Volume 24 Issue 5 - February 2019
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
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Beat by Beat | Choral Scene<br />
Choral Fire in<br />
Winter Snow<br />
BRIAN CHANG<br />
Two upcoming choral concerts promise to take some of the chill<br />
out of winter. The Nathaniel Dett Chorale, joined by alumni,<br />
premieres a new work, Hosea, to perform what artistic director<br />
Brainerd Blyden-Taylor calls a concert of “wonderful, inspirational,<br />
moving music.” This concert continues the Chorale’s 20th anniversary<br />
season. And two of the finest chamber choirs in Canada join forces<br />
to present a joint concert; the Vancouver Chamber Choir (VCC) is<br />
hosted by the Elmer Iseler Singers on their 92nd and last tour with Jon<br />
Washburn at the head of the VCC.<br />
To Return, with Love: Hosea<br />
The Nathaniel Dett Chorale takes the Koerner Hall stage to perform<br />
a new work, Hosea. “This year we have a composer-in-residence,<br />
Dr. Stephen Newby,” shares artistic director Blyden-Taylor. “He has<br />
written a mini-oratorio based on the Old Testament Book of Hosea. It<br />
is a fusion mashup of the classical, jazz and gospel genres.”<br />
“When the Book of Hosea was written, it was a metaphor for<br />
God’s relationship with the children of Israel,” shares Blyden-Taylor.<br />
“Initially God tells Hosea he should marry a prostitute and take in<br />
her children.” Figuratively, Hosea invokes wayward Israelites, who<br />
have turned their backs on God, to turn back to God. “He calls them<br />
to repentance with an open heart of forgiveness should they return to<br />
him.” That path to repentance is one of inclusion, opening doors and<br />
hearts to the denigrated and lowly.<br />
The Book of Hosea is controversial, more so now, for its disparaging<br />
depictions of “wanton women.” The metaphoric reading, though,<br />
is more nuanced than the literal text taken at face value. For Blyden-<br />
Taylor, “looking at it from our point of view today, it’s essentially the<br />
theme of unconditional love, reconciliation, and compassion.”<br />
Composer-in-residence Newby is professor of music at Seattle<br />
Pacific University, a Christian college rooted in the Wesleyan<br />
Methodist tradition. He conducts the University’s Gospel Choir and<br />
teaches composition. Blyden-Taylor describes Hosea as “a combination<br />
of Newby’s two passions: music and theology.”<br />
Hosea will be performed by the current Chorale. The other half<br />
of the concert will include alumni across the 20-year history of the<br />
The Nathaniel Dett Chorale's composer-in-residence, Dr. Stephen Newby<br />
in his role as national anthem singer for the Seattle Sounders FC.<br />
ensemble. Blyden-Taylor says “there are about 18 to 20 alumni who are<br />
coming back to sing with the current ensemble. We’re doing a series<br />
of favourite spirituals in the other half of the concert. We’re doing<br />
pieces by Nathaniel Dett and Moses Hogan.” Added to this, Blyden-<br />
Taylor has programmed songs from young American composer,<br />
Brandon Waddles, making three generations of composers spanning<br />
100 years.<br />
It is a banner year for the Chorale, celebrating its 20th anniversary.<br />
It is also, Blyden Taylor shares, “a big year for Nathaniel Dett too. This<br />
season marks the 75th anniversary of his death, and the 90th anniversary<br />
of the school of music he founded in Hampton University,<br />
Virginia. Dett was also one of the founding members of the National<br />
Association of Negro Musicians in the US, and they’ll be celebrating<br />
their 100th anniversary in Chicago in the summertime.”<br />
The ongoing process of exploring Afrocentric music has become a<br />
life’s work for Blyden-Taylor. “This ensemble is not just to commemorate<br />
Nathaniel Dett, but also his belief in Afrocentric music in its<br />
entirety,” he says. “It’s been a rich 20 years, and we’ve done a lot of<br />
things over that time, always striving to provide wonderful, inspirational,<br />
moving music.”<br />
<strong>February</strong> 13, 8pm. The Nathaniel Dett Chorale presents Voices<br />
thewholenote.com December 2018 / January <strong>2019</strong> | 27