Univ Record 2018
University College Oxford Record 2018
University College Oxford Record 2018
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From the Director of Music<br />
The 2017/18 academic year has been a productive one for<br />
musicians at <strong>Univ</strong>. The College Music Society, UCMS,<br />
has been active staging the ever-popular open mic nights<br />
in the bar, and arranging for <strong>Univ</strong> musicians to perform<br />
in Master’s Lodgings Concerts. The guest speaker at<br />
the UCMS dinner was James Boyd, a violist, chamber<br />
musician, and teacher. He was a founding member of the<br />
London Haydn Quartet and is a member of the Raphael<br />
Ensemble. He was able to sum up for our musicians<br />
the joy of making music; concentrating not so much<br />
on the “how”, but on the “why” of this most visceral of<br />
artistic endeavours. His words served as an inspiration to<br />
everyone present.<br />
The Chapel Choir has had a particularly busy year. It started with the tall task of<br />
learning William Walton’s Belshazzar’s Feast. The Choir was invited to sing this after our<br />
Director of Music, Giles Underwood was booked to sing the baritone solo. The concert<br />
celebrated the 40th anniversary of The Oxford ProMusica Singers, a group for whom<br />
Giles has sung solos many times. This jamboree took place in the Oxford Town Hall at<br />
the beginning of November 2017, with full orchestra, and was a significant departure<br />
for a chapel choir such as ours to undertake. The choir rarely gets to sing music of this<br />
grandeur, and never with a chorus of over 100! They gained a great deal of experience<br />
which they were able to bring back to the choir stalls.<br />
Also in November, the ladies of the choir sang a concert featuring Benjamin Britten’s<br />
Ceremony of Carols; a piece The Director of Music has always wanted to do at <strong>Univ</strong>. The<br />
strength of the upper voices in our choir suited this amazing set of pieces and we are<br />
lucky enough to have our own harpist, second-year classicist, Rosie Von Spreckelsen<br />
(2016, Classics) to accompany. This concert took place in the church of St Mary-at-Hill<br />
in the City of London, but more about that venue later.<br />
Having learned and performed Ceremony of Carols, we were able to include a number<br />
of its movements in our Advent and Christmas carol services. This gave these events<br />
a different feel than in past years and the presence of the harp in the chapel added<br />
enormously to the atmosphere.<br />
After Christmas, the Choir joined forces with The Martlet Ensemble to sing an<br />
evening of Bach Cantatas for Epiphany. We were joined by soloists Claire Booth, Lucy<br />
Ballard, James Oxley and Johnny Herford, and it was wonderful to see the Chapel so<br />
full. The next major event in the Choir’s diary was a tour to Paris in April, helped in<br />
large part by OM William fforde (1975, Classics) and run by our organ scholars, Alice<br />
Habisreutinger (2015, History) and Stella Kremer (2015, PPE). This was a great success,<br />
both musically and socially. The Choir was invited to sing services at the American<br />
Cathedral and La Madeleine, and gave a private concert at the home of Monsieur Oliver<br />
Godard. As soon as they were back in the country, there were rehearsals for their next<br />
concert, on April 14, in St Martin-in-the-Fields. This performance was part of the<br />
Brandenburg Choral Festival of London, and on the back of its popularity, <strong>Univ</strong> has<br />
been asked to give another in 2019.<br />
All this, as well as the normal run of weekly services in the Chapel!<br />
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