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Caribbean Beat — May/June 2018 (#151)

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

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discover<br />

Uncovering<br />

a kingdom<br />

The ruined palace of Sans-Souci near<br />

Haiti’s north coast is one of the <strong>Caribbean</strong>’s<br />

most momentous historical sites <strong>—</strong> and<br />

surprisingly little is known about life there<br />

under King Henri Christophe in the early<br />

nineteenth century. But now a multinational<br />

team of archaeologists are using high-tech<br />

tools to completely resurvey the site, and<br />

potentially rewrite a chapter of Haitian<br />

history. Erline Andrews finds out more<br />

Image courtesy Katie Simon, Centre for Advanced Spatial Technology,<br />

University of Arkansas<br />

Haiti may have the most<br />

intriguing history of all<br />

the <strong>Caribbean</strong> islands.<br />

Evidence of this is<br />

in the ruins of lavish<br />

architecture <strong>—</strong> a palace<br />

and a fortress <strong>—</strong> strewn across the landscape<br />

of its far north, near the city of Cap-Haïtien.<br />

The Sans-Souci palace stretches<br />

along rolling hills above the town of<br />

Milot. It’s one of nine palaces built by<br />

Henri Christophe, the second of three<br />

post-Revolution Haitian monarchs in the<br />

nineteenth century, who fought alongside<br />

Haitian liberator Toussaint L’Ouverture<br />

before establishing the State of Haiti<br />

in the north after the country was split<br />

by civil war. (The Republic of Haiti in<br />

the south was governed by his nemesis<br />

Alexandre Pétion.)<br />

Christophe <strong>—</strong> or Henri I, as he renamed<br />

himself <strong>—</strong> set up a feudal system with<br />

its own nobility, and amassed immense<br />

wealth for himself and his kingdom, before<br />

a stroke weakened his ability to maintain<br />

his iron-fist control and he committed<br />

suicide in 1820.<br />

During Christophe’s short reign,<br />

Sans-Souci was the site of elaborate<br />

gardens decorated with opulent fountains<br />

and Grecian statues, magnificent balls<br />

attended by splendidly dressed people,<br />

wide and winding staircases, expansive<br />

terraces, ornate furnishings, a large<br />

library with tens of thousands of books<br />

(even though it’s said that Christophe was<br />

illiterate), a prince’s residence, a network<br />

of administrative buildings, stables, a<br />

hospital, and a prison. They were all the<br />

elements one would have seen in the<br />

royal palaces of Europe. But most of the<br />

residents of Sans-Souci were black.<br />

Much has been written about<br />

Christophe and post-revolutionary Haiti.<br />

He was the subject of the first play written<br />

by Derek Walcott. But many facts remain<br />

disputed, and there’s still a lot to learn.<br />

“It’s a surprisingly poorly understood<br />

period of Haiti’s history,” says Professor<br />

J. Cameron Monroe of the University of<br />

California, Santa Cruz. “I say surprising<br />

because it’s the moment right after the<br />

Revolution <strong>—</strong> the most momentous event<br />

in the history of the Western hemisphere.”<br />

68 WWW.CARIBBEAN-BEAT.COM

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