Viva Lewes Issue #147 December 2018
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ON THIS MONTH: FILM<br />
Left to right: Paddington 2, White Christmas, It’s a Wonderful Life<br />
Film ’18<br />
Dexter Lee’s cinema round-up<br />
About this time last year, I bumped into <strong>Lewes</strong><br />
Depot trustee John Kenward, and as usual he<br />
gave me his latest film recommendation. It’s<br />
generally a slow-moving Italian documentary or<br />
some sort of Iranian arthouse work. “Have you<br />
seen…” he said, then paused, for effect. “Have<br />
you seen… Paddington 2? Marvellous film. I’ve<br />
been twice.”<br />
As usual I took him up on it; I went with my<br />
wife. Just us. We both laughed (a lot) and we<br />
both cried (just a little bit). As ever, John had<br />
hit the nail on the head. If you missed it at the<br />
Depot you’ve a last chance to see it at <strong>Lewes</strong><br />
Film Club, at the All Saints (16th).<br />
That’s the only one from the Film Club this<br />
month, so the rest of the films listed here are<br />
one-offs and specials at the Depot. The month<br />
starts with Big Howard, Little Howard (1st), in<br />
which TV comedian Howard Reed, in person,<br />
interacts with his six-year-old on-screen<br />
persona, as seen on TV. Then there’s a one-off<br />
screening of Robert Zemeckis’ 2004 CGI<br />
animation The Polar Express (2nd), in which a<br />
cynical-of-all-things-Christmas kid takes a train<br />
ride to the North Pole, to see Santa. And on the<br />
15th, while we’re talking kids’ films, there will<br />
be two screenings of CBeebies’ Christmas Show<br />
Thumbelina.<br />
There are three very different one-offs in the<br />
first week of the month. First up, there’s a rare<br />
chance to see Gone with the Wind (2nd) on a big<br />
screen. Need I say more? Go on, then. Roguish<br />
Rhett Butler (Clark Gable) meets manipulative<br />
Scarlett O’Hara (Vivien Leigh). He’s no<br />
gentleman, she’s no lady, and quite frankly,<br />
since it’s just shy of four hours long, you’ll be<br />
glad there’s an interval. Meanwhile this month’s<br />
dementia friendly offering is the classic musical<br />
White Christmas (4th). And, also set in the<br />
festive season, there’s Carol (6th). This (Patricia<br />
Highsmith) book-to-film choice (read it, watch<br />
it, discuss the difference) is a 50s-based periodpiece,<br />
starring Cate Blanchett and Rooney<br />
Mara, about a cross-class lesbian relationship.<br />
On the 3rd and the 9th, live from the Royal Opera<br />
House, there’s a screening of Peter Wright’s<br />
interpretation of Ivanov’s ballet The Nutcracker,<br />
with its sumptuous Tchaikovsky score, featuring<br />
young Clara, her enchanted doll, and, of course,<br />
the Sugar Plum Fairy (see pg 43).<br />
It’s a while since I’ve seen It’s a Mad, Mad, Mad,<br />
Mad World, Stanley Kramer’s immensely successful,<br />
recently restored, madcap 1963 comedy,<br />
with an all-star cast containing some still-familiar<br />
names, such as Spencer Tracy, Terry-Thomas,<br />
Mickey Rooney and Phil Silvers. It’s this<br />
month’s Comedy Genius, introduced by Phil<br />
Nicol (16th). And finally, inevitably, Christmas<br />
being Christmas, Michael Voigt has chosen It’s<br />
a Wonderful Life (19th) as his <strong>December</strong> film to<br />
watch and analyse afterwards. Programmer Carmen<br />
tells me she’ll probably screen it a couple<br />
more times, so check the website for news of<br />
this and all the month’s other releases.<br />
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