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JAVA Dec '18 issue

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She displays some free-standing sculptural works<br />

fashioned from window shades that she rescued<br />

from the Habitat for Humanity store, a place where<br />

random leftover remodeling items such as bathroom<br />

sinks, doorknobs and moulding go for resale after a<br />

job. “I try to use as the source of my raw materials<br />

something someone may have overlooked. And I<br />

decided if I was going to use any raw material, I was<br />

going to make it.”<br />

Lee fabricated her own formaldehyde-free particle<br />

board by collecting sawdust, pressing and forming<br />

it. Sometimes she shapes the material using mesh.<br />

Other times, she creates a sheet and cuts it with a<br />

table saw or laser cutter.<br />

Artist and ASU faculty member Liz Cohen crafted a<br />

large rug with rudimentary cut-out shapes depicting<br />

the GAZ Coffee emblem, flanked by a Russian<br />

truck and yellow leaves – an homage to a 1968<br />

trade agreement between the Soviet Union and<br />

Colombia for the trade of cars for coffee. This piece<br />

demands conversation about coffee consumption and<br />

production and the impact on the environment and<br />

people who produce it.<br />

Susan Beiner’s work is a large ceramic and mixed<br />

media sculpture that represents all of the types<br />

of plastic waste – water bottles, diapers, plastic<br />

shopping bags and more – that are daily thrown into<br />

landfills or find their way into oceans, choking out<br />

marine life.<br />

Textile artist Janielle L. Stanley, of Diné heritage<br />

from the Bitter Water Clan, contributed half a dozen<br />

handmade wall hangings. She creates textiles that<br />

reflect her life and her culture. Stanley works block<br />

patterns and embroidered sheep into her designs.<br />

For the Diné, sheep are everything, she says. “From<br />

our youth, we all raise sheep. My aunties and my<br />

grandmother used the wool for weaving. But we also<br />

used them for food. And we couldn’t waste anything.<br />

Every part of the sheep was used.”<br />

Baron contributed to the show by curating a<br />

display of beautiful and ornate antique spice<br />

boxes. The besamin box filled with exciting<br />

smells is another important Jewish tradition,<br />

she explains. To add another layer of sensation to<br />

the show, Baron hung small sachets of lavender,<br />

cloves, bay leaves, rosemary and cinnamon from<br />

the ceiling – a traditional besamin box blend to<br />

invigorate the senses.<br />

Tikkun Olam 3<br />

Through January 23<br />

Cutler Plotkin Jewish Heritage Center<br />

122 E. Culver Street, Phoenix<br />

<strong>JAVA</strong> 17<br />

MAGAZINE

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