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Viva Lewes Issue #147 December 2018

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ON THIS MONTH: FILM<br />

Left to right: Paddington 2, White Christmas, It’s a Wonderful Life<br />

Film ’18<br />

Dexter Lee’s cinema round-up<br />

About this time last year, I bumped into <strong>Lewes</strong><br />

Depot trustee John Kenward, and as usual he<br />

gave me his latest film recommendation. It’s<br />

generally a slow-moving Italian documentary or<br />

some sort of Iranian arthouse work. “Have you<br />

seen…” he said, then paused, for effect. “Have<br />

you seen… Paddington 2? Marvellous film. I’ve<br />

been twice.”<br />

As usual I took him up on it; I went with my<br />

wife. Just us. We both laughed (a lot) and we<br />

both cried (just a little bit). As ever, John had<br />

hit the nail on the head. If you missed it at the<br />

Depot you’ve a last chance to see it at <strong>Lewes</strong><br />

Film Club, at the All Saints (16th).<br />

That’s the only one from the Film Club this<br />

month, so the rest of the films listed here are<br />

one-offs and specials at the Depot. The month<br />

starts with Big Howard, Little Howard (1st), in<br />

which TV comedian Howard Reed, in person,<br />

interacts with his six-year-old on-screen<br />

persona, as seen on TV. Then there’s a one-off<br />

screening of Robert Zemeckis’ 2004 CGI<br />

animation The Polar Express (2nd), in which a<br />

cynical-of-all-things-Christmas kid takes a train<br />

ride to the North Pole, to see Santa. And on the<br />

15th, while we’re talking kids’ films, there will<br />

be two screenings of CBeebies’ Christmas Show<br />

Thumbelina.<br />

There are three very different one-offs in the<br />

first week of the month. First up, there’s a rare<br />

chance to see Gone with the Wind (2nd) on a big<br />

screen. Need I say more? Go on, then. Roguish<br />

Rhett Butler (Clark Gable) meets manipulative<br />

Scarlett O’Hara (Vivien Leigh). He’s no<br />

gentleman, she’s no lady, and quite frankly,<br />

since it’s just shy of four hours long, you’ll be<br />

glad there’s an interval. Meanwhile this month’s<br />

dementia friendly offering is the classic musical<br />

White Christmas (4th). And, also set in the<br />

festive season, there’s Carol (6th). This (Patricia<br />

Highsmith) book-to-film choice (read it, watch<br />

it, discuss the difference) is a 50s-based periodpiece,<br />

starring Cate Blanchett and Rooney<br />

Mara, about a cross-class lesbian relationship.<br />

On the 3rd and the 9th, live from the Royal Opera<br />

House, there’s a screening of Peter Wright’s<br />

interpretation of Ivanov’s ballet The Nutcracker,<br />

with its sumptuous Tchaikovsky score, featuring<br />

young Clara, her enchanted doll, and, of course,<br />

the Sugar Plum Fairy (see pg 43).<br />

It’s a while since I’ve seen It’s a Mad, Mad, Mad,<br />

Mad World, Stanley Kramer’s immensely successful,<br />

recently restored, madcap 1963 comedy,<br />

with an all-star cast containing some still-familiar<br />

names, such as Spencer Tracy, Terry-Thomas,<br />

Mickey Rooney and Phil Silvers. It’s this<br />

month’s Comedy Genius, introduced by Phil<br />

Nicol (16th). And finally, inevitably, Christmas<br />

being Christmas, Michael Voigt has chosen It’s<br />

a Wonderful Life (19th) as his <strong>December</strong> film to<br />

watch and analyse afterwards. Programmer Carmen<br />

tells me she’ll probably screen it a couple<br />

more times, so check the website for news of<br />

this and all the month’s other releases.<br />

45

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