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Dwelling In (On) Bombay Cinema

Dwelling In (On) Bombay Cinema is an experimental research into the domestic condition of Bombay through a reading of Bombay cinema. It composes of an audio-visual product and the following textual documentation of the investigation methodology. These two entities are intended to be archived together digitally and physically. This work is part of the final assignment (trabajo fin de máster) of the masters programme in architectural communication or MAca (Máster Universitario en Comunicación Arquitectónica ) in the Superior Technical School of Architecture of Madrid (Escuela Técnica Superior de Arquitectura de Madrid) under the Technical University of Madrid (Universidad Politécnica de Madrid). The following document is to accompanied by the digital essay-film available through the following link: https://youtu.be/OO8dxD5Ypos The investigation is authored by Akshid Rajendran. And tutored by Atxu Amann y Alcocer and Samuel Fuentes. January 2019.

Dwelling In (On) Bombay Cinema is an experimental research into the domestic condition of Bombay through a reading of Bombay cinema. It composes of an audio-visual product and the following textual documentation of the investigation methodology. These two entities are intended to be archived together digitally and physically. This work is part of the final assignment (trabajo fin de máster) of the masters programme in architectural communication or MAca (Máster Universitario en Comunicación Arquitectónica ) in the Superior Technical School of Architecture of Madrid (Escuela Técnica Superior de
Arquitectura de Madrid) under the Technical University of Madrid (Universidad Politécnica de Madrid).

The following document is to accompanied by the digital essay-film
available through the following link: https://youtu.be/OO8dxD5Ypos

The investigation is authored by Akshid Rajendran.
And tutored by Atxu Amann y Alcocer and Samuel Fuentes.
January 2019.

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Part A: An Extended Prologue<br />

use Dharavi land for economic benefit in public-private partnership<br />

projects under the image of slum rehabilitation. A similar<br />

story is told in Vertical City (Kishore, 2010), a film-essay that outlines<br />

the dystopic vertical rehabilitative architecture proposed for<br />

slum dwellers. The documentary successfully communicates the<br />

spatial oppression and repetitive failure of the government in<br />

dealing with the issue of rehabilitating slums. <strong>In</strong> many ways, the<br />

documentary demolishes any hope that government-run projects<br />

that relocate the poorly housed can benefit anyone with the exception<br />

of private investors. The replaced houses are often far from<br />

useful infrastructure like water, building maintenance usually not<br />

included as part of the contract, and houses are usually provided<br />

miles from their original workplaces, thereby disrupting an otherwise<br />

regular economy. Days of malfunctioning elevators eventually<br />

become years of malfunctioning elevators, resulting finally<br />

in paralysed dystopic buildings that have come to symbolise the<br />

displaced, economically-paralysed urban poor.<br />

Many a time, foreign intervention has helped reveal unique and<br />

otherwise concealed aspects of slum life. Notwithstanding the<br />

work done by Danny Boyle in his Oscar-nominated Slumdog Millionaire<br />

(2008), the most popular of such work is the two-part<br />

Kevin McCloud series called Slumming It (Simpson, 2010). Slumming<br />

It is one of the first such audio-visual investigation to have<br />

been labelled “poverty porn” (Thompson, 2010). Perhaps under<br />

the same label, one can categorize the new wave of YouTube videos<br />

that have surfaced such as the video by the channel “bald and<br />

bankrupt” called “Exploring An <strong>In</strong>dian Slum // Dharavi Mumbai”:<br />

the video features an adventurous western male walking<br />

around the <strong>Bombay</strong> streets attempting to comprehend the chaotic<br />

organisation of Dharavi. Similar videos have been made as part of<br />

foreign research interests or personal documentary interests like<br />

“We Spent A Day <strong>In</strong> The Largest Slum <strong>In</strong> <strong>In</strong>dia | ASIAN BOSS”<br />

12

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