THE 4TH DIMENSION IN ART AND SCIENCE - ALEXIS KARPOUZOS
A visual narrative of the relationship between science and art during the 20th century
A visual narrative of the relationship between science and art during the 20th century
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
It is believed that the appearance of the subjects on<br />
Picasso’s paintings (which can be seen simultaneously<br />
from many directions) was affected by the ideas about<br />
the fourth dimension.<br />
In cubism, the objects are deconstructed in visual debris<br />
and they are afterwards rearranged in a way that the<br />
viewer doesn’t need to move in space or time in order<br />
to see them. All parts from all visual corners – in the<br />
front-ground, in the background, above, below, on the<br />
right, on the left – come to the viewer’s eye<br />
simultaneously.
Change language