Karina Smigla-Bobinski
Karina Smigla-Bobinski
Karina Smigla-Bobinski
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DREAM JOURNEY 1 canal video<br />
Bright Red by Laurie Anderson<br />
Warner Bros. Records<br />
Dream Journey is a visual poem consisting of movie images, music and eight equally long chapters. The work<br />
has to be seen in a darkened room. In the beginning the wall filling projecion is black, a title appears and fades<br />
away. Then the first image appears: a black and white close shot of an organic surface, that could be skin. The<br />
voices of a woman and a man can be heard, half asleep or in hypnosis, being accompanied by soft electronic<br />
sounds. ‚Did she fall or was she pushed?‘ is the beginning of Laurie Andersons song Bright Red, a poetic story<br />
about desire and threat. With this song the camera zooms back and shows the hand of a men in front of a black<br />
background, the hand clutched into a fist. The hand gets smaller and smaller, until a female hand appears in the<br />
left corner. She approaches the male fist, which slowly begins to open, until she touches the now half opened<br />
hand and the camera begins to zoom in again. The touching line of both hands rotate into the horizontal and<br />
fades into the glimmering horizon of an ocean panorama, the sleek line between water and sky. With this subtle<br />
transition the music changes, this has the effect of being pulled into another journey.<br />
Dream Journey is a perfectly balanced dialog of music and image – but still its synaesthesia evolved late, since<br />
<strong>Karina</strong> <strong>Smigla</strong>-<strong>Bobinski</strong> found Laurie Andersons music when she was cutting the video images. Andersons<br />
word-music, sung with this unique cold and at the same time sensual voice over elegance electronic sounds,<br />
sings of mysterious beauty in a aural endless space. Dreaming is central in the album Bright Red: surreal images<br />
evolve into a apocalyptic metaphor or cryptic hints – just like the video frequencies – that pop up from memory<br />
and therefor become more impressive.<br />
<strong>Smigla</strong>-<strong>Bobinski</strong>s video images form a fascinating visual equivalent to Andersons music, the videos are slowed<br />
down and carried away, and have clear signs of the surreal. This effect is created by the irritating stopping and<br />
doubling of the hand sequences, the slight fuzziness or the pale light in the ocean images. The slowness and<br />
krass reduction of the videos makes them inner or mental images, that are set aside from normal day rhythms.<br />
The whole composition of Dream Journey is laied out like a wave movement. In both the beginning and the end<br />
the hands in front of a black background mark the appearance and disappearance, latter being underlined by<br />
the final motive of the swelling light. But this life sign of the wake body awareness reappears at two stages of the<br />
movie: In one of the two a hand carries a suitcase, the other shows to sets of hands holding a wallet, that holds<br />
the picture of a man carrying a small girl. The man is walking away while the girl looks back into the camera –<br />
Images of a goodbye or the beginning of a journey.