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Enthralled Magazine Vol 1 Issue 2 - Reflect

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Nature vs. Nurture: Ten Signposts to<br />

Guide the Artistic Life<br />

by Audrey Kalman<br />

I recently watched the<br />

documentary “Hearing<br />

is Believing” about<br />

musical prodigy Rachel<br />

Flowers. Her story is amazing.<br />

Accomplishments that would take<br />

ordinary mortals years - like<br />

mastering jazz flute or rock guitar -<br />

took her months. Her ability to play<br />

at the top level in multiple musical<br />

genres, on multiple instruments, is<br />

astounding.<br />

But as I watched, I began wondering<br />

what feelings her story might evoke<br />

in a mere mortal musician. Maybe the<br />

urge to throw her instrument across<br />

the room and give up.<br />

Rachel Flowers highlights an ongoing<br />

debate evident in many professions<br />

but particularly pernicious in the arts:<br />

is success born of native talent or<br />

hard work?<br />

We call a musician “brilliant” or say a<br />

writer has a “way with words” or<br />

praise a painter’s “artistic gift.” At the<br />

same time, we urge aspiring artists to<br />

practice, telling them that getting<br />

good at something is 99 percent<br />

effort and hard work.<br />

Well, which is it? Both.<br />

Most people don’t have what Rachel<br />

Flowers has. I certainly don’t. If you’re<br />

one of the lucky few, you can stop<br />

reading right now. But there’s hope<br />

for those of us who come to our art<br />

with only a love of craft, a small<br />

measure of aptitude, and a whole lot<br />

of dedication.<br />

I’ve been writing for nearly 50 years<br />

(yes, I started as soon as I could hold<br />

a pencil). I’ve gone through many<br />

overlapping phases in my journey to<br />

becoming a writer, which may be<br />

instructive for anyone who doesn’t<br />

possess a freakish gift and wants to<br />

know what that road of hard work<br />

might look like.

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