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Viva Brighton Issue #61 March 2018

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littletoller.co.uk us$30 uk£20<br />

ISBN 978-1-90821-352-5<br />

ISBN 978-1-908213-52-5 53000<br />

ISBN 978-1-90821-352-5<br />

53000<br />

9 781908 213525<br />

9 781908 213525<br />

BITS AND BOOKS<br />

...............................<br />

BOOK REVIEW: SPRINGLINES<br />

Sometimes when I walk<br />

down London Road it’s easy<br />

to forget that I live in the<br />

prettiest county in England.<br />

Sussex, with her picturesque<br />

villages such as Ditchling,<br />

Rodmell, and Firle; the<br />

Downs rolling like huge<br />

green waves, the sea mirroring<br />

the vast expanse of blue<br />

above; all those country lanes<br />

and country pubs, seem like a<br />

mirage as I trudge down this<br />

street of charity shops and<br />

fast food outlets. Don’t get me wrong – I love the<br />

Open Market, and the fact that all human life is<br />

here, but since the old Co-op department store<br />

went, London Road has become a stark illustration<br />

of what austerity can do to a town.<br />

Springlines acts as a much needed remedy to my<br />

jaded mood. The book explores, in word and<br />

image, pockets of water from Windmill Field in<br />

Lewes to Holywell, in Eastbourne via Chanctonbury<br />

Ring, High Hurstwood, and Poverty<br />

Bottom. Clare Best supplies the evocative words<br />

and Mary Anne Aytoun-Ellis the striking images,<br />

a sequence of poems and a series of paintings.<br />

I should declare at this point that I know Clare<br />

very well. She taught at the University of <strong>Brighton</strong><br />

for ten years, and she’s a native of the county. In<br />

2012 I helped bring her collection Excisions to<br />

publication. The central sequence in the book<br />

comprises poems that explore Clare’s experience<br />

of having a preventative double mastectomy. She<br />

lost many of her female relatives to breast cancer,<br />

and so, on the advice of her doctors, went under<br />

the knife. The book is a testament to her serenity<br />

SPRINGLINES<br />

Mary Anne Aytoun-Ellis & Clare Best<br />

in the face of a decision that<br />

Springlines emerged from a walk on the South<br />

Downs during the drought of spring 2012.<br />

Starting can’t that day, have Clare Best and been Mary Anne easy to make.<br />

Aytoun-Ellis went in search of bodies of water<br />

that are concealed, forgotten or overlooked.<br />

Along I sensed the way, they found some places rich in of this history<br />

places from when dewponds to I ancient first wells, looked at<br />

history, wildlife, culture and myth.<br />

This book presents work made in response to<br />

watery<br />

from old clay pits to furnace ponds, from chalk<br />

springs to the man-made pools at Glyndebourne.<br />

Mary<br />

Springlines.<br />

Anne’s paintings and drawings<br />

It’s<br />

sit with<br />

an exquisite<br />

Clare’s words, alongside short pieces by other<br />

contemporary writers and water subjects drawn<br />

and production, painted by John Sell Cotman, Joshua Aytoun-Ellis’s<br />

Cristall, Henry Edridge, J. M. W. Turner and<br />

others, to create a book that approaches some<br />

of paintings the most evocative hidden of corners copses, of English ponds,<br />

landscape and celebrates the vitality of water.<br />

snowy hills, and winter trees<br />

giving a feeling of austere<br />

sumptuousness to Clare’s<br />

spare and exact poems. My<br />

favourite poem is one that<br />

a little toller book<br />

Mary Anne Aytoun-Ellis manages to be perfectly<br />

£20<br />

www.littletoller.co.uk<br />

Clare Best<br />

symmetrical across horizontal<br />

and vertical axes, so that it’s first line: ‘flint, broken<br />

broken flint’ becomes its last line, the caesurae<br />

mirroring the way a stretch of water mirrors the<br />

landscape and skyscape reflected in its depths. And<br />

there’s Aytoun-Ellis’s painting to act as the perfect<br />

accompaniment to Clare’s words.<br />

But the poet and the painter are only half of the<br />

story. The book also has a middle section, with<br />

contributions from writers like Robert Macfarlane,<br />

Alison Brackenbury, and Alexandra Harris, and<br />

paintings by artists such as Turner and Cotman,<br />

as well as more obscure names such as Müller,<br />

Eldridge, and Cristall. The book’s large format<br />

(27cm x 22.4 cm) perfectly accommodates the<br />

world of water, copse, tree, and hill, and it’s been<br />

beautifully conceived and executed.<br />

Clare is leaving Sussex in <strong>March</strong>, moving with<br />

her husband Philip and whippet Flint to Suffolk.<br />

The next time I go down London Road I’ll think<br />

of Clare’s walks through Sussex, and I know my<br />

spirits will lift.<br />

John O’Donoghue<br />

Published by Little Toller Books, £20<br />

SPRINGLINES<br />

Exploring hidden and mysterious bodies of water<br />

....29....

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