Volume 24 Issue 5 - February 2019
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
In this issue: A prize that brings lustre to its laureates (and a laureate who brings lustre to the prize); Edwin Huizinga on the journey of Opera Atelier's "The Angel Speaks" from Versailles to the ROM; Danny Driver on playing piano in the moment; Remembering Neil Crory (a different kind of genius)' Year of the Boar, Indigeneity and Opera; all this and more in Volume 24 #5. Online in flip through, HERE and on the stands commencing Thursday Jan 31.
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<strong>24</strong>05_FebCover.indd 1<br />
PRICELESS<br />
Vol <strong>24</strong> No 5<br />
<strong>2019</strong>-01-23 3:28 PM<br />
ON OUR COVER<br />
<strong>Volume</strong> <strong>24</strong> No 5 | <strong>February</strong> <strong>2019</strong><br />
HANDEL Dixit Dominus<br />
BACH & SCHÜTZ Motets<br />
FEBRUARY <strong>2019</strong><br />
CONCERT LISTINGS<br />
FEATURES | REVIEWS<br />
Glenn Gould Prize Laureate<br />
Jessye Norman<br />
PHOTO: ANNIE LEIBOVITZ<br />
FEATURES<br />
7 OPENER | Let’s Talk About<br />
Some Other Weather, Shall<br />
We? | DAVID PERLMAN<br />
8 ON OUR COVER |<br />
Celebrating Jessye<br />
Norman | DAVID PERLMAN<br />
12 IN CONVERSATION | The<br />
Angel Speaks: with Edwin<br />
Huizinga | JENNIFER PARR<br />
JESSYE NORMAN, Glenn Gould Prize Laureate<br />
Sometimes, as the saying goes, a picture is worth a thousand<br />
words. Sometimes, though, it can take a couple of thousand<br />
words to do full justice to a picture. This month’s cover<br />
photograph of Jessye Norman, the 12th Glenn Gould Prize<br />
Laureate, was taken by Annie Leibovitz in 1988, and titled<br />
at the time “Jessye Norman (singing), New York City.” But,<br />
interestingly, that’s not what the cutline to the image we<br />
created the cover from says. The story starts on page 8.<br />
16 IN CONVERSATION |<br />
“Excitement and Danger”:<br />
pianist Danny Driver |<br />
PAUL ENNIS<br />
65 WE ARE ALL MUSIC’S<br />
CHILDEN | March’s Child |<br />
MJ BUELL<br />
86 REARVIEW MIRROR |<br />
Remembering Neil Crory |<br />
ROBERT HARRIS<br />
ACD2 2790<br />
Ottawa Bach Choir<br />
Daniel Taylor countertenor<br />
Ensemble Caprice<br />
Lisette Canton direction<br />
JOHN ZORN<br />
Chamber Music<br />
13<br />
ACD2 2774<br />
Molinari Quartet<br />
JUST RELEASED !<br />
G R I G O R I A N . C O M
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