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Erin Taylor Woods<br />
INTERIOR DESIGN PORTFOLIO
Erin Taylor Woods is a senior in Auburn University’s Bachelor of<br />
Science program in interior design. Auburn University’s prestigious<br />
program was recently ranked #9 in the U.S by Design Intelligence,<br />
and #1 in the U.S as the nation’s best student chapter of 2018 by the<br />
American Society of Interior Designers (ASID). Auburn University’s<br />
Interior Design program believes in giving their student’s the power<br />
of design to shape both the Earth and the people that live within it.<br />
Over the last four years, Erin has grown into a professional young<br />
designer who eager to share her talents with the world.<br />
The following designs were selected examples of Erin’s work<br />
created over the last four years at Auburn University as well as<br />
through professional opportunities. For every design project,<br />
specific guidelines were put in place through the interior design<br />
program. The following examples of my work not only met the set<br />
guidelines, but exceeding expectations by implementing Erin’s<br />
unique creative freedom and her ability to utilize her own personal<br />
style.<br />
“It is a pleasure to share with you my hard work as well as give you<br />
an opportunity to see who I am as a designer.” - Erin Taylor Woods
Hospitality<br />
Commercial<br />
Residentail
Arlo Hotel<br />
Hospitatliy Design | CADS 3500 | Fall 2018<br />
The Arlo Hotel Project was inspired by the Meyer Davis Design firm. Arlo<br />
Hotel is a boutique hotel brand that has two prior existing properties<br />
in New York City. For the project, students were given a base floorplans<br />
of the hotel, and they were left to re-search as well as create all of the<br />
remaining aspects of the hotel. The project was completed in four phases.<br />
For the first phase of the Arlo Hotel project, students focused greatly on<br />
research-based information. This research included a real-life client<br />
interviews, site research, brand research, guest profiles, geographic location,<br />
program requirements (i.e room counts, square footage, room types, building<br />
summaries, context diagrams, as well as any other research that was needed.<br />
This phase was presented in the form of a spiral bound project book.
Phase 2<br />
For the second phase of Arlo Hotel project, students<br />
were required to begin their design development.<br />
They had to utilize different forms of visual<br />
representation to communicate their individual<br />
hotel concepts. Phase two was presented in the form<br />
of concept boards that required the following;<br />
-concept textures<br />
-palettes<br />
-inspiration imagery<br />
-basic lighting design<br />
-branding<br />
-concept statement<br />
-space planning<br />
-circulation diagrams<br />
-proposed plans of public<br />
spaces, and guest rooms
GuestRoom<br />
layout<br />
In phase 2 of the design process, planning out the public and<br />
private spaces were crucial. Configuring circulation was also a<br />
fundamental element within the phase. The guest room layouts<br />
had to include spaces for grooming, lounging, working as well as<br />
storage. Designing ADA accessible rooms was another<br />
factor that had to be incorporated throughout specific rooms.<br />
Double full<br />
ada standard king<br />
Design Concept<br />
Statement<br />
Welcoming all creatures of comfort; The Arlo Hotel is guest<br />
experience where the stress of one’s travels are always left at the<br />
front door. To wake up and feel like you’ve slept in your own bed<br />
is Arlo’s mission. Whether you’re traveling for business or pleasure,<br />
The Arlo Hotel will capture a lifelong binding<br />
connection to the bustling NYC within the comfort of their walls.<br />
Standard king<br />
Standard queen
1st floor furniture plan<br />
FK<br />
DN<br />
Phase 3<br />
For the third phase of the project,<br />
students had to produce presentation<br />
furniture plan AutoCAD drawings, collect<br />
finish samples for every space (FF&E),<br />
create schemes for every public/private<br />
space, and design a 3D model for the<br />
numerous spaces/building in the form of<br />
Sketchup. After designing the 3D spaces<br />
in the design program Sketchup, students<br />
then had to export the different scenes and<br />
photoshop them to create realistic images.<br />
Phase three was the last phase before the<br />
final presentation as well as the last leg that<br />
allowed for alterations within the designs.<br />
UP<br />
UP<br />
DN<br />
UP<br />
Corridor Lobby Standard King Presidential Suite
arlo<br />
FINAL PRESENTATION<br />
RENDERINGS
Phase 4<br />
For the final phase of the project, students had to<br />
finalize their project and create presentations that<br />
portrayed their semester’s work to a board of<br />
professional interior designers and architects. The final<br />
presentation was graded off of how well students<br />
incorporated the following aspects into a verbal / visual<br />
presentation as well as their ability to meet design<br />
regulations, codes, and creativity:<br />
Lobby Bar<br />
-FF&E trays<br />
-branding<br />
-mood video<br />
-construction documents<br />
-concept statement<br />
-furniture floorplans<br />
-3D walk-through of space<br />
-finalized renderings<br />
-inspiration imagery<br />
-verbal presentation skills
standard king suite
ada Presidential suite
ada Presidential suite
RestauRant & Lounge
RestauRant & Lounge
Arlo Hotel<br />
351 West 38 St. NY, NY 10018<br />
CLIENT ARCHITECHT INTERIOR DESIGNER CIVIL ENV. BUILDING ENG. ENVELOPE CONS, ACCOUSITC CONS. CODE CONS.<br />
Quadrum 38 LLC<br />
757 3rd Av, 17th Fl<br />
NY, NY 10017<br />
Marvel Architects<br />
145 Hudson St<br />
NY, NY 10013<br />
Erin Woods<br />
129 Toomers St<br />
Auburn, AL 36832<br />
Langan<br />
21 Penn Plaza<br />
NY, NY 10119<br />
MG Engineering<br />
116 West 32nd St<br />
NY,NY 10001<br />
AJL&P Design<br />
40 Worth St<br />
NY, NY, 5659<br />
AKRF, INC<br />
440 Park Ave South<br />
NY, NY 10016<br />
Metropolis LLC<br />
22 Cortland St<br />
NY, NY 10007<br />
ARLO HOTEL<br />
HOSPITALITY DESIGN PROJECT<br />
351 WEST ST. 38th ST, NYC, NY 10018<br />
FINAL PROJECT<br />
INDS<br />
ERIN WOODS<br />
A0 A2.1 A2.2 A2.3 A2.4 A2.5 A2.6 A5.1 A5.2 A6.1<br />
PRELIMINARY<br />
NOT FOR<br />
CONSTRUCTION<br />
COVER PAGE<br />
AO
STAIR B<br />
123.86 SF<br />
UP<br />
DN<br />
STAIR A<br />
123.99 SF<br />
ARLO HOTEL<br />
HOSPITALITY DESIGN PROJECT<br />
351 WEST ST. 38th ST, NYC, NY 10018<br />
FINAL PROJECT<br />
LINEN<br />
CHUTE<br />
TRASH<br />
CHUTE<br />
ELEC<br />
28.70 SF<br />
K2<br />
F3<br />
UP<br />
DN<br />
ELEC. RISER<br />
INDS<br />
ERIN WOODS<br />
PRELIMINARY<br />
NOT FOR<br />
CONSTRUCTION<br />
10-12, 14-16, 21-22<br />
FLOOR PLAN<br />
A2.3
96'2" CEILING HEIGHT<br />
96'2" CEILING HEIGHT<br />
82'2" CEILING HEIGHT<br />
ARLO HOTEL<br />
HOSPITALITY DESIGN PROJECT<br />
351 WEST ST. 38th ST, NYC, NY 10018<br />
FINAL PROJECT<br />
CUSTOM FAUX FIREPLACE BUILT UP<br />
AROUND COLUMNS W/ BOOK CASING<br />
LOUNGE<br />
CHECK IN<br />
CUSTOM STONE FRONT<br />
DESK W/ COVE LIGHTING<br />
BODEGA<br />
BAR<br />
CUSTOM BACK BAR - SUFACE OF BACK<br />
BAR IS THE HEIGHT OF WHERE THE<br />
WINDOW BEGINS<br />
INDS<br />
ERIN WOODS<br />
PRELIMINARY<br />
NOT FOR<br />
CONSTRUCTION<br />
PUBLIC SPACE<br />
FURNITURE<br />
A2.6
ARLO HOTEL<br />
HOSPITALITY DESIGN PROJECT<br />
351 WEST ST. 38th ST, NYC, NY 10018<br />
FINAL PROJECT<br />
INDS<br />
ERIN WOODS<br />
PRELIMINARY<br />
NOT FOR<br />
CONSTRUCTION<br />
FURNITURE<br />
TAGS<br />
A6.1
LINKEDin<br />
headquarters<br />
Commercial Design | CADS 3400 | Spring 2018<br />
For commercial design, interior design students at Auburn University were<br />
assigned some of the top social media companies and were challenged<br />
to create a brand-new headquarters for the company. Erin was assigned<br />
to work with the brand LinkedIn, which is a professional social media platform<br />
that connects businesses to professions. The social media headquarter<br />
project lasted the entire spring semester of 2018 and allowed for<br />
the students to receive a great deal of hands-on learning and research.<br />
Within the project there were numerous challenges that required problem<br />
solving and using the resources that the university provided for research.<br />
There were two main stages of the project, which included “Stage 1”, and<br />
“Stage 2”. “Stage 1” was heavily research based and “Stage 2” focused greatly<br />
on the design aspects as well as the integrating previously taught knowledge<br />
with computer design software. At the end of the semester, the students<br />
were required to verbally present design boards as well as physical<br />
samples, and informational booklets to a panel of professional designers.
For the first stage of the project, students were required<br />
to research in great detail their assigned<br />
companies as well as the headquarter location. For<br />
the LinkedIn project, the headquarter assigned location<br />
was Boston, Ma. The following list is a summary<br />
of what was required research for stage 1 of<br />
the project.<br />
-location history/culture<br />
-demographics<br />
-economics<br />
-climate<br />
-terrain<br />
-current architecture trends<br />
-company mission<br />
Stage 1<br />
CUSTOMER SERVICE<br />
Director of Customer Experience - J. Mahan<br />
Customer Experience Associate - C. Wilson<br />
Customer Experience Ambassador - S. Stanley<br />
C.E. Sustainability, IT, Ass. - W. Will<br />
EVENT PLANNING<br />
Director of Planning and Events - D. Smith<br />
Manager of Events Logistics - H. Jones<br />
DESIGN DEPARTMENT<br />
Director Content, IT, Design - D. Lemmo<br />
Intereactive Project Manager - M. Shelton<br />
Request Coordinator - M. Simpson<br />
Resource Coordinator - D. Gray<br />
Studio Digital Coordinator - S. New<br />
IT, Librarian - R. Cofield<br />
Senior Content Manager, Designer - A. Porter<br />
New Development Content, Strategist - G. Ripley<br />
Project Degital Media Designer 1 - L. Foster<br />
Project Digital Media Designer 2 - M. Heard<br />
Project Digital Media Designer 3 - T. McGouirk<br />
Digital Media Designer 1 - S. Holocomb<br />
Digital Media Designer 2 - M. Habbison<br />
Commercial & Foreign Project Mng. - M. Huberdeau<br />
Estimator of Commercial & Foreign Project Designer - D. Butler<br />
Content Designer - T. Nixon<br />
Content Designer - P. Tompkins<br />
Project Digital Media Designer 4 - K Lane<br />
Commercial & Foreign Project Manager - B. Wilson<br />
Global and Commercial Content Marketing - S. Pelham<br />
Senior Content Designer - B. Clarke<br />
Media Producer - C. Pittman<br />
MARKETING DEPARTMENT<br />
Director - R. Mitchell<br />
Project Manager - J. Kelly<br />
Printing - M. Bennet<br />
Project Manager - B. Hill<br />
Merchandising - G. Hare<br />
Marketing Writing - G. Smallwood<br />
Social Media - I. White<br />
Interactive Marketing - N. Nolan<br />
Management Emails - S. Riley<br />
Reporting - W. Giddens<br />
AUXILIARY SPACES<br />
Bathrooms<br />
Kitchen<br />
Dining Space<br />
Outdoor Space<br />
Maintenance Room<br />
Cell Pods<br />
Copy Room<br />
Childcare<br />
Lobby<br />
Theater<br />
Exercise Room | Cycling Room<br />
Locker | Shower Room<br />
Oasis Space - Meditation Room<br />
Collaborative Space<br />
Large Conference Room - 25<br />
Small Conference Room - 10<br />
Private Collaborative Meeting Spaces<br />
Private Offices<br />
Office for Visiting Executives<br />
2<br />
2<br />
2<br />
2<br />
3<br />
2<br />
1<br />
3<br />
2<br />
2<br />
2<br />
2<br />
2 2<br />
2 2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
3<br />
-company history<br />
-target audience<br />
-management styles<br />
-employee needs<br />
-previous office flaws<br />
-budget<br />
-timeline<br />
MATRIX<br />
2<br />
2 2<br />
2 2 2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
2 2<br />
2 2<br />
3<br />
2 2<br />
2<br />
2<br />
2 2<br />
2 2<br />
2<br />
2<br />
2<br />
2 2<br />
2<br />
2 2<br />
2 2<br />
2 2<br />
2<br />
2<br />
2<br />
2<br />
2 2 2 2<br />
2 2 2 2<br />
2<br />
2<br />
2<br />
2 2 2 2<br />
2 2 2 2 2 2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
2 2<br />
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2<br />
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2<br />
2 2<br />
2<br />
2<br />
2<br />
2<br />
2 2 2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
2<br />
2 2<br />
2<br />
2 2 2 2 2 2 2<br />
2<br />
2<br />
2<br />
4<br />
2<br />
DECISIONS CODE<br />
2 2 2 2 2 2 2 2 2 2<br />
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2<br />
2 2 2 2 2 2 2 2 2 2 2<br />
2<br />
2<br />
3<br />
2<br />
MANDATORY<br />
DESIRABLE<br />
NEUTRAL<br />
NEGATIVE<br />
2 2<br />
REASONS CODE<br />
SHARED WORK SURFACE - 1<br />
FREQUENT INTERACTIONS - 2<br />
SHARED EQUIPMENT - 3<br />
PLUMBING - 4<br />
2 2<br />
BUBBLE<br />
DIAGRAMS<br />
M.<br />
Bennet<br />
Project<br />
Managers<br />
2<br />
2<br />
B.<br />
Hill<br />
G.<br />
Smallwood<br />
Collaborative<br />
Space<br />
2<br />
Childcare<br />
J.<br />
Kelly<br />
Private<br />
Collaborative<br />
Meeting Spaces<br />
Office for<br />
Visiting<br />
Executives<br />
2<br />
2<br />
2<br />
M.<br />
Nolan<br />
Directors<br />
G.<br />
Hare R.<br />
2<br />
2<br />
Maintenance<br />
Room<br />
Copy<br />
Room<br />
DEPARTMENT GUIDE<br />
Design Studio<br />
Marketing<br />
Customer Service<br />
Event Planning<br />
Collaborative<br />
Auxiliary<br />
Unrelated Spaces<br />
2<br />
2<br />
2<br />
Mitchell<br />
Large<br />
Conference<br />
Room - 25<br />
2<br />
Small<br />
Conference<br />
Room - 10<br />
L.<br />
White<br />
2<br />
Social<br />
Media<br />
2<br />
2<br />
2<br />
W.<br />
Giddens<br />
S.<br />
Riley<br />
Kitchen | Dining<br />
Space<br />
Oasis<br />
Space<br />
Cell<br />
Pods<br />
Private<br />
Offices<br />
Outdoor<br />
Space<br />
REASONS CODE<br />
1. Frequent Visits<br />
2. Shared Department<br />
3. Closed Proximity<br />
4. Plumbing<br />
2<br />
M.<br />
Simpson<br />
Directors<br />
Once all the research was complete, the students then had to<br />
create diagrams that showed basic office zoning, matrix<br />
diagrams, and employee relationship charts. At the end of this<br />
stage, a final programming document was bound together<br />
including all of the found information for the project.<br />
2<br />
D.<br />
Gray<br />
IT Coordinators<br />
M.<br />
Shelton<br />
S.<br />
New<br />
D.<br />
Lemmo<br />
2 1<br />
2<br />
2<br />
Theater<br />
Locker |<br />
Shower<br />
Room<br />
2<br />
2<br />
R.<br />
Cofield<br />
A.<br />
Porter<br />
Bathrooms<br />
4<br />
2<br />
2<br />
G.<br />
Ripley<br />
DECISIONS CODE<br />
3<br />
2<br />
2<br />
2<br />
MANDATORY<br />
2<br />
2<br />
2<br />
2<br />
DESIRABLE<br />
B.<br />
Clarke<br />
2<br />
2<br />
D.<br />
Butler<br />
L.<br />
Foster<br />
S.<br />
Holocomb<br />
T.<br />
Nixon<br />
C.<br />
Wilson<br />
3<br />
J.<br />
Mahan<br />
Cycling<br />
Room<br />
2<br />
3<br />
2<br />
M.<br />
Huberdeau<br />
Foreign &<br />
Commercial<br />
2<br />
2<br />
2<br />
2<br />
2<br />
Content<br />
Developers<br />
2<br />
2<br />
2<br />
T.<br />
McGouirk<br />
P.<br />
Tompkins<br />
2<br />
K.<br />
Lane<br />
S<br />
Stanley<br />
2<br />
W.<br />
Will<br />
2<br />
H.<br />
Jones<br />
2<br />
2<br />
M.<br />
Habbison<br />
M.<br />
Heard<br />
2<br />
B.<br />
Wilson<br />
2<br />
2<br />
2<br />
C.<br />
Pittman<br />
S.<br />
Pelham<br />
3<br />
Global<br />
Marketing<br />
Lobby<br />
D.<br />
Smith<br />
32
HISTORY OF COMPANY<br />
The company was first launched in 2002<br />
Founder Reid Hoffman recruited a team of old colleagues from SocialNet and PayPal to work on a new<br />
ideas. Six months later, Linkedin launches. The growth of the business started out slow, but by the fall<br />
it showed enough promise to attract an investment from Sequoia Capital.<br />
In 2005, LinkedIn introduced its first business lines<br />
In 2006, they launched public profiles<br />
In 2007, Reid resigns and Dan Nye moves up<br />
In 2010, Company shifts into hyper-growth<br />
By the end of the year, LinkedIn has 100 million members and nearly 1,000 employees in<br />
UP<br />
10 offices around the world, and has continued to grow into the company it is today. LinkedIn<br />
now has more than 5,700 full-time employees with offices in 30 cities around the world.<br />
LinkedIn strives because they take great pride in their culture and management style, as they say<br />
“It sets us apart, defines who we are and shapes what we aspire to be.<br />
“AT LINKEDIN, WE AIM FOR NOTHING LESS THAN<br />
CHANGING THE WORLD.”<br />
BOSTO<br />
PRO<br />
DOC<br />
UP<br />
FENWAY PARK, BOSTON, MA<br />
9<br />
BUNKER HILL<br />
MEMORIAL
EMPLOYEES<br />
LinkedIn is the home to over 9,000 employees (March 2016). Workers expand across all offices<br />
ranging from company headquarters in Sunnyvale, California to Hong Kong. Employee education<br />
and skill sets span from marketing, sales, recruiting, to accounting, engineering and designing.<br />
DN<br />
Workstations, break rooms, functional meeting rooms, natural lighting, restroom privacy/ADA<br />
accessible , tea/coffee refreshment facilities, mixture of open/enclosed spaces, delegated space<br />
UP<br />
for relaxation, outdoor spaces, parking spaces, recreation room, security measures<br />
PATRONS | TARGET MARKET<br />
N, MASSACHUSETTS<br />
Linkedin has over 119 million members worldwide<br />
GRAMMING<br />
UMENT<br />
FEMALE<br />
41.5% 58.5% MALE<br />
Majority being within the ages of 25-34 years old at 35.2%, as well as 35% being the ages of 35-54.<br />
Members range all over, with North America holding 45.7%, Europe at 22.4%, Asia at 13.9% and so on.<br />
The United States has 50.1 million members alone.<br />
The website is available for anyone to use and create a profile,<br />
and for on the go, an app on the phone to make it easier and more accessible.<br />
L I N K E D I N O F F I C E - S U N N Y V A L E C A M P U S<br />
BRIDGE 13
Stage 2<br />
For the second stage of the LinkedIn project, Auburn interior design<br />
students were then asked to draw their building blueprints in<br />
AutoCAD’s, provide circulation patterns, ADA compliancy, furniture<br />
arrangements, office desking system designs, and architectural<br />
elements. Once the AutoCAD drawings were complete, the students<br />
had to next build 3D models of their project in the computer design<br />
software, SketchUp. Students were graded off their overall<br />
craftsmanship, creativity, level of completion, FF&E choices, overall<br />
concept as well as the verbal presentation.<br />
1st level floorplan
cafe
LINKEDIN ENTry way
indoor atrium
2nd floor terrace
event planning office
4
Coral coast<br />
interiors<br />
Commercial Design | CADS 3100 | Fall 2017<br />
For the class CADS 3100, a large portion of the semester was dedicated to<br />
learning how to properly incorporate lighting into interior design. Students<br />
were assigned a project where they were given a base floorplan for an interior<br />
design store. They then had to choose any location in the world for<br />
their store, “create” a company for the space, design a logo, and pick out<br />
furniture / merchandise for the space. This project was the first time the<br />
students were exposed to using the design software SketchUp. The final<br />
presentation had to include SketchUp renderings of the store as well as a<br />
detailed lighting plan, furniture plan, and brand concept statements.<br />
Coral Coast Interiors was an interior design store that was created by Erin<br />
Woods. Erin chose to base the store in Destin, Florida and cater to the beach<br />
lifestyle that is prominent within the residential community. Coral Coast<br />
Interiors not only provided interior design services, but the store also had<br />
local art on display for sale, as well as merchandise such as candles, and<br />
unique home decor/gifts.
furniture floorplan
Coral Coast Interiors strives to<br />
provide their customers with<br />
luxury design at an affordable<br />
cost.Through taking inspiration from<br />
the natural beauty of the ocean,<br />
Coral Coast interiors creates a<br />
sophisticated yet serene experience<br />
for all clientele.<br />
total Sq FT: 2992.91 ft<br />
TOTAL LEASe per month: $4,998.16<br />
Total lease per year: $59,977.97<br />
“design engulfed by the sea”<br />
1<br />
Location: Destin, Fl<br />
Services: Residential Design
Lighting floorplan
front entry
Main Office
kitchen / Art gallery
Sellers lake<br />
house<br />
Residential Design | CADS 3200 | Fall 2017<br />
The class 3200 focused greatly on residential design. Students in the class<br />
were given a real-life client that already had basic floorplans created for<br />
his home in Lake Martin, Alabama. The client wanted input from design<br />
students on the layout of his home, as well as the design schemes that would<br />
be best for his home. Experience working one-on-one with a client was an<br />
extremely beneficial and educational opportunity. It showed the students<br />
how to not only professionally communicate with clients, but they also<br />
were able to learn all of the information that went into the client interviews.<br />
Besides working with the client, the students also got to meet with the<br />
lead architect. For the final project, the design students were required to<br />
verbally and visually present to a panel of professional designers as well<br />
as the home owner. The visual presentation had to include the furniture<br />
floorplans, lighting plans, FF&E choices, a programming document, 3D<br />
computer renderings of the space, as well as handouts for the professional board.
Problem statement<br />
“We have been approached by our client, Mr.<br />
Greg Sellers, to design the interior spaces of his<br />
new permanent residence in Jackson’s Gap, AL.<br />
The residence is located on Lake Martin, a popular<br />
getaway for central Alabama residents, and<br />
will primarily be used for entertainment purposes.<br />
The home itself will be a two-story leisure<br />
home that overlooks the lake with a total of 5,276<br />
square feet. Currently, the house exists solely on<br />
plan, but Mr. Sellers has requested a craftsman<br />
style architecture using imported stone from<br />
New Mexico and board and batten siding.”
2nd floor lounge
kitchen
2nd floor<br />
SCREENED PORCH<br />
SUNROOM<br />
NOTE: VAULTED CEILING<br />
COVERED PORCH<br />
GAZEBO<br />
NOTE: VAULTED CEILING<br />
15" BUILT-IN<br />
6" C.O<br />
6" C.O<br />
E.<br />
42" VENTLESS GAS<br />
FIREPLACE<br />
DOWN<br />
E.<br />
DEN<br />
NOTE: VAULTED CEILING<br />
BEDROOM<br />
E.<br />
MASTER<br />
BEDROOM<br />
E.<br />
E.<br />
E.<br />
CURBLESS<br />
E.<br />
BATH<br />
CLOSET<br />
SHOWER<br />
LIN.<br />
3" C.O<br />
LIN.<br />
LIN.<br />
ADA BATH<br />
OPEN TO BELOW AND ABOVE<br />
MASTER<br />
BATH<br />
NOTE: HANDRAIL AS REQUIRED<br />
6' C.O<br />
CLOSET<br />
CURBLESS<br />
SHOWER<br />
2'-8" C.O<br />
MASTER<br />
CLOSET<br />
LIN.<br />
20"<br />
BUILT<br />
IN<br />
SAFE<br />
NOTE:<br />
RAINHEAD<br />
ABOVE<br />
CURBLESS<br />
SHOWER<br />
E.<br />
NOTE:<br />
CUSTOM<br />
BENCH<br />
SEATING<br />
WITH DINING<br />
CUSTOM<br />
FOLDING<br />
DINING<br />
TABLE<br />
NOTE: VAULTED CEILING<br />
RANGE<br />
NOTE: EATING BAR<br />
MIC<br />
REF.<br />
LINEN<br />
BATH<br />
CLOSET<br />
TUB /<br />
SHOWER<br />
KITCHEN<br />
WINE<br />
REF.<br />
NOTE: COVERED WALKWAY<br />
B.C.<br />
NOTE: PULL OUT<br />
HAMPER IN LAUNDRY<br />
ACCESS SIDE OF<br />
CABINENT<br />
LAUNDRY<br />
BENCH<br />
MUD ROOM<br />
ENTRY<br />
DUMB.<br />
W<br />
OPENING<br />
DW<br />
BEDROOM<br />
DOWN<br />
DRY<br />
WASH<br />
PANTRY<br />
MAIN FLOOR PLAN<br />
SCALE: 1 4"=1'<br />
SYMBOL<br />
E.<br />
LEGEND<br />
DESCRIPTION<br />
HERRINGBONE TILE<br />
SQUARE TILE<br />
HARDWOOD<br />
CARPET<br />
COMPOSITE DECKING<br />
CONCRETE<br />
EXISTING FURNITURE<br />
TO REMAIN<br />
NOTE: 36" HGT. STACKED<br />
STONE WALL (TYP)<br />
3- CAR CARPORT<br />
STORAGE<br />
STORAGE
E<br />
E<br />
1st floor<br />
OUTDOOR<br />
DINING<br />
C. PATIO - OPTION 2<br />
SMOKER<br />
UP<br />
C. PATIO - OPTION 1<br />
C. PATIO<br />
SCREENED PATIO<br />
OUTDOOR<br />
KITCHEN<br />
STORAGE<br />
42" PREFAB<br />
FIREPLACE<br />
INSET<br />
GRILL<br />
REF.<br />
42" VENTLESS<br />
GAS FIREPLACE<br />
NOTE 8" POURED CONCRETE<br />
RETAINING WALL. CONTRACTOR TO<br />
VERIFY SIZE AND LOCATION AT TIME<br />
OF CONSTRUCTION<br />
BEDROOM<br />
E.<br />
GAME ROOM<br />
LINEN<br />
BATH<br />
NOTE: ATRUM ABOVE<br />
NOTE: COVERED WALKING ABOVE<br />
POOL TABLE STORAGE<br />
C. C.<br />
NOTE: EATING BAR<br />
TRASH<br />
DISP.<br />
MIC<br />
OFFICE<br />
GUN<br />
SAFE<br />
ICE<br />
M<br />
WET BAR<br />
STORAGE<br />
E<br />
DUMB<br />
WAITER<br />
REF. FREZ.<br />
NOTE: MARBLE AND UNDER THE COUNTER LIGHTING<br />
BENCH/HOOKS<br />
DRESSING<br />
MECH.<br />
PANTRY<br />
UP<br />
UPSTAIRS<br />
H. BATH<br />
LOWER FLOOR PLAN<br />
SCALE: 1 4"=1'<br />
SYMBOL<br />
E.<br />
LEGEND<br />
DESCRIPTION<br />
BRICK PAVER<br />
SQUARE TILE<br />
CONCRETE<br />
CARPET<br />
EXISTING FURNITURE<br />
TO REMAIN
hand<br />
rendering<br />
Residential Design | CADS 2100 | Fall 2016<br />
For the Cads 2100 course, we were taught how to not only hand draft<br />
floorplans, but also how to properly hand render images for future clients.<br />
The students practiced numerous techniques and learned how to<br />
effectively take the ideas in their heads and put it on paper in the form of a<br />
drawing. As a beginning level course, the students were not equipped to use<br />
design computer programming, so for their assessments they had to hand<br />
draw all of their assignments. While hand drawing is not an effective means<br />
of illustration of ideas due to the length of time it required when compared<br />
to the use of a computer program, it is a beneficial tool all designers at<br />
Auburn were required to master,<br />
The following images are three renderings Erin Woods choose to draw<br />
portraying different renderings of residential design.
thank you!<br />
I would like to thank you for taking the time to look<br />
through all my hard work, and I truly hope that you were<br />
able to see a small portion of who I am as both an<br />
individual, and a designer. If you have any questions, please<br />
feel free to contact me!<br />
Erin Taylor Woods<br />
(603)769-1135<br />
I would also like to thank the facility at Auburn University’s<br />
Interior Design program for molding me into the person<br />
I am today as well as the people in my life that mean the<br />
most, my family. I dedicate al l my hard work to the people<br />
who love unconditionally.
etw