Viva Brighton Issue #69 November 2018
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VIVA<br />
B R I G H T O N<br />
<strong>#69</strong>. NOV <strong>2018</strong><br />
EDITORIAL<br />
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I’m always amazed that movies ever get made.<br />
It’s such a rigmarole. First, you’ve got to write<br />
the thing and then find the funding to make it.<br />
There’s casting, and planning the shoot: the hair,<br />
the makeup, the costumes and those tricky location<br />
logistics. Then all that post-production wizardry:<br />
the editing, the sound track, the special effects…<br />
Every time the credits roll I feel I ought to applaud<br />
the herculean task.<br />
And things were even harder in the pre-digital<br />
movie-making business, before the days of<br />
CGI. Whilst rooting around in The Richard<br />
Attenborough archive this month, we found a call<br />
sheet for the funeral scene in Gandhi that called<br />
for a crowd of more than 300,000 extras! The<br />
mind boggles. (Although catering were required to<br />
provide breakfast and tea for *only* 5,500.)<br />
With all the effort involved, it would be rude<br />
of us not to spend hours holed up in a darkened<br />
room watching the fruits of those labours. Lucky<br />
then that we have some of the most comfortable<br />
cinemas around, especially if you count the<br />
ultraluxe Depot in Lewes and the Towner’s swanky<br />
new auditorium (both of which host Cinecity<br />
screenings this month).<br />
In case you haven’t guessed yet, this issue is all<br />
about the movies. Who made them first, who<br />
makes them now, and how, just maybe – if a certain<br />
Hove resident spots you on a station platform –<br />
you might end up starring in one yourself.<br />
So, switch your phones to silent, please, sit back<br />
and pass the popcorn.