Bob Chilcott - Move him into the sun
for upper voices, SATB, and piano (with snare and tenor drums and solo cello) or chamber orchestra This profound setting of poems by Wilfred Owen explores the idea of the sun as a redemptive force. The sense of human connection and vivid imagery of the natural world imbued in Owen's poetry is perfectly conveyed in Chilcott's music, which is rich in highly effective word painting and melodies as visceral as the poetry itself. The first movement, 'Song of Songs', sets the tone for the work, balancing a sense of reverence and solemnity with hopefulness and optimism, and a poignant and moving setting of Futility is a powerful focal point. Chilcott supplements the choral texture to great effect, with snare and tenor drum creating a mood of expectancy in 'Spring Offensive' and a middle movement for tenor and cello soloists that inhabits a stark musical landscape that blossoms harmonically as the soldier tells of the 'fellowships' and 'beauty' they have found.
for upper voices, SATB, and piano (with snare and tenor drums and solo cello) or chamber orchestra
This profound setting of poems by Wilfred Owen explores the idea of the sun as a redemptive force. The sense of human connection and vivid imagery of the natural world imbued in Owen's poetry is perfectly conveyed in Chilcott's music, which is rich in highly effective word painting and melodies as visceral as the poetry itself. The first movement, 'Song of Songs', sets the tone for the work, balancing a sense of reverence and solemnity with hopefulness and optimism, and a poignant and moving setting of Futility is a powerful focal point. Chilcott supplements the choral texture to great effect, with snare and tenor drum creating a mood of expectancy in 'Spring Offensive' and a middle movement for tenor and cello soloists that inhabits a stark musical landscape that blossoms harmonically as the soldier tells of the 'fellowships' and 'beauty' they have found.
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‘Futility’ (SATB)<br />
<strong>Move</strong> <strong>him</strong> <strong>into</strong> <strong>the</strong> <strong>sun</strong>—<br />
Gently its touch awoke <strong>him</strong> once,<br />
At home, whispering of fields half-sown.<br />
Always it woke <strong>him</strong>, even in France,<br />
Until this morning and this snow.<br />
If anything might rouse <strong>him</strong> now<br />
The kind old <strong>sun</strong> will know.<br />
Think how it wakes <strong>the</strong> seeds—<br />
Woke, once, <strong>the</strong> clays of a cold star.<br />
Are limbs, so dear achieved, are sides<br />
Full-nerved—still warm—too hard to stir?<br />
Was it for this <strong>the</strong> clay grew tall?<br />
—O what made fatuous <strong>sun</strong>beams toil<br />
To break earth’s sleep at all?<br />
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5. Winter Song<br />
Extract from ‘Winter Song’<br />
From off your face, <strong>into</strong> <strong>the</strong> winds of winter,<br />
The <strong>sun</strong>-brown and <strong>the</strong> summer-gold are blowing;<br />
But <strong>the</strong>y shall gleam again with spiritual glinter,<br />
When paler beauty on your brows falls snowing,<br />
And through those snows my looks shall be soft-going.<br />
Extract from ‘Happiness’<br />
The <strong>sun</strong> may cleanse,<br />
And time, and starlight. Life will sing sweet songs,<br />
And gods will show us pleasure more than men’s.<br />
Texts from Wilfred Owen: The War Poems, ed. Jon Stallworthy (1935–2014) (Chatto & Windus, 1994).<br />
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