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PW OPINION PW NEWS PW LIFE PW ARTS<br />

•INTO THE NIGHT•<br />

BY BLISS BOWEN<br />

Right Place,<br />

Right Time<br />

Paul Butterfield<br />

•NITELIFE•<br />

Thursday Nov. 01 through Wednesday Nov. 07<br />

PLEASE NOTE: Deadline for Calendar submissions<br />

is noon. Wednesday of the week before<br />

the issue publishes.<br />

PASADENA, SOUTH<br />

PASADENA & ALTADENA<br />

1881 Bar<br />

1881 E. Washington Blvd., Pasadena<br />

(626) 314-2077<br />

facebook.com/1881bar<br />

Fridays—Live jazz<br />

Saturdays—Gypsie jazz<br />

Wednesdays—Reggae<br />

The Blue Guitar<br />

Arroyo Seco Golf Course<br />

1055 Lohman Lane, South Pasadena<br />

(323) 769-3500<br />

blueguitar.club<br />

Thursday—Los Steel w/Jay Leach<br />

The Boulevard Bar<br />

3199 E. Foothill Blvd., Pasadena<br />

(626) 356-9304<br />

blvdbar.com<br />

Fridays—Drag performances hosted by Tia<br />

Wanna every Friday<br />

Cabrera’s Mexican Cuisine<br />

655 N. Lake Ave., Pasadena<br />

(626) 795-0230<br />

cabreras.com<br />

Thursdays—Live jazz<br />

Fridays, Saturdays and Sundays—Karaoke<br />

Coffee Gallery Backstage<br />

2029 N. Lake Ave., Altadena<br />

(626) 798-6236<br />

coffeegallery.com<br />

Thursday—The Music of Elton John w/Rick<br />

Bagby & the Honky Cats<br />

Friday—Women Who Folking Rock w/Janet<br />

Croteau, Aireene Espiritu, Britta Lee Shane and<br />

Ed Tree<br />

Saturday—Matinee show w/Jim and Anne<br />

Curry singing the songs of John Denver;<br />

evening show w/The Honey Whiskey Trio<br />

Der Wolfskopf<br />

72 N. Fair Oaks Ave., Pasadena<br />

(626) 219-6054<br />

derwolfskopf.com<br />

Fridays—“Night Court” features Deejay Kind<br />

Cromang spinning vinyl soul, funk, disco and<br />

boogie<br />

Edwin Mills by Equator<br />

22 Mills Place, Pasadena<br />

(626) 564-8656<br />

edwinmills.com<br />

Live music Fridays, Tuesdays and Wednesdays<br />

The Mixx<br />

443 E. Colorado Blvd., Pasadena<br />

(626) 500-0021<br />

themixxpasadena.com<br />

Friday—Abby Girl & the Real Deal<br />

Tuesday—King Bee Boys<br />

El Portal Restaurant<br />

695 E. Green St., Pasadena<br />

(626) 795-8553<br />

elportalrestaurant.com<br />

Fridays—Mariachi México<br />

Saturdays—Alanniz<br />

Sundays—Mariachi Bella<br />

Ice House<br />

24 N. Mentor Ave., Pasadena<br />

(626) 577-1894<br />

icehousecomedy.com<br />

Thursday—Jerry Rocha live taping; Rebels of<br />

Comedy<br />

Friday—Hollywood Comes to Pasadena w/<br />

Steve McGrew; Deathsquad<br />

Saturday—Auditions for Dave McNary’s All-<br />

Star Variety Show; Hollywood Comes to Pasadena<br />

w/Steve McGrew; Cool Beans Comedy;<br />

Hollywood Comes to Pasadena<br />

‘HORN FROM THE HEART,’ DOCUMENTARY ABOUT VISIONARY CHICAGO BLUESMAN<br />

PAUL BUTTERFIELD, SCREENS AT LAEMMLE PLAYHOUSE 7<br />

Little is said nowadays about<br />

Chicago blues powerhouse<br />

Paul Butterfield’s influence as<br />

a singer and virtuoso of the harmonica.<br />

Director John Anderson’s<br />

respectful documentary “Horn<br />

From the Heart” — titled with<br />

Butterfield’s nickname for his instrument<br />

— strives to rectify that,<br />

with concert footage and onscreen<br />

testimony from, among others,<br />

Marshall Chess, Al Kooper, Jim<br />

Kweskin, Geoff Muldaur, Maria<br />

Muldaur and Bonnie Raitt.<br />

A classically trained flutist<br />

with more charisma than height,<br />

Butterfield was no one’s idea of<br />

a future star. Yet in his prime, he<br />

pushed blues into jazz and psychedelic<br />

rock, revived interest in<br />

blues mentors like Muddy Waters,<br />

and thrillingly bridged acoustic<br />

folk and amplified rock at a time<br />

when Dylan was booed for going<br />

electric. His music evolved from<br />

the nexus of America’s rapidly<br />

changing culture and civil rights<br />

movement; Peter Yarrow called<br />

the Paul Butterfield Blues Band<br />

“the most important band in<br />

America” and facilitated their<br />

addition to 1965’s Newport Folk<br />

Festival. Their self-titled 1965<br />

debut, featuring guitarists Elvin<br />

Bishop and Mike Bloomfield, is a<br />

modern blues classic.<br />

“We were at the right place at<br />

the right time,” recalls Bishop.<br />

“This big, beautiful body of music,<br />

the blues, the American blues,<br />

black blues, that this huge white<br />

audience had never to any extent<br />

met … the idea just caught fire.”<br />

It was one of the first racially<br />

integrated bands, and the film’s<br />

most valuable in delineating how<br />

Butterfield’s artistic integrity<br />

reflected his personal convictions<br />

and keen sensitivity to being a<br />

white man playing music born<br />

of black culture. When African-<br />

American drummer Billy Davenport<br />

expressed concern about<br />

traveling into certain regions,<br />

keyboardist Mark Naftalin says<br />

Butterfield made a pledge: “Where<br />

you can’t go, we won’t go.” Guitarist<br />

Buzz Feiten recalls “near-physical<br />

confrontations” when their<br />

long-haired “mixed band” was<br />

looked at “like communists.”<br />

1969 Woodstock Festival footage<br />

of the turbo-charged band<br />

introducing a full horn section<br />

suggests Butterfield’s conventionshaking<br />

intensity. Saxophonist<br />

David Sanborn describes him<br />

as an unstoppable hurricane<br />

onstage: “I have never, before<br />

or after, heard a sound like that.<br />

… It was my introduction to the<br />

idea that it’s better to reach for<br />

something and miss than just to<br />

hold back and play it safe.”<br />

Photos and home movies capture<br />

the notoriously private Butterfield<br />

relaxing with family and a pet<br />

raccoon, yet he remains elusive. By<br />

the time he’s shown, graying, broke<br />

and alcoholic, reportedly stealing<br />

the show from B.B. King, Eric<br />

Clapton and Stevie Ray Vaughan<br />

in 1987, his ferociously soulful<br />

voice is contoured by pain from<br />

peritonitis. He died shortly thereafter,<br />

at 44, of an accidental heroin<br />

overdose. Twenty-eight years later,<br />

the Paul Butterfield Blues Band<br />

was inducted into the Rock and<br />

Roll Hall of Fame.<br />

The cost of Butterfield’s drug<br />

abuse to his family is glossed<br />

over; “Horn From the Heart” is<br />

more loving celebration than<br />

expose. But within the familiar<br />

arc of an artist ground down by<br />

drugs and a merciless business,<br />

friends and relatives convey not<br />

only the depth of the musician but<br />

also his humanity. That sharpens<br />

understanding of their loss. n<br />

“Horn From the Heart: The Paul Butterfield<br />

Story” screens at Laemmle Playhouse 7,<br />

673 E. Colorado Blvd., Pasadena, Nov.<br />

2-8; call (310) 478-3836 for show times<br />

and ticket info. hornfromtheheart.com,<br />

laemmle.com<br />

–CONTINUED ON PAGE 26<br />

The Feminine Touch<br />

WOMEN ARTISTS AND ED TREE TAKE TO THE STAGE<br />

AT COFFEE GALLERY BACKSTAGE<br />

Local women folk artists will perform together, accompanied by guitarist and<br />

folk music hero Ed Tree, Friday night at Coffee Gallery Backstage.<br />

Those scheduled to play are all local favorites, and will likely be familiar to<br />

lovers of the folk music arts.<br />

Janet Croteau (soundcloud.com/janetcroteau) is a songwriter and spoken<br />

word artist whose music reflects her quirky, effervescent spirit.<br />

Aireene Espiritu (aireeneespiritu.com) is a singer-songwriter known for her<br />

original music, which takes influences from Latin, African, folk, bluegrass and a<br />

little bit of gospel.<br />

Britta Lee Shain (brittaleeshainbooksandmusic.com) is a songwriter, author<br />

and self-described recovering political junkie. She’s been described by critics as a<br />

female Tom Waits.<br />

Ed Tree (songnet.info/network/guest/ed-tree) is a producer, engineer, guitarist<br />

and 35-year veteran of the music scene whose music has been recorded by<br />

Spencer Davis, Lacy J. Dalton and many others. He has also shared stages with<br />

top names in the business, including Jimmy Buffett, Aaron Neville and Bonnie<br />

Bramlett. — John Sollenberger<br />

Music starts at 8 p.m. Friday at Coffee Gallery Backstage, 2029 N. Lake Ave., Altadena.<br />

Tickets are $20. Call (626) 798-6236 or visit coffeegallery.com.<br />

<strong>11.01.18</strong> | PASADENA WEEKLY 25

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