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Wealden Times | WT203 | January 2019 | Interiors supplement inside

Wealden Times - The lifestyle magazine for the Weald

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Full English<br />

Perhaps it’s the rigour of its vertical plan, but the classic townhouse seems to<br />

inspire owners to be wonderfully bold with paint and decoration<br />

Ros Byam Shaw’s beautiful book,<br />

Perfect English Townhouse is a<br />

tribute to one of our loveliest of<br />

vernacular home styles – the multi-storeyed,<br />

terraced or semi-detached, uniquely<br />

urban dwelling that is the townhouse.<br />

The thirteen houses featured in the<br />

book date from 1670 to 1965, but<br />

while they span historic eras from the<br />

Stuarts, through Georgian, Regency<br />

and Victorian, right up to the reign<br />

of our own dear Queen, they share a<br />

special appeal: a familiarity of layout and<br />

proportion that just feels right to the eye.<br />

On top of all that is common among<br />

them, each of the houses in the book<br />

is wonderfully quirky and original,<br />

packed full of ideas to aspire to –<br />

repaying repeated visits to the pages.<br />

One theme that particularly jumped<br />

out at us as worthy of further study<br />

is the way all the houses balance very<br />

strong colour and vivid prints, with lots<br />

of art, features and collections – yet<br />

never look cluttered, messy, or hectic.<br />

We’ve come to the conclusion that the<br />

secret is having a certain proportion of<br />

balancing neutral tones in natural materials,<br />

be it in original wood floorboards, linen<br />

upholstery, sisal flooring, bamboo, rattan<br />

and wood furniture, or wicker details.<br />

Here are some of our favourite examples<br />

– followed by suggestions of how to achieve<br />

such exquisite colour balance at home. <br />

▲ This 18th century house in a South London square was restored after being<br />

previously divided into flats. Frank Hollmeyer uses this first floor room as a study.<br />

The panelling, which he put back in, is painted in Farrow & Ball’s Brassica<br />

The first floor drawing room of the<br />

same house is painted in Farrow & Ball’s<br />

Cale Green, a flattering background for<br />

the 17th century Dutch flower paintings.<br />

The cushions are made of antique Middle<br />

Eastern fabric from Susan Deliss, who also<br />

made the ikat lampshades<br />

WT <strong>Interiors</strong> Supplement<br />

4

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