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Clockwise from top left: A Million Little<br />
Pieces star Aaron Taylor-Johnson; Vox<br />
Lux’s Portman; Reeves, returning for John<br />
Wick: Chapter 3; Moss, who will play a<br />
self-destructive punk rocker in Her Smell;<br />
Spider in the Web star Bellucci; and Ali,<br />
who plays a jazz musician in Green Book.<br />
THE MISEDUCATION OF<br />
CAMERON POST<br />
SALES Elle Driver<br />
DIRECTOR Desiree Akhavan<br />
CAST Chloe Grace Moretz,<br />
Jennifer Ehle, Quinn Shephard<br />
Akhavan’s comic drama, about<br />
Christian teens wrestling with<br />
gay-conversion therapy, picked up<br />
the Grand Jury Prize at Sundance<br />
and won acclaim for its delicate<br />
treatment of a hot-button topic.<br />
STATUS Finished<br />
MONSTER FAMILY 2<br />
SALES Timeless Films<br />
DIRECTOR Holger Tappe<br />
<strong>The</strong> sequel to the 2017 animated<br />
movie, which featured the<br />
voice talents of Emily Watson,<br />
Nick Frost and Jason Isaacs and<br />
grossed more than $26 million<br />
internationally, returns with the<br />
Wishbones, an ordinary family<br />
who transform into monsters<br />
to save their friends and the world<br />
from an evil Monster Huntress.<br />
STATUS Preproduction<br />
MRS LOWRY & SON<br />
SALES <strong>The</strong> Little Film Co.<br />
DIRECTOR Adrian Noble<br />
CAST Timothy Spall,<br />
Vanessa Redgrave<br />
British acting treasures Spall<br />
and Redgrave headline this<br />
biopic about the relationship<br />
between early 20th century<br />
British painter L.S. Lowry and<br />
his mother, Elizabeth.<br />
STATUS Filming<br />
ONLY GOD CAN JUDGE US<br />
SALES Global Screen<br />
DIRECTOR Ozgur Yildirim<br />
CAST Moritz Bleibtreu<br />
<strong>The</strong> crossover success of Fatih<br />
Akin’s In the Fade could bode<br />
well for this German thriller, set<br />
on the mean streets of Frankfurt<br />
and featuring Bleibtreu (Run Lola<br />
Run) as a gangster trying to<br />
make a final score in order to<br />
escape his life of crime.<br />
STATUS Finished<br />
SPIDER IN THE WEB<br />
SALES Film Constellation<br />
DIRECTOR Eran Riklis<br />
CAST Ben Kingsley, Monica Bellucci,<br />
Itay Tiran<br />
This espionage thriller from the<br />
award-winning Israeli director<br />
of <strong>The</strong> Lemon Tree centers on an<br />
aging spy (Kingsley) on the trail<br />
of a supposed chemical weapons<br />
sale to a Middle East dictatorship<br />
while being followed by an ambitious<br />
Mossad agent (Tiran).<br />
STATUS Shoots in the spring<br />
VOX LUX<br />
SALES Sierra/Affinity<br />
DIRECTOR Brady Corbet<br />
CAST Natalie Portman, Jude Law<br />
Corbet’s drama about the rise<br />
of a singer from national tragedy<br />
to pop superstar is back on<br />
track, with Oscar winner Portman<br />
replacing Rooney Mara in the<br />
leading role. Sia provided original<br />
songs for the soundtrack.<br />
STATUS Filming<br />
Berlin Rolls Out the<br />
Red Carpet for Diversity<br />
From an anti-harassment ‘safe space policy’ to<br />
industry panels on gender equality, the Berlinale<br />
is getting woke for the #MeToo era<br />
Berlin wears its politics on its sleeve. In 2002, his first year<br />
as Berlinale director, Dieter Kosslick made “Accept<br />
Diversity” the festival motto. “And we meant it,” Kosslick<br />
tells THR. “Diversity of all sorts: all colors, all sexualities, all cultures.”<br />
This year, in the wake of Harvey Weinstein, #MeToo and Time’s<br />
Up, Berlin is trying to live up to that pledge. <strong>The</strong> fight for equality,<br />
whether based on gender, race or sexuality, will be in focus at both<br />
the festival and Berlin’s European Film Market (EFM).<br />
At the festival, Berlin will introduce what it calls a “safe space<br />
policy” that will include coordinating a hotline for visitors to report<br />
cases of discrimination or harassment they experience or witness.<br />
Sundance took a similar tack this year, updating its code of conduct<br />
to try and prevent any inappropriate behavior and introducing<br />
a new 24-hour hotline to report offenses.<br />
<strong>The</strong> policy’s urgency was brought home by the recent case of<br />
German director Dieter Wedel. Several women have accused the<br />
famed film and TV helmer of abuse — ranging from harassment<br />
to assault — going back decades. Wedel denied the initial charges<br />
brought forth by three women but since has gone<br />
silent and has resigned from his job as artistic director<br />
of the Bad Hersfeld <strong>The</strong>ater Festival, citing health<br />
concerns resulting from excessive media attention<br />
Wedel<br />
Wouter Knol<br />
on his case.<br />
At the EFM, the focus will be on analyzing the<br />
problem of discrimination and presenting workable<br />
solutions for the industry. Vivian Yvonne Hunt of<br />
consulting firm McKinsey & Co. will present the latest<br />
finding of her study “Delivering Through Diversity,”<br />
originally unveiled in late January at the Davos World<br />
Economic Forum in Switzerland. In a debate hosted by THR on<br />
Feb. 17, Hunt will break down her analysis of the diversity gap and<br />
what it means for the global film business.<br />
At Berlin’s Co-Production Market, the Austrian Film Institute<br />
will present a case study of its remarkably successful initiative to<br />
address the gender gap among film producers by boosting subsidy<br />
support for projects with higher female participation.<br />
<strong>The</strong> Swedish Film Institute, a leader in the push for gender<br />
equality, will also present in Berlin the latest findings in its 50-50<br />
initiative, which, in just three years, achieved gender parity in terms<br />
of film funding between men and women directors.<br />
“We are a market — we are interested in the business, not<br />
the politics,” says EFM director Matthijs Wouter Knol. “And when<br />
it comes to audiences, there are a lot of people out there, a lot<br />
of groups, who see themselves underrepresented in the content<br />
onscreen. What’s changed is that these groups are becoming more<br />
outspoken and, most importantly, have shown they are willing to<br />
pay for more diverse content.” — S.R.<br />
Illustration by Wren McDonald<br />
THE HOLLYWOOD REPORTER<br />
61<br />
FEBRUARY 7, <strong>2018</strong>