Viva Brighton Issue #61 March 2018
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ART<br />
........................<br />
Aubrey Beardsley<br />
Decadent <strong>Brighton</strong>ian<br />
It is 120 years since the celebrated Victorian illustrator<br />
Aubrey Beardsley died of tuberculosis, at the<br />
age of 25. Beardsley enthusiast Alexia Lazou will<br />
this month lead a series of events to mark his death.<br />
Aubrey Beardsley was born in Buckingham<br />
Road in 1872. He was diagnosed with tuberculosis<br />
at the age of seven and attended Hamilton Lodge<br />
School in Hurstpierpoint. People speculate that<br />
he had this shadow hanging over him all the time<br />
and that he worked quickly as he never knew how<br />
long he might live. He was a boarder at <strong>Brighton</strong><br />
Grammar School until 16, then moved back to live<br />
with his family in London.<br />
He heard that the artist Edward Burne-Jones<br />
was having an open studio and turned up with his<br />
sister Mabel and his portfolio. There was no open<br />
studio, but Burne-Jones noticed Mabel’s lovely<br />
red hair and invited them in. He saw promise in<br />
Beardsley and advised that he take evening classes.<br />
Beardsley took his advice, receiving his first commission<br />
aged 19.<br />
A new magazine called The Studio featured<br />
Beardsley in its first issue, including his drawing<br />
for the Oscar Wilde play Salome, which had then<br />
only been published in French. He received the<br />
commission to illustrate the English edition and<br />
that’s about the length of his professional connection<br />
with Oscar Wilde, although people tend to<br />
draw it out.<br />
At the age of 22 he became the founding art<br />
editor of The Yellow Book. It was a journal of<br />
art and literature but, where artists were traditionally<br />
treated as illustrators for the writing, the<br />
idea was that artists would be considered in their<br />
own right. It grew in success until the scandal of<br />
Wilde’s arrest. The papers reported that Wilde left<br />
his hotel ‘carrying a yellow book under his arm’,<br />
(French novels considered decadent and racy, were<br />
often given yellow covers, which is why they had<br />
chosen the title for the magazine) and it was indeed<br />
a French novel that he was carrying at the time. But<br />
protesters descended on the magazine publisher’s<br />
offices regardless, throwing stones at the window.<br />
Beardsley was sacked from his own publication.<br />
It was suggested that after Beardsley left, The<br />
Yellow Book turned grey overnight and that all<br />
the interest had gone. He went on to set up another<br />
journal, The Savoy, along similar lines, with decadent<br />
literature, poetry and art, until he died a few<br />
years later. He had only been working for six years.<br />
I can’t help but wonder what would have happened<br />
had he lived longer.<br />
At <strong>Brighton</strong> Museum & Art Gallery there are<br />
two of his original drawings in the collection.<br />
One is an unused design from the fifth issue of The<br />
Yellow Book. There is also his pencil box and <strong>Brighton</strong><br />
Grammar School good conduct medal, although<br />
I can’t work out what he got it for. Allegedly he was<br />
really naughty; his nickname was Weasel.<br />
As told to Lizzie Lower<br />
Full programme at beardsley120.eventbrite.co.uk<br />
The Climax by Aubrey Beardsley<br />
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