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PAPOLíTICO, Poems of a Political Puersuasion by Jesús Papoleto Meléndez

PAPOLíTICO, POEMS OF A POLITICAL PERSUASION is award-winning poet Jesús Papoleto Meléndez’ sixth book of poetry. Witty, wise, personal and political, Meléndez, often weary of the social issues and politics of the day, has created an exciting compilation of new and previously published poems in a collection that he has daringly named after himself to nudge people out of complacency. PAPOLíTICO is a poetic call for tolerance, reflection, reconciliation, and healing.

PAPOLíTICO, POEMS OF A POLITICAL PERSUASION is award-winning poet Jesús Papoleto Meléndez’ sixth book of poetry. Witty, wise, personal and political, Meléndez, often weary of the social issues and politics of the day, has created an exciting compilation of new and previously published poems in a collection that he has daringly named after himself to nudge people out of complacency. PAPOLíTICO is a poetic call for tolerance, reflection, reconciliation, and healing.

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Award, many <strong>of</strong> the selections from Hey Yo! Yo Soy! was made into a play <strong>of</strong> the same name, and<br />

performed at the Puerto Rican Traveling Theater in 2014.<br />

In 1974, <strong>Meléndez</strong>’s play, “The Junkies Stole The Clock,” was the first Latino play produced <strong>by</strong> the New<br />

York Shakespeare Festival, The Public Theatre’s Nuyorican Playwright’s Unit. It was again produced<br />

in 1997, and directed <strong>by</strong> Veronica Caicedo (Caicedo Productions) at the Clemente Soto Vega Cultural<br />

Center, in New York City. He also wrote the play, “An Element <strong>of</strong> Art” (El Porton Theatre Co., 1978).<br />

Beginning in the 1970s, <strong>Meléndez</strong> began his 40-year career as a poet-facilitator in the public schools,<br />

working at workshop programs in California and New York. <strong>Meléndez</strong> is anthologized most notably in<br />

The Norton Anthology <strong>of</strong> Latino Literature (W.W. Norton & Company, 2011); Bum Rush the Page: A<br />

Def Poetry Jam (Three Rivers Press, 2001); Literature and Integrated Studies – Forms <strong>of</strong> Literature<br />

(ScottForesman/HarperCollins Publishers, 1997); Unsettling America: An Anthology <strong>of</strong> Contemporary<br />

Multicultural Poetry (Penguin, 1994); Hojas, Revista de Talleres Literatura (Universidad Autonoma<br />

Baja California, Tijuana, Mexico, 1986); and Puertoricaner In New York (Institute for Amerikanerika,<br />

Universitat Nurnberg, Germany, 1979). His works were recently published in Pa’lante a La luz – Charge<br />

Into The Light (Rogue Scholars Press, 2018), Word, An Anthology <strong>by</strong> A Gathering <strong>of</strong> the Tribes (2017),<br />

and Manteca, An Anthology <strong>of</strong> Afro-Latin@ Poets (Arte Publico Press, 2017).<br />

<strong>Meléndez</strong> is a NYFA Poetry Fellow (New York Foundation for the Arts, 2001), and is the recipient <strong>of</strong><br />

thr Pregones Theater’s 2014 Master Artist Award. He has received the Union Settlement Association<br />

“Innovation Award” (2011), the Universes Poetic Ensemble Company Award in “Appreciation <strong>of</strong> Inspiration<br />

& Commitment to the Development <strong>of</strong> the Company” (2006); The 1st Annual El Reverendo Pedro<br />

Pietri Hand Award in Poetry, El Spirit Republic de Puerto Rico, El Puerto Rican Embassy (2006); The<br />

Louis Reyes Rivera Lifetime Achievement Award, Amherst College (2004); and an Artist for Community<br />

Enrichment (ACE) Award from the Bronx Council on the Arts (1995). Now an elder statesman <strong>of</strong> the<br />

New York poetry scene, <strong>Meléndez</strong> has become a mentor for emerging poets and writers. <br />

128<br />

JESÚS PAPOLETO MELÉNDEZ

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