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The CCFU 2017 Annual Report - Final

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Pastore Draolega, curator at the Madi Community Museum, with the UNESCO-inscribed o’di lyre<br />

Welcome…<br />

Page<br />

From our Board Chair and Executive Director 2<br />

<strong>2017</strong>: changing contexts, activities and prospects:<br />

a. Promoting a ‘Culture in Development’ approach 3<br />

b. Cultural rights, governance and managing diversity 6<br />

c. Cultural heritage preservation and development 10<br />

<strong>The</strong> year at <strong>CCFU</strong> 13<br />

Latest publications 15<br />

11 years of <strong>CCFU</strong> in figures 16<br />

A word of appreciation 17<br />

1


A word from…<br />

Our Board Chair<br />

We all like to develop and transform our lives and<br />

societies for the better. However the dominant<br />

development-model that permeates and influences<br />

our ways of thinking, living, doing and relating,<br />

treats our cultures and values as, at best, an<br />

exploitable resource, or at worst, an impediment to<br />

“modernisation”. Consequently the progress of each<br />

successive generation is measured by how far it has<br />

culturally distanced itself from its roots including the<br />

umbilical or mother tongues. This is one way in which<br />

African creativity, knowledge and value systems have<br />

been stunted. By the same token, the doors have<br />

opened wider to the generation and veneration of<br />

cultural, spiritual, political, technological and business<br />

“copycats” that pass for<br />

“role models”, “success<br />

stories” and “benchmarks”<br />

in our country.<br />

It is against this background<br />

that the spirit and scope of<br />

<strong>CCFU</strong>’s activities deserve<br />

the applause and support<br />

of all “cultural activists” and other partners as a vital<br />

contribution not just to “culture-in-development”<br />

but to the deeper process of cultural restitution and<br />

epistemic justice.<br />

Prof. Luutu Mukasa<br />

Our Executive Director<br />

It is when the right to culture is restricted or denied<br />

that the true value of culture isappreciated. Despite<br />

the drive for economic empowerment, the Cross-<br />

Cultural Foundation of Uganda has encountered many<br />

communities across the country that consistently<br />

express anxiety about the loss of their cultural heritage<br />

for various reasons. Indigenous minority communities<br />

are for instance constantly struggling for recognition<br />

of their cultural identity and the restoration of their<br />

dignity amidst oppression and marginalisation.<br />

In <strong>2017</strong>, we however witnessed the spirited<br />

protection of ancestral land, demands for access to<br />

traditional knowledge, cultural spaces and cultural<br />

expressionsthrough language, social and religious<br />

practices by large and small communities alike –all<br />

challenging Ugandans’ widespread<br />

opinion that culture is irrelevant<br />

in the current context. Changing<br />

perceptions requires concerted<br />

efforts and partnerships and<br />

solidarity at national and<br />

international levels therefore<br />

remains an essential mode of<br />

operation for civil society and<br />

heritage - focused organisations.<br />

This report illustrates how the Foundation has<br />

contributed to preserving Uganda’s diverse cultural<br />

heritage in collaboration with its different partners<br />

and associates.<br />

Emily Drani<br />

2


<strong>2017</strong>: changing contexts,<br />

activities and prospects<br />

a. Promoting a “Culture in<br />

Development” approach<br />

3


ÂÂ<strong>The</strong> programme context<br />

An appreciation of culture and its contribution to<br />

development is becoming more evident, nationally<br />

and beyond. States across the globe have ratified legal<br />

instruments to protect their natural, built and intangible<br />

cultural heritage, to promote cultural expressions and<br />

cultural diversity, and to protect biosphere reserves.<br />

<strong>The</strong> Sustainable Development Goals make explicit<br />

reference to the role of culture in development.<br />

Uganda’s Constitution recognises “cultural and<br />

customary values that are consistent with the fundamental<br />

human rights and freedoms, human dignity and<br />

democracy…which may be developed and incorporated<br />

in all aspects of Ugandan life”. In spite of this, Ugandans’<br />

common understanding of culture often remains<br />

narrowly focused on music, the performing arts,<br />

traditional food and dress, art and crafts and on a<br />

few cultural sites, all of which contribute visibly to<br />

cultural tourism and employment. <strong>The</strong> contribution<br />

of cultural values, systems, knowledge and resource<br />

persons to social cohesion and nation building are<br />

rarely explored. <strong>The</strong> link with education and moral<br />

upbringing, peaceful co-existence, a sense of belonging<br />

and dignity, creativity and wealth creation are similarly<br />

overlooked.<br />

ÂÂ<strong>CCFU</strong>’s interventions<br />

<strong>The</strong> Foundation’s mission and strategies are premised<br />

on the conviction that the positive aspects of culture<br />

can contribute to social transformation and sustainable<br />

development. In 2006, <strong>CCFU</strong> conceived the notion of<br />

a ‘Culture in Development’ approach and has since<br />

refined this approach to respond to issues arising<br />

in the local context such as managing cultural<br />

diversity, cultural controversies linked to cultural<br />

rights vs. human and women’s rights, and a deeper<br />

understanding of intangible cultural heritage.<br />

<strong>The</strong> Foundation utilises its training guides to address<br />

questions raised by diverse stakeholders regarding the<br />

link between culture and development. <strong>CCFU</strong> also<br />

offers tailor-made training to support development<br />

<strong>CCFU</strong> therefore seeks to contribute to a<br />

better understanding of culture’s contribution<br />

to development through research and capacity<br />

building. This reflects the limited literature and<br />

experience available from development partners<br />

on integrating culture in development thinking<br />

and practice. In <strong>2017</strong>, <strong>CCFU</strong> produced a case<br />

study entitled: “In the Name of Conservation –<br />

<strong>The</strong> eviction of the Batwa from Semuliki Forest”,<br />

examining the consequences of advancing a<br />

conservation agenda which is oblivious to cultural<br />

heritage.<br />

This study, the 24 th produced by <strong>CCFU</strong> to date,<br />

describes the consequences of evicting the Batwa<br />

community in Bundibugyo from the forest, the<br />

negative impact this had on their livelihood and<br />

cultural heritage, and the policy vacuum that made<br />

this possible.<br />

4


partners integrate culture in development practice<br />

by reviewing their strategic plans, existing development<br />

programmes and approaches. In <strong>2017</strong>, <strong>CCFU</strong><br />

for instance worked with the Alur Kingdom to better<br />

define and design strategies to address elements of<br />

culture in their strategic plan. A Culture in Development<br />

training course for development practitioners is<br />

planned for 2018.<br />

Working with the Alur Kingdom to review<br />

its Strategic Plan<br />

ÂÂReflections and prospects<br />

Since its inception in 2006, <strong>CCFU</strong> has noted an<br />

increase in the numbers, activities and visibility of<br />

heritage-focused organisations in Uganda, ranging<br />

from local cultural associations and community<br />

museums to cultural centres and other cultural<br />

organisations. While this reflects the desire and an<br />

enhanced confidence in promoting culture, there is a<br />

persistent lack of technical expertise in heritage<br />

development, management and promotion. <strong>CCFU</strong><br />

intends to continue using knowledge generated from<br />

its research and activities to provide a basis for<br />

capacity building, influencing perceptions on the<br />

relevance of culture, and influencing the integration of<br />

cultural heritage in relevant national development<br />

policies and programmes. Other interventions to<br />

promote heritage education in secondary school and<br />

in universities in Uganda are presented in the other<br />

sections of this report.<br />

To fully harness cultural resources, <strong>CCFU</strong> will continue<br />

to campaign for a well-financed and fully-fledged State<br />

organ to foster technical and financial investment<br />

in heritage education, heritage infrastructure<br />

development, preservation of buildings of historical<br />

and cultural significance, cultural tourism, and the<br />

promotion of cultural rights for all people in Uganda.<br />

5


. Cultural rights, governance and<br />

managing diversity<br />

6


ÂÂ<strong>The</strong> programme context<br />

Although Uganda has ratified international Conventions<br />

that provide for the recognition of cultural rights, little<br />

has been done to ensure their realisation. Cultural<br />

rights rarely feature on the national agenda, as<br />

reflected in the very limited commitments made in the<br />

national budget towards the cultural sector and the<br />

lack of a dedicated ministry for culture to drive this<br />

agenda. Few Ugandans are conversant with cultural<br />

rights and the transmission of the cultural practices,<br />

norms and values continues to be affected by various<br />

factors, such as certain religion creeds that demonise<br />

culture, the HIV/AIDs crisis and civil strife that have<br />

claimed the adults who are the gatekeepers of cultural<br />

information, and western-type education that views<br />

culture and traditional practices as backward.<br />

Uganda nevertheless hosted the 3 rd East African<br />

JAMAFEST Festival in <strong>2017</strong> and showcased its rich<br />

cultural diversity to the world. <strong>The</strong> main focus was on<br />

culture and the creative industries and <strong>CCFU</strong> delivered<br />

a paper to reflect on progress made to promote<br />

indigenous knowledge in traditional medicine. <strong>2017</strong><br />

also witnessed increased participation of Uganda’s<br />

diverse kingdoms and other cultural institutions in<br />

highlighting the relevance of culture in modern times<br />

by organising cultural galas, celebrating traditional<br />

cultural events and participating in delivering poverty<br />

reduction projects in their communities.<br />

ÂÂ<strong>CCFU</strong>’s interventions<br />

Throughout the year, <strong>CCFU</strong> has been actively<br />

promoting the cultural rights of Ugandans, with a focus<br />

on women and youth, and on indigenous minority<br />

groups.<br />

Women and cultural rights: Culture has often been<br />

blamed as the cause for women’s rights violation. In<br />

partnership with Diakonia, <strong>CCFU</strong> conducted a research<br />

effort in Gulu, Kitgum and Lamwo districts to establish<br />

the existence of culturally-defined rights of women<br />

among the Acholi and to explore their potential to<br />

empower women and girls. <strong>The</strong> research revealed the<br />

existence of a wealth of avenues for the protection<br />

and promotion of women’s and girls’ rights, including<br />

women’s rights to a violence-free environment, their<br />

authority over economic production, and their voice<br />

to contribute to decision making in both public and<br />

private spheres. Three chiefdoms, in partnership with<br />

<strong>CCFU</strong>, are now piloting initiatives to use such rights<br />

to promote women’s and girls’ empowerment. To<br />

guide this effort, <strong>CCFU</strong> supported the community to<br />

develop two booklets: a Cultural Leaders’ Handbook<br />

on promoting women’s rights as defined by Acholi<br />

culture and a practical reference handbook for women<br />

and girls on their culturally-defined rights.<br />

Indigenous Minority Groups (IMGs) and their oral<br />

history: <strong>CCFU</strong> supported various efforts to promote<br />

the cultural rights of IMGs, who are among Uganda’s<br />

most marginalised communities. To operate in a<br />

Bishop Ochola from the Acholi Religious Leaders Peace Initiative at the launch of the <strong>CCFU</strong> report on<br />

women’s rights and Acholi culture<br />

7


<strong>The</strong> Batwa delegation at the advocacy meeting with district leaders in Bundibugyo<br />

coordinated manner, the IMGs in the Rwenzori and<br />

Karamoja regions were supported to create platforms<br />

through which they will engage with the majority<br />

communities, as well as local and national governments<br />

on various cultural rights issues. In Bundibugyo district,<br />

policy makers and implementers, as well as<br />

representatives from the Batwa community came<br />

together and the former made concrete commitments<br />

to address the deficit in the realisation of human<br />

rights, especially of the Batwa. <strong>CCFU</strong> also prompted<br />

the establishment of a National Coalition for the<br />

Rights of Indigenous Minority Groups. With support<br />

from Minority Rights Group, the<br />

coalition has supported a policy<br />

dialogue between IMG representatives<br />

and Members of Parliament. A press<br />

statement calling upon government to<br />

respect the rights of IMGs and a<br />

commitment by the Equal Opportunities<br />

Commission to uphold these was made.<br />

As part of the efforts to preserve the<br />

heritage of the IMGs, <strong>CCFU</strong> also<br />

produced and disseminated various<br />

materials on the oral history of the<br />

Batwa. It is currently supporting the<br />

documentation of the history of the<br />

Ngokutio and Lendu people in<br />

Northern and North-Western Uganda.<br />

Youth and women cultural entrepreneurship projects:<br />

Can culture help realise rights by bringing food on<br />

the table? In <strong>2017</strong>, 5 experimental groups of youth<br />

and of women from IMGs were supported to enrich<br />

their culture-related enterprises. Improved incomes<br />

from crafts, traditional music and dance have enabled<br />

young people to re-consider their views about culture<br />

and how it can contribute to sustainable economic<br />

development.<br />

<strong>The</strong> Rwebisengo Widows’ Cultural Association in their craft shop<br />

8


Culture and Governance:<br />

Culture plays a role in achieving<br />

sustainable development.<br />

This is the case in the latest<br />

priority for Uganda’s economy,<br />

the oil and gas sector. <strong>CCFU</strong>,<br />

in partnership with ActionAid<br />

Uganda, supported Bunyoro-<br />

Kitara Kingdom, Ker Kwaro<br />

Acholi and Alur Kingdom to<br />

develop guidelines for their<br />

engagement with oil extractive<br />

companies, in order to protect<br />

the cultural heritage of the<br />

concerned communities. <strong>The</strong>se<br />

guidelines were launched by the<br />

prime ministers of the three<br />

institutions, in the presence<br />

of Ministry of Energy and<br />

Oil Company officials. Other<br />

cultural institutions have been supported in various<br />

ways to strengthen their governance structures, such<br />

as the Madi Chiefdom, whose leaders have been<br />

assisted to develop a clan leaders’ charter.<br />

Mainstreaming cultural rights: After the support<br />

<strong>The</strong> Prime Ministers of Bunyoro-Kitara Kingdom, Ker Kwaro Acholi and<br />

Alur Kingdom launch the guidelines by cultural institutions for oil and<br />

gas companies<br />

provided to a number of human rights organisations<br />

to build their capacity in appreciating cultural rights<br />

and incorporating them in their practice, some<br />

organisations have progressed in this respect, as<br />

established during the post training follow-ups<br />

conducted in <strong>2017</strong>.<br />

ÂÂReflections<br />

Despite challenges in promoting poorly appreciated<br />

cultural rights, some progress is being made and, with<br />

the necessary political will, more can be achieved.<br />

This would however depend on changing Ugandans’<br />

perceptions and to emphasise the need to embrace<br />

cultural rights as a lever for sustainable development.<br />

Targeting young people to embrace their cultural<br />

heritage and embedding this in both formal and nonformal<br />

education is also required. At the national level,<br />

linking culture to entrepreneurship and national socioeconomic<br />

development is needed, requiring individuals,<br />

communities, cultural institutions and government to<br />

pull their efforts together. It is our collective duty to<br />

bring this to fruition.<br />

9


c. Cultural heritage preservation<br />

and development<br />

10


ÂÂ<strong>The</strong> programme context<br />

Although the preservation and promotion of Uganda’s<br />

cultural heritage is supported by various legal<br />

instruments, our cultural and natural heritage is under<br />

threat. Historic buildings are replaced with shopping<br />

malls; natural forests are replaced with farms; swamps<br />

are reclaimed; cultural sites are encroachment upon<br />

and rarely documented. Policy guidelines are lacking,<br />

and development initiatives are seldom preceded with<br />

a social and cultural heritage impact assessment, so<br />

risk mitigation measures are not in place. Financial<br />

support from government and other sources towards<br />

the preservation and promotion of culture continues<br />

to be insufficient, in spite of the urgent work that<br />

needs to be undertaken to preserve our heritage. In<br />

addition, the transmission of indigenous knowledge<br />

and skills is challenged by the introduction of formal<br />

education at the expense of non-formal mechanisms.<br />

ÂÂ<strong>CCFU</strong>’s interventions<br />

Given this context, <strong>CCFU</strong> works with youth and<br />

community museums to defend their cultural heritage,<br />

while spearheading the protection of our built heritage.<br />

Heritage Education: in <strong>2017</strong> 71 teachers and other<br />

resource persons from Mpigi, Kabarole, Moroto,<br />

Napak and Masaka were trained to support secondary<br />

school cultural heritage clubs. This brought the number<br />

of clubs to 130 in various parts of Uganda. Young<br />

people were involved in two competitions: the<br />

National Youth Cultural Heritage Competition, whose<br />

theme this year was to illustrate their traditional<br />

dances, with the best entries used for the 2018<br />

Heritage Calendar. An International African Cultural<br />

Heritage Competition also electronically brought<br />

together members of school heritage clubs in Uganda,<br />

Sierra Leone and Zimbabwe who produced short<br />

videos to highlight their most interesting club activities.<br />

An awarding ceremony was held to award the 13<br />

winners of the national competition and the 2 winners<br />

of the international contest. To promote intangible<br />

cultural heritage (ICH) education in Uganda’s<br />

universities, <strong>CCFU</strong> started work in partnership with<br />

Kyambogo University, Kabale University, Uganda<br />

Martyrs’ University, and the Islamic University in<br />

Uganda to develop a course on ICH and sustainable<br />

development.<br />

<strong>CCFU</strong> Board chair Prof. Luutu Mukasa hands over a certificate to the overall winner of the National Youth<br />

Heritage Competition, Bridget Ategeka from Rubaga Girls’ Secondary School<br />

11


Nyamarunda historical site handed over to Bunyoro<br />

Kitara Kingdom officials<br />

Protecting our built heritage: In <strong>2017</strong>, <strong>CCFU</strong> pursued<br />

work with the Kampala Capital City Authority to<br />

develop a draft Ordinance to protect historic buildings<br />

in the city; information materials and plaques for the<br />

Luke and Katherine Wards of Mengo Hospital and Ham<br />

Mukasa House in Mengo were developed and unveiled<br />

to the public. <strong>CCFU</strong> also took part in campaigns to<br />

safeguard the Uganda National Cultural Centre,<br />

commonly known as the National <strong>The</strong>atre. Planning<br />

for the protection and promotion of a heritage site<br />

near Kampala, the home of Sir Apollo Kaggwa, the<br />

famous 19 th century political leader and ethnographer,<br />

was also undertaken. Elsewhere, <strong>CCFU</strong> supported<br />

the Kalisizo urban authority, which passed a bye-law<br />

to protect the Namagoma Forest. <strong>The</strong> tomb of King<br />

Kyebambe III in Nyamarunda, which <strong>CCFU</strong> supported<br />

the Greater Kibaale District Heritage Development<br />

Committee to renovate, was handed over to Bunyoro<br />

Kitara Kingdom and its Prime Minister pledged to<br />

maintain the site.<br />

Community Museums: <strong>CCFU</strong> continued to host the<br />

Uganda Community Museums Association coordinator<br />

and provided technical support to the Association’s<br />

regional exhibitions in Fort Portal and Iganga. A <strong>CCFU</strong><br />

volunteer also helped several museums to improve on<br />

their presentation and management.<br />

H.E the Ambassador of<br />

Ireland, Donal Cronin,<br />

the <strong>CCFU</strong> Executive<br />

Director and H.E. the<br />

High Commissioner of<br />

the United Kingdom,<br />

Peter West, unveil the<br />

information board at<br />

Mengo Hospital<br />

ÂÂReflections<br />

Our cultural heritage remains at great risk of<br />

disappearing. A listing mechanism to protect historical<br />

sites and buildings is urgently needed and the capacity<br />

of all organisations involved in this field, including<br />

Community Museums must be strengthened. This<br />

underlines the prerequisite for a centralised wellresourced<br />

government entity – a Ministry of Culture<br />

– to protect our national cultural and natural heritage,<br />

as well as the long term necessity to involve young<br />

people in promoting cultural heritage, as the primary<br />

target of sociocultural (r)evolutions and as Uganda’s<br />

upcoming policy makers and implementers.<br />

12


<strong>The</strong> year at <strong>CCFU</strong><br />

ÂÂ<strong>The</strong> context<br />

<strong>2017</strong> proved to be a challenging year for NGOs in<br />

Uganda. <strong>The</strong> global context militated against donor<br />

support for Ugandan organisations as the richer<br />

nations became increasingly introspective. <strong>The</strong> “NGO<br />

climate” was also marked by increasingly strict<br />

regulations imposed by Government on civil society<br />

organisations active in the country, while muzzling<br />

advocacy work on governance and human rights by<br />

closing down or intimidating several NGOs.<br />

ÂÂOur national and international linkages<br />

In this context, working with others assumes its full<br />

importance. Throughout <strong>2017</strong>, <strong>CCFU</strong> has continued<br />

to embrace its national and international partnerships.<br />

Through its membership of the National NGO Forum<br />

and of the Human Rights Network, the Foundation<br />

participated in defending the essential civic space that<br />

is the hallmark of a developing, democratic society and<br />

will continue to do so.<br />

<strong>CCFU</strong> is accredited to the UNESCO Intergovernmental<br />

Committee for the Safeguarding of the Intangible<br />

Cultural Heritage (ICH). We attended the 12 th session<br />

of the Committee in South Korea, presented a paper<br />

on traditional medicine and participated in the ICH<br />

NGO Forum symposium on this occasion.<br />

<strong>CCFU</strong> is also a member of the International National<br />

Trusts Organisation (INTO). INTO made <strong>CCFU</strong>’s<br />

presence at the 17 th International Conference of<br />

National Trusts in Indonesia possible. This was an<br />

eye-opening and engaging event, at which <strong>CCFU</strong><br />

made presentations on its work with youth and with<br />

indigenous minorities.<br />

Delegates at the 17th International Conference of National Trusts, Indonesia<br />

13


ÂÂ<strong>The</strong> <strong>CCFU</strong> Board of Trustees<br />

Our Board of Trustees continued to provide very<br />

valuable technical and advisory assistance to the<br />

Foundation throughout the year. It currently consists<br />

of Prof. Luutu Mukasa (Chair), Ms. Regina Bafaki, Ms.<br />

Rose Agoi, Ms. Grace Aulo, Ms. Rosie Agoi, Mr. Thomas<br />

Okoth Nyalulu, Mr. Cato Lund and Emily Drani as<br />

Secretary.<br />

ÂÂ<strong>The</strong> <strong>CCFU</strong> team<br />

After 11 years of dedicated and appreciated service,<br />

<strong>CCFU</strong> was sad to see its Finance and Administration<br />

Officer, Petwa Oselle leave the Foundation. We<br />

welcomed Haddijah Luwedde, another experienced<br />

finance officer, who joined our team to replace her.<br />

<strong>CCFU</strong> was privileged this year to host Beatrice<br />

McDermott, a volunteer to support our cultural<br />

heritage programmes. At <strong>CCFU</strong>, Beatrice was<br />

instrumental in supporting the Foundation’s work with<br />

community museums, providing technical assistance to<br />

their management for visibility and sustainability.<br />

We look forward to future partnerships with interested<br />

and qualified individuals who wish to contribute to the<br />

promotion of culture and development.<br />

<strong>The</strong> <strong>CCFU</strong> team at the Foundation offices, January 2018<br />

14


Our most recent publications<br />

Throughout the year, <strong>CCFU</strong> continued to produce<br />

publications to sustain its agenda and illustrate various<br />

aspects of Culture in Development. <strong>The</strong>se are available<br />

at our offices and through our website.<br />

And a DVD:<br />

15


11 years of <strong>CCFU</strong> in figures<br />

2600+ students in over 130 school heritage clubs<br />

supported by <strong>CCFU</strong> in Uganda<br />

260 Patrons of school cultural heritage clubs trained<br />

54 Kampala’s historical buildings and sites on an<br />

annotated map produced by <strong>CCFU</strong><br />

34 Districts where <strong>CCFU</strong> is working<br />

25 Indigenous minority groups working with <strong>CCFU</strong> on issues of<br />

promoting their cultural rights<br />

21 Community museums supported by <strong>CCFU</strong>, some as<br />

coordinating hubs for the Heritage Education Programme<br />

20 Human rights organisations trained in incorporating<br />

cultural rights aspects in their work<br />

15 Cultural institutions in Uganda partnered with<br />

<strong>CCFU</strong> to promote a culture in governance agenda<br />

10 Years of active participation in the International<br />

Conferences of National Trusts<br />

5 Cultural entrepreneurship groups (women and<br />

youth) supported and growing their revolving fund<br />

16


Bridget Ategeka’s winning entry for the <strong>2017</strong> National Youth Heritage Competition<br />

A Word of appreciation<br />

In the past year, <strong>CCFU</strong> was engaged in a growing<br />

number of activities both locally and internationally.<br />

We would like to thank all our friends and partners<br />

for supporting us.<br />

We particularly thank secondary schools on the<br />

Heritage Education Programme, community museums<br />

across the country and historical buildings owners,<br />

our government counterparts, leaders of cultural<br />

institutions, indigenous groups and other committed<br />

individuals, the media, service providers, other<br />

ministries and agencies, and many others. We look<br />

forward to continuing our interaction with all of you<br />

in 2018.<br />

We are grateful to our board of trustees has continued<br />

to support us with time and insights.<br />

Special thanks go to the International National<br />

Trusts Organisation (INTO) for playing a central<br />

role in making our joint crowdfunding appeal with<br />

the National Trust of Zimbabwe and the Monuments<br />

and Relics Commission of Sierra Leone a success and<br />

therefore engaging youth in the three countries in a<br />

first international African cultural heritage competition<br />

(see p. 11).<br />

<strong>The</strong> UNESCO intangible heritage section has shown<br />

its confidence in <strong>CCFU</strong> to undertake several initiatives<br />

to contribute to the preparation of training and other<br />

materials for UNESCO’s capacity building programme.<br />

In <strong>2017</strong> <strong>CCFU</strong> received financial support amounting<br />

to U.shs. 783 million. <strong>The</strong>se funds were provided by<br />

• Action Aid Uganda<br />

• Arcus Foundation<br />

• Bread for the World / Protestant Development<br />

Services<br />

• Diakonia<br />

• <strong>The</strong> Fund for Global Human Rights<br />

• <strong>The</strong> International National Trusts Organisation<br />

(INTO)<br />

• Irish Aid<br />

• <strong>The</strong> United Nations Educational, Scientific and<br />

Cultural Organisation (UNESCO) – ICH section<br />

• A crowdfunding effort led by the INTO Secretariat<br />

We thank all our supporters for making our work<br />

possible in the course of <strong>2017</strong> and look forward to<br />

continued partnerships in the coming year.<br />

17


Off Bativa Rd, Makerere,<br />

P.O. Box 25517, Kampala, Uganda<br />

Tel. +256 (0) 393294675/7<br />

ccfu@crossculturalfoundation.or.ug<br />

www.crossculturalfoundation.or.ug<br />

Like us <strong>CCFU</strong> NGO<br />

Follow us<br />

<strong>CCFU</strong>_NGO<br />

Member of<br />

Accredited to<br />

UNESCO inter-Governmental Committee for the<br />

Safeguarding of the Intangible Cultural Heritage<br />

18

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