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Shotcaller+Magazine+SPLASH (2)

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Bear claws and lobster mitts are a<br />

no-no. There really isn’t much I can<br />

offer other then try to have little<br />

bends in the joints, and keep the wrist<br />

loose, but not so loose that it flops.<br />

Another thing that many photographers<br />

do on a consistent basis is hide a limb,<br />

almost always make sure that all four<br />

limbs of the body can be seen, even if<br />

partially. It looks pleasing to the eye<br />

to see limbs.<br />

Let's move to joints. NEVER EVER<br />

CROP AT A JOINT, if you know that<br />

you will crop in post and your camera<br />

shooting position is steady enough to<br />

not get blurring, focus your lens on<br />

the eye and shoot the body as a whole<br />

and crop up to where you want. I have<br />

seen to many beautiful portraits ruined<br />

because the photographer cropped at a<br />

joint or cropped the foot in half. The<br />

biggest offender is from the knees<br />

down. Crop at the shin or don't crop at<br />

all.<br />

If you are going to put a subject in<br />

frame within your image, make sure we<br />

can see at least both thighs, or just<br />

below the knees, or just above the<br />

waist.<br />

Another critical thing is the face, most<br />

non models have a single facial<br />

expression, Chandler Bing for example.<br />

Rather than shoot them with the same<br />

face or attempt to get them to change<br />

that expression, which will looked<br />

force, converse with them elevator<br />

style. Talk about generic stuff, how is<br />

life, why they came to you, find out<br />

their hobbies, or what they do for<br />

leisure. Don't ever get personal unless<br />

you know them on a deeply personal<br />

friend level.<br />

The Female Form<br />

Stay on super generic topics. Once they open<br />

up they won't have any problem adjusting their<br />

expression, or shoot on two rather than on<br />

three.<br />

The broadest part of the body is the bicep, the<br />

thigh and the broad plane of skin on the hand,<br />

always turn these to the side or resist the<br />

urge to compress these areas. Instead hold the<br />

arm centimeters away from the body, change<br />

the weight distribution if they are posed in a<br />

way that compress or shows the thigh in all<br />

its glory.<br />

Keep ankles stiff, don't bend sideways. It looks<br />

awful.<br />

Another thing I like to say is break the<br />

parallels. You have at least 6 points on your<br />

body that form parallel lines when standing<br />

upright. Your eyes, shoulders, elbows, hips,<br />

knees and ankles.

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