Enthralled Magazine Vol 1 Issue 2 - Reflect
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Nature vs. Nurture: Ten Signposts to<br />
Guide the Artistic Life<br />
by Audrey Kalman<br />
I recently watched the<br />
documentary “Hearing<br />
is Believing” about<br />
musical prodigy Rachel<br />
Flowers. Her story is amazing.<br />
Accomplishments that would take<br />
ordinary mortals years - like<br />
mastering jazz flute or rock guitar -<br />
took her months. Her ability to play<br />
at the top level in multiple musical<br />
genres, on multiple instruments, is<br />
astounding.<br />
But as I watched, I began wondering<br />
what feelings her story might evoke<br />
in a mere mortal musician. Maybe the<br />
urge to throw her instrument across<br />
the room and give up.<br />
Rachel Flowers highlights an ongoing<br />
debate evident in many professions<br />
but particularly pernicious in the arts:<br />
is success born of native talent or<br />
hard work?<br />
We call a musician “brilliant” or say a<br />
writer has a “way with words” or<br />
praise a painter’s “artistic gift.” At the<br />
same time, we urge aspiring artists to<br />
practice, telling them that getting<br />
good at something is 99 percent<br />
effort and hard work.<br />
Well, which is it? Both.<br />
Most people don’t have what Rachel<br />
Flowers has. I certainly don’t. If you’re<br />
one of the lucky few, you can stop<br />
reading right now. But there’s hope<br />
for those of us who come to our art<br />
with only a love of craft, a small<br />
measure of aptitude, and a whole lot<br />
of dedication.<br />
I’ve been writing for nearly 50 years<br />
(yes, I started as soon as I could hold<br />
a pencil). I’ve gone through many<br />
overlapping phases in my journey to<br />
becoming a writer, which may be<br />
instructive for anyone who doesn’t<br />
possess a freakish gift and wants to<br />
know what that road of hard work<br />
might look like.