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Architectural Portfolio 201805

Jason Liu

Jason Liu

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y model 01<br />

model converted the overall<br />

ept of the transforming energy<br />

the lever to the hammer) into<br />

gle (and relatively more metaical)<br />

space. The lever raised the<br />

gy level step by step; the<br />

mer was expressed as a narrow<br />

ing point at the end of the<br />

ow ‘levering’ part, and opened<br />

o a huge space, representing the<br />

resonance.<br />

NG TO MODEL<br />

04<br />

ROOM OF<br />

TRANSFORMATION<br />

DRAWING ROOM<br />

E KEYBOARD<br />

dy model 02<br />

s model translated the rectanguand<br />

repetitive visual language in<br />

keyboard part of the drawing<br />

rd.<br />

s was almost like a wall that<br />

wed people to walk through, and<br />

e were many horizontal and<br />

lar walls within this thick ‘wall’.<br />

ING TO MODEL<br />

KEYBOARD AND THE<br />

SITIONAL PIECE<br />

SITELESS<br />

FALL 2015<br />

By observing the motion of piano action, the<br />

artefact was transformed into drawing. The<br />

drawing was then translated into a spatial<br />

sequence in 3-dimensional space. The<br />

space was finally translated back to a<br />

drawing, concluding the cycle of drawing<br />

and modelling which informed and inspired<br />

each other.<br />

odel 03<br />

odel consisted of two parts. A<br />

ed version of study model 02<br />

d the basis of the keyboard<br />

ut the exterior walls align<br />

e lines on the drawing board.<br />

nsitional piece prepared itself<br />

dging rectangular elements<br />

ore triangular motif of the<br />

rts of the room.<br />

G TO MODEL<br />

DRAWING TO MODEL<br />

ECE<br />

odified,<br />

ion was<br />

plify this<br />

between<br />

e of the<br />

ecreased<br />

THE HAMMER<br />

Study models 06+07<br />

The hammering action was recorded<br />

as a series of stop motion layers. The<br />

concept behind these two models<br />

was similar – capturing the motion<br />

as segments joined together.<br />

DRAWING TO MODEL<br />

Study model 08<br />

This model was a trial of simple<br />

parametric expression, representing<br />

the final ‘resonance’ in an actualised<br />

manner.<br />

The space continuously varied itself<br />

between wide and narrow, which<br />

was an element taken from the<br />

drawing board.<br />

DRAWING TO MODEL<br />

DRAWING TO MODEL<br />

DRAWING TO MODEL<br />

The cross-sections of the models<br />

decreased in size when the space proceeded<br />

forward. The more condensed and<br />

angular space represented the increasing<br />

concentration of mechanical energy of<br />

the hammer.

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