Issue 90 / July 2018
July 2018 issue of Bido Lito! magazine. Featuring: MC NELSON, THE DSM IV, GRIME OF THE EARTH, EMEL MATHLOUTHI, REMY JUDE, LIVERPOOL BIENNIAL, CAR SEAT HEADREST, THE MYSTERINES, TATE @ 30 and much more.
July 2018 issue of Bido Lito! magazine. Featuring: MC NELSON, THE DSM IV, GRIME OF THE EARTH, EMEL MATHLOUTHI, REMY JUDE, LIVERPOOL BIENNIAL, CAR SEAT HEADREST, THE MYSTERINES, TATE @ 30 and much more.
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SPOTLIGHT<br />
REMY JUDE<br />
A social commentator who brings a dash of nu soul goodness to<br />
Liverpool hip hop, along with an unflinching lyrical honesty.<br />
“I want people<br />
to sing and enjoy<br />
my music as<br />
much as I do”<br />
“My musical style is like if someone totally unqualified stepped<br />
into a room full of professionals, dressed in dungarees, toting a<br />
blag CV.” REMY JUDE delivers his answers with the right amount<br />
of self-depreciating humour, but don’t let him fool you; his CV<br />
is impressive enough. The Liverpool-based soulful rapper first<br />
jumped onto our radar when he performed his debut headline<br />
show as part of Constellations’ Live Music Thursdays. Since then,<br />
he’s immersed himself in Liverpool’s music scene, performing with<br />
local favourites including fellow rapper and friend MC Nelson;<br />
he has a Melodic Distraction radio show, Yes Music, with music<br />
blogger Aiden Brady, in which they dissect and contextualise<br />
the history behind their favourite tunes; and, perhaps most<br />
impressively, he has held his own supporting jazz and hip hop<br />
rising star Alfa Mist and electronic music innovators Mount Kimbie.<br />
Dungarees or not, Remy Jude is serious about music.<br />
Performing before Mount Kimbie at Invisible Wind Factory<br />
was clearly a defining moment – “It made me think about what<br />
the future could hold” – and with the recent release of Church<br />
Parish Society, a 10-track, self-released mini-album, that future<br />
certainly looks bright. The album’s strength lies in Remy Jude’s<br />
poetic and carefully considered use of words: see “Imma picky<br />
writer/With a handful of rhymes/Manipulate the city/’Til it’s<br />
takeover time” in (Where U From?). This lyrical rapping, which<br />
sometimes blends into the confessional, takes centre stage over<br />
smooth, hip hop beats and simple melodies. His lyrics describe<br />
his lived experience, which feels relatable and honest. “The world<br />
I live in and interact with is what informs my songwriting. I try<br />
and stay active and keep my ears to the ground.”<br />
Remy Jude joins a number of male hip hop artists using<br />
the genre as an almost cathartic exploration of the self: “I think<br />
making music is how I express myself best. I can wean myself off<br />
any negative train of thought by applying myself to music.”<br />
When it comes to playing shows with his heroes, he isn’t shy<br />
of nailing his colours to that mast. “King Krule [is] my absolute<br />
idol; I’d move heaven and earth to play before the King.” Jude’s<br />
album – especially on the title track and The Energy – would<br />
also appeal to any readers who fell in love with Loyle Carner’s<br />
stripped-back, easy listening brand of hip hop. He’s another<br />
artist that Remy Jude would love to support: “I think Loyle Carner<br />
would be a great fit for me. In 2015, I saw a very raw Loyle and<br />
Rebel Kleff set at The Kazimier. A year later, I saw them steal<br />
the limelight at Kitchen Street from a fairly high profile bill that<br />
included Rejjie Snow.”<br />
Ultimately, Remy Jude’s love of words, of music and of what<br />
he does seeps into Church Parish Society and charms the listener.<br />
He tells me that Band Bak 2Geva is his favourite track to perform<br />
because the crowd often sing it back: “What does that say about<br />
me? I suppose it says that I want people to sing and enjoy my<br />
music as much as I do.”<br />
Words: Maya Jones<br />
Photography: Hannah Metcalfe / hannahmetcalfe.co.uk<br />
remyjude.bandcamp.com<br />
Church Parish Society is out now via Third School Records.<br />
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