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Vanguard Newspaper 16 March 2019

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20—SATURDAY Vanguard, MARCH 16, 2019<br />

ROTIMI AGBANA<br />

07054964685<br />

rotimiagbana@gmail.com<br />

Why I hardly go <strong>to</strong> church—Falz<br />

Top Nigerian rapper, Folarin Falana, a.k.a Falz the bahd guy, who is currently <strong>to</strong>pping music charts<br />

with his recently released controversial song, ‘Talk’, hasn’t been <strong>to</strong> church in a while.<br />

Speaking with Showtime, the ‘This is Nigeria’ rapper who claimed <strong>to</strong> have nothing against the<br />

religious institution explained why he hardly goes <strong>to</strong> church.<br />

“I have nothing against Church. Everyone has a freedom <strong>to</strong> practice whatever religion they want<br />

<strong>to</strong>. But personally, it’s been a while I have been <strong>to</strong> church, that doesn’t make me less of a Christian.<br />

Yes I am a Christian and it’s not about going <strong>to</strong> church; it’s all about spirituality. Your personal<br />

relationship with whatever God you serve is personal.”<br />

He added; “I went <strong>to</strong> a few churches that during the sermons I was put under undue<br />

pressure. There was a time a Pas<strong>to</strong>r called me up on the altar <strong>to</strong> recognize me and I<br />

was like, this service is not about me, everyone is here <strong>to</strong> worship God and not me.<br />

And then he gave me the microphone <strong>to</strong> talk <strong>to</strong> the congregation. What do I have<br />

<strong>to</strong> say <strong>to</strong> them? I wish I could worship in the church normally and that Sunday in<br />

the church won’t be like any other day in the society. That sort of put me off so<br />

for a while, I haven’t been <strong>to</strong> church in a while. I went <strong>to</strong> church last maybe<br />

last year.”<br />

•Falz<br />

•Mr. Eazi<br />

<strong>How</strong> I ventured in<strong>to</strong> illegal gold<br />

mining business — Mr. Eazi<br />

Anyone not familiar with the success s<strong>to</strong>ry of afro-beat music singer, Oluwa<strong>to</strong>sin Oluwole Ajibade, popularly<br />

known as Mr. Eazi would think he had it all rosy while growing up. But in a chat with Showtime, the ‘Leg Over’<br />

crooner revealed how he had <strong>to</strong> grapple with the hard knocks of life <strong>to</strong> gain stardom.<br />

According <strong>to</strong> the singer whose primary focus in 2019 is <strong>to</strong> empower up and coming artistes in Africa, while struggling<br />

<strong>to</strong> make a living for himself immediately after his university education, he ventured in<strong>to</strong> illegal gold mining business.<br />

“There was pressure on me at some point because when I finished University I was not up <strong>to</strong> 19-years old yet. So<br />

imagine you have been able <strong>to</strong> raise your child <strong>to</strong> have good education and on graduation, he says he wants <strong>to</strong> start<br />

exporting La Casera <strong>to</strong> Ghana; it’s kind of outrageous. I moved back <strong>to</strong> Ghana after NYSC <strong>to</strong> start the business but it<br />

failed. My family decided <strong>to</strong> allow me experiment, believing that I would come back <strong>to</strong> my senses after sometime.”<br />

He continued; “Again, I started exporting Gala <strong>to</strong> Ghana but the business also failed. After which I began the<br />

Shawarma business but it also failed again. It was then my dad advised that I go for my master’s degree instead of<br />

wasting my time. But because I wanted <strong>to</strong> do business in Ghana, I moved back <strong>to</strong> Ghana and was doing distant<br />

learning. I didn’t focus; imagine a 20-year old doing distant learning, all my mates were like my dad’s age.”<br />

“While doing my Masters, I started doing illegal gold mining but I was able <strong>to</strong> complete school. My family had<br />

given me about 4-years <strong>to</strong> do whatever I wanted and now it was time for me <strong>to</strong> get a job. Everyone except my dad<br />

persuaded me <strong>to</strong> get a job. My dad had given me till April of 2016 because he believed in me. As God would have it,<br />

by March 2016, I was on a music <strong>to</strong>ur in London and by 2015, my phone company had kicked off and I was employing<br />

almost 20 people”, he concluded.<br />

Entertainment<br />

now source<br />

of <strong>to</strong>urist<br />

attraction in<br />

Nigeria<br />

—Adekunle Gold<br />

Over the years, the<br />

Nigerian entertainment<br />

industry has grown appreciably<br />

and in recent times with the likes<br />

of Wizkid, Davido, Tiwa Savage,<br />

Yemi Alade, Simi and many<br />

other entertainers penetrating<br />

the global entertainment scene,<br />

entertainment in Nigeria has<br />

begun <strong>to</strong> attract international recognition.<br />

Speaking with Showtime, afro-urban music<br />

singer, Adekunle Gold, agreed with the<br />

assertion that entertainment is now a new<br />

source of <strong>to</strong>urist attraction in Nigeria.<br />

“Yes I agree entertainment is now a source of<br />

<strong>to</strong>urist attraction in Nigeria. Right now people<br />

have been coming <strong>to</strong> watch the Fela shows. We<br />

have ‘Fela the Broadway show’, I have been <strong>to</strong><br />

one and I saw a lot of foreigners in the hall who<br />

came <strong>to</strong> see the show. Also, people come <strong>to</strong><br />

watch ‘Fela and the Kalakuta Queens’ <strong>to</strong>o.<br />

People come from Ghana and many other<br />

countries, so I agree that entertainment is now<br />

another form of <strong>to</strong>urism that we should invest<br />

in<br />

Ḣe added that both artistes and the<br />

government have the capacity <strong>to</strong> influence<br />

<strong>to</strong>urist attraction.<br />

“I think it’s on both the artistes and the<br />

government <strong>to</strong> influence <strong>to</strong>urist attraction <strong>to</strong><br />

our entertainment in Nigeria. People travel<br />

<strong>to</strong> other countries all the time <strong>to</strong> watch their<br />

favourite artistes. I travel <strong>to</strong>o. Last year I<br />

traveled all the way <strong>to</strong> Coachella <strong>to</strong> watch<br />

Beyonce; I also travelled last year <strong>to</strong> watch<br />

‘The Script’, my best man in the world, I travel<br />

<strong>to</strong> go and watch artistes that I love in this<br />

world. If I can do that and other people are<br />

doing it, then I think it’s about time we invest<br />

so much energy, money, time and any other<br />

thing that can make it an amazing one.”<br />

•Adekunle Gold<br />

•Wisdom<br />

Eradicating payola a<br />

possibility — Layydoe<br />

F<br />

ast rising reggae-dancehall singer, Juliet Chinenye Oguledo aka<br />

Layydoe, may be a greenhorn in the music craft but she believes if the<br />

opportunity presents itself she can champion a revolution as <strong>to</strong> how music<br />

promotion is executed in Nigeria.<br />

In a chat with Showtime, the singer who just dropped her first single in<br />

2019, titled ‘Manyia’, explained what she would change in the Nigerian music<br />

industry if given the ample opportunity.<br />

“I will change the pattern of how up and coming artiste are treated<br />

performance and promotion wise. Majority of up and coming artistes pay for<br />

everything, mostly promotion wise.”<br />

She disagreed with the notion that if up and coming artistes pay for<br />

promoting their musical projects; they would know its worth.<br />

“No I don’t think if they pay for promoting their songs they would know<br />

the worth. It doesn’t change anything. I believe if a song is good it should be<br />

aired after going through the procedures of whether it should be played or<br />

not. Then artistes will sit up and produce nothing but good songs”, she noted.<br />

<strong>How</strong>ever, she noted that eradicating payola in Nigerian is a possibility.<br />

“Nothing is impossible. We just have <strong>to</strong> start first; although it will take<br />

time but it will work, nothing good comes easy.”<br />

Speaking on how she made her first hit song titled Blackberry, Featuring<br />

Duncan Mighty, even as a newbie at the time, she said;<br />

“We actually met at his place in 2009 for a discussion about the yearly Port<br />

Harcourt carnival. He was playing a sound that I connected <strong>to</strong> soul wise. He<br />

heard me singing and asked me <strong>to</strong> start recording just like that. That was<br />

how the song came about.”<br />

•Layydoe<br />

Gospel music in Nigeria is<br />

stereotyped —Wisdom<br />

Edo State born singer, Wisdom Toyin Igbafen, is a gospel music singer who doesn’t<br />

take it lightly whenever she is addressed as a gospel music singer.<br />

Speaking about gospel music in Nigeria during a chat with Showtime, the pretty<br />

singer who began making music right from her childhood days described gospel<br />

music in Nigeria as stereotypical.<br />

“I like <strong>to</strong> call myself an Inspirational artiste. But you can also call it gospel. I<br />

went through some things while growing up and those things made an<br />

impression on me even till now I’m very aware of things that happen <strong>to</strong> me<br />

and around me. And music is my way of encouraging people and myself<br />

<strong>to</strong>o. I think gospel music in Nigeria is quite stereotype. We mistake worship<br />

songs for the entirety of gospel music. A gospel artiste should be able <strong>to</strong><br />

sing about anything but in the line of motivating and encouraging people”,<br />

she said.<br />

She added; “I feel so because we haven’t really explored and expressed<br />

versatility in that genre. I think it’s a mind-set thing which has been passed<br />

down from previous generations. Although I think that’s changing now<br />

because people are becoming more contemporary in their thinking. They<br />

thought if you are a gospel singer and you don’t mention Jesus, God, you aren’t really a<br />

gospel music singer. If you sing about love, politics, and other day <strong>to</strong> day activities you<br />

are considered secular or a Christian that has backslidden. I think gospel music being<br />

stereotyped in Nigeria came from the extreme religiosity of some the older generations.”

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