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Issue 89 / June 2018

June 2018 issue of Bido Lito! magazine. Featuring: ART OF FOOTBALL, BEACH SKULLS, BONNACONS OF DOOM, LAAF and POSITIVE VIBRATION, ALEX CAMERON, TRACKY, SOUND CITY 2018 REVIEW and much more.

June 2018 issue of Bido Lito! magazine. Featuring: ART OF FOOTBALL, BEACH SKULLS, BONNACONS OF DOOM, LAAF and POSITIVE VIBRATION, ALEX CAMERON, TRACKY, SOUND CITY 2018 REVIEW and much more.

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PREVIEWS<br />

Lura<br />

FESTIVAL<br />

Africa Oyé<br />

Sefton Park – 16/06-17/06<br />

The ever-progressive AFRICA OYÉ is once again leading the way with a gender-balanced<br />

line-up that includes a number of brilliant solo female artists this year. Cape Verde’s<br />

LURA and Senegalese singer-songwriter MAREMA will join renowned Kora player SONA<br />

JOBARTEH for the Sefton Park cultural summit. Jamaican reggae legends INNER CIRCLE,<br />

Grammy-nominee ROCKY DAWUNI and popular Guinea-Bissau singer BINHAN have also been<br />

announced.<br />

Two local musicians, REMÉE and NELSON, will open the stage on consecutive days as part of<br />

Oyé Introduces. Representing the vibrant local future RnB and hip hop scenes respectively, Remée<br />

and Nelson are two artists who are sure to open the fesival days on a hugely positive note.<br />

Since it began in 1992 as a series of gigs around the city, Africa Oyé has blossomed into one<br />

of Liverpool’s most-loved festivals. With food stalls that take your taste buds on a mouth-watering<br />

journey across the world and international artists that reveal the wonderfully diverse nature of<br />

music from the African and Caribbean diaspora, it’s not hard to see why. The festival began as a<br />

means of countering the negative perception of Africa in the media, and is now the largest free<br />

celebration of African and Caribbean music and culture in the UK. Music is at the heart of Oyé and<br />

showcasing both up-and-coming and established artists is integral to the festival’s ethos. Through<br />

their Oyé Introduces initiative, the festival gives young, local musicians the chance to perform in<br />

front of crowds reaching 50,000 people with the likes of XamVolo and NuTribe making the most of<br />

the opportunity in previous years.<br />

After the huge success of last year’s 25th anniversary celebrations, which saw record-breaking<br />

crowds at the Aigburth account, the <strong>2018</strong> edition of the event looks to follow in the feel-good vibes.<br />

With such an exciting programme of free music planned, Africa Oyé retains its reputation as<br />

an inclusive festival for all. The knowledge that this is a sizeable festival, which could easily charge<br />

a ticket price, creates a happy and grateful crowd. After 26 years, Oyé is undoubtedly a highlight<br />

of Liverpool’s festival calendar. The anticipation of summer, international line-up and embrace of<br />

multiculturalism makes this late-weekend in <strong>June</strong> near impossible to beat.<br />

EXHIBITION<br />

Life In Motion: Egon Schiele/<br />

Francesca Woodman<br />

Tate Liverpool – 24/05-23/09<br />

Egon Schiele, Self Portrait in Crouching Position 1913<br />

Radical Austrian expressionist EGON SCHIELE and American photographer FRANCESCA<br />

WOODMAN may have worked at opposite ends of the 20th Century, but when their<br />

nude portraits and self-portraits sit side-by-side they tell a similar story. Both artists<br />

sought to create unapologetically intimate works that exposed the emotional, expressive<br />

nature of the human body.<br />

They also both capture moments in time, with physical movement and emotions in flux<br />

represented with expressive brush lines and long exposure blurred images respectively. Pairing<br />

Schiele and Woodman together, Tate Liverpool have not only demonstrated the former’s influence<br />

over myriad artistic eras, but also presented themes that will remain relevant to any audience.<br />

Life In Motion is a rare treat for art lovers as it brings more than 100 of Schiele’s drawings<br />

and Woodman’s sensational photographs to Liverpool and, once again, displays the work of an<br />

Austrian master in the North of England. Visitors will be reminded of the momentous exhibition 10<br />

years ago of Gustav Klimt’s seminal portraits at the Albert Dock gallery for the Capital Of Culture<br />

year. A decade on, this is a fitting way to mark Tate’s 30-year anniversary.<br />

Coming out of the fertile art scene of Vienna in the early 20th Century, a period when<br />

intellectual heavyweights such as Franz Schubert and Sigmund Freud frequented the cafés of the<br />

Austrian capital, Schiele struggled to make a name for himself as his family shunned his artistic<br />

ambitions. However, Klimt became an early champion of his work and was buoyed by the Vienna<br />

Secession movement, a group of forward-thinking artists who broke with tradition to create new<br />

and exciting styles.<br />

With a similar focus on nudes and the human form, Woodman looked to artists of the Italian<br />

renaissance as the Denver native spent many of her summers in Italy. The 60s and 70s was an<br />

important period for photography as the discipline was getting greater regard as a form of artistic<br />

expression. Woodman was prolific and produced over 800 works in her short career, which<br />

tragically came to an end when the artist committed suicide in 1981.<br />

Life In Motion provides a powerful insight into the lives and works of two exceptional artists<br />

and makes for an intense viewing experience.<br />

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