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The Magazine for English Professionals - English Teachers ...

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SIGDAY<br />

Special Interest Group<br />

Teacher Training SIG (TT SIG)<br />

A10<br />

Language as a topic <strong>for</strong> the task-based<br />

classroom<br />

Dave Willis<br />

<strong>The</strong> stated aims of this workshop were:<br />

1) to show how language itself can be a<br />

relevant and worthwhile topic <strong>for</strong> learners,<br />

and 2) to use the insights gained from looking<br />

at language to develop lesson plans <strong>for</strong><br />

intermediate-level learners. <strong>The</strong> first aim was<br />

completely fulfilled but time limitations meant<br />

that <strong>for</strong> the second aim, participants came<br />

away with ideas rather than developed lesson<br />

plans. However, <strong>for</strong> most of the approximately<br />

thirty experienced teachers who took part, this<br />

was clearly acceptable.<br />

We looked first at some of the language topics<br />

we might ask learners to consider. <strong>The</strong>se<br />

included: collocation, how to be polite, fixed<br />

phrases, what is a dialect, and even, what is<br />

a language. Bees, whales and dolphins communicate<br />

but do they tell jokes and lies? Does<br />

this ability define language?<br />

We then focused on the differences between<br />

spoken and written language using a<br />

transcription of a recording of native speakers.<br />

Particular features of spoken language<br />

such as unusual word order resulting from<br />

bringing together the main topic points early<br />

in a statement, and frequent repetition, were<br />

noted and discussed. This led naturally to<br />

the subject of vague language exemplified in<br />

words and phrases like ‘sort of’, or ‘around’,<br />

‘about’, and so on. Do native speakers use<br />

these imprecise terms in order to sound less<br />

threatening? What are the equivalent terms<br />

in other languages? Do <strong>English</strong> speakers use<br />

these more than German speakers do?<br />

Such examination of language may seem<br />

rather theoretical, but learners as well as<br />

teachers can find such aspects valuable.<br />

As far as practical application is concerned,<br />

I immediately thought of its usefulness <strong>for</strong><br />

Cambridge classes: put a transcript of a spoken<br />

narrative into an acceptable written <strong>for</strong>m,<br />

eliminate redundancy, make the language<br />

more <strong>for</strong>mal, <strong>for</strong> example. <strong>Teachers</strong> of exam<br />

classes usually already do these things with<br />

their students, but the task-based approach<br />

certainly contributes focus and structure. It<br />

would have been interesting to have developed<br />

a lesson plan <strong>for</strong> a General <strong>English</strong><br />

class.<br />

Thank you, Dave Willis, <strong>for</strong> a stimulating work-<br />

30 ETAS Journal 24/3 Summer 2007<br />

shop accompanied by an excellent handout.<br />

Julia Blackwell<br />

Teacher Training SIG (TT SIG) & Young<br />

Learners SIG (YL SIG)<br />

B 10/12<br />

Using TPR creatively in the primary<br />

classroom<br />

Graham Workman<br />

Using Total Physical Response creatively in<br />

the classroom appealed to me as I expected it<br />

to be an active workshop, and I wasn’t disappointed.<br />

<strong>The</strong> room filled as Graham Workman<br />

welcomed everyone personally.<br />

First we were asked to predict how TPR<br />

works and then compared this to a toddler<br />

learning his first language. We watched a<br />

short documentary film from James Asher<br />

and saw that children learn in a stress-free<br />

environment and they first speak when they<br />

are ready. <strong>The</strong>ir initial language is mostly<br />

commands and they respond physically which<br />

means they listen and understand be<strong>for</strong>e they<br />

speak. We learned that TPR tries to mimic<br />

the way children learn their first language.<br />

Graham gave us many examples on how to<br />

use TPR, well, actually he made us do them.<br />

<strong>The</strong> class followed Japanese commands such<br />

as walk, run, and jump. Through the actions<br />

and repetition we learned the words. Later we<br />

were jumping out of bed, making coffee, and<br />

singing in the shower to see how we were<br />

learning the language through everyday situations.<br />

We were not only learning words like<br />

milk and chocolate, but through actions the<br />

collocation along with them, drinking milk and<br />

eating chocolate.<br />

Graham showed that TPR can be as simple<br />

as a cut and paste activity. After a physical<br />

break chant filled with rhyme and action to<br />

bring oxygen back into the brain, we thought<br />

of known stories where TPR elements could<br />

be used. <strong>The</strong> last activity showed the<br />

effectiveness of miming, and we were acting<br />

out gorillas, clowns, and toilets. This workshop<br />

showed the benefits of using TPR and<br />

many excellent examples.<br />

We learned by doing that TPR is memorable,<br />

kinesthetic and creates a sense of success. It<br />

is aptitude free, can be used <strong>for</strong> adults as well<br />

as children, and can be integrated with little<br />

preparation. Most of all Graham, allowed us to<br />

make the experience ourselves that learning<br />

with TPR means less stress and less stress<br />

equals more learning. Thanks to Graham <strong>for</strong><br />

another well-presented and action packed<br />

workshop.<br />

Sharon Mettler<br />

Teacher Training SIG (TT SIG)<br />

C10<br />

Writing to read: reading to write<br />

Antoinette Moses<br />

<strong>The</strong> aims of Antoinette Moses workshop were<br />

to demonstrate how classroom readers can<br />

be used in creative writing assignments that<br />

develop students’ writing skills as well as<br />

reading comprehension.<br />

<strong>The</strong> workshop included hands-on writing of<br />

short stories based on different angles that<br />

were created using her reader Jojo’s Story, a<br />

story about a child soldier with an unspecified<br />

location, which allows the reader to imagine it<br />

takes place anywhere in the world. She created<br />

writing assignments that developed our<br />

creativity by having us write from the perspective<br />

of the news journalist covering the story<br />

or from the child soldier that murders Jojo’s<br />

family. It was incredibly inspirational.<br />

We also wrote poems based on clues and<br />

questions given by her. <strong>The</strong>n we read the<br />

actual published poems, which had inspired<br />

the assignment, such as: This is Just to Say<br />

by William Carlos Williams, and Cats Sleep<br />

Anywhere by Eleanor Farjeon. It was delightful<br />

and intriguing.<br />

She offered so many ideas and resources that<br />

provided us with many exercises which we<br />

could take back and use in the classroom on<br />

Monday. I personally liked the eye-opening<br />

topics and being able to write about themes<br />

that I never thought about, such as the<br />

immense problem of children soldiers in the<br />

world today. Also, receiving ideas that students<br />

would actually really relate to was priceless.<br />

All of the participants were positively<br />

moved by this excellent workshop and gave<br />

rave reviews and feedback of this workshop.<br />

Tracy Tobler

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