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ARTS<br />
JOE WILLIE SMITH<br />
SEES AN ORCHESTRA<br />
By Ashley Naftule<br />
Composer Harry Partch once described himself as<br />
“a philosophic music man seduced into carpentry.”<br />
Partch was poking fun at his reputation for<br />
building his own instruments. Adorned with<br />
evocative, fantastical names like Crychords,<br />
Diamond Marimbas, Gourd Trees, Eucal Blossoms<br />
and Cloud-Chamber Bowls, Partch’s instruments<br />
sounded and looked otherworldly, as if the man<br />
had reached into a dumpster full of bamboo shoots<br />
and scrap metal and hammered these elements<br />
into Dr. Seuss-ian formations.<br />
It’s worth remembering composers like Partch and OG<br />
musical prankster John Cage because they poke giant<br />
holes in classical music’s image as a staid, humorless<br />
artform. And it’s why some of the most exciting<br />
musicians working on the experimental stage<br />
today are spiritual heirs to their anarchistic spirit.<br />
Arizona artist, sculptor and musician Joe Willie<br />
Smith is one of them.<br />
A veteran artist who has been deeply embedded<br />
in the Phoenix arts community for decades, Smith<br />
is putting together an exhibition for Mesa Arts<br />
Center’s Get Jazzed Festival. The show, Ko Mo –<br />
Not Knowing (opening on Friday, <strong>Sept</strong>. 14), will<br />
display a variety of Smith’s works. Among those<br />
pieces are Smith’s self-made instruments: unique<br />
assemblies of metal rods, wires, horns and warped<br />
surfaces, turned into sound-generating wonders<br />
through the artist’s deft touch.<br />
Whereas so many artists are eager to spill the beans<br />
about the meaning of their works in artist statements<br />
long enough to strain David Foster Wallace’s eyes,<br />
Smith prefers to let viewers work it out on their own.<br />
Ko Mo – Not Knowing could very well be a mission<br />
statement for Smith. Reflecting on a massive drill<br />
bit–inspired sculpture he designed for Harrison<br />
Properties in downtown, Smith said, “I don’t like to<br />
tell people what things are. I want them to stand<br />
there and figure it out.”<br />
For anyone who fears a sentiment like that means<br />
Smith makes confounding art, rest assured that<br />
most of his work isn’t meant to be a J.J. Abrams–<br />
style mystery box. He often designs functional<br />
art and has also sold custom-built furniture and art<br />
pieces at local boutiques like Lizabel’s Treasures and<br />
Practical Art.<br />
Consider his “Musical Chairs” sculpture, which he<br />
displayed at the Gebert Contemporary in Scottsdale.<br />
The nine-foot-wide piece fused five smashed steel<br />
chairs hung from the ceiling. This warped chandelier<br />
could be played – Smith revealed his sonic wizardry<br />
by putting mics in just the right places to tease out all<br />
sorts of textural sounds from the piece.<br />
16 JAVA<br />
MAGAZINE