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Aziz art March 2018

History of art(west and Iranian)-contemporary art-Reza Khodadadi-Alfred Basbous-Marcos Grigorian-Middle East art -surrealism painting -Iranian art auction -Famous Iranian art -middle east artist-Famous iranian artist-humanity-Iranian#Iranian contemporary art -middle east -surrealism painting -visual art -gallery-contemporary art -Qajar art - art auction -exhibition -modern art -London -USA - UK -Aziz Anzabi-Famous Persian artist-painting-art-life-man-woman

History of art(west and Iranian)-contemporary art-Reza Khodadadi-Alfred Basbous-Marcos Grigorian-Middle East art -surrealism painting -Iranian art auction -Famous Iranian art -middle east artist-Famous iranian artist-humanity-Iranian#Iranian contemporary art -middle east -surrealism painting -visual art -gallery-contemporary art -Qajar art - art auction -exhibition -modern art -London -USA - UK -Aziz Anzabi-Famous Persian artist-painting-art-life-man-woman

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Marcos Grigorian<br />

December 5, 1925 – August 27,<br />

2007 was a notable Iranian-<br />

Armenian <strong>art</strong>ist<br />

and a pioneer of Iranian modern<br />

<strong>art</strong>.<br />

Biography<br />

Grigorian was born in Kropotkin,<br />

Russia, to an Armenian family<br />

from Kars who had fled that city<br />

to escape massacres when it was<br />

captured by Turkey in 1920.<br />

In 1930 the family moved from<br />

Kropotkin to Iran, living first in<br />

Tabriz, and then in Tehran. After<br />

finishing pre-university<br />

education in Iran, in 1950 he<br />

studied at the Accademia di Belle<br />

Arti in Rome. Graduating from<br />

there in 1954, he returned to Iran,<br />

opened the Galerie Esthétique, an<br />

important commercial gallery in<br />

Tehran. In 1958, under the<br />

auspices of the Ministry of Culture,<br />

he organized the first Tehran<br />

Biennial. Grigorian was also an<br />

influential teacher at the Fine Arts<br />

Academy, where he disseminated<br />

his enthusiasm for local popular<br />

culture, including coffee-house<br />

paintings, a type of folk <strong>art</strong> named<br />

after the locations in which they<br />

were often displayed.<br />

He lived in the 1960s in the United<br />

States first moving in 1962 to New<br />

York City, and then moved to<br />

Minneapolis to work at Minnetonka<br />

Center for the Arts. In Minneapolis<br />

he st<strong>art</strong>ed Universal Galleries which<br />

became an influential center for<br />

Iranian <strong>art</strong> in Minneapolis, and it<br />

existed at the same time along with<br />

a quickly growing Modern Iranian<br />

<strong>art</strong> collection that could be found at<br />

<strong>art</strong>ist Abby Weed Grey's home.Grey<br />

went on to later become an <strong>art</strong><br />

dealer and gallerist and specialized<br />

in Modern Iranian <strong>art</strong> with her large<br />

collection and influencing many<br />

<strong>art</strong>ists.<br />

In 1975 Grigorian helped organize<br />

the group of free painters and<br />

sculptors in Tehran and was one of<br />

its founder members. Artists<br />

Gholamhossein Nami, Massoud<br />

Arabshahi, Morteza Momayez, Mir<br />

Abdolrez Daryabeigi, and Faramarz<br />

Pilaram were amongst the other<br />

members of the group. As a<br />

modernist pop <strong>art</strong>ist Marcos<br />

Grigorian turned to ordinary<br />

objects and popular ethnic forms<br />

and approaches.

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