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BACH RENDEZVOUS<br />
34 Bach Rendezvous 35<br />
Jorge Jimenez, violin<br />
Fabio Bonizzoni, harpsichord<br />
Wednesday, October 31 –– 7.30 p.m.<br />
Mass in B minor<br />
Saturday, January 26 –– 7.30 p.m.<br />
ENSEMBLE CAPRICE<br />
Matthias Maute, conductor<br />
J.S. BACH<br />
Sonata for Violin and Harpsichord No. 4 in C minor,<br />
BWV 1017<br />
Sonatas for Violin and Continuo, BWV 1021 and 1023<br />
Toccata and Fugue in D minor, BWV 565<br />
(transcription for solo violin)<br />
Chaconne for Solo Violin in D minor, BWV 1004<br />
(transcription for harpsichord)<br />
Violin and harpsichord come together in the sublime<br />
sonatas of J.S. Bach. Despite their differences, historically<br />
the two instruments and their respective repertoires were<br />
interchangeable, thanks to many skillful transcriptions.<br />
The famous Toccata and Fugue for organ is a case in<br />
point: some believe it was initially written for solo violin.<br />
This concert provides an opportunity to hear this<br />
celebrated work, possibly in its original version.<br />
You can also hear Fabio Bonizzoni and his ensemble La Risonanza<br />
perform in The Complete Bach Cantatas series on Sunday, October 28<br />
(see p. 28).<br />
•• Rate 3: $39 • VIPs $33.50<br />
Fabio Bonizzoni © Allard Willemse<br />
Monika Mauch, soprano<br />
Adriadne Lih, soprano<br />
Maude Brunet, mezzo-soprano<br />
Philippe Gagné, tenor<br />
Dion Mazerolle, baritone<br />
J.S. BACH Mass in B minor, BWV 232<br />
Because of its monumental proportions, the<br />
Mass in B minor could not have been destined<br />
to the liturgy. Nevertheless, this masterpiece<br />
qualifies as the great Cantor’s legacy in the<br />
domain of sacred music and recasts various<br />
cantata arias and choruses he composed<br />
in the last fifteen years of his life.<br />
You can also hear the Ensemble Caprice perform in<br />
The Complete Bach Cantatas series on Sunday, January 27<br />
(see p. 29).<br />
Presented in collaboration with Ensemble Caprice,<br />
marking it’s 30th anniversary<br />
•• Rate 2: $49 • VIPs $42<br />
Ensemble Alia Mens<br />
Friday, March 29 –– 7.30 p.m.<br />
OLIVIER SPILMONT, harpsichord and direction<br />
J.S. BACH<br />
Brandenburg Concerto No. 4 in G major, BWV 1049<br />
Concerto for Violin in A minor, BWV 1041<br />
Concerto for Two Harpsichords in C minor,<br />
BWV 1060<br />
Concerto for Three Harpsichords in D minor,<br />
BWV 1063<br />
Concerto for Oboe d’amore in A major,<br />
based on BWV 1055<br />
Ensemble Alia Mens<br />
Jean-Guihen Queyras Plays Bach<br />
The Complete Suites for Solo Cello<br />
Concert I<br />
Tuesday, November 6 –– 7.30 p.m.<br />
J.S. BACH<br />
Suite No. 1 in G major, BWV 1007<br />
Suite No. 2 in D major, BWV 1008<br />
Suite No. 3 in C major, BWV 1009<br />
KODÁLY Sonata, Op. 8<br />
•• Rate 2: $49 • VIPs $42<br />
•• Combo concerts I + II: $75<br />
Jean-Guihen Queyras © Marco Borggreve<br />
Concert II<br />
Wednesday, November 7 –– 7.30 p.m.<br />
J.S. BACH<br />
Suite No. 4 in E-flat major, BWV 1010<br />
Suite No. 5 in C minor, BWV 1011<br />
Suite No. 6 in D major, BWV 1012<br />
DUTILLEUX Trois Strophes sur le nom de Sacher<br />
•• Rate 2: $49 • VIPs $42<br />
•• Combo concerts I + II: $75<br />
The repertoire for unaccompanied cello is<br />
relatively limited, and its apex is quite certainly<br />
Bach’s six Suites. Their sequence of movements<br />
follows period dance conventions, and Bach<br />
exploits all the instrument’s expressive possibilities<br />
within that framework. Kodály and Dutilleux also<br />
produced works of outstanding virtuosity for solo<br />
cello in the 20th century.<br />
Jean-Guihen Queyras is one of the most<br />
celebrated cellists of the present day.<br />
This intimate concert showcases his mastery<br />
and sensitivity as a performer.<br />
“A work so immense,<br />
like a great cathedral<br />
whose colossal<br />
proportions and<br />
detailed chiselling<br />
defy the imagination.”<br />
– Camille Saint-Saëns<br />
Ensemble Caprice © Gilles Brissette<br />
Only a small number of concertos by Bach have<br />
survived. Originally composed for the court of<br />
Anhalt-Köthen around 1720, thankfully several of<br />
them were repurposed for weekly concerts Bach<br />
organized at the Zimmermann café in Leipzig,<br />
fifteen years later. He also converted a few of<br />
them into concertos for harpsichord(s).<br />
Since 2012, the French ensemble Alia Mens has<br />
specialized in the performance of works by Bach,<br />
particularly his cantatas from the Weimar period<br />
and his concertos for several harpsichords. This<br />
concert provides an ideal opportunity to discover<br />
these fine musicians in their Montreal debut.<br />
You can also hear Ensemble Alia Mens perform in The<br />
Complete Bach Cantatas series on Sunday, March 31<br />
(see p. 30).<br />
•• Rate 2: $49 • VIPs $42