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Alert Diver is the dive industry’s leading publication. Featuring DAN’s core content of dive safety, research, education and medical information, each issue is a must-read reference, archived and shared by passionate scuba enthusiasts. In addition, Alert Diver showcases fascinating dive destinations and marine environmental topics through images from the world’s greatest underwater photographers and stories from the most experienced and eloquent dive journalists in the business.

Alert Diver is the dive industry’s leading publication. Featuring DAN’s core content of dive safety, research, education and medical information, each issue is a must-read reference, archived and shared by passionate scuba enthusiasts. In addition, Alert Diver showcases fascinating dive destinations and marine environmental topics through images from the world’s greatest underwater photographers and stories from the most experienced and eloquent dive journalists in the business.

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thought I knew a lot about climate change before<br />

I worked on Chasing Coral. Then one day I got<br />

an email from Richard Vevers, who described how<br />

much coral reefs were changing. For me, this opened<br />

a window onto an ecosystem I knew very little<br />

about. We explored stories about plastic, ocean<br />

acidification, waste runoff, overfishing — you name it.<br />

Then on the very first dive we did with Richard, we saw<br />

coral bleaching. That dive was in 2013 in Bermuda. As<br />

Richard continued to document bleaching in different<br />

places, we realized this was the storyline to follow.<br />

What was your first impression of Richard?<br />

Richard was a guide for me. He was teaching me<br />

about the oceans, and he could communicate complex<br />

science very efficiently.<br />

What was the most compelling thing about the ocean<br />

information he shared with you in those early days?<br />

Richard kept traveling to different sites around the<br />

world and bringing back images of bright white coral. In<br />

American Samoa he was photographing healthy coral,<br />

and six months later he went back to find it had turned<br />

totally white. He went back again soon after, and it was<br />

dead. He was the one and only person on the front lines<br />

documenting this. Scientists were studying it, but they<br />

weren’t creating these intense images.<br />

When in the process did you know that you would<br />

focus on the Great Barrier Reef?<br />

When we saw the extent of the coral bleaching on the<br />

GBR last year, we knew exactly what story we would<br />

be telling. I was living at Lizard Island with Zack. He<br />

was emerging as this great, dedicated character, and<br />

we were finally getting the imagery we’d been after by<br />

diving the same sites every day.<br />

Tell me more about Zack.<br />

We had been working with Richard to figure out how to<br />

PHOTOS ©NETFLIX/CHASING CORAL<br />

document the bleaching, and we kept reaching out to<br />

people to help us design underwater cameras that could<br />

capture time-lapse imagery. That’s how we found Zack,<br />

who in many ways carries the emotional heart of the<br />

film. Through the process of developing this camera<br />

system we found out Zack is a coral nerd who grew up<br />

working in a coral aquarium in high school and college.<br />

I remember you coming home from that first trip<br />

with Zack, saying, “I have to film this guy more.”<br />

We knew corals were bleaching, but it was still<br />

challenging to pinpoint exactly when it would happen<br />

and capture it on camera. We had been working<br />

with a team of scientists, including Mark Eakin at the<br />

National Oceanic and Atmospheric Administration<br />

(NOAA), to predict it.<br />

We’d gone to Bermuda and the Bahamas and Hawaii,<br />

but there were all sorts of technical challenges with<br />

the equipment. We just weren’t getting the footage we<br />

needed. Very unfortunately for the reef, but fortunately<br />

for the film, the bleaching event continued longer than<br />

expected, giving us the chance to follow it to Australia.<br />

Going to Australia was a huge risk for us. “Would the<br />

cameras work this time?” So we changed our approach<br />

and kept a crew on the ground to respond quickly if<br />

things changed. I went with Zack to Lizard Island,<br />

and another team went to New Caledonia, capturing<br />

bleaching and mortality there. They saw some incredible<br />

and unique coral behavior; having two teams really<br />

made a difference in our ability to tell the story well.<br />

How did you find divers who could shoot the film<br />

— divers who were also cinematographers?<br />

At the very beginning there was Andrew Ackerman, a<br />

young, aspiring filmmaker who had volunteered for us<br />

on other small projects. As Chasing Coral got started,<br />

I learned that he was a very experienced diver. So that<br />

was dumb luck and good fortune. Andrew became my<br />

dive instructor and guide, and he had a keen interest in<br />

learning more about underwater cinematography, so<br />

we shot a lot of the film together.<br />

Hundreds of divers actually contributed to the film. A<br />

lot of them were citizen scientists and volunteers from<br />

around the world who responded to our global call for<br />

footage of coral bleaching from their own backyards.<br />

That’s one of the parts of the film I’m most proud of.<br />

What was the hardest dive you had to do for this film?<br />

For me personally, one of the toughest was in<br />

Papua New Guinea. There was nothing technically<br />

90 | FALL <strong>2017</strong>

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