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Centre Pompidou Masterplan(PDF, 268 KB)

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<strong>Centre</strong> <strong>Pompidou</strong> <strong>Masterplan</strong><br />

www.rsh-p.com / © 2007


Place/Date<br />

Paris, France 1971 - 1977<br />

Client<br />

Ministère des Affaires Culturelles,<br />

Ministère de l’Education Nationale<br />

Cost<br />

£58 million<br />

Gross Internal Area<br />

100,000 m²<br />

In 1971 Richard Rogers and Renzo Piano,<br />

in collaboration with Ove Arup & Partners,<br />

won the international competition, for which<br />

there were 681 entries, for an ‘information,<br />

entertainment and cultural centre’. The<br />

building was designed and built in six years,<br />

the main steel structure being erected in six<br />

months. Today, the vast building, located<br />

in the centre of historic Paris, houses a<br />

museum of modern art, reference library,<br />

industrial design centre, temporary exhibition<br />

space, children’s library and art centre,<br />

audio-visual research centre (IRCAM) and<br />

restaurants.<br />

At the time of the competition, there were<br />

no sizeable open spaces in this central area<br />

of the city, so the importance of creating<br />

public space was key to this project: half of<br />

the Beaubourg site was dedicated to a vast<br />

piazza which has since become the most<br />

intensively used public space in Paris. Thus,<br />

the competition response created a centre<br />

not only for the specialist but also for the<br />

tourist and the local resident: a dynamic<br />

meeting place where activities could overlap<br />

in flexible, well-serviced spaces, a university<br />

of the street reflecting the constantly<br />

changing needs of users. The greater<br />

public involvement, the greater the success<br />

of the building. The large, paved, sloping<br />

piazza is host to street theatre and music,<br />

games, meetings, parades and temporary<br />

exhibitions. This has had a significant<br />

regenerative effect on the surrounding<br />

neighborhood. To the east, the <strong>Centre</strong> abuts<br />

the street, reinforcing the existing urban<br />

pattern. <strong>Pompidou</strong> proves that modernity<br />

and tradition can profitably interact and<br />

enhance historic cities. ‘Cities of the future<br />

<strong>Centre</strong> <strong>Pompidou</strong> <strong>Masterplan</strong><br />

Architect<br />

Piano + Rogers<br />

Structural Engineer<br />

Ove Arup & Partners<br />

Services Engineer<br />

Ove Arup & Partners<br />

Cost Consultant<br />

Ove Arup & Partners<br />

will no longer be zoned as today in isolated<br />

one-activity ghettos, but will resemble the<br />

more richly layered cities of the past. Living,<br />

work, shopping, learning and leisure will<br />

overlap and be housed in continuous, varied<br />

and changing structures’<br />

(Richard Rogers).<br />

Beaubourg was a key connection in the<br />

renewal of the historic heart of the capital<br />

and made an impact on Paris which<br />

reverberates to this day.<br />

A colossal 100,000m², this public building<br />

is designed to be a flexible container and<br />

dynamic communications machine and is<br />

constructed from pre-fabricated parts. Host<br />

to six levels of vast column-free interiors,<br />

the building achieves uninterrupted floor<br />

space by limiting all vertical structures and<br />

servicing to the exterior; even escalators<br />

and lifts are clipped to the façade. The<br />

glazed escalators which snake up the full<br />

height of the building not only celebrate the<br />

drama of movement but provide panoramic<br />

views of the piazza, its environs and all of<br />

Paris. The internal spaces are designed to<br />

be highly adaptable so that their character<br />

and use can change freely within the life<br />

of the centre; there is no obvious hierarchy<br />

which separates art and learning from more<br />

everyday activities. With its external colourcoded<br />

servicing and structure, the building<br />

reveals its internal mechanism to all those<br />

who look up at it. It is a flexible, functional,<br />

transparent, inside-out looking building.<br />

The <strong>Centre</strong> <strong>Pompidou</strong> has an average<br />

attendance of approximately seven million<br />

people per year.<br />

Awards<br />

International Union of Architects August<br />

Perret Prize for most outstanding<br />

international work<br />

1975—1978<br />

Beaubourg is a flexible<br />

container and a dynamic<br />

communications machine.<br />

It is a vibrant meeting place<br />

for all people of all ages, all<br />

creeds, for young and old.

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