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Aurora Molina<br />
Ideas on Art: “My dad is a painter, so becoming an artist, I had<br />
to find my own identity. I found a voice in fibers and textiles,<br />
which have been linked to women’s history, to quilting circles.<br />
You can narrate the history of the world through textile trading.<br />
I really got engaged in drawing with thread and painting with<br />
thread. And with that, I travel around the world, work with artists<br />
and learn about cultural heritage. I’ve done projects in India, Indonesia,<br />
Morocco and Mexico. For the past three years, I’ve been<br />
going to Europe. I’m seeing how colonization has informed other<br />
cultures. For example, in Mexico, you get the hand embroidery<br />
from the Spanish, when really their tradition was weaving.<br />
Pictured with Seven Years of Dreams and Nightmares, 60<br />
inches by 55 inches, fiber art, not for sale, similar pieces $9,000:<br />
“This piece is about my first seven years adjusting and trying to<br />
find comfort in a new place, after we arrived from Cuba. It started<br />
with the doodles I made on the first pillow that I got here. Some<br />
writings are in Spanish. I made those doodles into embroidery on<br />
the pillow I used to sleep on. The spider-web part is the weaving<br />
of the dreams, all the connectedness. The chain is crochet of the<br />
days in those years – 365 times seven. The burlap is a reference to<br />
the fabric you’d find in Cuba for coffee or sugar. I cried every day<br />
when I first got here. This is about meeting the end to those years.<br />
“All my work in the beginning was trying to detach from my<br />
dad. His painting uses a lot of vibrant colors, it’s whimsical and<br />
has magic realism. My early work was monochromatic. When I<br />
went to Mexico and India, color started to come in, because color<br />
there just hits you.”<br />
BORN: Nueva Paz, Cuba in 1984.<br />
EDUCATION/TEACHING: Coral Gables High<br />
School. Miami-Dade College, Associates in Art<br />
and Photography; Florida International University,<br />
BFA; Spain’s Universidad Europea de Madrid,<br />
Master in Contemporary art in 2009. Also teaches,<br />
including workshops this summer at Bakehouse<br />
Art Complex, Miami.<br />
KNOWN FOR: Fiber art and soft sculpture, often<br />
with cultural commentary.<br />
IN CORAL GABLES: Intermittently since 2001.<br />
Also lived in Spain and has done residencies in<br />
Mexico, India, Indonesia, Morocco and other<br />
nations.<br />
WEBSITE: www.auroramolina.com.<br />
LAST EXHIBIT: Group shows this summer<br />
include Rocking Chair Sessions at Bakehouse,<br />
Miami; Solo show The Decline of Rationality in<br />
American Politics, Bernice Steinbaum Gallery,<br />
Miami, 2018.<br />
I found a voice<br />
in fibers and<br />
textiles, which<br />
have been linked<br />
to women’s<br />
history...<br />
48 49<br />
thecoralgablesmagazine.com