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Harris Center for the Performing Arts Program Guide March-June 2018

The Harris Center for the Arts seeks to enrich the lives of people throughout California’s capital region by providing venues and opportunities to experience artistic work, celebrate cultural traditions and participate in the creative process. It does this through operation of a $50 million, 80,000 square foot regional arts center opened in 2011, and an evolving array of vibrant programs geared for people of all ages and backgrounds. Among these, Presentations bring artists from around the world to the Center to perform and share, Partnerships make the Center a home for local artists and arts organizations, and Productions are work created and/or developed on site. The Center is home to Folsom Lake College’s visual and performing arts instructional offerings, as well as other life-long learning programs for the broader community.

The Harris Center for the Arts seeks to enrich the lives of people throughout California’s capital region by providing venues and opportunities to experience artistic work, celebrate cultural traditions and participate in the creative process.

It does this through operation of a $50 million, 80,000 square foot regional arts center opened in 2011, and an evolving array of vibrant programs geared for people of all ages and backgrounds. Among these,

Presentations bring artists from around the world to the Center to perform and share,
Partnerships make the Center a home for local artists and arts organizations, and
Productions are work created and/or developed on site.
The Center is home to Folsom Lake College’s visual and performing arts instructional offerings, as well as other life-long learning programs for the broader community.

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Amazing Grace<br />

continued<br />

CHRISTOPHER G. SMITH (Concept, Book, Music and Lyrics)<br />

Christopher is one of <strong>the</strong> only writers to have contributed <strong>the</strong><br />

concept and all three elements of a stage musical and made<br />

it to Broadway on <strong>the</strong> first attempt. His non-profit lightsonbroadway.org<br />

works to equip a new generation of <strong>the</strong>atre professionals,<br />

create shows that uplift and inspire, and bless <strong>the</strong><br />

wider entertainment culture. Chris thanks his wife Alana,<br />

children Joshua, Alana, and Alexandra, parents, investors,<br />

and, above all, God, who made this whole impossible dream<br />

a reality.<br />

ARTHUR GIRON (Book) His 15 plays are per<strong>for</strong>med in <strong>the</strong> U.S.<br />

and abroad. Among <strong>the</strong>m, Emilie’s Voltaire played recently in<br />

America, Portugal and Australia. Alfred Molina and Jessica<br />

Chastain starred in L.A. Theatre Works’ Moving Bodies. The New<br />

York Times said A Dream of Wealth is “filled with passion and<br />

ample compassion.” The Metropolitan Opera Guild commissioned<br />

him to write a libretto. Arthur headed Graduate Playwriting<br />

at Carnegie Mellon University. He is a founder of Ensemble<br />

Studio Theater in New York, where he lives with his wife Mariluz.<br />

GABRIEL BARRE (Director) is an internationally acclaimed director.<br />

Broadway: Amazing Grace. Off Broadway includes: MTC’s The Wild<br />

Party, Summer of ’42, john & jen and Almost, Maine. National Tours:<br />

Pippin, Cinderella. Regional includes: Memphis, North Shore Music<br />

Theatre, Theatreworks; Sweeney Todd, Finian’s Rainbow and many<br />

o<strong>the</strong>r new musicals at Goodspeed Opera House. International<br />

credits includes: Billy Elliot in Mexico, The Scarlet Pimpernel in Japan,<br />

numerous shows in Korea, China and <strong>the</strong> Czech Republic. As an<br />

actor, he has been nominated <strong>for</strong> a Tony Award as Best Actor in<br />

a Musical and appeared off Broadway last season in Cyrano de<br />

Bergerac, which he also directed.<br />

CHRISTOPHER GATTELLI (Choreographer) was awarded <strong>the</strong> 2012<br />

Tony, Drama Desk, and Outer Critics Circle Awards <strong>for</strong> his choreography<br />

in Newsies. (As choreographer) Broadway: South Pacific<br />

(Tony and Outer Critics Circle nominations), Casa Valentina, Sunday<br />

in <strong>the</strong> Park With George, Women on <strong>the</strong> Verge..., Godspell, The<br />

Ritz, Martin Short: Fame Becomes Me, 13, High Fidelity. Off Broadway:<br />

Dogfight (Lortel Award), Altar Boyz (Lortel Award, Callaway<br />

Award, Drama Desk Nom.), Bat Boy: The Musical (Lortel Award),<br />

tick,tick…BOOM! Chicago: Jungle Book – The Goodman.<br />

WHO'S WHO<br />

tion designer at Saturday Night Live since 1974, and designed<br />

The Tonight Show with Jimmy Fallon. He received <strong>the</strong> Tony Award,<br />

Emmy Award, ATW’s Design Award, Outer Critics Circle Award,<br />

Drama Desk Award, Lucille Lortel Award, Elliot Norton Award<br />

<strong>for</strong> Sustained Achievement, and was inducted into <strong>the</strong> New York<br />

Theatre Hall of Fame. Currently represented on Broadway by <strong>the</strong><br />

musical Wicked.<br />

EDWARD PIERCE (Scenic Design) Broadway: Holler If Ya Hear Me,<br />

The O<strong>the</strong>r Place, A Streetcar Named Desire, Wicked (all worldwide<br />

adaptations), Billy Elliot, Pippin, 9 to 5, The Pirate Queen, Shatner’s<br />

World: We Just Live In It, Chaplin, Aida, Ragtime, Cabaret, Noise/<br />

Funk. www.edwardpierce.com<br />

TONI-LESLIE JAMES (Costume Designer) Broadway: Come From<br />

Away (2017), Amazing Grace, Lucky Guy, The Scottsboro Boys, Finian’s<br />

Rainbow, Chita Rivera: The Dancer’s Life, Ma Rainey’s Black<br />

Bottom, King Hedley II, One Mo’ Time, The Wild Party, Marie Christine,<br />

Footloose, The Tempest, Twilight: Los Angeles, Angels in<br />

America: Millennium Approaches and Perestoika, and Jilly’s Last<br />

Jam. Awards: Tony nomination, three Drama Desk nominations,<br />

six Lucille Lortel nominations, Hewes Design Award, Irene Sharaff<br />

Young Masters Award and <strong>the</strong> 2009 Obie Award <strong>for</strong> Sustained<br />

Excellence in Costume Design.<br />

KEN BILLINGTON (Lighting Design) Broadway: 98 Shows including,<br />

Dames at Sea, Act One, Hugh Jackman Back on Broadway, Sondheim<br />

on Sondheim, White Christmas, The Drowsy Chaperone, Sweeney Todd,<br />

Working, Sunday in <strong>the</strong> Park with George (2008, 2017), Chicago (1997),<br />

Annie (1997, 2006), Hello Dolly (1995) Fiddler on <strong>the</strong> Roof (1976, 1981,<br />

1990) and My Fair Lady (1981). Las Vegas: Jubilee! O<strong>the</strong>r: Radio City<br />

Christmas Spectacular, Smash, NY’s Tavern on <strong>the</strong> Green. Awards:<br />

Tony, Drama Desk, Outer Critics, Lumen.<br />

SHANNON SLATON (Sound Designer) has designed<br />

many national tours including: Shrek, Hairspray, The<br />

Producers, Noise/Funk, The Full Monty, Contact, Tap<br />

Dogs, Sweeney Todd, Drowsy Chaperone, Wedding Singer, Elf,<br />

and Memphis. He has also mixed many shows on Broadway<br />

including: Man of La Mancha, Bombay Dreams, Sweet Charity,<br />

Jersey Boys, Spring Awakening, Fela!, Anything Goes, Annie,<br />

Legally Blonde, Cabaret, and Springsteen on Broadway.<br />

KEITH LEVENSON (Music Director, Company Manager) Broadway<br />

and Off Broadway: Annie, Grease, Dreamgirls, She Loves Me, The<br />

Flowering Peach (composer), Good Old Girls, Shlomo, Annie Warbucks.<br />

National Tours: The Bridges of Madison County, Annie, The<br />

Best Little Whorehouse... (with Ann-Margret), The Who’s Tommy<br />

and many many o<strong>the</strong>rs. Keith is most proud of his work as an<br />

Arranger/Conductor with Kiss, Yes, and <strong>the</strong> The Who. His television<br />

credits include The Wizard of Oz at Avery Fisher Hall with<br />

Jewel, Nathan Lane, Jackson Browne, Natalie Cole, Dr. John,<br />

Roger Daltrey, Debra Winger and <strong>the</strong><br />

NY Philharmonic with <strong>the</strong> Boys Choir<br />

of Harlem. www.keithlevenson.net<br />

EUGENE LEE (Scenic Designer) holds BFA degrees from Art Institute<br />

of Chicago and Carnegie Mellon, an MFA from Yale School of<br />

Drama, and three honorary doctorates. He has been <strong>the</strong> produc-<br />

ROBERT-CHARLES VALLANCE (Hair Design) Recent: Bull Durham,<br />

Comedy of Errors, Donnybrook, A Civil War Christmas, Cotton<br />

Club Parade, Amazing Grace, Pipe Dream. Broadway Design<br />

Favorites: Lucky Guy, Little Shop of Horrors, Long Day’s Journey<br />

into Night, The Play What I Wrote, Ma Rainey’s Black Bottom, Our<br />

Town, Hollywood Arms, The Elephant Man, Dance of Death, Amy’s<br />

View, The Blue Room. Blood Bro<strong>the</strong>rs. Resident Designer: Irish<br />

Repertory Theatre. Proprietor of: The Broadway Wig Company.<br />

www.broadwaywigs.com.<br />

DAVID LEONG (Fight and Military Movement) Broadway:<br />

Amazing Grace, A Time to Kill, Billy Elliot, The Civil War, Carousel,<br />

Company, The Rainmaker, Ma Rainey’s Black Bottom,<br />

King Hedley, Hamlet, Macbeth, A Delicate Balance, In <strong>the</strong> Summer<br />

House, Sex and Longing, Picnic, Solitary Confinement,<br />

The Homecoming. London: Napoleon (West End) and Jitney<br />

(National Theatre). Film: Alien Resurrection, Titus. Nearly<br />

46 SPRING <strong>2018</strong> PROGRAM GUIDE www.harriscenter.net

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