Viva Brighton Issue #61 March 2018
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littletoller.co.uk us$30 uk£20<br />
ISBN 978-1-90821-352-5<br />
ISBN 978-1-908213-52-5 53000<br />
ISBN 978-1-90821-352-5<br />
53000<br />
9 781908 213525<br />
9 781908 213525<br />
BITS AND BOOKS<br />
...............................<br />
BOOK REVIEW: SPRINGLINES<br />
Sometimes when I walk<br />
down London Road it’s easy<br />
to forget that I live in the<br />
prettiest county in England.<br />
Sussex, with her picturesque<br />
villages such as Ditchling,<br />
Rodmell, and Firle; the<br />
Downs rolling like huge<br />
green waves, the sea mirroring<br />
the vast expanse of blue<br />
above; all those country lanes<br />
and country pubs, seem like a<br />
mirage as I trudge down this<br />
street of charity shops and<br />
fast food outlets. Don’t get me wrong – I love the<br />
Open Market, and the fact that all human life is<br />
here, but since the old Co-op department store<br />
went, London Road has become a stark illustration<br />
of what austerity can do to a town.<br />
Springlines acts as a much needed remedy to my<br />
jaded mood. The book explores, in word and<br />
image, pockets of water from Windmill Field in<br />
Lewes to Holywell, in Eastbourne via Chanctonbury<br />
Ring, High Hurstwood, and Poverty<br />
Bottom. Clare Best supplies the evocative words<br />
and Mary Anne Aytoun-Ellis the striking images,<br />
a sequence of poems and a series of paintings.<br />
I should declare at this point that I know Clare<br />
very well. She taught at the University of <strong>Brighton</strong><br />
for ten years, and she’s a native of the county. In<br />
2012 I helped bring her collection Excisions to<br />
publication. The central sequence in the book<br />
comprises poems that explore Clare’s experience<br />
of having a preventative double mastectomy. She<br />
lost many of her female relatives to breast cancer,<br />
and so, on the advice of her doctors, went under<br />
the knife. The book is a testament to her serenity<br />
SPRINGLINES<br />
Mary Anne Aytoun-Ellis & Clare Best<br />
in the face of a decision that<br />
Springlines emerged from a walk on the South<br />
Downs during the drought of spring 2012.<br />
Starting can’t that day, have Clare Best and been Mary Anne easy to make.<br />
Aytoun-Ellis went in search of bodies of water<br />
that are concealed, forgotten or overlooked.<br />
Along I sensed the way, they found some places rich in of this history<br />
places from when dewponds to I ancient first wells, looked at<br />
history, wildlife, culture and myth.<br />
This book presents work made in response to<br />
watery<br />
from old clay pits to furnace ponds, from chalk<br />
springs to the man-made pools at Glyndebourne.<br />
Mary<br />
Springlines.<br />
Anne’s paintings and drawings<br />
It’s<br />
sit with<br />
an exquisite<br />
Clare’s words, alongside short pieces by other<br />
contemporary writers and water subjects drawn<br />
and production, painted by John Sell Cotman, Joshua Aytoun-Ellis’s<br />
Cristall, Henry Edridge, J. M. W. Turner and<br />
others, to create a book that approaches some<br />
of paintings the most evocative hidden of corners copses, of English ponds,<br />
landscape and celebrates the vitality of water.<br />
snowy hills, and winter trees<br />
giving a feeling of austere<br />
sumptuousness to Clare’s<br />
spare and exact poems. My<br />
favourite poem is one that<br />
a little toller book<br />
Mary Anne Aytoun-Ellis manages to be perfectly<br />
£20<br />
www.littletoller.co.uk<br />
Clare Best<br />
symmetrical across horizontal<br />
and vertical axes, so that it’s first line: ‘flint, broken<br />
broken flint’ becomes its last line, the caesurae<br />
mirroring the way a stretch of water mirrors the<br />
landscape and skyscape reflected in its depths. And<br />
there’s Aytoun-Ellis’s painting to act as the perfect<br />
accompaniment to Clare’s words.<br />
But the poet and the painter are only half of the<br />
story. The book also has a middle section, with<br />
contributions from writers like Robert Macfarlane,<br />
Alison Brackenbury, and Alexandra Harris, and<br />
paintings by artists such as Turner and Cotman,<br />
as well as more obscure names such as Müller,<br />
Eldridge, and Cristall. The book’s large format<br />
(27cm x 22.4 cm) perfectly accommodates the<br />
world of water, copse, tree, and hill, and it’s been<br />
beautifully conceived and executed.<br />
Clare is leaving Sussex in <strong>March</strong>, moving with<br />
her husband Philip and whippet Flint to Suffolk.<br />
The next time I go down London Road I’ll think<br />
of Clare’s walks through Sussex, and I know my<br />
spirits will lift.<br />
John O’Donoghue<br />
Published by Little Toller Books, £20<br />
SPRINGLINES<br />
Exploring hidden and mysterious bodies of water<br />
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