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Viva Brighton Issue #61 March 2018

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ART<br />

........................<br />

Aubrey Beardsley<br />

Decadent <strong>Brighton</strong>ian<br />

It is 120 years since the celebrated Victorian illustrator<br />

Aubrey Beardsley died of tuberculosis, at the<br />

age of 25. Beardsley enthusiast Alexia Lazou will<br />

this month lead a series of events to mark his death.<br />

Aubrey Beardsley was born in Buckingham<br />

Road in 1872. He was diagnosed with tuberculosis<br />

at the age of seven and attended Hamilton Lodge<br />

School in Hurstpierpoint. People speculate that<br />

he had this shadow hanging over him all the time<br />

and that he worked quickly as he never knew how<br />

long he might live. He was a boarder at <strong>Brighton</strong><br />

Grammar School until 16, then moved back to live<br />

with his family in London.<br />

He heard that the artist Edward Burne-Jones<br />

was having an open studio and turned up with his<br />

sister Mabel and his portfolio. There was no open<br />

studio, but Burne-Jones noticed Mabel’s lovely<br />

red hair and invited them in. He saw promise in<br />

Beardsley and advised that he take evening classes.<br />

Beardsley took his advice, receiving his first commission<br />

aged 19.<br />

A new magazine called The Studio featured<br />

Beardsley in its first issue, including his drawing<br />

for the Oscar Wilde play Salome, which had then<br />

only been published in French. He received the<br />

commission to illustrate the English edition and<br />

that’s about the length of his professional connection<br />

with Oscar Wilde, although people tend to<br />

draw it out.<br />

At the age of 22 he became the founding art<br />

editor of The Yellow Book. It was a journal of<br />

art and literature but, where artists were traditionally<br />

treated as illustrators for the writing, the<br />

idea was that artists would be considered in their<br />

own right. It grew in success until the scandal of<br />

Wilde’s arrest. The papers reported that Wilde left<br />

his hotel ‘carrying a yellow book under his arm’,<br />

(French novels considered decadent and racy, were<br />

often given yellow covers, which is why they had<br />

chosen the title for the magazine) and it was indeed<br />

a French novel that he was carrying at the time. But<br />

protesters descended on the magazine publisher’s<br />

offices regardless, throwing stones at the window.<br />

Beardsley was sacked from his own publication.<br />

It was suggested that after Beardsley left, The<br />

Yellow Book turned grey overnight and that all<br />

the interest had gone. He went on to set up another<br />

journal, The Savoy, along similar lines, with decadent<br />

literature, poetry and art, until he died a few<br />

years later. He had only been working for six years.<br />

I can’t help but wonder what would have happened<br />

had he lived longer.<br />

At <strong>Brighton</strong> Museum & Art Gallery there are<br />

two of his original drawings in the collection.<br />

One is an unused design from the fifth issue of The<br />

Yellow Book. There is also his pencil box and <strong>Brighton</strong><br />

Grammar School good conduct medal, although<br />

I can’t work out what he got it for. Allegedly he was<br />

really naughty; his nickname was Weasel.<br />

As told to Lizzie Lower<br />

Full programme at beardsley120.eventbrite.co.uk<br />

The Climax by Aubrey Beardsley<br />

....57....

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