BusinessDay 30 Mar 2018
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Friday <strong>30</strong> <strong>Mar</strong>ch <strong>2018</strong><br />
22 BUSINESS DAY<br />
C002D5556<br />
‘I get fulfillment when I am teaching,<br />
training or performing music’<br />
From following her mother to choir practices to becoming an MTNF-MUSON scholarship beneficiary, Fatima Uriame Anyekema has become one of the leading<br />
contralto voices in the Nigerian classical music scene. In this interview with OBINNA EMELIKE, the concert artiste/recitalist who has performed celebrated<br />
operas and oratorios talks about her journey into music, recent admission at University of Notre Dame, US, for Masters in Sacred Music, and expectations.<br />
How was your growing up in Benin?<br />
Benin was just a transition<br />
point for me. My father is<br />
a retired police man, so his<br />
job was the reason for our<br />
movement. I was born in<br />
Jos, Plateau State. From there we moved<br />
to Benin, Edo State where I spent a part<br />
of my childhood. I attended Eweka<br />
Primary School in Benin City. At some<br />
point, my dad was forcefully retired<br />
and to ease the pressure of training<br />
seven children, I had to stay with my<br />
uncle. That is how I found my way<br />
to Delta State where I continued my<br />
secondary school education at Ishagu<br />
College, Ogwashi-Uku between 1992<br />
and 1997. From there, I proceeded to<br />
Ondo State Polytechnic, Owo, where I<br />
studied Accounting for about four years<br />
due to many industrial actions. After<br />
graduation, I moved to Lagos, where<br />
I officially found my love for music, at<br />
least the academic part of it so to speak.<br />
How and when did you encounter<br />
music?<br />
I cannot really remember what my<br />
singing life was before age seven but<br />
from there on, I remember going to<br />
church society meetings with my late<br />
mother, Catherine and she made me<br />
and my friends to start leading songs<br />
during their events. From that point<br />
on, around 1988-1989, I discovered<br />
that I could sing and I kept singing<br />
in church mostly. That period for me<br />
was very interesting because everywhere<br />
singing was taking place, I was<br />
part of it. At some point, I became a<br />
choir mistress at a young age and had<br />
to teach songs to my mates. I had a<br />
mentor then who took interest in<br />
my voice, he would teach me songs<br />
to teach the choir. As little as I was,<br />
I was able to conduct and teach the<br />
choir new songs. That period was<br />
very eventful and interesting. When<br />
I got into secondary school, I did not<br />
sing at all for some strange reasons. I<br />
did not join the choir but then I was a<br />
member of the Scripture Union. So,<br />
when we went to other secondary<br />
schools in Asaba or Ibuzor, I would<br />
sing with my school scripture union<br />
group. It was the farthest I went with<br />
music in secondary school. When<br />
I came back to Benin, I went back<br />
to sing with the choir and I learnt<br />
responsorial psalms because as a<br />
catholic, I had to sing responsorial<br />
psalms and people always commented<br />
favourably.<br />
When I moved to Ondo State, I<br />
stopped singing again and did not join<br />
the school choir. I just faced my studies.<br />
But I still knew I had it in me even<br />
though I did not do anything about it.<br />
Eventually, I moved to Lagos in 2004<br />
for my Industrial Training and I needed<br />
something exciting and different. During<br />
my job search, I found MUSON and<br />
it ignited my passion and interest again.<br />
I never looked back and did not even go<br />
back to complete my HND.<br />
Is there any trace of music in your<br />
family?<br />
My journey into music began when I<br />
started going to the choir with my late<br />
mother, Catherine. Then, as a child, I<br />
A celebration of African modernism<br />
The Àdùnní Chair narrates traditional African aesthetics through minimalist elegance<br />
Àdùnní (meaning ‘daughter<br />
of the sweet one’ in Yoruba),<br />
is a celebration of<br />
African modernism. The<br />
chair’s frame is made from Nigerian<br />
teak wood and is upholstered in two<br />
styles of the indigenous Yoruba textile<br />
Asò-oké. The front bears Asò-oké<br />
Gboro-gidi (solid) and behind Asòoké<br />
Onja-wú ati iho (perforated),<br />
both hand-loomed in Nigeria.<br />
The thoughtful material choices<br />
of the chair combine to stage a celebration<br />
of culture and art through<br />
furniture. The Àdùnní Chair is available<br />
in seven vibrant colours, each<br />
with a matching footstool. The colours<br />
are; pupa féré (pink), osàn<br />
(orange), pón (yellow), pupa (red),<br />
elésè àlùkò (purple), ewé (green)<br />
Fatima Uriame Anyekema<br />
and búlúù (blue).<br />
As the outfit formally launches<br />
the Àdùnní Chair, it is delighted to<br />
have Chidinma Ekile as its muse.<br />
Chidinma is a Nigerian singer and<br />
songwriter who rose to stardom in<br />
2010 after winning the third season<br />
of Project Fame West Africa.<br />
“We had the pleasure of producing<br />
the advertising campaign with an<br />
amazing team of creatives to execute<br />
our conceptual approach, ‘THIS IS<br />
US _ AFRICA’. Oladotun Ojuolape<br />
Kayode served for the second time<br />
as our creative director. Emmanuel<br />
Oyeleke, a fashion photographer,<br />
produced the stunning images. Jane<br />
Michael Ekanem, ‘Stylist to the stars’<br />
translated our 1920’s theme into seven<br />
looks”, the managment said.<br />
usually attended practices with her at<br />
St. Monica’s Choir in Benin, Edo State.<br />
There are seven of us in the family - six<br />
girls and one boy. Interestingly, four<br />
of my siblings were also in the choir<br />
at that time but then out of all of us,<br />
I was the only one who chose to do<br />
music professionally. If you look at<br />
some other families like the Sowandes’<br />
and so on, you will see that some of<br />
them played the piano, some other<br />
instruments and they studied music<br />
unlike ours, we were just choristers<br />
singing in the choir. At some point in<br />
my life, I decided to take the decision<br />
to study music.<br />
Aside singing, do you play any music<br />
instrument?<br />
I play the piano, I teach the piano too<br />
although I am not quite proficient.<br />
During the Diploma course at MUSON,<br />
I took grade 2 piano lessons and all the<br />
vocal major students were made to<br />
take piano course. When I went back<br />
to University of Lagos for BA in Music,<br />
I had to improve on it. I teach piano to<br />
beginners now. I did other minor musical<br />
instruments like violin, clarinet, but<br />
the piano came in handy.<br />
As well, hair-stylist Gift Ekhile<br />
and makeup artist, Oriaba Wakana<br />
brought together the concept to<br />
mimic African bronze statuettes.<br />
Others are Oladayo Odunaro, cine-<br />
As an MTNF scholar, what was that<br />
experience for you like?<br />
The sponsorship support covered my<br />
tuition, buying music books and pocket<br />
allowance. I was grateful for these things<br />
because they really came in handy.<br />
Also, the opportunities that the MTN<br />
Foundation provided for me were huge<br />
because I had the chance to perform on<br />
stages and platforms that would never<br />
have been available if I did not have<br />
a scholarship. MTN Foundation has<br />
been at the centre of driving the renaissance<br />
in Nigeria’s art and music space.<br />
Every year, we have valentine concerts<br />
and recitals that provide exposure to<br />
burgeoning talents. I am grateful for the<br />
association with the brand.<br />
How excited are you with the scholarship<br />
at the University of Notre Dame?<br />
Notre Dame came with a lot of exciting<br />
packages. Until now, I cannot pay my<br />
way through a university in the US, UK<br />
or anywhere in the world. One of my<br />
priests who had studied abroad told me<br />
that there is a school in America that is<br />
tuition free and that they study Sacred<br />
Music but then it is a Catholic school. I<br />
said what do I want to do with sacred<br />
music, I am not planning to become a<br />
reverend sister or a religious personage.<br />
He convinced me that they had masters<br />
in different programmes but I did not<br />
want to have anything to do with sacred<br />
music, so I totally forgot about it.<br />
Things took different turn when I<br />
was graduating from the University of<br />
Lagos. Interestingly, my research work<br />
was on the music of the church in Nigeria.<br />
By the time I finished, the priest<br />
asked me what my plan was and I said<br />
nothing yet and he asked if I had tried<br />
the school he told me about. I was still<br />
not sure if I wanted to do it but along the<br />
line, I got an email. It was a strange happening<br />
because over the years, I have<br />
applied for some competitions abroad<br />
and sometimes, they keep sending<br />
emails as updates. I got an email from<br />
of those organisations, which I applied<br />
matographer and editor, documented<br />
the magic of the shoot with music<br />
from SMirK.<br />
Ilé-Ilà, which means House of Lines,<br />
is a lifestyle furniture line designed<br />
for the competition advertising Notre<br />
Dame University, the same school the<br />
priest told me about and I wondered<br />
why I was being followed. By the time<br />
I read through their propositions, I<br />
realized that asides the scholarship,<br />
they had a lot to offer in terms of the<br />
faculty, staff, sourced materials and<br />
master classes. I am so grateful that<br />
the foundation provided by the MTNF<br />
scholarship has propelled me towards<br />
this new adventure and I am excited at<br />
what the future holds.<br />
What is your favourite genre of<br />
music?<br />
Growing up, I did not know I was a<br />
classical singer. My dad was a collector<br />
of different kinds of music; reggae,<br />
soul, and fuji. I did not come across<br />
jazz in his collection, but he collected<br />
so much music that anytime I go back<br />
home, it hits me that this must be where<br />
I was influenced. As a child, I spent time<br />
listening to music and sometimes I go<br />
back and look through his collections.<br />
I do not have a favourite, I sing classical<br />
music, and I may want to say it is my<br />
best but I enjoy all kinds of music. None<br />
stands out.<br />
How do you make money from<br />
music?<br />
Many people are concerned about this<br />
question. My dad also had this challenge.<br />
When he knew that I was into<br />
music full time, he was worried and<br />
asked how I was coping until in 2013<br />
when I invited him to watch my performance,<br />
that was when he gave his full<br />
blessings. There are a lot of things that<br />
you can do with music. You can teach,<br />
perform, attend workshops; you can<br />
write music and so on. A lot can be done<br />
with music. I get fulfillment when I am<br />
teaching, training or performing music.<br />
Do you have any expectations?<br />
I hope that I will subsequently apply for<br />
a PhD after the programme. That will be<br />
like the ultimate goal.<br />
and handmade in Lagos, Nigeria.<br />
The brand focuses on period-conscious<br />
furniture with contemporary<br />
African content. Ilé-Ilà was created<br />
by Tosin Oshinowo, architect behind<br />
the design and execution of the<br />
<strong>Mar</strong>yland Mall Lagos, a commercial<br />
piece of architecture that captures<br />
the rapid development of the subsaharan<br />
region.<br />
As an architect, she has a natural<br />
affinity towards product design. She<br />
is particularly interested in the functionality<br />
of chairs, but also placing<br />
them in a Nigerian-African identity<br />
context. Unlike her minimalist approach<br />
to architecture, which often<br />
uses mute colours, her furniture design<br />
aesthetic is a bright explosion of<br />
colour.