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Piano<br />

Monumental<br />

Ludwig van Beethoven:<br />

Grande Sonate<br />

in B-flat major<br />

for Pianoforte op. 106<br />

“Hammerklavier”<br />

BÄRENREITER URTEXT<br />

“Here’s a sonata that will challenge pianists and that one will be able<br />

to play in 50 years”: thus Beethoven is said to have written to his<br />

publisher Artaria regarding his mighty “Hammerklavier” Sonata<br />

op. 106. Given its monumental scale and extreme musical and<br />

pianistic demands, the term “Grande Sonate” seems almost an<br />

understatement. Dedicated to Archduke Rudolph of Austria, this<br />

sonata is famous not least for the seemingly unplayable autograph<br />

metronome marks in the opening movement and final fugue –<br />

a matter on which the editor offers a new explanation. Nothing is<br />

uncomplicated in this pinnacle of the classical-romantic piano<br />

sonata, composed in “adverse circumstances” from 1817 to 1819.<br />

Even the sources pose supreme editorial challenges.<br />

Edited by Jonathan Del Mar<br />

With an Introduction by Misha Donat<br />

and notes on performance practice<br />

by Jonathan Del Mar and<br />

Misha Donat<br />

☞ BA 11810 · approx. € 11.95<br />

To appear in December <strong>2018</strong><br />

• Urtext edition with the latest musicological findings<br />

• Detailed Critical Commentary and source descriptions (Eng)<br />

• Informative Introduction and valuable notes on central issues<br />

of period performance practice (Ger/Eng)<br />

New Issue Title<br />

9 New Publications II/<strong>2018</strong> · The Programme

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