />
König illustrated her examples so clearly<br />
that each exercise functioned almost like an<br />
individual lesson plan and that was extremely<br />
helpful. Especially as I find that when teaching<br />
second-language speakers, the teacher<br />
constantly needs to come up with innovative<br />
ideas to maintain their interest.<br />
Joan Ennis
Drama & Literature SIG<br />
C2<br />
Creative writing: Working with voices<br />
Franz Morrissey<br />
It had been a rather consuming day full of inputs<br />
– of both intellectual and physical nature.<br />
Thus, it was a somewhat tired group of ten<br />
people assembling <strong>for</strong> their last workshop of<br />
the day.<br />
From the presenter’s (i.e. Franz Morrissey’s)<br />
point of view the task was probably an unenviable<br />
one. However, he rose to the challenge<br />
and came out with flying colours.<br />
Franz kept us busy and interested with handson<br />
writing activities that were as much fun as<br />
they were challenging. <strong>The</strong> ninety minutes<br />
passed all too quickly, and in the process a<br />
number of original (and also weird!) written<br />
products evolved.<br />
Franz supplied us with step-by-step procedures<br />
<strong>for</strong> several creative writing activities,<br />
four of which we tried out ourselves. <strong>The</strong>se<br />
activities mostly need little or no copyroom<br />
preparation; pens and paper suffice.<br />
As a starter, Franz used an activity called<br />
‘Value-Added Dialogue’, which may serve as<br />
an example to illustrate this:<br />
It is a pairwork activity <strong>for</strong> which you need two<br />
pieces of paper. Goal: creation of two dialogues,<br />
each beginning with one word, adding<br />
a word <strong>for</strong> each change of speaker until you<br />
reach seven words, and then the whole process<br />
in reverse. As the two people are writing<br />
two dialogues at the same time, each one is<br />
always busy writing and there is hardly any<br />
empty waiting time. Franz emphasized the<br />
need to begin with an ‘unusual’ word rather<br />
than with the classic “Hi” or “Hello” to trigger<br />
engaging conversations. So, my partner and I<br />
started scribbling away, our two pieces having<br />
as their respective openers ‘Milk’ and ‘Diarrhoea’!<br />
Soon, the room was full of giggling,<br />
our tiredness magically blown away and our<br />
energy tanks refueled. Finally, all the pairs<br />
had to choose the dialogue they liked better<br />
and per<strong>for</strong>m it <strong>for</strong> the class (in radio play<br />
fashion).<br />
<strong>The</strong> workshop continued in an equally rewarding<br />
vein through activities called ‘Conflict<br />
Situations’, ‘An Old Song Resung’ and ‘Animal<br />
Vegetable Mineral’. Should any readers be<br />
interested in what they missed, go to Franz<br />
Morrissey’s homepage: http://www.creativewriting.ch/creativeways.html,<br />
where you will<br />
find a pdf file <strong>for</strong> download entitled ‘Creative<br />
Ways’ containing a plethora of writing ideas<br />
and activities.<br />
All in all, an excellent finish to an interesting<br />
and well-organised ETAS SIG Day on the<br />
premises of the Kantonsschule Wil.<br />
Oliver Töngi<br />
2007<br />
Examinations, Testing & Assessment SIG<br />
(ETA SIG)<br />
A3<br />
An introduction to IELTS<br />
Sarah Fabel<br />
<strong>The</strong> IELTS (Independent <strong>English</strong> Language<br />
Testing System) exam was developed in 1989<br />
by Cambridge ESOL, IDP Australia and the<br />
British Council to provide proof of a candidate’s<br />
level and ability in <strong>English</strong>. It is now<br />
taken by around 500,000 candidates per year,<br />
a figure which is increasing, and is recognised<br />
by over 3,800 educational institutions, government<br />
agencies and professional organisations<br />
in 120 countries, including the US and the UK.<br />
Achieving a specific grade in the IELTS exam,<br />
which can also be taken by native speakers,<br />
is a requirement <strong>for</strong> immigration to Australia,<br />
New Zealand and Canada.<br />
<strong>The</strong> exam consists of 4 papers: Listening,<br />
Reading, Writing and Speaking. Candidates<br />
may choose between an Academic or a<br />
General strand, the latter being suitable <strong>for</strong><br />
candidates who wish to study in an <strong>English</strong>speaking<br />
environment. Results are graded<br />
from 1 (false beginner) to 9 (native speaker),<br />
and in Switzerland are sent out on the 13th<br />
day after the exam. More details can be obtained<br />
from the British Council in Bern (www.<br />
britishcouncil.org/switzerland) or from the<br />
IELTS website (www.ielts.org).<br />
Sarah gave workshop participants a clear<br />
overview of the exam, and was very willing<br />
and competent to answer our many questions.<br />
Lots of useful tips to help prepare students <strong>for</strong><br />
the exam were given, including in<strong>for</strong>mation<br />
about training sessions, exam materials and<br />
coursebooks. Sarah shared her knowledge as<br />
well as her experience as an examiner in an<br />
in<strong>for</strong>mative, interesting and helpful way. <strong>The</strong><br />
feedback sheets returned serve to confirm<br />
my own impression – this was 90 minutes<br />
valuably spent!<br />
Maggi Lussi Bell<br />
Examinations, Testing & Assessment SIG<br />
(ETA SIG)<br />
B3<br />
Assessing Speaking Skills<br />
Ann Humphry-Baker<br />
A good turnout of 18 participants attended<br />
Ann Humphry-Baker’s presentation, hoping<br />
ETAS Journal 24/3 Summer 2007 19
SIGDAY<br />
Special Interest Group<br />
to gain, as according to the feedback,”‘more<br />
in<strong>for</strong>mation and insight into this grey area of<br />
assessment”. Ann in<strong>for</strong>med us of a myriad of<br />
aspects to consider when preparing to assess<br />
your students’ oral skills:<br />
Assessment<br />
� self-assessment<br />
� peer assessment<br />
� teacher/examiner assessment<br />
Tasks<br />
� presentations<br />
� interactive<br />
Stakes<br />
� in<strong>for</strong>mal assessment - low stakes<br />
� <strong>for</strong>mal assessment - high stakes<br />
Formative<br />
� assessment with feedback on per<strong>for</strong>mance<br />
and how to improve in future<br />
Summative<br />
� assessing what has been achieved to date<br />
Anne pointed out that the positive aspects of<br />
doing ‘self-’ and ‘peer’ assessment is that it<br />
doesn’t take a lot of preparation time and the<br />
feedback can be kept and used in the students’<br />
dossier. <strong>The</strong> positive points of teacher<br />
assessment were that the teacher knows the<br />
students’ level, what has been taught, and<br />
students tend to feel more com<strong>for</strong>table being<br />
assessed by someone they know. On the<br />
other hand, an examiner would be unbiased<br />
and impartial and is trained to look at students<br />
differently.<br />
Ann went on to illustrate examples of criteria<br />
which students could use to carry out selfand<br />
peer assessment, as well as showing us<br />
the different criteria to take into consideration<br />
when producing our own assessment grids.<br />
Besides the usual <strong>for</strong>m, content, structure and<br />
features of spoken <strong>English</strong>, the differences<br />
which were highlighted were when assessing<br />
either an oral presentation or an oral interaction.<br />
Criteria <strong>for</strong> self- and peer assessment<br />
� Did I get my message across?<br />
� Was my speech logically organized?<br />
� Was my grammar accurate and varied?<br />
� Did I use an appropriate range of<br />
vocabulary?<br />
� Was my pronunciation clear?<br />
20 ETAS Journal 24/3 Summer 2007<br />
Oral presentation:<br />
Criteria <strong>for</strong> communicative quality<br />
� maintaining interest of audience<br />
� independence of notes<br />
� reply to questions<br />
� body language<br />
� visual support<br />
� fluency<br />
Oral interaction:<br />
Criteria <strong>for</strong> interactive communication<br />
� interpersonal skills<br />
� initiating and responding<br />
� turn taking<br />
� cooperation<br />
� body language<br />
� fluency<br />
� repair strategies<br />
Ann armed us with examples of assessment<br />
scales, a presentation evaluation and a global<br />
assessment grid and a little more theory to<br />
hopefully facilitate us in becoming better<br />
assessors of speaking skills.<br />
Norelee Wolf<br />
Immersion/CLIL SIG (ICSIG)<br />
A4<br />
First-hand Catalan immersion experience<br />
Caroline Huelva<br />
Caroline introduced herself and the lesson<br />
in Catalan and as someone with very little<br />
experience of Catalan or Spanish, I was<br />
surprised that I got the gist. She then gave a<br />
longer introduction that completely lost me.<br />
Fortunately, she then handed out a text with<br />
a diagram and I was relieved to see that this<br />
helped me get back on track.<br />
After reading the text we answered some<br />
comprehension questions and completed a<br />
series of exercises not unlike those in the<br />
EFL classroom (cloze, word matching and<br />
diagram labelling). Although some words<br />
looked familiar, others were totally <strong>for</strong>eign and<br />
so I found myself using all the exam strategies<br />
I know to make up <strong>for</strong> lack of language and<br />
subject knowledge. Also, I found myself trying<br />
to analyse the language in order to guess<br />
the answers. By the end of the lesson I was<br />
surprised that I had managed to learn some<br />
vocabulary and understood the subject matter.<br />
Credit should be given to Caroline’s way of<br />
speaking clearly, using body language and a<br />
very calm and friendly manner to motivate us<br />
and help keep us working at a fairly fast pace.<br />
Equally important, her materials and<br />
exercises worked well to gradually build up<br />
our language skills and subject knowledge.<br />
Also, the tasks were varied and there was<br />
plenty of repetition.<br />
Most of us felt positive about the 60-minute<br />
lesson as Eveline Reichel asked <strong>for</strong> feedback.<br />
Some mentioned feeling tired and frustrated<br />
when they did not understand or could not<br />
complete a task and I certainly felt under<br />
stress at times. As one participant mentioned,<br />
the focus was on biology and the goal was<br />
to complete the tasks while the Catalan<br />
language was the medium. Attending biology<br />
classes regularly in Catalan with parallel<br />
language classes, I could imagine learning<br />
the language and being able to gauge my<br />
progress.<br />
By the end, there was much to ponder about<br />
learning styles and ways of learning a language.<br />
We had a chance to put ourselves in<br />
our pupils’ shoes and realise the importance<br />
of a positive learning situation. Thanks to<br />
Caroline <strong>for</strong> the interesting lesson and being a<br />
model teacher. Eveline Reichel also deserves<br />
congratulations <strong>for</strong> starting off the ICSIG with<br />
this successful first workshop and leading an<br />
interesting discussion.<br />
Hazel Trepp
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1
Immersion/CLIL (ICSIG)<br />
B4/7<br />
Enhancing language acquisition through<br />
immersion<br />
Dr des Heidi Bürgi<br />
Ms Bürgi started her speech in a crowded<br />
room, with the OHP showing a map of<br />
Switzerland entitled “<strong>The</strong> Swiss Languagescape”,<br />
which she used to show where the<br />
three surveyed schools were (Lucerne, Winterthur<br />
and Zürich). She talked about a threeyear<br />
survey in these schools. Whilst doing<br />
her survey the difficulty lay in the fact that the<br />
programs were different, though they all had<br />
in common that students had no additional<br />
lessons in respect to the regular classes and<br />
moreover the schools selected the students<br />
<strong>for</strong> the immersion courses. She stated that<br />
the pupils’ language skills improved due<br />
to special ties with the <strong>English</strong> language,<br />
<strong>English</strong> seemed more interesting and exciting<br />
to students and the latter were looking <strong>for</strong> a<br />
challenge. In fact, they stated that they were<br />
putting in, depending on which subject, an<br />
average of 0% to 50% more ef<strong>for</strong>t than in the<br />
same subject in their first language (L1). She<br />
tested the receptive skills, the productive skills<br />
and the systems (vocabulary) at B2, C1 and<br />
C2 levels and these were the findings: on<br />
the listening and the reading comprehension<br />
generally the immersion classes were better<br />
than the regular ones at the B2 level. She<br />
also did a survey on how many words learners<br />
need, using frequency lists and Nation’s<br />
Vocabulary Levels Tests. She pointed out<br />
that even if <strong>English</strong> is the language with the<br />
largest vocabulary (800,000), learners need<br />
3,000–5,000 words <strong>for</strong> comprehension and<br />
2,000–3,000 words <strong>for</strong> production seem to<br />
be enough. In fact, if pupils only knew 2,000<br />
words, they understood 20% of the text,<br />
exploiting knowledge in other languages, too.<br />
<strong>The</strong> results showed that after only one immersion<br />
year only 50% of the students mastered<br />
2,000 words. By the end of the three-year<br />
program they knew 100% of the words,<br />
whereas students in the regular classes only<br />
knew a few words.<br />
According to the workshop feedback sheets<br />
most participants found the workshop interesting,<br />
because some saw it as an eye-opener<br />
on immersion classes. <strong>The</strong>n, most found the<br />
content good due to the preciseness and the<br />
load of in<strong>for</strong>mation, and nearly all thought that<br />
the speaker’s preparation and presentation<br />
was very good.<br />
Gabriella Pedrini<br />
2007<br />
Immersion/CLIL SIG (IC SIG)<br />
C4<br />
<strong>The</strong> Zürich immersion project <strong>for</strong> a<br />
bilingual matura<br />
Eveline Reichel<br />
You may be asking yourself—What’s a<br />
bilingual matura and what project are they<br />
immersing in Zürich? Well, immersion teaching,<br />
as it is known in Switzerland, is a <strong>for</strong>m of<br />
Content and Language Integrated Learning<br />
(CLIL).<br />
Actually, immersion teaching is a very simple<br />
idea. School subjects (i.e. history, geography,<br />
math) are taught in <strong>English</strong> to non-native<br />
<strong>English</strong>-speaking students. Students expand<br />
their vocabulary and skills while being<br />
exposed to more <strong>English</strong> during the school<br />
week. This results in them learning <strong>English</strong><br />
at a faster and more complete pace than the<br />
‘normal tract’ students. In a bilingual matura<br />
some subjects are taught in German and<br />
some are taught in <strong>English</strong>. It should be noted<br />
that these immersion classes do not replace<br />
the EFL lessons, which continue as usual.<br />
<strong>The</strong> Zürich Bilingual Matura Program started<br />
in 2002/03 with only three secondary schools.<br />
By 2004/05 there were 10 secondary schools<br />
in the pilot project. <strong>The</strong> project was a big<br />
success and as a result there are 13<br />
secondary schools now in Canton Zürich<br />
with bilingual maturas. Interestingly, each<br />
gymnasium has a different mix of immersion<br />
subjects and requirements. Swiss individualism<br />
in action!<br />
Since only a handful of people attended, we<br />
were able to personalize the workshop. It<br />
started off as a presentation of the project and<br />
developed quickly into a very in<strong>for</strong>mative and<br />
enjoyable exchange of ideas and in<strong>for</strong>mation<br />
about immersion teaching. I particularly<br />
benefited from the insider experience and<br />
viewpoint of the presenter, Eveline Reichel.<br />
Eveline has been involved with the project<br />
from the beginning. In addition, she teaches<br />
the course <strong>for</strong> those teachers who would like<br />
to teach immersion classes (http://www.<br />
mba.zh.ch/downloads/Projektstellen/Infoblatt_Kurs.pdf)<br />
It was the perfect way to wind down a very<br />
hectic and busy SIG Day and I look <strong>for</strong>ward<br />
to more events and workshops from this new<br />
SIG.<br />
See the following links <strong>for</strong> more details about<br />
immersion teaching and what is happening in<br />
ETAS Journal 24/3 Summer 2007 23
SIGDAY<br />
Special Interest Group<br />
Canton Zürich:<br />
http://www.mba.zh.ch/downloads/Projektstellen/broschuereimmersion.pdfhttp://www.mba.zh.ch/downloads/Projektstellen/FAQs_Antworten2.pdfhttp://www.mba.zh.ch/downloads/Projektstellen/Arbeitsblatt_guidelines.pdfhttp://www.mba.zh.ch/downloads/Projektstellen/Arbeitsblatt_handout1.pdf<br />
Janet M. Borner<br />
Learning Technologies SIG (L Tech)<br />
A5<br />
Efficient use of interactive<br />
whiteboards in the classroom<br />
Jayne Herzog<br />
It was Hugh Dellar at the Winterthur ETAS<br />
AGM 2006 that started me thinking I should<br />
exploit the whiteboard more in class. He<br />
brought to my attention how often we teachers<br />
neglect to use the whiteboard to its full<br />
potential. So I was eagerly awaiting Jayne’s<br />
workshop to activate some new ideas. I<br />
wasn’t disappointed!<br />
When we entered the room Jayne had<br />
already been busy and sectioned off a part<br />
of the board with different in<strong>for</strong>mation <strong>for</strong> the<br />
students. <strong>The</strong> lesson plan was on one part of<br />
it, the date and weather on another, a section<br />
<strong>for</strong> new vocabulary and one <strong>for</strong> the last<br />
lesson’s vocabulary. <strong>The</strong>re was also some<br />
empty space <strong>for</strong> new phrases or things that<br />
came up in the lesson. For me it gave immediate<br />
focus on learning and the path the lesson<br />
would take.<br />
In a lot of my lessons there is general chatting<br />
among the students until finally they all have<br />
arrived and I usually say what we’ll be doing.<br />
<strong>The</strong> presence of the plan to view on entering<br />
the classroom settles students into the<br />
learning mode at the onset. <strong>The</strong> simplicity<br />
and beauty of this it that it can be adapted to<br />
suit your learners and the level they are at, be<br />
they business, exam students or beginners.<br />
Several activities were looked at where<br />
students can come to the board and either<br />
add ideas or words and phrases on a topic or<br />
even correct other contributions from peers.<br />
<strong>The</strong> idea of the board being an active, public,<br />
physical and competitive attraction gave a<br />
24 ETAS Journal 24/3 Summer 2007<br />
new dimension to the classroom and moves<br />
away from pairwork and groupwork. Jayne<br />
had a plethora of ideas including getting to<br />
know you, picture dictation, pronunciation,<br />
writing and speaking and also feedback<br />
activities all taking place at the board and with<br />
everyone participating. <strong>The</strong>se ideas together<br />
with a comprehensive handout ensured we<br />
went away with plenty of motivation to make<br />
better use of an age-old but eternally useful<br />
prop.<br />
Gillian Nussbaum<br />
Learning Technologies SIG (L Tech)<br />
B5<br />
A dictionary at your fingertips<br />
Gwyneth Fox<br />
Have you often wished you were making<br />
better use of learners’ dictionaries as a<br />
teaching resource in the classroom? Do you<br />
do more than turn to it hurriedly to look up a<br />
difficult word just be<strong>for</strong>e class starts?<br />
If you attended Gwyneth Fox’s workshop,<br />
you would, like 25 other excited teachers that<br />
day, have walked away not only with a bunch<br />
of great ideas and activities to support you<br />
but also a free copy of the new edition of the<br />
award-winning Macmillan <strong>English</strong> Dictionary<br />
(MED) <strong>for</strong> Advanced Learners plus CD-ROM.<br />
Gwyneth, Associate Editor of Macmillan<br />
Dictionaries, and Matt Kay, their marketing<br />
manager, gave us a highly entertaining<br />
demonstration of the innovative features of<br />
this new edition on CD-ROM.<br />
<strong>The</strong> most important new feature is the clear<br />
distinction it makes between high frequency<br />
core vocabulary (coded in red) and the less<br />
common words (coded in black). Extensive<br />
research from a 200-million word corpus<br />
shows that native speakers use about 7,500<br />
words 90% of the time in anything they read,<br />
write or speak. By identifying these essential<br />
7,500 words in red (Ox<strong>for</strong>d <strong>English</strong> Dictionary<br />
focuses on 3,000 words), MED helps give<br />
students the confidence and ability to get their<br />
message across whether in writing or speaking,<br />
with the ease of a native speaker.<br />
Sporting a user-friendly navigation system,<br />
this CD-ROM dictionary has over 1,300<br />
illustrations, animations and photographs and<br />
more than 300 sound effects. It contains over<br />
6,000 items of clearly labelled subject-specific<br />
vocabulary on 5 key subject areas: business<br />
and economics, science, in<strong>for</strong>mation technology,<br />
medicine and the arts.<br />
<strong>The</strong> ‘supersearch’ facility can be used to build<br />
a lesson around a particular topic, say, the<br />
theatre – class brainstorm as many words<br />
as possible, then use ‘supersearch’ to find<br />
more, up to 100 words. <strong>The</strong> results ranked<br />
in red and black code together with common<br />
collocations, idioms, etc. could be used as a<br />
basis <strong>for</strong> storytelling or essay writing.<br />
Another completely new feature is the<br />
thesaurus (little book symbol beside every<br />
word), boasting 77 synonyms <strong>for</strong> ‘angry’<br />
alone!
Simply a wealth of new material, innovative<br />
search features, … the list goes on. Do give<br />
this dictionary a try.<br />
Christina Kwok<br />
Learning Technologies SIG (L Tech)<br />
C5<br />
Exploration of internet tools relevant to<br />
teaching and teacher development<br />
Illya Arnet-Clark<br />
Drop what you are doing. Go to the computer<br />
and enter http://etasblog.wordpress.com<br />
This will take you to the ETAS Blog where<br />
you can retrieve this workshop’s PowerPoint<br />
in<strong>for</strong>mation and more than enough websites<br />
to keep you busy <strong>for</strong> some time. (Click on the<br />
blue lettered... A quick tour through the internet).<br />
In<strong>for</strong>mation about blogs, blog providers,<br />
wikis, and RSS feeds are listed. Don’t worry<br />
if you don’t understand this terminology; the<br />
PowerPoint site will explain it.<br />
When someone starts talking tech I smile,<br />
nod, and wonder how you can change the<br />
subject. <strong>The</strong> other response is panic. It was<br />
in this spirit that I attended this workshop and<br />
was impressed by the speaker’s passion and<br />
knowledge of this area.<br />
But, best made plans don’t always work.<br />
Several people had computer problems and<br />
Illya went right to their assistance but this<br />
left others waiting. It was necessary to have<br />
provider in<strong>for</strong>mation of your e-mail site, which<br />
I had, so I was able to start a blog.<br />
In<strong>for</strong>mation can be posted and students can<br />
communicate with each other, in <strong>English</strong> of<br />
course, to complete assignments using this<br />
tool. Classes from literally all over the globe<br />
can be contacted. Time is the factor but what<br />
a wonderful way to meet teenagers on their<br />
turf. Go to the ETAS Blog and see the brilliant<br />
idea it inspired another teacher to do!<br />
Participants were requested to have at least<br />
basic knowledge of how to use the internet.<br />
Perhaps this should have mentioned having<br />
their provider in<strong>for</strong>mation so they could<br />
access their e-mail sites, necessary <strong>for</strong><br />
starting a blog. <strong>The</strong> topics to be discussed<br />
may have been too broadly described in the<br />
programme. If everything had gone smoothly,<br />
it would have been a lot to cover in that period<br />
of time and with that number of participants.<br />
Other tools were mentioned on the internet<br />
but time didn’t allow us to explore them in<br />
detail. This gave me the opportunity to try<br />
something I had just read about.<br />
Elizabeth Ulrich<br />
Multimedia SIG<br />
A6<br />
Podcasting<br />
Tom O’Sullivan<br />
<strong>The</strong> title ‘podcasting’ intrigued me as I had<br />
seen the term often on the internet and in connection<br />
to my iPod, but I had never bothered<br />
to find out what it meant. I was obviously not<br />
alone as the workshop was fully attended with<br />
every computer terminal occupied.<br />
Tom set out not to teach us how to us podcasting<br />
in a lesson but, as his online handout<br />
stated, to help find internet multimedia which<br />
we could use in the class room. It was not<br />
a ‘regular’ workshop, as some might have<br />
expected, but instead Tom had produced<br />
a detailed online-handout which contained<br />
many sites where we could find multimedia.<br />
2007<br />
All of the relevant sites were hyperlinked so,<br />
while on the computer, we could go into his<br />
document and hyperlink around the internet<br />
to see the relevant sources. If interested, I do<br />
recommend that you e-mail Tom on tos.tefl@<br />
citycable.ch <strong>for</strong> a copy of this eleven page<br />
interactive handout.<br />
For the rest of the time, with some guidance<br />
from Tom, we looked at some issues raised<br />
on his worksheet like ‘streaming’ versus<br />
‘podcasts’; ‘copyright’ versus ‘copy protection’;<br />
understanding different types of search<br />
engines; and what are ‘aggregators’?<br />
I was more than happy to go along with Tom’s<br />
loose control of the workshop where he acted<br />
more as a facilitator and we were allowed<br />
to explore his worksheet. However, I think,<br />
though most were more than happy with the<br />
quality of in<strong>for</strong>mation given, they would have<br />
liked more hands-on guidance about what to<br />
do.<br />
For the future there is obviously a need <strong>for</strong><br />
workshops which are <strong>for</strong> the less technical<br />
minded to help them with more step by step<br />
guidance about how to access the different<br />
types of multimedia and <strong>for</strong> other workshops<br />
which might take a piece of multimedia and<br />
show how to convert it into something that can<br />
be used in a lesson.<br />
Thanks to Tom <strong>for</strong> sharing his in-depth knowledge<br />
and starting the ball rolling.<br />
Tim Black<br />
Multimedia SIG<br />
B6<br />
Read and watch – using the movie of the<br />
Reader to motivate students to read<br />
Steve Pawlett<br />
I chose this workshop because I thought it<br />
was something different to the usual lectures<br />
and wanted to know if it really works. Well, I<br />
wasn’t disappointed when a friendly,<br />
motivated, well-prepared, confident and<br />
dynamic Steve Pawlett started by putting<br />
a few sentences to us and said, “Who said<br />
this and in which movie?” Wow, I thought,<br />
how does anyone remember sentences from<br />
movies? To everyone’s surprise there were<br />
participants who knew! This sort of broke the<br />
ice and everyone joined in automatically.<br />
Thanks to modern technology, we can now<br />
use movies easily in our classrooms. Visual<br />
ETAS Journal 24/3 Summer 2007 25
SIGDAY<br />
Special Interest Group<br />
images are important as they are memorable<br />
and motivating. When students know that they<br />
can watch a movie in class, the reading task<br />
involved does not seem such an uphill task.<br />
Steve also showed us many interesting activities<br />
that we can use with film clips.<br />
We watched a clip from Cry Freedom. We discussed<br />
feelings, impressions and questions.<br />
It was great as all the attending participants<br />
communicated spontaneously and we found<br />
ourselves in a very relaxed atmosphere.<br />
‘Vision on, sound off’ was an especially interesting<br />
guessing game. Actually, it was rather a<br />
brainstorming exercise with much laughter as<br />
we tried to reconstruct the dialogue! It amazed<br />
me how much one can take from a movie,<br />
<strong>for</strong> example, grammar, reading, writing and<br />
discussing.<br />
<strong>The</strong> second clip was a highly-charged<br />
emotional scene from <strong>The</strong> Elephant Man. We<br />
brainstormed a) visual images b) reactions<br />
c) sounds d) feelings and realised how much<br />
language had been generated - as well as<br />
having a lot of fun.<br />
<strong>The</strong> conclusion of this workshop revealed how<br />
easily one participates in reading questions<br />
and writing by watching. This is a great way of<br />
encouraging students to develop their reading<br />
and writing skills and can be used at all levels.<br />
Steve Pawlett definitely delivered what he<br />
had promised. Thanks, Steve, <strong>for</strong> all the great<br />
ideas we took with us and to OUP <strong>for</strong> sponsoring<br />
this workshop, which was attended by<br />
15 participants.<br />
Colleen Hasler<br />
Multimedia SIG<br />
C6<br />
Looking at the future with film<br />
Graham Workman<br />
For those of us who are always looking <strong>for</strong><br />
new ways to put across our ‘future’ lessons,<br />
this workshop presented by Graham<br />
Workman was just what the doctor ordered.<br />
By using futuristic films as a tool <strong>for</strong> awareness<br />
raising we, and hopefully our students,<br />
were propelled into the future down three<br />
exciting and thought-provoking avenues. <strong>The</strong><br />
first film was about the environment and the<br />
effects of global warming. Using <strong>The</strong> Day<br />
After Tomorrow directed by Roland Emmerich<br />
26 ETAS Journal 24/3 Summer 2007<br />
(2004), we saw how strange weather patterns<br />
could cause devastation on well-loved cities<br />
such as New York and Los Angeles. This film<br />
dramatically illustrates the effects of global<br />
warming, and its special effects will make your<br />
students sit up in their seats and want to talk<br />
more about it.<br />
<strong>The</strong> second film Gattica, directed by Andrew<br />
Nicole (1997), gave us a scary look at the<br />
future with regard to genetic engineering.<br />
Your students will love this film <strong>for</strong> its horrific<br />
virtual reality and it should provoke lively<br />
classroom discussions and a strong plat<strong>for</strong>m<br />
<strong>for</strong> the language requirements <strong>for</strong> advanced<br />
speaking tests.<br />
<strong>The</strong> next film Artificial Intelligence (A.I.), a<br />
science-fiction movie from director Steven<br />
Spielberg (2001), illustrates another popular<br />
futuristic topic – robots. Can robots love? Can<br />
a robot be created to love? In the movie a<br />
robot manufacturer, Roboter, attempts to do<br />
just this and creates David, a robot boy who<br />
is adopted by a family whose own son lies in<br />
a coma. David eventually longs to become<br />
‘real’ so that he can experience the love of his<br />
human mother. A provocative, thoughtprovoking<br />
as well as disturbing topic which will<br />
promote great classroom discussions <strong>for</strong> your<br />
advanced students.<br />
Graham’s language focus was not only ‘the<br />
future’ but rather a collection of well-designed<br />
speaking (predicting and reviewing), lexis<br />
(great collocations) and exam practice speaking<br />
tasks. As usual, his handouts were first<br />
class and suitable <strong>for</strong> immediate classroom<br />
use at B2-C2 levels.<br />
If anyone would like more in<strong>for</strong>mation about<br />
using these films in class, e-mail Graham at<br />
grahamworkman@aol.com. Thanks, Graham.<br />
Denise Mattsson<br />
Multimedia SIG Coordinator Report<br />
Another successful SIG Day has come and<br />
gone. This one was especially important <strong>for</strong><br />
me as it was in my own region and of course<br />
we wanted it to be as successful as all of the<br />
other ones. I think we can in all modesty say<br />
that we achieved our goal thanks to Vanessa<br />
and her team’s organisational skill and hard<br />
work – so thank you, Vanessa.<br />
As Coordinator <strong>for</strong> the Multimedia SIG it was<br />
a pleasure to be able to offer such a variety of<br />
workshops again. As technology is taking an<br />
ever-big place in our classrooms and our<br />
students - especially those of us who work<br />
with adolescents - are more computer than<br />
coursebook oriented, it was exciting to be<br />
able to have an insight into what podcasting<br />
actually is and how to integrate it into our<br />
teaching.<br />
I still haven’t worked out all of the ins and outs<br />
of this tool, but at least I have learned that is<br />
has nothing to do with an iPod! Thanks <strong>for</strong><br />
making that point clear, Tom!<br />
For those of us who either already know about<br />
podcasting or are too much in awe of this new<br />
dimension in the classroom to try it out, there<br />
was the chance to see how Readers, when<br />
used in connection with films, can turn even<br />
the younger generation into avid readers.<br />
Steve’s activities were motivating, combined<br />
various skills, and gave the participants ideas<br />
<strong>for</strong> activities <strong>for</strong> their own favourite book and<br />
film.<br />
Thank you, Steve, <strong>for</strong> sharing your know-how<br />
and humour with us.<br />
Those of us teaching examination classes are<br />
under terrible time pressure to get through the<br />
book, yet at the same time we would like to<br />
make the lessons as interesting as possible.<br />
Graham once again demonstrated that this<br />
is possible if we can just find the right film,<br />
combine it with challenging activities and voilà<br />
- the routine lesson about genetic engineering<br />
becomes livelier and students are actually<br />
using more sophisticated vocabulary to get<br />
their meaning across. As always Graham’s<br />
enthusiasm and knowledge of films, combined<br />
with his excellent handouts, made his<br />
workshop well worth attending. Also thanks to<br />
you, Graham.<br />
I’m sure that many of us know that lovely<br />
song sung by Sarah Brightman ‘Time to Say<br />
Goodbye’. That song has been going around<br />
in my head <strong>for</strong> a few months now and I have<br />
finally decided to heed its words. After many
years as an active member of ETAS I have<br />
decided that the time has come to hand over<br />
my job to someone with more time and also<br />
more initiative. I have enjoyed working with<br />
all of the presenters, the organisational teams<br />
and of course the ETAS Committee. I have<br />
learned a great deal in this job and would like<br />
to thank everyone <strong>for</strong> their support and their<br />
trust in me.<br />
I wish everyone lots of fun trying out what we<br />
learned from Tom, Steve and Graham, and<br />
look <strong>for</strong>ward to seeing all of you at our next<br />
AGM.<br />
Ilona Bossart<br />
Research SIG (RSIG)<br />
A7<br />
Doing TESOL research<br />
Simon Borg<br />
Simon Borg, Senior Lecturer in TESOL and<br />
Postgraduate Research Tutor <strong>for</strong> the School<br />
of Education at the University of Leeds, structured<br />
his presentation into three main parts all<br />
concerned with research:<br />
1. What is research?<br />
2. Why do research?<br />
3. How do you do research?<br />
Simon convincingly got one of his key<br />
messages across to the 18 participants:<br />
academic research cannot be a model <strong>for</strong><br />
teacher research. We often find teachers<br />
being scared away from doing research by<br />
thinking of it as academic research. By scaling<br />
down on what is research, classroom teachers<br />
lose their inhibitions concerning the time<br />
investment, which is the most often heard<br />
reason <strong>for</strong> not doing research.<br />
In a survey on why teachers do research the<br />
most frequent answers included improved<br />
teaching and professional development.<br />
<strong>The</strong>re are countless other reasons <strong>for</strong> doing<br />
research. Participants also mentioned that<br />
institutes of higher education more and more<br />
expect their teachers to do research as part of<br />
their work obligation. <strong>The</strong> presenter commented<br />
that such top-down decisions are likely to<br />
cause resentment.<br />
<strong>The</strong> last section of the presentation dealt with<br />
the way research could be done. <strong>The</strong>re will<br />
always be an extra requirement in time even<br />
<strong>for</strong> small-scale teacher research, but as mentioned<br />
above, by reducing the requirements<br />
the task becomes less daunting. Additionally,<br />
work can be shared by colleagues in<br />
collaborative approaches. When thinking<br />
about the data collecting options we realized<br />
that it does not always have to be a questionnaire:<br />
observation, learning materials, interviews,<br />
recordings can be equally efficient.<br />
<strong>The</strong> findings can be shared either orally (staff<br />
meetings, local teachers’ meetings, regional<br />
events) or in writing (website, noticeboards,<br />
newsletters, journals).<br />
Participants liked the clear and well-organized<br />
structure of the presentation. One said it was<br />
the best ETAS workshop she has been to yet.<br />
Other feedback, inspired by the presentation,<br />
looked ahead and wished <strong>for</strong> networking<br />
2007<br />
possibilities on an international level. This<br />
certainly has been a very competently led and<br />
reassuring meeting – is there anything more<br />
one could wish <strong>for</strong> the kick-off of our new<br />
Research SIG?<br />
Urs Kalberer<br />
Research SIG (RSIG)<br />
C7/9<br />
Classroom research and the whole teacher<br />
Alan Pulverness<br />
Developing teaching skills is a continuing<br />
process which should accompany every<br />
teacher throughout their career. It is so easy<br />
to get in a rut, run from lesson to lesson one<br />
year after the next, yearning <strong>for</strong> the summer<br />
holidays (which pass by all too fast) and<br />
then it’s back again, new faces, perhaps a<br />
different classroom, with a bit of luck a new<br />
coursebook, but basically the same thing all<br />
over again. <strong>The</strong> danger is when the ritual<br />
outweighs the creative; that is the straight<br />
road towards burn-out. This workshop showed<br />
us strategies to help keep us on our toes and<br />
retain the enthusiasm we started out with.<br />
Unlike teacher training, which is end-focused<br />
and limited in its time span, teacher development<br />
is about realising one’s own potential<br />
and aiming at “being one’s own best” (Adrian<br />
Underhill), and most importantly, developing<br />
one’s own style.<br />
Developing one’s classroom skills can be<br />
achieved through a systematic cycle of data<br />
collection, e.g. audio recording, video recording<br />
(daring!), teacher diary, student interviews<br />
and feedback, to name but a few. <strong>The</strong> three<br />
conditions <strong>for</strong> success are: don’t tackle what<br />
you can’t change, take on small-scale limited<br />
projects, choose something relevant to you<br />
and your students.<br />
This well-attended workshop was reviewed<br />
positively by most participants; a few<br />
comments from more experienced teachers<br />
indicated that there was not enough new<br />
input. Personally I felt it was a pity the groupwork<br />
tended to be somewhat rushed; fewer<br />
activities at a more leisurely pace would have<br />
brought more. However, all in all, it was a very<br />
interesting workshop. Thank you, Alan.<br />
Carol Siegenthaler<br />
ETAS Journal 24/3 Summer 2007 27
SIGDAY<br />
Special Interest Group<br />
School Management SIG<br />
A8<br />
What schools should know about social<br />
security<br />
Jürg Lehmann<br />
Roughly 10 school managers and freelancers<br />
attended this workshop including Claire<br />
Jackson, who had put in a great deal of work<br />
on the ETAS Committee to enable the ETAS<br />
BVG scheme to go <strong>for</strong>ward. Robin kicked off<br />
by reminding participants of the history of the<br />
ETAS social security scheme set up with<br />
Winterthur Insurance. <strong>The</strong> main point had<br />
been to offer a solution to part-timers who<br />
worked <strong>for</strong> two or three schools and did not<br />
reach the BVG minimum of roughly CHF<br />
19,000.- at either school, or only at one school<br />
but not at others. Clearly these teachers<br />
missed out on the benefits of the Second<br />
Pillar and exposed themselves to serious<br />
risks. Falling seriously ill was not a good<br />
idea if there was no Second Pillar scheme<br />
in place. Jürg answered a great number of<br />
questions with his customary professionalism.<br />
For instance, he pointed out that teachers<br />
should beware of ‘pseudo self-employment’<br />
implying that whoever worked <strong>for</strong> a school<br />
was basically employed and that authorities<br />
were not happy about ‘agreements’ which<br />
relieved schools of the obligation to pay their<br />
share of the BVG. <strong>The</strong> discussion showed<br />
that the ETAS BVG solution offers considerable<br />
advantages to freelancers and part-timers<br />
who work <strong>for</strong> different schools. However,<br />
some managers of larger schools employing<br />
full-timers felt they would need to consider an<br />
alternative to the ETAS BVG scheme which<br />
offered more benefits to teachers who teach<br />
all their hours <strong>for</strong> one school. Finally Jürg as<br />
the representative of a large insurance was<br />
reminded by participants that the percentage<br />
teachers and schools had to pay <strong>for</strong> accidents<br />
on and off the job was way too high and by no<br />
means reflected the low occupational hazards<br />
of the teaching industry. Jürg agreed and<br />
held out the hope that the year 2008 would<br />
see a revaluation of the UVG and how it was<br />
calculated in the case of teachers. Good news<br />
all along the line and many thanks, Jürg!<br />
Robin Hull<br />
28 ETAS Journal 24/3 Summer 2007<br />
School Management SIG<br />
B8<br />
???Problem students – school’s<br />
problems?<br />
Elsbeth Mäder<br />
Elsbeth Mäder started by distributing a<br />
number of cards with scenarios to participants<br />
who then started to think about possible<br />
solutions. As usual, Elsbeth prepared carefully<br />
and offered input in<strong>for</strong>med by many years of<br />
experience. <strong>The</strong> scenarios were so interesting<br />
that the discussion was able to cover only<br />
the first two or three and we all regretted that<br />
a mere 60 minutes had been reserved <strong>for</strong><br />
this workshop. Some of the problems which<br />
seemed to strike a chord with many school<br />
managers were students who do not have<br />
enough time to learn and do homework due<br />
to work pressure, students in their mid-50s or<br />
even early sixties who are pressurised by their<br />
employers into taking tests (shortly be<strong>for</strong>e<br />
they retire…), young learners who have been<br />
told by their primary or secondary school<br />
teachers that they lack the talent to learn<br />
languages, students who are in too much of<br />
a hurry to take examinations but are not yet<br />
at the level, students who do not want to pay<br />
<strong>for</strong> the three or four evenings they have not<br />
attended, students who have a chemistry<br />
problem with their teacher or their fellow students.<br />
<strong>The</strong> main benefit of this workshop was<br />
to hear how other school managers deal with<br />
these issues. Everyone agreed that Elsbeth<br />
should offer a follow-up workshop with the<br />
same focus some time in 2008. Well done and<br />
many thanks, Elsbeth!<br />
Robin Hull<br />
School Management SIG<br />
C8<br />
What is a qualified teacher? How to find<br />
them? How to keep them?<br />
Robin Hull<br />
<strong>The</strong> presentation covered a large number<br />
of issues related to selecting, recruiting and<br />
retaining staff. <strong>The</strong> aim was not to provide<br />
participants with ready-made answers, but<br />
rather to invite managers to reflect on their<br />
own schools.<br />
In a buoyant economy <strong>English</strong> teachers<br />
become more scarce while the number of<br />
students sharply increases. Robin pointed out<br />
that the time had come again <strong>for</strong> schools to<br />
increase their fees in order to offer better<br />
terms to their staff. <strong>The</strong> market, at least in<br />
larger cities in Switzerland, may now be ready<br />
<strong>for</strong> this, though it is by no means certain as<br />
competition remains fierce. <strong>The</strong>re are probably<br />
fewer and smaller language schools<br />
teaching <strong>English</strong> to adults now than there<br />
were 10 years ago. Where there has been<br />
a sharp rise in demand in 2007 schools are<br />
struggling to staff new courses and face a<br />
number of thorny problems, such as finding<br />
applicants, recruiting with the necessary care<br />
and professionalism, mentoring new staff<br />
properly whilst trying to offer existing staff an<br />
increasingly interesting package of pay, social<br />
security, the right teaching jobs, the desired<br />
number of hours and a professional development<br />
programme. Participants agreed that<br />
ETAS was an important organisation as it<br />
could assist in advertising jobs, providing<br />
professional development and by offering<br />
schools an attractive Second Pillar and Krankentaggeld<br />
solution. <strong>The</strong> discussion showed<br />
that larger schools would do well to offer more<br />
professional development opportunities to<br />
their staff. <strong>The</strong>re was a need <strong>for</strong> incentives <strong>for</strong><br />
experienced staff not to wander off into different<br />
careers. It seemed conceivable again that<br />
DELTA programmes would stage a comeback,<br />
together with post-CELTA programmes,<br />
language awareness courses and in-service<br />
teacher training workshops. Managers of<br />
larger schools also felt that membership of<br />
international school organisations such as<br />
EAQUALS and International House would<br />
help them to retain staff, as these organisations<br />
offered an impressive range of professional<br />
development packs <strong>for</strong> teachers. Working<br />
<strong>for</strong> an ‘accredited’ language school looked<br />
good in teachers’ CVs. Schools received<br />
unsolicited applications from teachers who<br />
had worked <strong>for</strong> similar schools abroad and<br />
- at least in some organisations – there was<br />
a sense of community extending beyond the<br />
individual school.<br />
Robin Hull
Teacher Development SIG (TD SIG)<br />
B9<br />
Learner types and task-based learning<br />
Paul Raper<br />
<strong>The</strong> presentation on ‘learner types and taskbased<br />
learning’ is part of Paul Raper’s MSc<br />
degree at Aston University and also his first<br />
presentation at an ETAS event.<br />
Paul first addressed the question of why there<br />
is a connection with students in some classes<br />
but not in others. As an example he focused<br />
on his engineer students and compared<br />
them to ‘normal’ students. A class full of<br />
engineers has different needs and a different<br />
learner style than other classes. According to<br />
research findings certain learner styles can<br />
be attached to a profession. This means that<br />
if you have a class of people from the same<br />
profession, particular learner types are found<br />
more often than others. If one’s teaching style<br />
and methodology is not adapted to students’<br />
needs and learner style, teacher and learners<br />
are not on the same wavelength. <strong>The</strong>re<strong>for</strong>e,<br />
learning cannot successfully take place<br />
because the lesson lacks meaningfulness <strong>for</strong><br />
the students. In his case of the engineers Paul<br />
found it very useful to introduce his version of<br />
task-based learning.<br />
This first part was followed by a brief look<br />
at the findings of researchers in the field of<br />
learner types such as Vester, Looss, Felder,<br />
Jung, Myers & Briggs, Caine & Caine and<br />
Gardner.<br />
Key aspects of Paul Raper’s presentation<br />
were:<br />
� learner styles can be attached to<br />
professions<br />
� learning is better context-based<br />
� task-based learning may promote learning,<br />
provided it is context-based.<br />
But what about the majority of us who are<br />
confronted with more heterogeneous classes<br />
and mixed-learner types? <strong>The</strong> reality is that<br />
we have a vast array of learner styles in our<br />
classes and there are some vital questions<br />
that remained unanswered. This presentation<br />
may not have been ground-breaking but I left<br />
the room with my own conclusions, which are:<br />
� My responsibility as a teacher is to find out<br />
as much as possible about my students.<br />
� Reflect on my lessons and per<strong>for</strong>mance in<br />
the classroom.<br />
� Be aware of my own teacher and learner<br />
2007<br />
style.<br />
IHC TEFLA have acquired “analogue” status<br />
� Include a selection of methods, techniques from eduQua, meaning that staff with an<br />
and tasks that appeal to different learner “analogue” qualification are suitably qualified<br />
styles.<br />
to teach in the school. Trinity College is currently<br />
involved in acquiring “analogue” status.<br />
Irene Wiesendanger<br />
A number of workshop participants with TEFL<br />
related degrees were naturally keen to know<br />
what their position was. However, so far no<br />
such status has been recognised <strong>for</strong> degree<br />
Teacher Development SIG (TD SIG)<br />
courses.<br />
B9.2<br />
A number of providers are currently offering a<br />
<strong>The</strong> SVEB Debate: what schools aren’t<br />
two-day bridge course to obtain the SVEB 1<br />
telling teachers<br />
Certificate. However, only holders of CELTA<br />
Jeanne C. Baer<br />
and IHC TEFLA may do this course. By the<br />
end of the workshop, we had established that<br />
<strong>The</strong> participants of this workshop included<br />
the only reason <strong>for</strong> acquiring this certificate<br />
both teachers and school managers who<br />
is simply to have a Swiss qualification when<br />
were clearly attending with the hope of get-<br />
dealing with non-TEFLA professionals or<br />
ting some clarification as to what exactly the<br />
employers! <strong>The</strong> workshop was certainly help-<br />
SVEB certificate is, and whether it is a necesful<br />
in clarifying the salient points regarding this<br />
sary qualification to have.<br />
certificate. Thank you, Jeanne.<br />
Jeanne, herself a teacher trainer, explained<br />
Nicola Chillingworth<br />
that the aim of the workshop was to give us<br />
answers to the following questions:<br />
� What is the difference between SVEB and<br />
CELTA/IHC TEFLA/Trinity cert. TESOL?<br />
� Do you, as a TEFLA teacher working in<br />
Switzerland, need to acquire the SVEB<br />
certificate?<br />
� Why are schools asking <strong>for</strong> the SVEB<br />
certificate regardless of your TEFLA<br />
qualifications?<br />
However, along the way we were able to raise<br />
our own queries, of which there were many,<br />
according to what qualifications we already<br />
had, or, in the case of the school managers,<br />
exactly what eduQua (the quality label <strong>for</strong><br />
Swiss Institutions in Adult Education) requires<br />
institutions to make sure their teachers have.<br />
<strong>The</strong> SVEB certificate is an in-service qualification,<br />
focusing only on the methodology<br />
involved in teaching adults. It can be done by<br />
anyone who wants to teach adults in any subject<br />
in which they already have a recognised<br />
qualification and teaching experience.<br />
In terms of content, there is no logical reason<br />
to take this course if you already have a<br />
TEFLA qualification. It is being offered, however,<br />
because members of eduQua wishing to<br />
acquire or maintain membership need to have<br />
staff who are qualified in adult methodology<br />
to SVEB 1 Certificate level or higher. Hence a<br />
number of schools are making it a<br />
requirement.<br />
Jeanne explained that both the CELTA and<br />
ETAS Journal 24/3 Summer 2007 29
SIGDAY<br />
Special Interest Group<br />
Teacher Training SIG (TT SIG)<br />
A10<br />
Language as a topic <strong>for</strong> the task-based<br />
classroom<br />
Dave Willis<br />
<strong>The</strong> stated aims of this workshop were:<br />
1) to show how language itself can be a<br />
relevant and worthwhile topic <strong>for</strong> learners,<br />
and 2) to use the insights gained from looking<br />
at language to develop lesson plans <strong>for</strong><br />
intermediate-level learners. <strong>The</strong> first aim was<br />
completely fulfilled but time limitations meant<br />
that <strong>for</strong> the second aim, participants came<br />
away with ideas rather than developed lesson<br />
plans. However, <strong>for</strong> most of the approximately<br />
thirty experienced teachers who took part, this<br />
was clearly acceptable.<br />
We looked first at some of the language topics<br />
we might ask learners to consider. <strong>The</strong>se<br />
included: collocation, how to be polite, fixed<br />
phrases, what is a dialect, and even, what is<br />
a language. Bees, whales and dolphins communicate<br />
but do they tell jokes and lies? Does<br />
this ability define language?<br />
We then focused on the differences between<br />
spoken and written language using a<br />
transcription of a recording of native speakers.<br />
Particular features of spoken language<br />
such as unusual word order resulting from<br />
bringing together the main topic points early<br />
in a statement, and frequent repetition, were<br />
noted and discussed. This led naturally to<br />
the subject of vague language exemplified in<br />
words and phrases like ‘sort of’, or ‘around’,<br />
‘about’, and so on. Do native speakers use<br />
these imprecise terms in order to sound less<br />
threatening? What are the equivalent terms<br />
in other languages? Do <strong>English</strong> speakers use<br />
these more than German speakers do?<br />
Such examination of language may seem<br />
rather theoretical, but learners as well as<br />
teachers can find such aspects valuable.<br />
As far as practical application is concerned,<br />
I immediately thought of its usefulness <strong>for</strong><br />
Cambridge classes: put a transcript of a spoken<br />
narrative into an acceptable written <strong>for</strong>m,<br />
eliminate redundancy, make the language<br />
more <strong>for</strong>mal, <strong>for</strong> example. <strong>Teachers</strong> of exam<br />
classes usually already do these things with<br />
their students, but the task-based approach<br />
certainly contributes focus and structure. It<br />
would have been interesting to have developed<br />
a lesson plan <strong>for</strong> a General <strong>English</strong><br />
class.<br />
Thank you, Dave Willis, <strong>for</strong> a stimulating work-<br />
30 ETAS Journal 24/3 Summer 2007<br />
shop accompanied by an excellent handout.<br />
Julia Blackwell<br />
Teacher Training SIG (TT SIG) & Young<br />
Learners SIG (YL SIG)<br />
B 10/12<br />
Using TPR creatively in the primary<br />
classroom<br />
Graham Workman<br />
Using Total Physical Response creatively in<br />
the classroom appealed to me as I expected it<br />
to be an active workshop, and I wasn’t disappointed.<br />
<strong>The</strong> room filled as Graham Workman<br />
welcomed everyone personally.<br />
First we were asked to predict how TPR<br />
works and then compared this to a toddler<br />
learning his first language. We watched a<br />
short documentary film from James Asher<br />
and saw that children learn in a stress-free<br />
environment and they first speak when they<br />
are ready. <strong>The</strong>ir initial language is mostly<br />
commands and they respond physically which<br />
means they listen and understand be<strong>for</strong>e they<br />
speak. We learned that TPR tries to mimic<br />
the way children learn their first language.<br />
Graham gave us many examples on how to<br />
use TPR, well, actually he made us do them.<br />
<strong>The</strong> class followed Japanese commands such<br />
as walk, run, and jump. Through the actions<br />
and repetition we learned the words. Later we<br />
were jumping out of bed, making coffee, and<br />
singing in the shower to see how we were<br />
learning the language through everyday situations.<br />
We were not only learning words like<br />
milk and chocolate, but through actions the<br />
collocation along with them, drinking milk and<br />
eating chocolate.<br />
Graham showed that TPR can be as simple<br />
as a cut and paste activity. After a physical<br />
break chant filled with rhyme and action to<br />
bring oxygen back into the brain, we thought<br />
of known stories where TPR elements could<br />
be used. <strong>The</strong> last activity showed the<br />
effectiveness of miming, and we were acting<br />
out gorillas, clowns, and toilets. This workshop<br />
showed the benefits of using TPR and<br />
many excellent examples.<br />
We learned by doing that TPR is memorable,<br />
kinesthetic and creates a sense of success. It<br />
is aptitude free, can be used <strong>for</strong> adults as well<br />
as children, and can be integrated with little<br />
preparation. Most of all Graham, allowed us to<br />
make the experience ourselves that learning<br />
with TPR means less stress and less stress<br />
equals more learning. Thanks to Graham <strong>for</strong><br />
another well-presented and action packed<br />
workshop.<br />
Sharon Mettler<br />
Teacher Training SIG (TT SIG)<br />
C10<br />
Writing to read: reading to write<br />
Antoinette Moses<br />
<strong>The</strong> aims of Antoinette Moses workshop were<br />
to demonstrate how classroom readers can<br />
be used in creative writing assignments that<br />
develop students’ writing skills as well as<br />
reading comprehension.<br />
<strong>The</strong> workshop included hands-on writing of<br />
short stories based on different angles that<br />
were created using her reader Jojo’s Story, a<br />
story about a child soldier with an unspecified<br />
location, which allows the reader to imagine it<br />
takes place anywhere in the world. She created<br />
writing assignments that developed our<br />
creativity by having us write from the perspective<br />
of the news journalist covering the story<br />
or from the child soldier that murders Jojo’s<br />
family. It was incredibly inspirational.<br />
We also wrote poems based on clues and<br />
questions given by her. <strong>The</strong>n we read the<br />
actual published poems, which had inspired<br />
the assignment, such as: This is Just to Say<br />
by William Carlos Williams, and Cats Sleep<br />
Anywhere by Eleanor Farjeon. It was delightful<br />
and intriguing.<br />
She offered so many ideas and resources that<br />
provided us with many exercises which we<br />
could take back and use in the classroom on<br />
Monday. I personally liked the eye-opening<br />
topics and being able to write about themes<br />
that I never thought about, such as the<br />
immense problem of children soldiers in the<br />
world today. Also, receiving ideas that students<br />
would actually really relate to was priceless.<br />
All of the participants were positively<br />
moved by this excellent workshop and gave<br />
rave reviews and feedback of this workshop.<br />
Tracy Tobler
Teen SIG<br />
A11<br />
Keeping boredom at bay<br />
Barbara Stucki-Schenk<br />
In a room of nearly 30 teachers keen to hear<br />
how to keep teenage students from being<br />
bored, Barbara took us through an actionpacked<br />
workshop of games and activities.<br />
We were able to have hands-on experience<br />
of several very interactive games, some new<br />
and others old favourites. One game Barbara<br />
has adapted <strong>for</strong> use in the ESL classroom is<br />
<strong>The</strong> Bomb. Students sit in a circle and are<br />
given a vocabulary or grammar task that<br />
requires a one word input. <strong>The</strong>y then get<br />
a plastic ticking bomb to pass around and<br />
the aim is to give a contribution as quickly<br />
as possible and hand on the bomb be<strong>for</strong>e it<br />
‘explodes’. <strong>The</strong> atmosphere becomes quite<br />
electrified and I can imagine this would<br />
certainly be an energy raiser on a dull day.<br />
Barbara also demonstrated other well-known<br />
games such as Battleship to drill the alphabet<br />
and numbers in a more enjoyable way than is<br />
often done.<br />
Barbara is very interested in songs and tries<br />
to start at least one lesson a week with a<br />
gap- fill exercise or other vocabulary discovery<br />
activity using a song text. Not only<br />
are the words in the song used, but also the<br />
background to the text. For example, who was<br />
Carly Simon talking about when she wrote<br />
‘You’re so vain’? For teenagers on the roller<br />
coaster of adolescent emotions, songs can be<br />
quite thought-provoking and provide interesting<br />
vocabulary and grammar examples.<br />
Many of the games and activities are quite<br />
time intensive to prepare but if used with<br />
different levels and parallel classes, the work<br />
pays off. <strong>The</strong> room was buzzing during the<br />
activities and Barbara’s enthusiasm <strong>for</strong> teaching<br />
and learning was obvious. <strong>The</strong>re was not<br />
enough time to explore the wealth of ideas<br />
and activities she had but we were given<br />
several handouts with descriptions of many<br />
other activities.<br />
Gabrielle Schiegg-Cleary<br />
2007<br />
Teen SIG<br />
C11.1<br />
Much, little or none, sooner or later…. but<br />
how much and when?<br />
Anick Mariller<br />
Anick had a full house <strong>for</strong> her first workshop. I,<br />
<strong>for</strong> one, had come along to see if I could glean<br />
some ideas to pass on to my own teachers<br />
because we are constantly confronted by<br />
multi-level groups in our language club <strong>for</strong> 3<br />
to 15-year-olds. Who isn’t ? How do we keep<br />
the one who finishes first from bugging the<br />
others whilst he has to wait, or allow that<br />
terribly slow student to complete at least a<br />
few sentences without making her once again<br />
feel low because she did not have the time to<br />
finish the exercise (sigh)?<br />
Anick is obviously confronted, like us all, with<br />
this problem every day, and showed us<br />
immediately, on a stand-up-and-show-theclass<br />
scale, where we considered our classes<br />
to be. Homogenous? No, obviously not.<br />
We were all standing bunched up somewhere<br />
around the middle, which showed that as<br />
a group, we were all concerned with the<br />
problems of a mixed-ability class in one way<br />
or another.<br />
Anick led a discussion about how we perceive<br />
our students. Do we consider our classes<br />
as A Class, or as a group of individuals who<br />
each have their own ways of learning? Are our<br />
tasks adapted to the individuals or are we just<br />
preparing our lessons <strong>for</strong> the average student<br />
mass within the class? What is a multi-level<br />
class and are teachers’ tasks appropriate?<br />
On a more detailed level, we looked at reading<br />
and writing, since this is an area where<br />
many multi-level problems frequently occur.<br />
Anick took us through a reading task scenario<br />
using small groups of students. <strong>The</strong> tasks<br />
<strong>for</strong> the groups were varied in level, allowing<br />
quicker or slower students to feel able to<br />
complete something. Looking at stories (stemming<br />
from a short video cartoon), creating<br />
a group story, then reading it, editing it, and<br />
reviewing it were some of the suggestions <strong>for</strong><br />
teenage classes. Anick also showed us other<br />
ways to allow students to feel satisfied with<br />
their work on different levels, including more<br />
story creating using objects, class work-plans<br />
so each individual works at their own pace,<br />
preparation using clear instructions and selfcorrection,<br />
different level reading tasks, and<br />
so on.<br />
ETAS Journal 24/3 Summer 2007 31
SIGDAY<br />
Special Interest Group<br />
On a personal level, this workshop was satisfying<br />
because it showed me that we are all<br />
concerned with multi-level classes, no matter<br />
how old the students are. Also, it opened discussion<br />
about our own possible solutions that<br />
we could find if we took more time to think<br />
things through properly <strong>for</strong> the different individual<br />
students. Lesson planning, preparing<br />
appropriate material, knowing our students<br />
well and thinking about potential difficulties<br />
are key elements to a more successful lesson.<br />
Thank you, Anick.<br />
Ruth Benvegnen<br />
Teen SIG<br />
C11.2<br />
Motivation and fun <strong>for</strong> your pupils: using<br />
Spot on magazine in the classroom<br />
Carrie Andrews<br />
<strong>The</strong> workshop with Carrie started off very well,<br />
with all of us getting a package full of useful<br />
material. Not only did we get two issues of<br />
Spot on but also a Spot on MORE! a Spot<br />
on EXTRA and two issues of Spot on in the<br />
classroom.<br />
<strong>The</strong>n Carrie explained the magazine to those<br />
of us who had never used it, which was quite<br />
challenging, as there are so many symbols<br />
used in the magazines: light bulbs mean the<br />
text is more difficult; the MORE sign tells you<br />
that there are extra exercises in the MORE<br />
magazine; POD on means there is a podcast<br />
online about the topic; a bomb means rude<br />
expressions are used and a loudspeaker<br />
means you can listen to the text online or on<br />
the phone. Once we got the hang of how it<br />
all worked, we had time to browse through all<br />
the issues, looking at the teaching ideas and<br />
exchanging our own ideas.<br />
<strong>The</strong>n Carrie showed us the Spot on<br />
homepage, which provided some of the ‘fun<br />
ideas <strong>for</strong> your pupils’ which the workshop title<br />
had promised. It is full of material you can<br />
download and use. <strong>The</strong>re is a new podcast<br />
every week, which you can burn onto a CD or<br />
play directly from the internet in the classroom.<br />
It is related to an article in the current<br />
magazine, but you can easily use it alone.<br />
You can also download audio files (including<br />
the tapescript) relating to certain articles<br />
- some taken from films or interviews, others<br />
from surveys or other interesting soundbites<br />
32 ETAS Journal 24/3 Summer 2007<br />
you can easily use in your classroom.<br />
So, all in all it was a really interesting<br />
presentation with good materials and a great<br />
homepage I’ll certainly visit again soon.<br />
Natalie Milsom<br />
Young Learners SIG (YL SIG)<br />
A12<br />
Classroom language<br />
Rosemary Smeets<br />
Eleven participants attended this lively, very<br />
in<strong>for</strong>mative and hands-on workshop as promised<br />
in the title. To relieve putting the onus on<br />
one person to do the write-up, some of the<br />
participants volunteered to do it collaboratively.<br />
Here are a few impressions from some<br />
of the enthusiastic participants:<br />
We enjoyed the interactive, hands-on activities<br />
with many very practical and interesting<br />
ideas which made this workshop so great.<br />
We were given excellent tips to teach children,<br />
especially the memory cards game - matching<br />
pictures of classroom objects such as a<br />
paper clip, a pencil sharpener, some glue, etc.<br />
with the appropriate words; and introductory<br />
activity – write the name of an object in the<br />
classroom on a post-in and stick it on the object<br />
and walk around the classroom looking at<br />
all the names. <strong>The</strong>n collect all the post-its and<br />
stick them onto the whiteboard in their respective<br />
category - which I will use and cannot wait<br />
to try it out in the classroom. <strong>The</strong> time flew! A<br />
very stimulating workshop. I appreciated the<br />
variety of activities Rosemary showed us. A<br />
very enriching workshop. Great workshop with<br />
lots of material and ideas to take home. Time<br />
passed so quickly. This was a great hands-on<br />
workshop. We were given ideas and examples<br />
and used them ourselves. One of the<br />
ideas I liked best was getting the students to<br />
imitate the language we use in the classroom.<br />
‘Be quiet!’ ‘May I borrow…’<br />
<strong>The</strong> workshop was totally hands-on from<br />
memory cards <strong>for</strong> learning classroom language<br />
to Play-Doh <strong>for</strong> giving and following<br />
instructions (children learning propositions,<br />
numbers, adjectives, comparatives, etc.)<br />
Thank you very much, Rosemary.
Young Learner SIG (YL SIG)<br />
C12<br />
How do children think and learn?<br />
Vicky Sereti<br />
This workshop emphasized the importance<br />
of making and doing in the young learners<br />
classroom. We looked at the tools available<br />
to the teacher such as rhymes, drama, songs,<br />
games and stories, and did several of the activities<br />
ourselves. One activity was ‘color and<br />
movement’. <strong>The</strong> teacher distributes a variety<br />
of colored strips of paper to the students. <strong>The</strong><br />
teacher then calls out a particular color and<br />
waves that strip of colored paper. All students<br />
repeat the color and those with the same<br />
colored strip of paper stand up and wave it in<br />
the air. <strong>The</strong> second step is <strong>for</strong> the teacher to<br />
show the colored strip and the students with<br />
the same color stand, wave the strip and give<br />
the color. <strong>The</strong> third step is to add the clapping<br />
of hands creating a rhythm as students waved<br />
and said colors.<br />
This simple activity demonstrated the<br />
importance of integrating speech and movement<br />
and involving the senses. It required<br />
concentration but at the same time was age<br />
appropriate and can be used to build on,<br />
which we did in a second activity, ‘me and<br />
you’. <strong>The</strong> purpose of this chant was to revise<br />
colors, practice directions, pronunciation,<br />
linking and coordination of speech and movement.<br />
This could be followed up with a skills<br />
activity focusing on guided writing by having<br />
the students create their own chant.<br />
Vicky stressed the importance of visual<br />
rein<strong>for</strong>cement, listening and repeating, and<br />
demonstrating actions then rehearsing along<br />
with the students when teaching at this level.<br />
It’s all child’s play with an added component. A<br />
language game will not only develop cognitive<br />
and motor skills but encourage and develop<br />
social skills as well.<br />
This workshop was an excellent combination<br />
of theory and practice. I would like to thank<br />
Vicky <strong>for</strong> her well-prepared, action-packed<br />
session, Express Publishing <strong>for</strong> providing<br />
the materials and ETAS <strong>for</strong> sponsoring the<br />
workshop.<br />
Donna Aebersold<br />
SIG Day Conference – May 12 2007<br />
Plenary given by Dave Willis<br />
Accuracy, Fluency and Autonomous<br />
Learning: A Three-Way Distinction<br />
Addressing an auditorium full of teachers and<br />
trainers with various backgrounds and levels<br />
of experience, Dave began his talk by disarming<br />
us with the notion that we can’t teach<br />
grammar because:<br />
� it’s too complex.<br />
� there’s too much of it.<br />
� that’s not how learners learn.<br />
“Good news,” thought many of us who still<br />
find teaching grammar a bit of a challenge.<br />
He didn’t let us off the hook, though. Instead<br />
he quickly pointed out that he wasn’t saying<br />
that we would never focus on grammar in the<br />
<strong>English</strong> language classroom, as grammar is<br />
needed:<br />
� to express some complex notions<br />
� to be receiver friendly (textual)<br />
� <strong>for</strong> precision (textual)<br />
� <strong>for</strong> presentation of self (interpersonal)<br />
� to respect the receiver (interpersonal)<br />
<strong>The</strong> defining difference between the two<br />
approaches involves either a focus on meaning<br />
or on <strong>for</strong>m. A focus on meaning was<br />
illustrated by the ‘macro-functions’ identified<br />
by Halliday:<br />
� ideational (getting the message across)<br />
� textual (making the message readily<br />
accessible)<br />
� interpersonal (taking account of the<br />
receiver and presentation of self)<br />
By contrast, a focus on <strong>for</strong>m, or accuracy,<br />
explained Dave, would include:<br />
� a focus on one or two <strong>for</strong>ms, specified by<br />
the teacher<br />
� learners’ language production is controlled<br />
by the teacher<br />
� the success of the procedure is judged in<br />
terms of whether or not learners do<br />
produce the target <strong>for</strong>ms with an acceptable<br />
level of accuracy.<br />
Nevertheless, learners benefit from having<br />
a break during a meaning-focused activity<br />
to contemplate how they can best express<br />
2007<br />
what they want to say. He said that this is the<br />
ideal moment in the lesson <strong>for</strong> the teacher to<br />
take part in the interaction and facilitate the<br />
discourse by rephrasing or clarifying the<br />
learner’s language as they are planning.<br />
SIG Day participants were then given the task<br />
of discussing the topic “How strict were your<br />
parents?” in pairs or groups. Using a set of<br />
questions as guidelines, we had the chance<br />
to try out, first-hand, the process of priming,<br />
mining and rehearsing which was designed<br />
to focus on meaning and fluency as well as<br />
on language and autonomous learning. <strong>The</strong><br />
first approach to the task required a focus<br />
on meaning. In other words, what would our<br />
answer to one of the questions be, and how<br />
to get this message across (ideational). It is<br />
during this planning stage that learners draw<br />
on the language resources they have<br />
(autonomous). At the report stage, learners<br />
then focus more on precision or accuracy<br />
(textual) and the presentation of self (interpersonal).<br />
<strong>The</strong> advantage of incorporating autonomous<br />
learning (focus on language) into the language<br />
task is that it:<br />
� maximises learning opportunities<br />
� encourages learners to incorporate ‘new’<br />
<strong>for</strong>ms in their language<br />
� promotes genuine learning<br />
Dave closed by reminding us of the fact that<br />
without autonomous learning, no one could<br />
possibly learn a language as the (language)<br />
systems are too complex and too numerous<br />
<strong>for</strong> conscious learning. His depicted his concept<br />
of the three-way distinction in this way:<br />
� Meaning<br />
� Language<br />
� Form<br />
� Autonomous learning<br />
� Fluency<br />
� Accuracy<br />
� Con<strong>for</strong>mity<br />
Judging by the number of references made to<br />
Dave’s plenary talk throughout the day, it was<br />
clear that the points had been well received<br />
and appreciated. Those not able to attend the<br />
event can find further reference to this topic<br />
in Dave and Jane Willis’ book which just hit<br />
shelves this May, Doing Task-Based Learning,<br />
published by Ox<strong>for</strong>d University Press.<br />
JoAnn Salvisberg<br />
ETAS Journal 24/3 Summer 2007 33
34 ETAS Journal 25/1 Winter 2007<br />
NEWS<br />
24th AGM and<br />
Convention<br />
Università della Svizzera<br />
Italiana, Lugano<br />
Saturday 12th and<br />
Sunday 13th January<br />
2008<br />
Call <strong>for</strong> Papers:<br />
ETAS SIG Day 2008<br />
<strong>The</strong> ETAS SIG Day 2008 will take place at the beautiful Berufsfachschule BBB in<br />
Baden on Saturday September 20, 200.8<br />
We are looking <strong>for</strong>ward to welcoming you! If you are interested in offering a presentation <strong>for</strong><br />
this event, please send an e-mail by 31st January 2008 to: JoAnn Salvisberg, ETAS Teacher<br />
Development Chair: tede@e-tas.ch and ask <strong>for</strong> the Call <strong>for</strong> Papers <strong>for</strong>m.
UPSTRM A4 15-02-07 15:34 Page 1<br />
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ñ Grammar Stream 1-4<br />
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For further in<strong>for</strong>mation, a visit by our representative or to order your free inspection copy, please contact our exclusive distributor <strong>for</strong> Switzerland and Liechtenstein.<br />
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..
News from Matopo Primary School,<br />
Zimbabwe<br />
Autumn Update<br />
A quarter of Zimbabweans – more than three<br />
million people – now live abroad, having fled<br />
the horrendous living conditions which now<br />
prevail. Many of these pay remittances to half<br />
of Zimbabwe’s families who depend on their<br />
friends and relatives <strong>for</strong> <strong>for</strong>eign currency and<br />
vouchers <strong>for</strong> food, fuel and medicine. Hyperinflation<br />
of over 4,500% is destroying the<br />
economy, <strong>for</strong>cing people to resort to bartering.<br />
Rural areas like Matopo are the worst off.<br />
All of this has resulted in Zimbabwe having<br />
the lowest life expectancy in the world: it has<br />
dropped under Mugabe from 60 to 37 <strong>for</strong> men<br />
and from 65 to 34 <strong>for</strong> women.<br />
<strong>The</strong>re is no hope of recovery until Mugabe’s<br />
regime is replaced. All of this makes our<br />
ef<strong>for</strong>ts to help Matopo Primary School seem<br />
futile … but how can we decline? Our donations<br />
have already given the teachers and<br />
children a small ray of hope, little victories<br />
which, I hope, will enable survival until the tide<br />
finally turns.<br />
As I reported in the Spring and Summer Journals,<br />
the ETAS Teacher-to-Teacher Project<br />
has already provided funds <strong>for</strong> books and<br />
uni<strong>for</strong>ms. Denis Paul, our on-site go-between<br />
on the project, was also able to bring in some<br />
36 ETAS Journal 25/1 Winter 2007<br />
NEWS Teacher-to-Teacher Project 2007<br />
basic supplies such as cooking oil from Botswana.<br />
I hope to use some of the remaining<br />
funds to assist with school fees <strong>for</strong> the neediest<br />
pupils, and <strong>for</strong> repairs to the crumbling<br />
infrastructure of the school.<br />
Many of my students, friends and colleagues<br />
have spontaneously come <strong>for</strong>ward with donations,<br />
large and small. One ETAS member<br />
(who prefers to remain anonymous), even<br />
donated his retirement bonus - SFr. 500.- to<br />
the project!<br />
One of my students, Sabrina Fasano from<br />
Ringier Print AG in Zofingen, took a special<br />
interest in the project and began busily calling<br />
up companies and asking <strong>for</strong> freebies. It was<br />
amazing what she came up with: paper and<br />
pens, an enormous box of coloured pencils,<br />
bags, even samples of Nivea cream! In the<br />
end we had 90 kilos of stuff to send to the<br />
school. <strong>The</strong> only problem was how to get it<br />
there! <strong>The</strong> postage would cost over SFr. 500.and<br />
I didn’t really want to use our hard-won<br />
ETAS donation money <strong>for</strong> that! But Sabrina<br />
didn’t give up. She kept on making her phone<br />
calls, and in the end she got the Swiss Post<br />
to cover the costs of sending the materials to<br />
Zimbabwe!<br />
By the time you are reading this, I will have<br />
already returned from visiting the school in<br />
October. This visit is especially important, as I<br />
will be leading a day-long series of workshops<br />
<strong>for</strong> the Matopo Primary School teachers as<br />
well as teachers from the surrounding primary<br />
and secondary schools. Right now I am busy<br />
preparing booklets <strong>for</strong> each teacher which<br />
will contain ideas <strong>for</strong> teaching <strong>English</strong> which<br />
require little or no materials. This is quite a<br />
challenge, as most published material these<br />
days highlights activities which need<br />
computers and internet access, not to say<br />
unlimited amounts of paper and drawing and<br />
writing equipment, and usually show children<br />
and teenagers living a lifestyle nothing at all<br />
like that of the people who live in Zimbabwe.<br />
Speaking <strong>for</strong> myself, however, I find that<br />
activities which use the students’ ideas and<br />
don’t have to have any whistles and bells are<br />
often the best anyway.<br />
So I am very much looking <strong>for</strong>ward to the<br />
event, as is everyone in Matopo. I plan to<br />
write up a report on it which should appear in<br />
the next Journal, with lots of pictures!<br />
A big thank you once again to everyone who<br />
has donated to this year’s Teacher-to-Teacher<br />
Project. Your help has really made a difference<br />
and touched the lives of many children<br />
who would otherwise be <strong>for</strong>gotten.<br />
Cindy Hauert<br />
e-mail: business@e-tas.ch
MEMBER MIX<br />
10 Ideas <strong>for</strong> Using Comic Strips and<br />
Cartoons in Language Teaching<br />
<strong>The</strong> visual element in comic strips and<br />
cartoons, which in many cases will be both<br />
amusing and topical, can be very motivating<br />
<strong>for</strong> some learners. <strong>The</strong>re are a number of different<br />
ways to use comic strips and cartoons.<br />
I have found the following simple activities to<br />
be fairly successful with classes at various<br />
levels from pre-intermediate to advanced:<br />
1) Comic strips typically consist of 4 to 6<br />
pictures telling a simple story, often with a<br />
joke or punchline in the final picture. Cutting<br />
the strip into individual boxes and getting the<br />
students to rearrange them into an appropriate<br />
order is a simple alternative to doing a similar<br />
activity with strips of text. However, it may not<br />
be quite as simple as it seems because<br />
ordering the pictures appropriately will often<br />
involve recognising discourse markers as<br />
well as putting the pictures themselves into<br />
an order that makes some sort of sense. You<br />
can either use a single strip comprising 4 to 6<br />
boxes (Fig. i) or a longer series of strips when<br />
you can cut up and mix four or five sets of 4<br />
to 6 boxes, requiring the students to decide<br />
a logical order <strong>for</strong> each set (Fig. ii). <strong>The</strong> first<br />
activity can be compared to rearranging the<br />
sentences within a paragraph, while the<br />
second activity is more or less equivalent to<br />
rearranging the paragraphs within a whole<br />
story.<br />
Fig. i<br />
�+ �+�+ �<br />
Fig ii.<br />
+<br />
+<br />
+<br />
2) As an alternative to gap-fill exercises with<br />
continuous text you can also try blanking out<br />
some or all of the speech bubbles in a comic<br />
strip. If you blank out the lines spoken by one<br />
character, the questions or responses given<br />
by the other character or characters will help<br />
the students to suggest possible responses or<br />
questions respectively. If you blank out all the<br />
speech bubbles, the students will have more<br />
scope <strong>for</strong> creativity, depending on what is<br />
going on in the pictures.<br />
3) Another activity you can use is blanking out<br />
all the speech bubbles in alternate boxes, so<br />
38 ETAS Journal 25/1 Winter 2007<br />
that the storyline is given continuity and the<br />
students have to fill in the speech bubbles in<br />
the blank boxes.<br />
4) For lowe- level students, simply blank out<br />
key words in some of the speech bubbles and<br />
either ask them to select words from a list to<br />
fill the gaps or ask them to suggest words that<br />
could logically fill the gaps.<br />
5) Combine activities 1) and 2) by cutting up<br />
a strip into individual boxes and also blanking<br />
out the speech bubbles in the final box. When<br />
the students have reordered the strip correctly,<br />
ask them to suggest possible endings.<br />
6) For a lesson that is more focused on structure,<br />
you could ask your students to rewrite<br />
a comic strip dialogue in reported <strong>for</strong>m. This<br />
might involve the use of verbs such as ask,<br />
reply, wonder, exclaim and so on.<br />
7) Ask your students to bring in examples<br />
of comic strips in their native language and<br />
ask them to work in pairs or small groups<br />
and translate a brief section into <strong>English</strong>. Ask<br />
them to compare their <strong>English</strong> versions of the<br />
original.<br />
8) Select five or six cartoons and remove the<br />
captions. Write the captions on the board and<br />
ask the students to guess what the cartoons<br />
might be or even draw the cartoons. For<br />
example, “He’s at a difficult age”; “How was<br />
your first day at school?”; “I think we’ve come<br />
to the wrong house”.<br />
9) Give the students two or three cartoons<br />
without captions and ask them to think of<br />
suitable captions <strong>for</strong> each cartoon.<br />
10) Give the students a worksheet with<br />
ten cartoons without captions and another<br />
worksheet with the ten captions in random<br />
order. Ask them to match the captions to the<br />
cartoons.<br />
Comic strips and cartoons can easily be<br />
found in the online editions of British and<br />
American newspapers. For a huge database<br />
of downloadable cartoons grouped according<br />
to category (e.g. medical, law, politics), go to<br />
www.cartoonstock.com<br />
You can download various comic strips from<br />
www.unitedmedia.com<br />
For sets of the Doonesbury cartoon strip that<br />
are typically published every day <strong>for</strong> a week<br />
in the International Herald Tribune (and <strong>The</strong><br />
Guardian), go to www.doonesbury.com<br />
Tim Bowen<br />
Tim Bowen has taught <strong>English</strong> and trained teachers<br />
in more than 20 countries, including Russia,<br />
China, Brazil, Germany, Hungary, Poland and<br />
Turkey. He graduated in Slavonic languages at the<br />
University of Leeds, did a postgraduate Certificate<br />
in Education (TESL) at the University College of<br />
North Wales, Bangor, and has an MPhil in the field<br />
of TEFL from the University of Southampton. He<br />
is co-author of <strong>The</strong> Pronunciation Book (Longman),<br />
Inside Teaching (Macmillan) and the student<br />
portfolios <strong>for</strong> Straight<strong>for</strong>ward (Macmillan), and<br />
author of Build Your Business Grammar (Thomson<br />
ELT) and the teacher’s books <strong>for</strong> the Attitude and<br />
Expressions series (Macmillan). He also writes<br />
regularly <strong>for</strong> the Onestopenglish website. His current<br />
interests include contrastive linguistics, etymology<br />
and pronunciation. Outside the classroom his<br />
interests include learning <strong>for</strong>eign languages, history<br />
and politics, long-distance running and (tragically)<br />
following Shrewsbury Town football<br />
Institutional Constraints and Resources<br />
– Implications <strong>for</strong> Teaching and the<br />
Convergence between Talk Inside and<br />
Outside the Classroom<br />
Introduction<br />
<strong>The</strong> objective of this paper is to contextualise<br />
and summarise the main points put <strong>for</strong>ward by<br />
Leo van Lier (2001) in his article ‘Constraints<br />
and resources in classroom talk: issues of<br />
equality and symmetry’ and to evaluate them<br />
in view of my personal and professional experience<br />
as a language teacher and learner and<br />
that of some of my colleagues. <strong>The</strong> sources<br />
I will refer to are van Lier’s article, Open University<br />
literature and Open University online<br />
conferences.<br />
Main points in van Lier’s paper<br />
In line with more recent thinking that sees a<br />
shift from ‘learner in isolation to contexts of<br />
learning’, Van Lier puts contexts at the centre<br />
of language teaching and language learning<br />
and consequently <strong>for</strong> doing research in this<br />
field. He inserts his analysis into the wider<br />
shift of language learning as a social function<br />
rather than notions to be acquired in a purely<br />
systematic way. Van Lier refers to two main<br />
types of classroom interactions related to<br />
language learning, namely teacher-learner<br />
and learner-learner interactions and considers
their implications <strong>for</strong> language learning and<br />
teaching in today’s contexts. <strong>The</strong> <strong>for</strong>mer is a<br />
more traditional approach in which techniques<br />
such as IRF (initiation-response-feedback)<br />
find their place. This type of interaction puts<br />
the teacher in control and gives generally<br />
little scope <strong>for</strong> dynamics similar to those that<br />
occur outside the classroom. <strong>The</strong> latter, on<br />
the other hand, to greater or lesser extents,<br />
facilitates ‘natural communication’, maintains<br />
intrinsic motivation, which is closely related<br />
to self motivation, own choice, and control of<br />
one’s actions, and provides learner autonomy,<br />
creating greater convergence between talk<br />
inside and outside the classroom.<br />
<strong>The</strong> backdrop to van Lier’s analysis is the<br />
language classroom and the resources and<br />
constraints, applied by institutional settings<br />
that aid or hinder language learning and<br />
teaching. He states that institutional settings<br />
can constrain the types of talk and create<br />
asymmetry and inequality and he questions<br />
the extent to which teachers are free to ignore<br />
them. Van Lier further argues that contingent<br />
talk offers greater equality and symmetry. He<br />
then considers the value of strategies typical<br />
of the two groups of interactions and their implications<br />
<strong>for</strong> language learning and calls <strong>for</strong><br />
change if teachers and schools are to provide<br />
better quality.<br />
Development and implications of van<br />
Lier’s arguments<br />
Issues of equality and symmetry<br />
Issues of equality and symmetry incorporate<br />
those of control and power versus negotiation<br />
and joint construction of talk. In teacher-learner<br />
interactions, teacher-fronted monologues and<br />
IRF structures tip the scale in favour of the<br />
teacher. This might also happen in learnerlearner<br />
interactions when the divide in skills<br />
and competences is such as to create noticeable<br />
imbalances, such as in native speaker<br />
and non-native speaker talk, or in more and<br />
less proficient non-native speaker talk. However,<br />
generally, learner-learner interactions<br />
“require an orientation toward interactional<br />
symmetry” (van Lier, in Candlin and Mercer,<br />
2001, p.98) which is expressed in “relations of<br />
contingency between an utterance and other<br />
entities, primarily other utterances (preceding,<br />
concurrent, and following), shared knowledge<br />
and relevant features in the world” (Gibson,<br />
1979 cited in van Lier in Candlin and Mercer,<br />
2001, p.98) and is most typically associated<br />
with conversational talk.<br />
In my experience of teaching in <strong>English</strong><br />
speaking and non-<strong>English</strong> speaking countries,<br />
where the language is being learned plays an<br />
important role in any further developments.<br />
In <strong>English</strong>-speaking countries learner-learner<br />
interactions tend to be in <strong>English</strong> (unless<br />
students are from the same linguistic background)<br />
and are more likely to be carried on<br />
outside the classroom. However, in non-<br />
<strong>English</strong>-speaking contexts, L1 tends to be<br />
the language used <strong>for</strong> peer communication<br />
and learner-learner interaction outside the<br />
classroom. <strong>The</strong> implications of this are that<br />
what happens outside the classroom comes<br />
into the classroom and what happens inside<br />
rarely goes out. In these contexts, learnerlearner<br />
interactions have to be designed by<br />
the teacher and then co-constructed with the<br />
students. Pollard (2007) raises an interesting<br />
point and question in saying that “even in<br />
a highly student-centred classroom it is still<br />
the teacher who sets the agenda... Does the<br />
teacher need to hand explicit control of the<br />
agenda over to the students, or is it enough to<br />
allow students’ interests and concerns to influence<br />
us as we plan lessons and courses?”<br />
MEMBER MIX<br />
(online conference).<br />
In my experience as a learner and teacher,<br />
the type of context that is artificially created<br />
(the roles and the objectives of the tasks at<br />
hand) becomes of great importance in ‘stimulating’<br />
and triggering learners’ instrinsic<br />
motivation and there<strong>for</strong>e simulating the patterns<br />
of ‘natural’ conversations where “contingent<br />
language use encourages, justifies and<br />
motivates grammaticalization” (van Lier, 2001,<br />
p. 99). This seems to be one of the driving<br />
<strong>for</strong>ces of Task Based Learning. Once again,<br />
the notion of contingency leading to grammaticalization<br />
finds a headstart in<br />
<strong>English</strong>-speaking countries where the<br />
contingent language use enters the realm of<br />
the learners’ resources more readily through<br />
exposure.<br />
Constraints<br />
As the title suggests, the classroom and<br />
classroom talk are the setting and the objects<br />
of van Lier’s analysis. Classrooms, however,<br />
are part of institutional settings which offer<br />
resources and constraints in the <strong>for</strong>m of<br />
“budgets, materials, equipment and the like,<br />
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ETAS Journal 25/1 Winter 2007 39
MEMBER MIX<br />
but also in the <strong>for</strong>m….of authority and power<br />
to set the agenda, control and evaluate the<br />
speech of others” (van Lier, 2001, p. 93). He<br />
does nevertheless question whether a teacher<br />
is free to ignore such (institutional) constraints<br />
in the interest of pedagogical action.<br />
My experience is that while generally there<br />
is scope <strong>for</strong> creating greater equality and<br />
symmetry in any classroom setting by including<br />
a variety of activities that follow different<br />
dynamics, the overall objectives set by the<br />
‘commissioners’ cannot be left out of the<br />
picture. Sometimes less noble ‘market <strong>for</strong>ces’<br />
take over from the more noble educational<br />
and pedagogical ones. For instance, companies<br />
may set micro functional objectives (e.g.<br />
learning to write e-mails or telephone talk in a<br />
restricted communicative context). As Furlong<br />
(2007) states, “the increasing focus on clear<br />
functional objectives and pressure on<br />
resources seems to be reducing learning<br />
space to almost nothing in so many areas<br />
and/or making the objectives so detailed<br />
that we get lost in them” (online conference).<br />
However, the teacher’s role remains vital in<br />
the co-construction of classroom dynamics. “It<br />
all comes back to keeping our lessons varied<br />
and using a range of teaching tools to move<br />
from dependence to autonomy” (Furlong,<br />
2007).<br />
Pedagogical value of IRF structures<br />
Van Lier considers the effects and potential of<br />
IRF (initiation-response-feedback) structures,<br />
which although a step ahead of totally frontal<br />
and teacher-led lessons, do not seem to<br />
respond to the current needs of co-construction,<br />
responsive teaching or critical pedagogy<br />
(Bowers and Flinders 1990; Shuy 1991;<br />
Darder 1991; Shor 1992 cited in van Lier,<br />
2001, p. 96). “Not only are students’ utterances<br />
often highly elliptical and syntactically<br />
reduced ……they provide little opportunity to<br />
the language learners <strong>for</strong> interrupting, turn<br />
taking and negotiating” (van Lier 1996a cited<br />
in van Lier, 2001, p. 96).<br />
In van Lier’s opinion, IRF sequences should<br />
be seen occupying a “continuum between<br />
mechanical and demanding where the depth<br />
of processing ranges from mere recitation to<br />
display to cognition and finally precision” (and<br />
there<strong>for</strong>e) “knowing the purpose of a particular<br />
IRF exercise, is crucial in determining its<br />
pedagogical value” (van Lier, 2001, p.95).<br />
40 ETAS Journal 25/1 Winter 2007<br />
<strong>The</strong> pedagogical benefit of IRF structures<br />
consist in their temporary existence which<br />
must lead to what Bruner (1983 cited in van<br />
Lier, 2001, p. 96) calls handover. “For handover<br />
to be possible, IRF must be abandoned<br />
at some point to make place <strong>for</strong> autonomous<br />
learner discourse … (and) this switch (is) a<br />
crucial pedagogical decision point”. (van Lier,<br />
2001, p. 96).<br />
IRF can play a role in a ‘Vygotskian’ perspective<br />
of zones of proximal development (ZPD).<br />
This is a situation where some activities and<br />
skills are positioned higher than the learners’<br />
competence and can be attained through the<br />
guidance of a more able companion. This<br />
system of “guiding a learner into an activity<br />
that initially is too complex (is) also called<br />
scaffolding” (Bruner 1983 cited in van Lier ,<br />
2001, p. 96).<br />
Similarly, in a more learner autonomous perspective,<br />
IRF structures must be considered<br />
“discoursal training wheels” (van Lier, 2001, p.<br />
97) and “pedagogical action must be oriented<br />
toward increasing levels of intrinsic motivation”<br />
(van Lier, 2001, p. 97). This means that<br />
IRF to be of real value must eventually “break<br />
its lockstep and yield to other participation<br />
patterns” (van Lier, 2001, p. 97). Finally, critical<br />
pedagogy aims to provide learners with<br />
the means <strong>for</strong> finding their own voices and so<br />
become “critical and autonomous learners”<br />
(van Lier, 2001, p. 97). With this objective in<br />
mind van Lier sees the potential of IRF as “a<br />
preparatory step toward more emancipatory<br />
<strong>for</strong>ms of discourse; … valuable not <strong>for</strong> what<br />
it is but, rather <strong>for</strong> what it potentially leads to”<br />
(van Lier, 2001, p. 97). As an example I refer<br />
to an instance where conditionals had been<br />
practiced in the morning (including IRF and<br />
freer practice). During a class dinner the same<br />
evening an interesting and spontaneous<br />
debate arose on adoption and fostering<br />
that moved on ‘contingently’ and through<br />
the grammatically correct use of conditional<br />
structures.<br />
Conclusions<br />
Language is not a mechanical set of rules that<br />
must be acquired and ‘per<strong>for</strong>med’. Language<br />
has a vital social role and far reaching<br />
implications. Through language society exists,<br />
identities are created, and rules and roles<br />
are established. <strong>The</strong> language classroom<br />
should be able to mirror these dynamics. <strong>The</strong><br />
changing role of the teacher from a position of<br />
authority and power to a catalyst <strong>for</strong> contingent<br />
communication, with greater symmetry<br />
and equality, is central to the shift that sees<br />
the incorporation or emulation of real life in<br />
the classroom.<br />
In his article, van Lier seems to come ‘full<br />
circle’. <strong>The</strong> circle closes with the notion that<br />
there are overlaps between teaching and<br />
learning contexts and that strategies from<br />
teacher-learner and learner-learner spheres<br />
are pedagogically valid, providing the main<br />
shift (part of a wider social shift) in approach<br />
and delivery is the common thread and linking<br />
factor.<br />
Nadia Marzocco<br />
Nadia Marzocco has been professionally active<br />
in the ELT world <strong>for</strong> over 15 years. She has a<br />
multicultural and multi-linguistic background, which<br />
is what sparked her early interest in languages,<br />
people, literacy and identity. She completed her<br />
MA in the Geography of Third World Development,<br />
in 1995 and, after an academic break, is currently<br />
studying <strong>for</strong> her PhD in Education. She also enjoys<br />
life outside the ELT environment.<br />
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Homophones, Homonyms and<br />
Homographs: some Exercises to Use<br />
Straight Out of the Box<br />
Homophones are words that sound the same<br />
but are spelt differently, PIECE and PEACE,<br />
<strong>for</strong> example. Now find the homophones that fit<br />
into the following pairs of sentences:<br />
1a. Although we were expecting them to be<br />
late, they turned up right on ... .<br />
1b. I’m afraid there’s rather a long ... so you’ll<br />
just have to be a bit patient.<br />
2a. Every night be<strong>for</strong>e I go to bed I ... <strong>for</strong> your<br />
good health and happiness.<br />
2b. A vulture is classified as a bird of ... .<br />
3a. You seem to have a real ... <strong>for</strong> languages<br />
and I’m sure you’ll make a fine linguist one<br />
day.<br />
3b. <strong>The</strong> survivors of the shipwreck sent up a<br />
... from the lifeboat when they saw a plane<br />
passing overhead.<br />
4a. How can I know ... you’re telling me the<br />
truth or not?<br />
4b. You’re as changeable as the ... so I never<br />
know what to expect.<br />
5a. Knowing your illness isn’t as serious as<br />
you had first thought it to be must be a great<br />
... off your mind.<br />
5b. I’m afraid there’s been a delay so you’ll<br />
just have to be patient and ... a bit.<br />
6a. Swimming here can be dangerous at<br />
times because of the strong ... .<br />
6b. Muesli is a breakfast cereal that contains<br />
nuts and ... .<br />
7a. Were you ... invited to the party or did you<br />
find out about it purely by chance?<br />
7b. He was ... a Cabinet Minister but now<br />
works voluntarily <strong>for</strong> a charity <strong>for</strong> the homeless.<br />
8a. If you put on your Wellington boots, you’ll<br />
be able to ... through the stream and cross<br />
over to the other side.<br />
8b. When I ... myself after my holiday, I found<br />
I’d put on three kilos and I needed to go on a<br />
diet.<br />
9a. Why do you moan and ... all the time?<br />
What on earth’s wrong with you?<br />
9b. How the children have ... since the last<br />
time I saw them!<br />
10a. <strong>The</strong>y say all’s ... in love and war but I’m<br />
not sure I agree.<br />
10b. I wonder how much the return ... costs.<br />
It’s likely to be little more than a single.<br />
11a. Although the authorities tried to ... the<br />
wreck from the seabed, un<strong>for</strong>tunately it<br />
proved to be impossible.<br />
11b. To protect you from the harmful ... of the<br />
sun, you should wear a high factor suntan<br />
lotion.<br />
12a. It’s as plain as the ... on your face!<br />
12b. Nobody ... the trouble I’ve seen!<br />
13a. A word is enough to the ... .<br />
13b. I don’t know all the ... and where<strong>for</strong>es of<br />
the situation, so I’m unable to comment on it,<br />
I’m afraid.<br />
14a. <strong>The</strong> trouble with you is that you can’t see<br />
the ... <strong>for</strong> the trees.<br />
14b. I ... if I could but I’m afraid I can’t.<br />
15a. My next-door neighbour always ... into<br />
my personal life and I find it really annoying.<br />
15b. My flatmate won first ... in a Poetry<br />
Competition.<br />
16a. <strong>The</strong>y say there’s no ... without gain and I<br />
have to say I’ve found it to be true in my case.<br />
16b. <strong>The</strong> ... of glass in the front window had to<br />
be replaced.<br />
ANSWERS: 1a. cue 1b. queue 2a. pray 2b.<br />
prey 3a. flair 3b. flare 4a. whether<br />
4b. weather 5a. weight 5b. wait 6a. currents<br />
6b. currants 7a. <strong>for</strong>mally 7b. <strong>for</strong>merly<br />
8a. wade 8b. weighed 9a. groan 9b. grown<br />
10a. fair 10b. fare 11a. raise 11b. rays<br />
12a. nose 12b. knows 13a. wise 13b. whys<br />
14a. wood 14b. would 15a. pries 15b. prize<br />
16a. pain 16b. pane<br />
Homonyms are words that are pronounced<br />
the same but have different meanings, FINE<br />
(adjective) and A FINE (noun), <strong>for</strong> example.<br />
Now find the homonyms that fit into the<br />
following pairs of sentences:<br />
1a. If people are happy the way they are, we<br />
should let sleeping dogs ... .<br />
1b. If you ... when under oath, you can be<br />
convicted of perjury.<br />
MEMBER MIX<br />
2a. Thread the cotton through the ... of the<br />
needle, then you can start to sew.<br />
2b. Please keep an ... on the children <strong>for</strong> me<br />
to make sure they behave themselves.<br />
3a. Every worker in the company has an<br />
important ... to play to ensure its success.<br />
3b. I hope we can stay together <strong>for</strong>ever - till<br />
death do us ..., as they say.<br />
4a. I’m single and I live on my ... in a studio<br />
flat.<br />
4b. Everything I ... will go to my children when<br />
I die because they are my sole heirs.<br />
5a. If you want a ... with a sea view, then you<br />
have to pay a supplement.<br />
5b. <strong>The</strong>re isn’t enough ... <strong>for</strong> all of us here so<br />
I’m afraid you’ll have to find somewhere else<br />
to stay.<br />
6a. <strong>The</strong> doctor will try to ... the patient with<br />
antibiotics to clear up the infection.<br />
6b. On my birthday, as a special ..., my partner<br />
brought me breakfast in bed.<br />
7a. One ... doesn’t make a summer.<br />
7b. When you’ve got a sore throat it’s difficult<br />
to ... .<br />
8a. If you exceed the speed limit, you have to<br />
pay a ... .<br />
8b. I’m feeling absolutely ... so please stop<br />
worrying about me.<br />
9a. If there was a General Election tomorrow,<br />
which political ... would you vote <strong>for</strong>?<br />
9b. I’d like to invite you to my birthday ... and I<br />
hope you can come.<br />
10a. To tell you the truth, you’re getting on my<br />
nerves and I’ll be pleased to see the ... of you.<br />
10b. If I’m going to stand up against the Director<br />
of the company, I need to know that my<br />
colleagues will ... me.<br />
11a. Reserve team football matches are an<br />
opportunity <strong>for</strong> coaches to ... new players.<br />
11b. It was a gruesome sight at the scene of<br />
the crime and it made my ... run cold.<br />
12a. Are you going to ... the bill, or shall we go<br />
Dutch this time?<br />
12b. I decided not to bring the car and I came<br />
on ... this time.<br />
13a. All work and no ... makes Jack a dull boy.<br />
ETAS Journal 25/1 Winter 2007 41
MEMBER MIX<br />
13b. Shakespeare’s most famous ... is<br />
probably Hamlet.<br />
14a. You can’t judge a ... by its cover.<br />
14b. If you want a low-cost flight, you need to<br />
... at least one month in advance.<br />
15a. I don’t know how you can justify such a<br />
position. You haven’t got a leg to ... on.<br />
15b. I can’t ... it when you keep nagging me<br />
all the time. How about giving me some peace<br />
<strong>for</strong> a change?<br />
ANSWERS: 1. lie 2. eye 3. part 4. own<br />
5. room 6. treat 7. swallow 8. fine 9. party<br />
10. back 11. blood 12. foot 13. play 14. book<br />
15. stand<br />
Homographs are different words that are spelt<br />
the same, ROSE (the flower) and ROSE (the<br />
past tense of TO RISE), <strong>for</strong> example. Now<br />
find the homographs that fit into the following<br />
pairs of sentences:<br />
1a. If you ... the way, I’ll follow behind you.<br />
1b. <strong>The</strong> … in the pencil is broken. Have you<br />
got a sharpener, please?<br />
2a. Why did you ... the letter up? I hadn’t read<br />
it yet.<br />
2b. I thought the news would upset you, but<br />
surprisingly you didn’t shed a ... .<br />
3a. <strong>The</strong>y had such a blazing ... with each<br />
other that I thought they were going to come<br />
to blows.<br />
3b. We had front ... stalls <strong>for</strong> the play so we<br />
were sitting right next to the stage.<br />
4a. I’m one of the very few people who have<br />
been lucky enough to hear the group play ... .<br />
4b. People who ... in glass houses shouldn’t<br />
throw stones.<br />
5a. In case of fire, you should ... the alarm.<br />
5b. Although they got lost along the way, they<br />
eventually arrived home safe and ... .<br />
6a. I did all the homework you set but I’m<br />
afraid I ... it at home.<br />
6b. I had no money ... so I had to ask a friend<br />
to lend me some.<br />
7a. It’s time you learnt the difference between<br />
what’s ... and wrong.<br />
7b. I thought you were going to be late again,<br />
42 ETAS Journal 25/1 Winter 2007<br />
but <strong>for</strong>tunately you arrived ... on time.<br />
8a. <strong>The</strong> coffee beans are roasted then ... into<br />
powder.<br />
8b. Don’t get too excited just yet because<br />
things could still go wrong and you need to<br />
keep your feet on the ... .<br />
9a. It’s time we brought matters to a ... and<br />
had a face-to-face meeting with each other in<br />
an attempt to clear the air.<br />
9b. I’m ... over heels in love with you and<br />
you’re the answer to all my prayers.<br />
10a. <strong>The</strong> ruling of the judge was highly controversial<br />
and there were many who considered<br />
that he had not been ... and had failed to act<br />
impartially.<br />
10b. Why should I always have to do all the<br />
dirty work? It’s ... not fair!<br />
11a. You need to be ... with the children or<br />
else they’ll walk all over you.<br />
11b. I work <strong>for</strong> a ... that makes software <strong>for</strong><br />
computers.<br />
12a. We don’t have a dishwasher so we do<br />
the washing-up in the kitchen ... .<br />
12b. When the Titanic was built, its designers<br />
What’s a Life Worth?<br />
proudly claimed it would never ... .<br />
13a. You’ve still got plenty of time. <strong>The</strong> plane’s<br />
not ... to take off <strong>for</strong> another two hours yet.<br />
13b. ... to the high level of unemployment in<br />
this country, a lot of young people are going<br />
overseas in search of work.<br />
14a. If you pass a wishing ..., throw a coin in<br />
and maybe your dreams will come true.<br />
14b. If you’re not feeling ..., you should make<br />
an appointment to see a doctor.<br />
15a. I’m looking <strong>for</strong>ward to going away, but<br />
I’m going to ... you and I just wish you could<br />
come with me.<br />
15b. A ... is as good as a mile.<br />
16a. I wanted to buy you a birthday ... but I<br />
don’t have any money so I baked you a cake<br />
instead and put a candle on it.<br />
16b. <strong>The</strong>y say there’s no time like the ..., so<br />
it’s important you make the most of it.<br />
ANSWERS: 1. lead 2. tear 3. row 4. live<br />
5. sound 6. left 7. right 8. ground 9. head<br />
10. just 11. firm 12. sink 13. due 14. well<br />
15. miss 16. presen<br />
Michael Berman<br />
In the shamanic story presented in this article a father, to save his life, gives his daughter’s soul<br />
away, but ultimately she gets her revenge. It was told to Vladimir Bogoras by Ai´wan, a Maritime<br />
Chukchee man, at Mariinsky Post, October 1900, and taken from Bogoras, W. (1910) Chukchee<br />
Mythology, Leiden & New York.<br />
<strong>The</strong> term shamanic story is used here to describe a story that has either been based on or<br />
inspired by a shamanic journey (a numinous experience in non-ordinary reality) or one that<br />
contains a number of the elements typical of such a journey.<br />
Vladimir Germanovich Bogoras (1865-1936) was a Russian writer and anthropologist, especially<br />
known <strong>for</strong> his studies of the Chukchee people. He had the opportunity to study them in North-<br />
Eastern Siberia from 1889-1899 when he was exiled there <strong>for</strong> what was labelled by the authorities<br />
as “revolutionary activity”.<br />
In the <strong>English</strong>-language teaching classroom the story could perhaps be used as a springboard<br />
into a discussion on arranged marriages or belief in the supernatural. Alternatively, you might<br />
like to consider the following question with your class: what would you be prepared to sacrifice to<br />
save yourself if your life was at risk?<br />
Sacrifice to the Sea<br />
<strong>The</strong>re lived one time a Maritime man. He had eight children. <strong>The</strong> youngest was a girl. One day
he went to hunt walrus. A storm came up,<br />
and he was carried out to sea. He was tossed<br />
about and nearly drowned. <strong>The</strong>n he said to<br />
the sea, “Oh, sea! Calm yourself! Do so, that<br />
I may still look upon the world! I will give you<br />
the best that I have, the nearest to my heart,<br />
the <strong>for</strong>emost dog, the leader of the team, one<br />
with a spotted skin I will give you.” <strong>The</strong> sea<br />
did not calm itself. “Oh, then, my youngest<br />
daughter, unmarried, a good one, clad in spotted<br />
skins! I will give her to you!” After that the<br />
sea smoothed down. He landed on the shore.<br />
<strong>The</strong>n he went up the shore, and entered the<br />
house. All the children were with him except<br />
the daughter, who still remained on the shore.<br />
<strong>The</strong> mother came out from the house. “Oh,<br />
oh, my child! You have roughed the storm!”<br />
She was quite sad. She looked down at the<br />
ground, and said, “Yes!” — “Come in, change<br />
your clothes, put on some dry ones.” She<br />
entered, downcast, as be<strong>for</strong>e. Just as she<br />
changed her clothes, the father entered. He<br />
took her by the hand, took his spear, and<br />
went to the seashore. <strong>The</strong>n he turned to the<br />
sea, and said, “Oh sea! Do not be angry. That<br />
which I promised, I give you now.” He pierced<br />
her with the spear, and left the body lying<br />
there on the shore. An abundance of blood<br />
covered the whole beach. It grew dark. She<br />
was lying on the sand lifeless. A certain man,<br />
a kind of Sea-<br />
Being (A´ñqa-va’ irġin) came to her and<br />
pushed her lightly with his toe. “Hallo! Get<br />
up! Let us go home!” <strong>The</strong>n after a little while,<br />
again, “Hallo! Get up! Let us go home!” At last<br />
she awoke and sat up: “Eġeġeġeġei´. I have<br />
slept quite long.” He took her to his house<br />
and married her. <strong>The</strong>y lived quite well and<br />
contented. <strong>The</strong>y had a large reindeer-herd.<br />
<strong>The</strong> daughter, of course, did not return home.<br />
Since the father said nothing, her mother<br />
thought, “Let me go and look <strong>for</strong> her! Where<br />
may she be?” She arrived at the place. <strong>The</strong><br />
bloodstains were on the ground, but the body<br />
had disappeared. She found and followed<br />
some footprints along the seashore. At last<br />
she came to a cliff. <strong>The</strong> tracks ran upward<br />
to the very top. She climbed up, and found a<br />
settlement on the very top. Her daughter was<br />
busy scraping skins. “Oh, it is here you are<br />
staying?” — “Yes.” She lived <strong>for</strong> some time<br />
with her daughter; then the daughter said, “Go<br />
and fetch father. I should like to see him also.”<br />
<strong>The</strong> old man was brought and pampered with<br />
food. <strong>The</strong> next morning the sea was rough<br />
again. She said to her father, “Let us go and<br />
have a look at the sea!” <strong>The</strong>y went to the<br />
very edge of the cliff. She said to him, “Look<br />
down upon the sea! How rough it is again!” He<br />
looked down upon the sea. She pushed him<br />
from behind, and he fell down, broke his back,<br />
and was taken by the sea. <strong>The</strong> end.<br />
Told by Ai´wan, a Maritime Chukchee man, at<br />
Mariinsky Post, October 1900 and taken from<br />
Bogoras, W. (1910): Chukchee Mythology,<br />
Leiden & New York.<br />
Michael Berman<br />
Michael Berman BA, MPhil (Wales), RSA Dip<br />
TEFLA, LTCL Dip TESOL is currently a full-time<br />
research student at Cardiff University and working<br />
as a part-time teacher at Ox<strong>for</strong>d House College in<br />
London. Publications include “A Multiple Intelligences<br />
Road to an ELT Classroom” and “<strong>The</strong><br />
Power of Metaphor” <strong>for</strong> Crown House Publishing<br />
and “<strong>The</strong> Shaman and the Storyteller” <strong>for</strong><br />
Superscript. Michael has been involved in TESOL<br />
<strong>for</strong> over thirty years and has given presentations<br />
at Conferences in Austria, Azerbaijan, Croatia, the<br />
Czech Republic, Cyprus, Finland, France, Georgia,<br />
Germany, Ireland, Italy, Poland, Romania, Russia,<br />
Scotland, Slovenia, Spain, Turkey, the Ukraine and<br />
Wales. Contact: Michaelberman@blueyonder.co.uk<br />
Website: www.<strong>The</strong>storyteller.co.uk<br />
Indian <strong>English</strong><br />
While talking to an ex-colleague a few weeks<br />
ago, I was reminded just how many different<br />
types there are of this language we call<br />
<strong>English</strong>. Twenty-four years ago, I had the<br />
good <strong>for</strong>tune to be the director of a brand new<br />
private hospital in England. I commissioned it,<br />
staffed it and then ran it <strong>for</strong> seven years.<br />
One of the people I employed was a lovely,<br />
young, aristocratic Indian Lady, called Ami<br />
(pronounced ‘Army’). Her job was to charm<br />
MEMBER MIX<br />
the patients and look after their accounts.<br />
She had been brought up in India and had<br />
been educated at an <strong>English</strong>-speaking public<br />
school there. Her husband, on the other hand,<br />
had been born in England, of Indian parents,<br />
and educated in England. He was a pharmacist<br />
and was now running his own successful<br />
business.<br />
Two years earlier, his parents had sent him<br />
over to their families in India to bring back<br />
the young lady they had chosen <strong>for</strong> him to<br />
marry. Negotiations had not taken very long<br />
because his parents already knew the bride’s<br />
family well. Nevertheless, his mother’s last<br />
piece of advice to him, as he went through the<br />
departure gate at Heathrow Airport, had been<br />
to “make sure she’s got good teeth”. Well, he<br />
came back with Ami. She had lovely teeth, a<br />
radiant smile and a personality that charmed<br />
us all.<br />
She also spoke ‘Indian’ <strong>English</strong>. She told us<br />
that her arranged marriage “will be definitely<br />
much more secure than the ones that you are<br />
having in England.” She knew, from the very<br />
beginning, that she would be entering into<br />
a relationship where both parties, who will<br />
always be wanting to have the best <strong>for</strong> each<br />
other, would be having to work hard to make<br />
it successful. She would not be having the impediment<br />
of a relationship <strong>for</strong>med during the<br />
period of temporary insanity that, over here,<br />
you are calling romantic love. Romantic love<br />
is, possibly, being fun <strong>for</strong> a short while but it<br />
was not being a basis <strong>for</strong> a lasting relationship;<br />
oh, golly no.<br />
You only have to read Damon Runyon’s comic<br />
masterpiece, On Broadway, to realise just<br />
what an unnecessary complication are all<br />
these tenses that we use. In my edition of the<br />
book, there are 49 short stories about New<br />
York low-life during Prohibition. <strong>The</strong>y are written<br />
almost exclusively in the present tense: no<br />
use of any past tenses and precious little of<br />
the future, or anything else. Yet, it works and<br />
it’s wonderful.<br />
Anyway, during the next two years that she<br />
was with us, Ami’s language, its rhythm and<br />
vocabulary became more like ours. But ours<br />
changed a bit as well. Instead of saying<br />
“I’m on my way”, or “I’ll be right down”, we<br />
all ended up saying, “Oh, I’m coming very<br />
quickly.”<br />
<strong>The</strong>n one day, just be<strong>for</strong>e lunch, she came<br />
into my office and said that she would like<br />
ETAS Journal 25/1 Winter 2007 43
to be registering <strong>for</strong> maternity leave. She<br />
was going to have a baby and I was the first<br />
person in the hospital she was telling. So,<br />
we sorted out the dates and then I said that<br />
we had better go down and have lunch and,<br />
there, she could tell all her friends the good<br />
news. Everyone congratulated her, of course.<br />
My colleague, the finance director, said, “Ami,<br />
that’s wonderful news. When’s the happy<br />
event?”<br />
“Oh,” she said, with a shy smile, “six weeks<br />
ago.”<br />
John Raggett<br />
MEMBER MIX<br />
<strong>The</strong> Place of a ‘Résumé’ in <strong>English</strong> <strong>for</strong> Occupational<br />
Purposes (EOP)<br />
A Practitioner’s Perspective<br />
1.0. ENGLISH IN THE INDIAN CONTEXT<br />
<strong>English</strong> is taught in most of the Asian countries<br />
as a <strong>for</strong>eign language and it is accepted<br />
by the takers as an international lingua franca.<br />
In that sense, it is taught and learnt as a<br />
second or sometimes even as a third or a<br />
fourth language and is essential <strong>for</strong> many job<br />
applications in these countries; <strong>English</strong> also<br />
has a vital role to play as a unifying factor.<br />
To cite an example, in Tamilnadu, a Dravidian<br />
state in India, most of the people speak<br />
Tamil, a two-thousand-year-old language,<br />
as their mother tongue. Hence a southerner<br />
in Tamilnadu may have Telugu, Kannada or<br />
Malayalam as the mother tongue, but he or<br />
she should be proficient in using the regional<br />
language Tamil <strong>for</strong> maintaining the ‘identity’<br />
in the main stream. <strong>The</strong>y need, however, to<br />
master <strong>English</strong> <strong>for</strong> occupational and academic<br />
purposes and he or she should also be familiar<br />
with Hindi <strong>for</strong> fulfilling national needs. <strong>The</strong><br />
case is true in the northern part of India too,<br />
where Hindi replaces the regional language.<br />
In general, all students have to master not<br />
less than three languages to obtain better job<br />
prospects.<br />
1.1. ENGLISH FOR THE JOB MARKET IN<br />
INDIA<br />
Foreign companies are fast entering the job<br />
44 ETAS Journal 25/1 Winter 2007<br />
markets of India and they are looking <strong>for</strong> the<br />
best to appoint as managers of their firms.<br />
Apart from the usual qualifications, they are<br />
also looking <strong>for</strong> interpersonal skills and an<br />
ability to deal with the unexpected. Globalisation<br />
means competition in the job market and<br />
only the best will win.<br />
2.0. A PORTRAIT OF YOUNGSTERS IN<br />
INDIA<br />
Young Indians are used to the fast food<br />
culture and the mushrooming of educational<br />
institutions offering more or less instant<br />
degrees naturally appeals. <strong>The</strong>se colleges<br />
offer easy degrees but the young people are<br />
disappointed afterwards when they have to<br />
struggle to gain a place in the job market,<br />
exchanging the pleasure palace of Xanadu <strong>for</strong><br />
the trials of the bullring. Reality kicks in when<br />
they have to submit a résumé.<br />
3.0 THE LACUNAE IN ELT<br />
<strong>The</strong> world of entry <strong>for</strong> youngsters seeking jobs<br />
is dinosaurian in magnitude and the entrant<br />
appears just a Lilliputian in the outside world;<br />
it takes considerable time to digest reality<br />
and to shed the ego. Whose fault is this? <strong>The</strong><br />
instructor of <strong>English</strong> Language Teaching (ELT)<br />
should have said that there is a difference<br />
between the <strong>English</strong> <strong>for</strong> Academic Purposes<br />
(EAP) and EOP. EAP is a sharp and minute<br />
tool; a skilled craftsman makes objects using<br />
it. A hammer shatters glass, but rather <strong>for</strong>ges<br />
steel. Is it too much to assume that the trainer<br />
should have taught how the hammer is to be<br />
handled?<br />
4.0. THE COMMON MISTAKES OF A<br />
‘RÉSUMÉ’<br />
<strong>The</strong> primary mistake of a résumé presenter<br />
is to exaggerate the academic achievements,<br />
ignoring the expectations of the employer.<br />
Often there exists confusion between a<br />
résumé and curriculum vitae (CV). <strong>The</strong> latter<br />
is what one has studied, taught, written,<br />
researched and exhibited. A résumé is a<br />
quick summary of what one has done, leading<br />
to an in-depth discussion in the interview. So<br />
there is no need to drown the employer in<br />
verbiage when a résumé is <strong>for</strong>warded. Often<br />
the résumé presenter <strong>for</strong>gets that there will be<br />
many more to play the musical chords more<br />
melodiously than he or she does. But usually<br />
employers are realistic in their expectations;<br />
they don’t cherish the sweetness of the<br />
melody composed by a novice.<br />
5.0. THE ROLE OF ELT<br />
We can there<strong>for</strong>e say that the <strong>English</strong> teacher<br />
has a great deal of responsibility to make the<br />
student aware of the importance of a résumé.<br />
which after all is the first contact that the<br />
employer has with the applicant. It has to be<br />
balanced – showing the merits and the willingness<br />
to make up the weaknesses.<br />
A résumé is not the stereotypical summary<br />
of a lesson that is kept ready <strong>for</strong> the examination,<br />
whatever be the question asked. A<br />
résumé has to per<strong>for</strong>m a function: the function<br />
of obtaining the outcome. <strong>The</strong> expectations<br />
and needs of the employer are to be assessed<br />
primarily and then a write-up comes<br />
to the focus. Inflated and bloated statements<br />
may cause disturbance in the long run.<br />
A résumé is not an exercise that is closed with<br />
the submission of it. Firstly it has to do the job<br />
of winning the toss*; secondly it has to do the<br />
function of standing testimony to the qualities<br />
described. Any gap in between will cause<br />
disturbance in the working or functional relationship.<br />
<strong>The</strong> ELT teacher becomes prominent<br />
here in telling the youngsters during EAP that<br />
one has to be sincere in expressions; “I shall<br />
be insincere within, but pretend intelligently<br />
when I speak” is the greatest myth that one<br />
can have.<br />
* “winning the toss” is a term derived from the<br />
<strong>English</strong> sport of cricket, a sport subsequently<br />
exported to the rest of the British Empire. Be<strong>for</strong>e<br />
a game starts, the umpire tosses a coin.<br />
<strong>The</strong> captain of one team calls “heads”. <strong>The</strong><br />
other captain, by default, must have “tails”.<br />
Whichever one has chosen the correct face<br />
showing when the coin comes to rest then has<br />
the right to decide whether his team should<br />
bat or field. So, in life, generally, “to win the<br />
toss” is to be one step ahead; to have the ability<br />
to choose the circumstances in which you<br />
do something. Ed.<br />
5.1. THE MULTIPLE RESPONSIBILITIES<br />
OF ELT<br />
So ELT is a medium where multiple crafts are<br />
taught. Grammatically accurate <strong>English</strong> is the<br />
need of EAP, and agreeable and communicative<br />
<strong>English</strong> are the needs of EOP. If we look<br />
deep, one is not different from the other. It is<br />
good to remember Jaques of As You Like It<br />
– one has to play all the seven stages of life,
each one efficiently and effectively, no running<br />
away from any one of them. ELT should<br />
be designed, like a tall banyan tree offering<br />
shade and shelter to animals, birds, humans<br />
and reptiles, to nurture different abilities and<br />
skills. Teaching ‘content’ alone in the classes<br />
of ELT or having an obsession to complete<br />
the syllabus will only produce undernourished<br />
children to this society. So it is obligatory <strong>for</strong><br />
an instructor of ELT to tell the student that a<br />
‘résumé’ should be prepared remembering<br />
that it is a touchstone of the real-life game and<br />
this instruction is to be given in the classroom.<br />
So the practical needs of the student and<br />
not the theoretical recommendations of the<br />
experts or the whimsical fancies of the instructors<br />
should decide the curriculum and the<br />
syllabi of ELT.<br />
Visuvasam Prakash<br />
Dr V. Prakash has been in the field of <strong>English</strong><br />
Language Teaching (ELT) <strong>for</strong> the past 30 years.<br />
Having taught Literature and ESL (ELT) to the<br />
undergraduate and the postgraduate students at<br />
the tertiary education in India (an approximate<br />
number of 50,000), he has established himself as<br />
an innovative instructor of <strong>English</strong>. At present he<br />
holds the position of the Head of the Department<br />
of <strong>English</strong> in Sacred Heart College, India. Some<br />
of his publications are: “<strong>The</strong> Inner Dimension of a<br />
Personality”, “An Intensive Course in Functional<br />
<strong>English</strong>”, “Hints on Making Short Speeches”,<br />
“Strengthen Your <strong>English</strong> – Book One”, “Blend of<br />
<strong>English</strong> Usage with Journalism”. His presentations<br />
have been accepted as talks and workshops by<br />
the organisers of the International Conferences in<br />
Aberdeen, Taiwan, Sharjah, Hawaii and Cali<strong>for</strong>nia.<br />
MEMBER MIX<br />
ETAS Journal 25/1 Winter 2007 45
Baden<br />
Workshop: <strong>The</strong> best thing you can do <strong>for</strong><br />
your students?<br />
Look after Yourself!<br />
Presenter: Sandra Ondraschek-Norris<br />
Date: 22nd June 2007<br />
As teachers, we are all familiar with the<br />
concept of burn-out, so anything aimed at<br />
preventing us from being sucked into that<br />
particular black hole is to be welcomed with<br />
open arms (or at least open minds).<br />
If teacher trainer and counsellor Sandra<br />
Ondraschek-Norris had come bearing only a<br />
mysterious potion promising a panacea <strong>for</strong> all<br />
our various woes and ailments, we might have<br />
been <strong>for</strong>given a healthy dose of scepticism.<br />
As it was, and as we all know, there’s much<br />
more to it than that.<br />
One of the workshop’s stated aims was to<br />
instill an awareness of self-management, with<br />
an especial focus on the word resilience – or<br />
the ability to bounce back, as we collectively<br />
understood it. This included learning about<br />
how resilience works best <strong>for</strong> each individual;<br />
recognising the warning signs <strong>for</strong> things which<br />
get us down; and practising something called<br />
distancing techniques. If I understood it correctly,<br />
this involves mentally detaching yourself<br />
as far as possible from the source of any<br />
conflict or stress, so that you are able to put it<br />
into some kind of perspective. At one point we<br />
were floating – metaphorically, of course – not<br />
only above the problem, but above the school,<br />
the country, the world and possibly higher,<br />
depending on your head <strong>for</strong> heights, that is.<br />
Another tip was to introduce into our lessons<br />
60 seconds of quiet time (or, in Sandra’s<br />
words: just take a moment to...). <strong>The</strong> benefit<br />
of this is to relax both teacher and students<br />
by focussing on such mundane matters as<br />
the weather, or the journey to class. Interest-<br />
46 ETAS Journal 25/1 Winter 2007<br />
REGIONS News and Events<br />
ingly, there was also a short discussion on<br />
the positive effects of yawning: how it aids the<br />
body physiologically, <strong>for</strong> example, and why<br />
it doesn’t necessarily mean that the student<br />
yawning in class is bored (phew!). Just <strong>for</strong><br />
good measure, we were even encouraged<br />
to have a good old yawn ourselves in order<br />
to sample the benefits first-hand. Much fun it<br />
was, too.<br />
Amidst all the theory and the jargon (hot<br />
buttons and thinking traps are two memorable<br />
phrases I took home with me), there was<br />
clearly much common sense and a practical<br />
focus on how we can learn to know and look<br />
after ourselves better. Burn-out, we were told,<br />
is invariably preceeded by warning signs, so<br />
the trick is to recognise your own warning<br />
signs and act on them accordingly, be<strong>for</strong>e it’s<br />
too late. To paraphrase what I think was one<br />
of Sandra’s own paraphrases (and a very nice<br />
one at that): how do we go on kindling fires<br />
without burning out ourselves?<br />
Kevin Foster<br />
Graubünden<br />
Workshop: Cambridge FCE – Focus on<br />
Paper 2<br />
Presenter: John Potts<br />
Date: 1st September 2007<br />
Within a relaxed and congenial atmosphere<br />
we looked at FCE (Paper 2) student exam<br />
preparation criteria. <strong>The</strong> workshop highlighted<br />
some important criteria necessary <strong>for</strong> teachers<br />
to successfully evaluate and assist the<br />
student.<br />
Anecdotes are always difficult to carry off at<br />
the best of times, but even more so during<br />
a seminar. Obviously, experience shows<br />
because all of John Potts’s anecdotes were<br />
both really funny and relevant to the point<br />
being made.<br />
During the workshop, we analyzed several<br />
constructive examples of exam questions and<br />
their subsequent evaluation assessments<br />
which demonstrated a clear, practical guide to<br />
accurate student appraisal.<br />
<strong>The</strong> suggestions and hints regarding writing<br />
and language activities provided a valuable<br />
source of practical advice which can be simply<br />
and effectively implemented in the classroom.<br />
<strong>The</strong> <strong>for</strong>thcoming changes to the exam paper<br />
content were also briefly reviewed and<br />
discussed. However, as far as the FCE writing<br />
section is concerned, these changes will be<br />
minimal.<br />
<strong>The</strong> seminar provided a useful approach<br />
to the question of how best to prepare the<br />
student <strong>for</strong> the writing section of the FCE<br />
exam paper.<br />
Practical guidelines of how to achieve this<br />
were effectively demonstrated by John.<br />
For example, while correcting a student’s<br />
writing task it is useful to highlight the posi-
News and Events<br />
tive aspects as well as the problem areas.<br />
Furthermore, it would be especially constructive<br />
to give a writing task report along with the<br />
corrected text. This would provide clarity and<br />
avoid misunderstandings <strong>for</strong> both the student<br />
and teacher.<br />
John’s pragmatic approach to the subject as<br />
well as the diverse handouts and booklets distributed<br />
during the workshop will provide the<br />
participants with a valuable ongoing source of<br />
in<strong>for</strong>mation, advice and reference.<br />
I would like to take this opportunity to thank<br />
John on behalf of all the workshop participants<br />
<strong>for</strong> such a lively, in<strong>for</strong>mative and entertaining<br />
presentation.<br />
Anna Steffner<br />
Valais<br />
Workshop: Reading with Graded Readers<br />
Presenter: Susanne Clavadetscher<br />
Date: 14th May 2007<br />
Joined by her Monday-evening audience at<br />
the HES-SO Valais Wallis in Sierre, Susanne<br />
began by explaining Longman’s reason <strong>for</strong><br />
introducing Graded Readers: to get students<br />
into reading <strong>for</strong> gist with relative ease and,<br />
most importantly, enjoyment.<br />
During the 90-minute interactive workshop,<br />
we became familiar not only with the wide<br />
range of Readers currently available, but<br />
also and especially with the impressive array<br />
of additional materials on hand <strong>for</strong> the busy<br />
teacher: Teacher’s Guides, Placement Test,<br />
Fact Sheets, Tests and Audio Packs.<br />
After a brainstorming session, Susanne supplemented<br />
our ideas on be<strong>for</strong>e-, during- and<br />
after-reading activities with a selection of her<br />
own examples, encouraging us to try some of<br />
them out with the hilarious Mrs. Doubtfire:<br />
Be<strong>for</strong>e<br />
� Guess the storyline by looking at the cover<br />
and chapter headings.<br />
� Discuss the theme of marriage – <strong>for</strong><br />
example, what makes a good one!<br />
� If the DVD is available (and of course<br />
many students will be familiar with Mrs.<br />
Doubtfire), play a short extract and, with<br />
the sound off, get students to work in pairs,<br />
one questioning the other about what s/he<br />
can see on the screen.<br />
During<br />
� Discuss the characters and recall the story<br />
so far.<br />
� Match dialogue and/or events to the<br />
relevant characters.<br />
� Choose a character and write his/her diary.<br />
� Per<strong>for</strong>m role-plays.<br />
� Listen to extracts from the accompanying<br />
CD.<br />
After<br />
� Discuss alternative endings.<br />
� Continue the story.<br />
� Write a review <strong>for</strong> the class magazine.<br />
REGIONS<br />
� Cast a film version of the book – which<br />
celebrity (or student) should play which<br />
character?<br />
On the question of which level to select, we<br />
were advised to use the Placement Test or, if<br />
possible, distribute Readers of various levels<br />
<strong>for</strong> students to experiment with, the idea being<br />
they shouldn’t need to look up more than a<br />
dozen words per page if at the appropriate<br />
level.<br />
Finally, we learnt about the new Penguin<br />
Active Reading series, ideal <strong>for</strong> providing<br />
extra activities, project work, access to related<br />
websites and an interactive CD-ROM into the<br />
bargain.<br />
Many thanks to Susanne <strong>for</strong> a worthwhile and<br />
enriching evening, from which we all came<br />
away with plenty of ideas <strong>for</strong> our first/next<br />
Reader class!<br />
Barbara Althaus<br />
For the latest in<strong>for</strong>mation on<br />
upcoming ETAS events, visit our<br />
website at www.e-tas.ch<br />
ETAS Journal 25/1 Winter 2007 47
<strong>English</strong> <strong>for</strong> academic study: Vocabulary<br />
Colin Campbell<br />
Garnet Publishing Ltd<br />
Coursebook (195 pages)<br />
ISBN 0-978185964898-8<br />
<strong>English</strong> <strong>for</strong> academic study is a series<br />
introducing new university students to presessional<br />
courses in language skills, helping<br />
them to develop strategies and knowledge <strong>for</strong><br />
reading and writing skills in particular. <strong>English</strong><br />
<strong>for</strong> academic study: Vocabulary is a self-study<br />
book aimed at students having an IELTS level<br />
between 5.0 and 7.0. This is a representation<br />
of a bandwidth pre-B2 to a good C1 CEF<br />
level.<br />
<strong>The</strong> book is comprised of ten units, of which<br />
the first five are concerned with raising a<br />
reader’s awareness of the need to assess a<br />
word’s definitions, its class, family, as well as<br />
to note any collocations and specific grammar<br />
to which the word may be linked. <strong>The</strong><br />
remaining five units offer the reader academic<br />
wordlists (AWL) and diverse exercises. <strong>The</strong><br />
appendices include an alphabetized version<br />
of each academic word sublist, an achievement<br />
test and the key to the exercises found<br />
in each unit.<br />
Readers will find an interesting introduction<br />
to the book, in which the author makes the<br />
suggestion of working through the book unit<br />
by unit. Tips on retaining vocabulary words<br />
such as repetition, or following the age-old<br />
axiom: the more you see a word, the more it<br />
becomes attached to your long-term memory,<br />
follow through with advising the reader on the<br />
importance of keeping a vocabulary notebook<br />
and especially jotting down how the word is<br />
used.<br />
Forgetting that we also review general<br />
education and teacher resource books, my<br />
first impression of this book was that it was<br />
too simplified <strong>for</strong> academic study. I would<br />
think that the majority of language learners<br />
would already be aware of the necessities<br />
in vocabulary learning. EFL teachers surely<br />
elucidate their students into the intricacies of<br />
learning words. On the other hand, this book<br />
is thorough and lightweight, meaning the<br />
basics taught in units 1-5 are studied or put to<br />
use in glimpses of specific vocabulary as the<br />
book briefly dips into diverse fields such as<br />
education, health, business, finance,<br />
48 ETAS Journal 25/1 Winter 2007<br />
REVIEWS a Look at Books<br />
economics, environment, etc. Each AWL<br />
sublist unit has the reader climb the rungs of<br />
a ladder: bottom to top – meaning of words,<br />
multi-meaning words, word classes, word<br />
families, prefixes, collocations, grammar and<br />
a review. <strong>The</strong> reader is employed to discover<br />
‘word entirety’ as they work their way through<br />
300 of the possible 560 word families of AWL.<br />
For this reason, yes, this book is recommended<br />
to all learners embarking on studying<br />
at university or other <strong>for</strong>m of higher education<br />
and especially recommendable <strong>for</strong> EFL<br />
language learners. Provided the reader<br />
works through the whole book, the ways and<br />
means of vocabulary learning will certainly be<br />
instilled. <strong>The</strong> other advantage is the addition<br />
made to their academic vocabulary base, or<br />
polishing of it. Considering my proficiency<br />
students and their request <strong>for</strong> vocabulary lists,<br />
I now know where to look!<br />
Janet Joos<br />
Ox<strong>for</strong>d Wordpower Dictionary<br />
Ox<strong>for</strong>d University Press 2006<br />
New 3rd edition with CD-ROM<br />
IBSN 0-19439925-7<br />
This dictionary is recommended <strong>for</strong> intermediate<br />
learners and professes not only to help<br />
students build their vocabulary fast, but also<br />
to help them learn how to use the new words.<br />
It claims to contain 36,000 examples of how<br />
words are used and 4,400 collocations. (Sorry,<br />
I am unable to verify these figures.) Weighing<br />
in at 700gr and measuring 20x13x3.5 cm, I<br />
would consider it to be of a suitable size <strong>for</strong><br />
accompanying students to their classes – as<br />
opposed to <strong>for</strong> pressing flowers at home. <strong>The</strong><br />
dictionary begins with a clear ‘Guide to the<br />
dictionary’ as well as a ‘Wordpower workout’,<br />
which trains the learner to use the dictionary<br />
optimally.<br />
<strong>The</strong> headwords stand out clearly in blue, and<br />
there are some nice illustrations. <strong>The</strong> ‘Ox<strong>for</strong>d<br />
3000 TM keywords’, the 3,000 words considered<br />
the most important to know, are denoted<br />
by a key icon. Grammar patterns go a little<br />
further than in the average dictionary in that<br />
they include extra help with certain words; <strong>for</strong><br />
example, by in<strong>for</strong>ming the learner what they<br />
cannot say.<br />
<strong>The</strong> learner is offered the usual irregular verbs<br />
list, phonetic spellings, geographical names,<br />
punctuation, and models <strong>for</strong> letter writing.<br />
E-mails and text messages also receive a<br />
mention, as does telephoning. Additionally,<br />
there is a brief summary of tenses and conditionals.<br />
<strong>The</strong> passive, reported speech, verb<br />
patterns, modals, prefixes and suffixes are<br />
all dealt with. Although, by necessity, these<br />
aspects are extremely condensed, I believe<br />
this section could be very useful <strong>for</strong> reference.<br />
Two pages are devoted to tips <strong>for</strong> learning<br />
vocabulary and a further page to important<br />
differences between British and American<br />
<strong>English</strong>. Dotted throughout the dictionary and<br />
highlighted in blue boxes are snippets of in<strong>for</strong>mation<br />
headed ‘more’, ‘help’, ‘topic’, ‘grammar’<br />
or ‘other words <strong>for</strong>’. For example, under<br />
the headword ‘insect’, in a ‘help’ box, we learn<br />
that: some other small animals, <strong>for</strong> example<br />
spiders, are often also called insects although<br />
this is technically incorrect. <strong>The</strong>re are indeed<br />
many interesting titbits offered, including a<br />
recipe <strong>for</strong> Shepherd’s Pie.<br />
Accompanying the dictionary are a 32-page<br />
activity booklet and a CD-ROM. <strong>The</strong> latter is<br />
reasonably easy to navigate and offers the<br />
complete Wordpower Dictionary as well as<br />
the Ox<strong>for</strong>d Learner’s Wordfinder Dictionary.<br />
‘<strong>The</strong> Ox<strong>for</strong>d Genie’ is also featured. It enables<br />
learners to look up words in e-mails or online.<br />
(Provided they are less ‘technically<br />
challenged’ than I am.) Additionally, examstyle<br />
exercises and games <strong>for</strong> extra practice<br />
are provided.<br />
What is missing from this dictionary? Well,<br />
I did notice a total absence of offensive or<br />
taboo words. Perhaps learners are always<br />
sheltered from vulgarisms until they reach<br />
the advanced threshold – I am not sure. In<br />
any case this dictionary would definitely be<br />
no help <strong>for</strong> learners hoping to increase their<br />
score in ‘Rude-Word-Scrabble’. For all other<br />
purposes, however, I believe it to be a very<br />
practical and interesting publication.<br />
Diana Herzog
a Look at Books<br />
Professional <strong>English</strong> in Use: Finance<br />
Ian Mackenzie<br />
Cambridge University Press 2006<br />
ISBN 0-521-61627-1<br />
As an integral part of the <strong>English</strong> Vocabulary<br />
in Use series, this self-study manual is<br />
composed of 50 units dealing with technical<br />
vocabulary specific to the field of Finance.<br />
Within this series is the all-new Professional<br />
<strong>English</strong> in Use series, which targets a more<br />
restrictive and technical readership in the<br />
areas of Law, In<strong>for</strong>mation Communications<br />
Technology, Medicine and Finance. This<br />
means that a true ef<strong>for</strong>t is being made by<br />
Cambridge to finally cover the individual and<br />
highly specific fields that make up Professional<br />
<strong>English</strong>. Does this mean that we can expect<br />
to look <strong>for</strong>ward to future works in areas such<br />
as Accounting, Management, Marketing, and<br />
others in domains such as Chemistry, Biology<br />
and myriads of other subjects?<br />
This particular volume is specifically intended<br />
<strong>for</strong> students in the intermediate to advanced<br />
levels (B1-C2) and rightly so as the content<br />
is rather technical. Like most of the publications<br />
in this series, it can be used either in the<br />
classroom, as supplementary study material<br />
or as a means of teaching oneself the intricacies<br />
of the finance world. It takes an in-depth<br />
look at key concepts, which are part of daily<br />
routine in the financial world. Ian is no novice<br />
in the field as he has published previous<br />
works in the same domain both with CUP and<br />
elsewhere. <strong>The</strong> book meets a visible need<br />
and prepares students <strong>for</strong> the new Cambridge<br />
International Certificate in Financial <strong>English</strong>.<br />
Much like the other books in the <strong>English</strong> in<br />
Use series, this one is very practical in terms<br />
of acquiring and making use of key concepts<br />
and language. <strong>The</strong> “over to you” section at<br />
the end of each lesson is a good attempt at<br />
putting this newly-acquired competence into<br />
practical everyday use in the thought-provoking<br />
situations provided.<br />
Vincent Vandersluis<br />
Skills in <strong>English</strong><br />
Reading, Writing, Speaking and Listening<br />
Level 2<br />
Speaking Level 3<br />
Terry Phillips and Anna Phillips<br />
Garnet Education<br />
ISBN 1-85964791-X<br />
ISBN 1-85964782-0<br />
ISBN 1-85964783-9<br />
ISBN 1-85964781-2<br />
ISBN 1-85964780-4<br />
This is a skills-based course with 3 levels <strong>for</strong><br />
beginners to upper-intermediate level. <strong>The</strong><br />
course is designed to prepare students <strong>for</strong><br />
skills-based examinations such as the International<br />
<strong>English</strong> Language Testing System<br />
(IELTS).<br />
<strong>The</strong>re are four books per level. Each book<br />
covers a skill; reading, writing, speaking and<br />
listening, and there is a Teacher’s Book and<br />
test package within the set.<br />
All the books are linked by the same continuing<br />
theme and are designed to be used<br />
interchangeably.<br />
I loved the flexibility this course offers with<br />
the possibility of choosing the skills covered<br />
in each lesson, all linked by the same theme.<br />
<strong>The</strong>re are 4 lessons in a theme and each<br />
of the 4 lessons are based around a learning<br />
technique within the skill being covered.<br />
<strong>The</strong>se techniques are continued throughout<br />
the book. <strong>The</strong> writing skills book covers<br />
vocabulary, writing, learning new skills and<br />
applying new skills.<br />
<strong>The</strong>re are also skills checks throughout the<br />
books which are either grammatical or directly<br />
based on the skill being covered. In the listening<br />
book, <strong>for</strong> example, there is a skills check<br />
<strong>for</strong> making notes and another <strong>for</strong> using<br />
comparatives.<br />
<strong>The</strong> books are set out very clearly and have a<br />
good amount of written and visual elements.<br />
<strong>The</strong>y are easy to understand and in general<br />
each new lesson starts on a new page so it is<br />
easy <strong>for</strong> the students to follow.<br />
If I had a criticism of the book it would be the<br />
length. <strong>The</strong>re are only 10 themes per book<br />
and although there are 4 lessons per theme<br />
there is the tendency to cover 2 lessons at a<br />
time from just 2 of the books depending on<br />
the length of the lesson. I did particularly like<br />
REVIEWS<br />
the themed wordlists that identified the words<br />
by their grammatical name, and there are final<br />
summaries of the wordlists at the end of the<br />
book which are organised thematically and<br />
alphabetically.<br />
<strong>The</strong> Teacher’s Book is also very well set out<br />
and very clear to follow. <strong>The</strong>re are, however, a<br />
lot of blank pages after every lesson which is<br />
ideal <strong>for</strong> writing notes but tends to be irregular.<br />
<strong>The</strong> Teacher’s Book is great because it has<br />
a small copy of the Student’s Books in the<br />
corner so you do not have to keep referring to<br />
the Student’s Book, which is really ideal in this<br />
course as there are so many books. <strong>The</strong>re is<br />
also a methodology note which is very helpful<br />
and useful to refer to.<br />
In general I really liked this course and I would<br />
recommend it to anyone preparing <strong>for</strong> a skillsbased<br />
exam. Rather than focusing on exam<br />
preparation, the books focus on the skills<br />
needed <strong>for</strong> skills-based exams. I thoroughly<br />
enjoyed using this course and there was a lot<br />
of positive feedback from the students.<br />
Louise Gladwin<br />
Skills in <strong>English</strong>: Reading Level 3<br />
2nd edition, 2005<br />
Terry Phillips and Anna Phillips<br />
Garnet Education<br />
Coursebook and Resource Book<br />
ISBN: 1-85964792-8<br />
Teacher’s Book ISBN: 1-85964796-0<br />
Garnet’s Reading Level 3 book in their comprehensive<br />
four-level Skills in <strong>English</strong> course<br />
is <strong>for</strong> intermediate to upper-intermediate<br />
learners of <strong>English</strong> with a score of 5.0-5.5 on<br />
the IELTS or 500-527 on the TOEFL. Although<br />
it is not a strategy book, it drills the skills<br />
they test and raises learners’ general level of<br />
language ability. Its teaching method is testpresent-test,<br />
which intends first to sensitize<br />
learners by raising their awareness and then<br />
to present, produce and revise skills. Within<br />
the series of interrelated books, it revises and<br />
augments theme-related vocabulary as well<br />
as academic reading skills.<br />
<strong>The</strong> beginning of each unit emphasizes<br />
building up vocabulary. Previously introduced<br />
words printed in red are revised while new<br />
words printed in green are introduced in<br />
ETAS Journal 25/1 Winter 2007 49
context. At the back of the book the lexis is<br />
grouped thematically and listed alphabetically.<br />
What kinds of reading skills are we talking<br />
about? <strong>The</strong>se include finding the main point<br />
of an article, learning precise vocabulary,<br />
mastering negative prefixes, finding the main<br />
in<strong>for</strong>mation in active and passive sentences,<br />
analyzing complex sentences containing<br />
relative clauses and/or participles, looking <strong>for</strong><br />
evidence, understanding internal definitions,<br />
predicting, understanding the writer’s attitude<br />
and making inferences.<br />
Its ten topics include education, daily life, work<br />
and business, science, the physical world, culture<br />
and civilization, labor-saving devices, arts<br />
and literature, sports and leisure, and nutrition<br />
and health. Each four-page unit is meant to be<br />
covered in two two-hour classes. Treating topics<br />
which learners can relate to helps motivate<br />
and activate them. For example, unit three<br />
provides a survey questionnaire containing<br />
14 factors which people looking <strong>for</strong> a job take<br />
into consideration. After reading the relevant<br />
articles in the Resource Book, learners can<br />
interview their classmates who rank these<br />
factors, then evaluate and tabulate the results,<br />
and finally write a report or an article. Thus,<br />
utilizing exercises like this also helps transmit<br />
academic methods by learning by doing.<br />
<strong>The</strong> substantial Teacher’s Book contains<br />
answer keys, supplementary in<strong>for</strong>mation, tips,<br />
special language and culture notes especially<br />
geared <strong>for</strong> Arabic students. Notes <strong>for</strong> students<br />
of other cultures can be found on the website<br />
along with a downloadable test <strong>for</strong> each unit,<br />
a revision test after units 1-5, a final test after<br />
unit 10, and vocabulary and grammar games.<br />
<strong>The</strong> high-quality pdfs, printable, adaptable<br />
and resizable, require access to broadband,<br />
but downloading them still takes a lot of time.<br />
Reading Resources containing one article<br />
per theme provides a considerable amount<br />
of input, which can be discussed or used to<br />
generate writing tasks.<br />
I like the boxes with the ‘skills checks’ which<br />
could be adapted <strong>for</strong> board work. <strong>The</strong>y assume<br />
students have been exposed to the<br />
key points of the unit, but that they are not<br />
yet able to use them correctly. In addition, the<br />
authentic texts are brimming with the grammatical<br />
structures being handled, while the<br />
exercises focus on locating and manipulating<br />
them.<br />
Based on the assumption that some<br />
50 ETAS Journal 25/1 Winter 2007<br />
REVIEWS a Look at Books<br />
learners need to focus on certain skills more<br />
than others, the books in the series are published<br />
separately. Thus, teachers can focus<br />
on one skill at a time or combine segments<br />
of it. Cost-wise they are by no means more<br />
economical than traditional four-skills-in-one<br />
coursebooks, but this one practices valuable<br />
reading skills needed to excel on tests or in<br />
academic life in a focused manner. Learners<br />
of <strong>English</strong> who are about to begin a course<br />
of studies using <strong>English</strong> on a tertiary level<br />
would find working through Reading Level 3<br />
beneficial.<br />
Margret Rohmeder<br />
Telephone <strong>English</strong><br />
John Hughes<br />
Macmillan 2006<br />
ISBN 1-40508221-6<br />
<strong>The</strong> title may be simple and straight<strong>for</strong>ward,<br />
but it’s a topic that makes many ESL students<br />
cringe. Telephone <strong>English</strong> aims to help learners<br />
feel more confident when using the phone.<br />
Divided into five language review units, the<br />
book covers both everyday and business<br />
situations. Thanks to the clear contents page,<br />
it’s easy <strong>for</strong> teachers and students to find<br />
exercises related to specific tasks like taking<br />
messages, confirming arrangements, selling<br />
on the phone, etc. For pairwork, there are<br />
about 30 role-plays.<br />
In addition to the answer key, the back of the<br />
book also includes complete listening scripts<br />
plus a convenient phrase bank of useful<br />
expressions. Meanwhile, the accompanying<br />
CD has a secure pouch attached to the back<br />
cover. <strong>The</strong> CD itself is of good quality and<br />
offers a range of accents.<br />
<strong>The</strong> book’s layout is simple and features just<br />
a few black-and-white illustrations. Having<br />
watched students struggle to write on pages<br />
bursting with fancy design elements, I welcome<br />
the extra white space. As <strong>for</strong> the content,<br />
it’s spot-on. I tested it on some students,<br />
and they found it to be interesting, useful and<br />
realistic. Used on its own or as a supplement<br />
to a standard coursebook, Telephone <strong>English</strong><br />
is a good investment.<br />
Susan Vogel-Misicka<br />
If you would like to write a review <strong>for</strong> the<br />
ETAS Journal and earn the review copy, contact<br />
Nicola Martignoni at bookreview@e-tas.ch<br />
Books to Review<br />
GRAMMAR<br />
RAYMOND MURPHY<br />
Essential Grammar in Use new edition with<br />
CD-ROM, Cambridge University Press<br />
ISBN 978 0 521675437<br />
MICHAEL McCARTHY and RONALD CARTER<br />
Cambridge Grammar of <strong>English</strong> with CD-ROM<br />
Cambridge University Press<br />
ISBN 978 0 521674393<br />
DEREK SELLEN<br />
Fusion, a reference and practice book in<br />
vocabulary and grammar (Basic to intermediate)<br />
with Audio CD-ROM, BlackCat Publishing<br />
ISBN 978 88 53006172<br />
HESTER LOTT<br />
Real <strong>English</strong> Grammar (Intermediate)<br />
Marshall Cavendish Education<br />
ISBN 0 462007448<br />
HESTER LOTT<br />
Real <strong>English</strong> Grammar (Pre-Intermediate)<br />
Marshall Cavendish Education<br />
ISBN 0 462007448<br />
NORMAN COE, MARK HARRISON and KEN PATERSON<br />
Ox<strong>for</strong>d Practice Grammar (Basic)<br />
with CD-ROM, Ox<strong>for</strong>d University Press 2006<br />
ISBN 0 194309142<br />
Cambridge Learner’s Dictionary new edition with<br />
CD-ROM, Cambridge University Press<br />
ISBN 052 1682022<br />
Ox<strong>for</strong>d Student’s Dictionary B2-C1<br />
Ox<strong>for</strong>d University Press<br />
ISBN 0 194317474<br />
SKILLS<br />
RICHARD HARRISON<br />
New Headway Academic Skills 1<br />
Student’s Book, Ox<strong>for</strong>d University Press<br />
ISBN 978 0 194715584<br />
SARAH PHILPOT<br />
New Headway Academic Skills 2<br />
Student’s Book, Ox<strong>for</strong>d University Press<br />
ISBN 978 0 194715676<br />
LESLEY CURNICK<br />
New Headway Academic Skills 3<br />
Student’s Book, Ox<strong>for</strong>d University Press<br />
ISBN 978 0 194715768<br />
MARTIN HEWINGS<br />
<strong>English</strong> Pronunciation in Use Advanced with<br />
Audio CDs and CD-ROM, Cambridge University Press<br />
ISBN 978 0 521693769<br />
ANN BAKER<br />
Tree or Three?<br />
Cambridge University Press<br />
ISBN 978 0 521685276<br />
ANN BAKER<br />
Ship or Sheep?<br />
Cambridge University Press<br />
ISBN 978 0 521606738<br />
BOB DIGNEN<br />
50 ways to improve your presentation skills<br />
Summertown Publishing 2007<br />
ISBN 978 1 902741 86 4<br />
COLIN CAMPBELL and JONATHAN SMITH<br />
<strong>English</strong> <strong>for</strong> academic study: listening<br />
Garnet Education 2007<br />
Course Book ISBN 978 1 85964986-2<br />
JOAN McCORMACK and SEBASTIAN WATKINS
Books to Review<br />
<strong>English</strong> <strong>for</strong> academic study: speaking<br />
Garnet Education 2007<br />
Course Book ISBN 978 85964990-9<br />
JONATHAN SMITH and ANNETTE MARGOLIS<br />
<strong>English</strong> <strong>for</strong> academic study: pronunciation<br />
Garnet Education 2007<br />
Course Book ISBN 978 185964982-4<br />
Transferable Academic Skills Kit<br />
12 essential steps to academic success<br />
(contains all 12 student modules)<br />
Garnet Education<br />
ISBN 978 185964927-5<br />
JEREMY HARMER, ANA ACEVEDO, CAROL LETHABY with<br />
CHERYL PELTERET<br />
Just, Listening and Speaking (Pre-Intermediate)<br />
Marshall Cavendish Education 2007<br />
ISBN 0-462-00777-4<br />
JEREMY HARMER, ANA ACEVEDO, CAROL LETHABY with<br />
CHERYL PELTERET<br />
Just, Vocabulary (Pre-Intermediate)<br />
Marshall Cavendish Education 2007<br />
ISBN 0-462-00776-6<br />
JEREMY HARMER, ANA ACEVEDO, CAROL LETHABY with<br />
CHERYL PELTERET<br />
Just, Reading and Writing (Pre-Intermediate)<br />
Marshall Cavendish Education 2007<br />
ISBN 0-462-00774-X<br />
ENGLISH FOR SPECIFIC PURPOSES<br />
PENNY MCKAY and JENNI GUSE<br />
5 Minute Activities <strong>for</strong> Young Learners<br />
Cambridge University Press<br />
ISBN 978 0521691345<br />
NICK BILBROUGH<br />
Dialogue Activities<br />
Cambridge University Press<br />
ISBN 978 0521689519<br />
CINDY LEANEY<br />
Dictionary Activities<br />
Cambridge University Press<br />
ISBN 978 0521690409<br />
GILLIAN D. BROWN AND SALLY RICE<br />
Professional <strong>English</strong> in Use Law<br />
Cambridge University Press<br />
ISBN 978 0521685429<br />
SANTIAGO REMACHA ESTERAS and ELENA MARCO<br />
FABRE<br />
Professional <strong>English</strong> in Use ICT<br />
Cambridge University Press<br />
ISBN 978 0521685436<br />
IAN MACKENZIE<br />
Professional <strong>English</strong> in Use Finance<br />
Cambridge University Press<br />
ISBN 978 0521616270<br />
ERIC GLENDINNING and RON HOWARD<br />
Professional <strong>English</strong> in Use Medicine<br />
Cambridge University Press<br />
ISBN 978 0521682015<br />
SHEELAGH DELLER and CHRISTINE PRICE<br />
Teaching Other Subjects Through <strong>English</strong> (CLIL)<br />
Ox<strong>for</strong>d University Press<br />
ISBN 0-19-442578-0<br />
KEITH HARDING<br />
<strong>English</strong> <strong>for</strong> Specific Purposes<br />
Ox<strong>for</strong>d University Press<br />
ISBN 0-19-442575-9<br />
JANE SPIRO<br />
Storybuilding<br />
Ox<strong>for</strong>d University Press<br />
ISBN 0-19-442193-5<br />
GILLIAN PORTER LADOUSSE<br />
Role Play<br />
Ox<strong>for</strong>d University Press<br />
ISBN 0-19-442191-1<br />
COURSES<br />
LELIO PALLINI<br />
Connections - Cross-curricular exercises and tests<br />
Black Cat Publishing 2007<br />
With Audio CD ISBN 88-530-0697-4<br />
JUDY GARTON-SPRENGER and PHILIP PROWSE<br />
Inspiration<br />
Macmillan 2007<br />
Student’s Book 4 ISBN 1-405-02950-6<br />
LINDSEY CLANDFIELD<br />
Straight<strong>for</strong>ward (Beginner)<br />
Macmillan 2007<br />
Student’s Book ISBN 0-230-02076-4<br />
Straight<strong>for</strong>ward Portfolio (Elementary)<br />
Macmillan<br />
ISBN 1-4050-9580-6<br />
PHILIP KERR and CERI JONES<br />
Straight<strong>for</strong>ward (Upper-Intermediate)<br />
Macmillan 2007<br />
Student’s Book ISBN 0-230-02080-1<br />
SUE KAY and VAUGHAN JONES<br />
New InsideOut (Beginner)<br />
Macmillan 2007<br />
Student’s Book with CD-ROM ISBN 1-4050-9946-2<br />
PETER MAGGS and CATHERINE SMITH<br />
Workbook with key<br />
SUE KAY and VAUGHAN JONES<br />
New InsideOut (Elementary)<br />
Macmillan 2007<br />
Student’s Book with CD-ROM ISBN 1-4050-9949-3<br />
BILL BOWLER and SUE PARMINTER<br />
Move (Elementary)<br />
Macmillan 2007<br />
Coursebook with CD-ROM ISBN 1-4050-9512-9<br />
REBECCA ROB BENNE and JON HIRD<br />
Move (Advanced)<br />
Macmillan 2007<br />
Coursebook with CD-ROM ISBN 1-4050-9514-3<br />
BUSINESS/PROFESSIONAL COURSES<br />
ERIC BABER<br />
50 ways to improve your Business <strong>English</strong><br />
using the internet<br />
Summertown Publishing 2007<br />
ISBN 1-902-741-89-5<br />
JOHN ALLISON with PAUL EMMERSON<br />
<strong>The</strong> Business (Intermediate)<br />
Macmillan 2007<br />
Student’s Book with DVD-ROM ISBN 1-4050-8369-0<br />
Teacher’s Book ISBN 1-4050-8186-3<br />
GUY BROOK-HART, NORMAN WHITBY and CAMBRIDGE<br />
ESOL<br />
Business Benchmark Pre-Intermediate to Intermediate<br />
BEC edition<br />
Cambridge University Press<br />
ISBN 9780521671170<br />
GUY BROOK-HART, NORMAN WHITBY and CAMBRIDGE<br />
ESOL<br />
Business Benchmark Upper-Intermediate BEC edition<br />
Cambridge University Press<br />
ISBN 9780521671163<br />
GUY BROOK-HART, NORMAN WHITBY and CAMBRIDGE<br />
ESOL<br />
Business Benchmark Advanced BEC edition<br />
Cambridge University Press<br />
REVIEWS<br />
ISBN 9780521672955<br />
PAUL EMMERSON<br />
Business <strong>English</strong> Handbook (Advanced)<br />
Macmillan 2007<br />
For class and self study ISBN 1-4050-8605-9<br />
MARIE KAVANAGH, DAVID GORDON SMITH, PAT<br />
PLEDGER, EVAN FRENDO,<br />
SEAN MALONEY, ROSMARY RICHEY, REBECCA CHAP-<br />
MAN, KENNETH THOMSON, MARION GRUSSENDORF,<br />
and SYLEE GORE<br />
Express (specialized Business <strong>English</strong> books)<br />
Ox<strong>for</strong>d University Press<br />
<strong>English</strong> <strong>for</strong> Accounting Student’s Book and MultiROM<br />
ISBN 978 0 19 457909 4<br />
<strong>English</strong> <strong>for</strong> the Automobile Industry Student’s Book and<br />
MultiROM<br />
ISBN 978 0 19 457900 1<br />
<strong>English</strong> <strong>for</strong> Customer Care Student’s Book and MultiROM<br />
ISBN 978 0 19 457906 3<br />
<strong>English</strong> <strong>for</strong> Emails Student’s Book and MultiROM<br />
ISBN 978 0 19 457912 4<br />
<strong>English</strong> <strong>for</strong> Human Resources Student’s Book and<br />
MultiROM<br />
ISBN 978 0 19 457903 2<br />
<strong>English</strong> <strong>for</strong> Marketing and Advertising Student’s Book and<br />
MultiROM<br />
ISBN 978 0 19 457918 6<br />
<strong>English</strong> <strong>for</strong> Meetings Student’s Book and MultiROM<br />
ISBN 978 0 19 457933 9<br />
<strong>English</strong> <strong>for</strong> Presentations Student’s Book and MultiROM<br />
ISBN 978 0 19 457936 0<br />
<strong>English</strong> <strong>for</strong> Socializing Student’s Book and MultiROM<br />
ISBN 978 0 19 457939 1<br />
<strong>English</strong> <strong>for</strong> Telephoning Student’s Book and MultiROM<br />
ISBN 978 0 19 457927 8<br />
EXAMS<br />
ANNE ROBINSON<br />
Fun <strong>for</strong> Starters<br />
Cambridge University Press<br />
ISBN 978 0521613583<br />
ANNE ROBINSON<br />
Fun <strong>for</strong> Movers<br />
Cambridge University Press<br />
ISBN 978 0521613620<br />
ANNE ROBINSON<br />
Fun <strong>for</strong> Flyers<br />
Cambridge University Press<br />
ISBN 978 0521613668<br />
SCOTT THORNBURY and PETER WATKINS<br />
<strong>The</strong> CELTA Course<br />
Cambridge University Press<br />
ISBN 978 0521692069<br />
LOUISE HASHEMI and BARBARA THOMAS<br />
Cambridge Grammar <strong>for</strong> PET<br />
Cambridge University Press<br />
ISBN 978 0521601207<br />
ETAS Journal 25/1 Winter 2007 51
52 ETAS Journal 25/1 Winter 2007<br />
SERVICES Library Updates<br />
RECENT ACQUISITIONS<br />
Number Title Description<br />
3007 A Communicative<br />
Grammar of <strong>English</strong><br />
Innovative and reliable grammar, with clear<br />
explanations, which employs a communicative rather<br />
than a structural approach. Fully revised 3rd edition.<br />
With separate workbook.<br />
1232 Applied Linguistics Concise but comprehensive overview of the main<br />
concerns of applied linguistics today, including<br />
intercultural communication, the impact of new<br />
technologies, the growth of <strong>English</strong>, <strong>for</strong>eign language<br />
teaching, etc.<br />
1229 Conversation:<br />
from Description<br />
to Pedagogy<br />
1231 Cooperative Learning<br />
and Second Language<br />
Teaching<br />
1233 Culture in Second<br />
Language Teaching<br />
and Learning<br />
Comprehensive account of conversation in <strong>English</strong><br />
and its implications <strong>for</strong> the ELT classroom.<br />
Systematic description of conversational <strong>English</strong><br />
(vocabulary, grammar, discourse, genre). Also<br />
describes techniques <strong>for</strong> teaching conversation in<br />
<strong>English</strong>.<br />
Provides the grounding <strong>for</strong> cooperative learning<br />
(student-centered approach to teaching grounded in<br />
the belief that an individual's potential to succeed is<br />
enhanced by working in groups), with discussion of<br />
educational issues. Includes six case histories.<br />
Addresses the impact of culture when learning to<br />
interact, speak and write in a second language.<br />
Provides insights into factors that affect the ways in<br />
which learners construct meaning in a second<br />
language.<br />
1236 Describing Language This introduction to descriptive linguistics is<br />
essentially practical in its orientation. Topics covered<br />
include phonetics, prosody, word structure, syntax,<br />
text and discourse structure, word and utterance<br />
meaning, and non-verbal behaviour. (revised 2nd<br />
edition)<br />
1234 Developing a<br />
Framework <strong>for</strong><br />
Designing a Diagnostic<br />
Instrument <strong>for</strong> Oral<br />
Skills Assessment<br />
15488 ETAS Journal<br />
7th AGM Special<br />
Journal<br />
15489 ETAS Journal<br />
Summer 2007<br />
Vol. 24 No. 3<br />
3016 Ox<strong>for</strong>d Practice<br />
Grammar<br />
- Advanced<br />
3009 Ox<strong>for</strong>d Practice<br />
Grammar<br />
- Intermediate<br />
10106 <strong>The</strong> Business -<br />
Intermediate<br />
1235 <strong>The</strong> Cambridge<br />
Encyclopedia of the<br />
<strong>English</strong> Language<br />
This doctoral research led to the development of a<br />
framework <strong>for</strong> EFL teachers to use when designing<br />
diagnostic oral skills assessments (i.e. speaking<br />
tests) <strong>for</strong> their classes. This copy is dedicated to the<br />
ETAS Library in appreciation of the ETAS members<br />
who participated in the research process.<br />
23rd ETAS AGM & Convention<br />
Solothurn, January 2007<br />
With keynote addresses and workshop reports.<br />
Author(s) /<br />
Editor(s)<br />
Leech G. &<br />
Svartvik J.<br />
Publisher Category<br />
Longman<br />
2002<br />
Cook G. OUP<br />
2003<br />
Thornbury S. &<br />
Slade D.<br />
McCafferty S.,<br />
Jacobs G. &<br />
DaSilva Iddings A.<br />
C.<br />
CUP<br />
2006<br />
CUP<br />
2006<br />
Hinkel E. (Ed.) CUP<br />
1999<br />
Graddol D.,<br />
Cheshire J. &<br />
Swann J.<br />
OUP<br />
1994<br />
Grammar and<br />
Language Practice<br />
Methodology and<br />
Linguistics<br />
Methodology and<br />
Linguistics<br />
Methodology and<br />
Linguistics<br />
Methodology and<br />
Linguistics<br />
Methodology and<br />
Linguistics<br />
Salvisberg J. 2007 Methodology and<br />
Linguistics<br />
ETAS<br />
2007<br />
Special theme: ETAS and the World Lander S. (Ed.) ETAS<br />
2007<br />
Reference book with detailed explanations, practice<br />
activities, extended texts <strong>for</strong> analysis and practice,<br />
plus interactive exercises and tests on the CD-rom.<br />
(New 2006 edition.) Helps students prepare <strong>for</strong><br />
advanced-level exams.<br />
Reference & practice book with clear explanations,<br />
practice activities, illustrated dialogues, regular<br />
progress tests. With extra interactive exercises and<br />
tests on CD-rom. (New 2006 edition.)<br />
Multi-level business <strong>English</strong> course. Suitable <strong>for</strong><br />
students studying business at college or university, or<br />
to working business people. With self-study DVD-<br />
ROM, a flexible modular structure and detailed<br />
language support. (SB, TB, DVD)<br />
<strong>The</strong> most comprehensive general reference book on<br />
the history, structure and worldwide use of <strong>English</strong><br />
ever written. (Updated paperback edition, 1997.)<br />
Please remember to quote the Catalogue Number<br />
when ordering a book. Thank you!<br />
George Y. OUP<br />
2006<br />
Eastwood J. OUP<br />
2006<br />
Allison J.,<br />
Emmerson P.<br />
Macmillan<br />
2007<br />
Crystal D. CUP<br />
1997<br />
ETAS Journals<br />
ETAS Journals<br />
Grammar and<br />
Language Practice<br />
Grammar and<br />
Language Practice<br />
<strong>English</strong> <strong>for</strong> Special<br />
Purposes: Business<br />
<strong>English</strong><br />
Methodology and<br />
Linguistics
Library Order and<br />
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� All current members of ETAS with an address in Switzerland can use the ETAS mail-service library.<br />
� You can order books in two ways:<br />
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2) As a Priority User, you pay <strong>for</strong> postage costs in advance - SFr. 30.– <strong>for</strong> six lots or SFr. 60.– <strong>for</strong> twelve lots - into<br />
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ETAS Journal 25/1 Winter 2007 53
54 ETAS Journal 25/1 Winter 2007<br />
SERVICES<br />
Membership: I/we apply <strong>for</strong> membership in the following category:<br />
� Individual Member: � Switzerland SFr. 80.- per annum<br />
� EU SFr. 105.- per annum<br />
� Overseas SFr. 130.- per annum<br />
� Institutional Member: SFr. 160.- per annum<br />
� Associate Member: SFr. 350.- per annum<br />
Payment:<br />
Membership<br />
Administration<br />
Old Address New Address valid as of: _____________________________<br />
Full Name _______________________________________ Full Name _______________________________________<br />
Address _______________________________________ Address _______________________________________<br />
_______________________________________ _______________________________________<br />
Telephone _______________________________________ Telephone _______________________________________<br />
E-mail _______________________________________ E-mail _______________________________________<br />
ETAS Region _______________________________________ ETAS Region _______________________________________<br />
Membership Application Form<br />
Membership year: 1st July - 30th June. Membership contracted between July and December = full fee, between January and June = half fee<br />
� I/we have paid SFr. _________ into the ETAS postal account: Zürich 80-43533-3<br />
� I/we have paid SFr. _________ into the ETAS bank account:<br />
642165-10 Credit Suisse, CH-8058 Zürich/Flughafen<br />
Please return to: ETAS Administration, Rue de l’Hôpital 32, CH-1400 Yverdon<br />
� Please send me an invoice (<strong>for</strong> Institutional and Associate Members only)<br />
Full Name _______________________________________________________________<br />
Address _______________________________________________________________<br />
_______________________________________________________________<br />
Telephone ____________________________ Fax ____________________________<br />
E-mail _______________________________________________________________<br />
Date/Signature _______________________________________________________________<br />
Change of Address Form<br />
Please help to keep our records up-to-date by notifying us be<strong>for</strong>e you move!<br />
Individual Members Only:<br />
Please indicate which ETAS Region you wish to join<br />
(tick only one):<br />
� Baden � Basel � Bern/Neuchâtel<br />
� Central Switzerland � Geneva � Graubünden<br />
� Lausanne � Solothurn/Olten � St. Gallen<br />
� Ticino<br />
� Zürich<br />
� Valais � Winterthur/Uster<br />
Please indicate which ETAS Special Interest Groups<br />
(SIGs) you wish to join:<br />
� Business <strong>English</strong> � Drama & Literature<br />
� Examinations, Testing � Immersion/CLIL<br />
& Assessment<br />
� Learning Technologies � Research<br />
� School Management � Teacher Development<br />
� Teacher Training � Teen<br />
� Young Learners<br />
� I do not wish my name to be passed on to EFL publishers<br />
� Please send in<strong>for</strong>mation on the occupational pension fund<br />
� Please send in<strong>for</strong>mation on the loss-of-earnings & accident<br />
insurance<br />
For queries please contact: ETAS Administration, Rue de l‘Hôpital 32<br />
CH-1400 Yverdon, T: +41(0) 24 420 3254, F: +41(0) 24 420 3257<br />
e-mail: office@e-tas.ch, website: www.e-tas.ch
ETAS07.FH11 17.09.2007 10:44 Uhr Seite 3<br />
C M Y CM MY CY CMY K<br />
Be well prepared <strong>for</strong> the updated<br />
FCE and CAE exams 2008<br />
<strong>The</strong> updated editions are fully in line with the December 2008 exams<br />
specifications. New Editions will be published in February 2008.<br />
New Editions<br />
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Authentic interactive exam practice on the new iTest CD-ROM<br />
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Gold PLUS is the newly-updated edition of the trusted<br />
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enjoyable topics and tasks together with a rigorous exam<br />
syllabus.<br />
Authentic interactive exam practice on the new iTest<br />
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For further in<strong>for</strong>mation and sample copy requests please contact:<br />
Pearson Education Schweiz AG, Pearson Longman Verlag<br />
Chollerstrasse 37, 6300 Zug<br />
Telefon 041 / 747 47 47 Telefax 041 / 747 47 77<br />
E-Mail: mailbox@longman.ch<br />
www.longman.ch
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