Pioneer: 2011 Vol.58 No.3

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George Martin Ottinger was born in Springfield Township, Montgomery County, Pennsylvania, on February 8, 1833 . . . [to] William and Elizabeth Martin Ottinger, who were Quakers. . . . Ottinger converted to Mormonism in Pennsylvania in June 1858 at the behest of his mother, a church member. . . . By the summer of 1861, Ottinger had moved his mother to Salt Lake City, Utah Territory. His original intention was to settle her there, then move on to California. However, when he found there was plenty of work for him in Salt Lake City, he decided to remain there. Ottinger soon entered into partnership with Charles Roscoe Savage, a local photographer. There is some evidence that Savage had been acquainted with Ottinger’s mother back east and that perhaps Savage and Ottinger had actually known each other before Ottinger came to Salt Lake City. As Ottinger later related, “I commenced coloring photographs, very poor ones at that, taken by C. R. Savage.” He received two and a half gallons of molasses as payment for his first coloring assignment. . . . During his first year in Salt Lake City, Ottinger married Mary Jan McAllister Cullin. They had a son, William before the untimely death of Mary Jane. Ottinger remarried on December 3, 1864, to Miss Phoebe Nelsen. As the . . . partnership developed, Ottinger became identified as the expert retoucher and studio worker, while Savage grew increasingly interested in field photography. . . . [Ottinger] had begun to display a flair for large-scale painting by 1862, when he painted the stage scenery for the Salt Lake Theater. Later, Ottinger developed a talent as an actor, and he took on several lead roles in Shakespearean dramas. On July 25, 1863, the directors of the newly founded Deseret Academy of Arts prepared a prospectus in which George M. Ottinger was listed as president and drawing instructor and Charles R. Savage a member of the board of directors. The curriculum was to include all the disciplines of the fine arts, as well as photography. Students interested in enrolling in the academy were directed to do so at the Savage and Ottinger gallery. On December 18, 1863, the partners advertised the opening of their “New Gallery” between the post office and Council House in Salt Lake City. In addition to “first class Portraiture in any style,” they offered “views of City, Mountain and Lake Scenery, for sale.” The following year Ottinger moved his family into a house at 384 Third Street, where he would reside for most of the remainder of his life. . . . Ottinger and Savage dissolved their partnership around 1872 but remained close friends for the rest of their lives. . . . Ottinger . . . was assistant engineer of the Salt Lake City Volunteer Fire Department from 1872 until being elected fire chief in 1876 . . .[and] superintendent of the city’s waterworks beginning in 1870. . . . He and Charles Savage traveled together to England on a church mission in 1879, and he painted murals for Mormon temples in St. George in 1877, Logan in 1884, and Manti in 1888. In 1881, Ottinger was a cofounder of the Salt Lake Art Association . . . , [was a] “special instructor” in art at the University of Deseret on August 21, 1882, and was instrumental in training many of early Utah’s best artists. By 1885 he was a full professor. . . . Ottinger was appointed adjutant general of Utah in March 1894. . . . [and] he organized the Utah National Guard. . . . Ottinger died October 29, 1917, . . . [and is] buried in the City Cemetery, Salt Lake City. Excerpts from Peter E. Palmquist, Thomas R. Kailbourn, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840– 1865 (Stanford, CA.: Stanford Univ. Press, 2000), 426–27. Pioneer 2011 volume 58 number ■ ■ 3 18 www ■ sonsofutahpioneers ■ org
constructed between 1852 and 1856 as a public works project. . . . [The city wall, commenced in the summer of 1853, on which work continued desultorily for several years, was nominally for protection against the Indians, but basically a work project for needy immigrants.] . . . Walls were also constructed Earlier building facade of Savage & Ottinger Photo Gallery around some private residences, principally those of Brigham Young and Heber C. Kimball. The Brigham Young property fronting on South Temple Street was long shielded from the public view by such a wall, and a small remnant along State Street east of the Beehive House still stands. The Beehive Mansion, like Brigham Young’s adjacent office, was built in 1852. The gabled Lion House, farther west, was erected in 1855–56. But one who would see them today as in Brigham Young’s time must envision the buildings cloistered behind their walls, with a gatekeeper to pass visitors and family members in and out. To the east, Council House Old Constitution Building Future site of ZCMI Globe Bakery & Saloon Daniel H. Wells Temple Block Pioneer 2011 volume 58 number ■ ■ ■ 3 19 www sonsofutahpioneers ■ org
Page 1 and 2: 2011 ■ volume 58 ■ number 3 Sal
Page 3 and 4: President’s Message by L. LaMar A
Page 5 and 6: of the images on the end of dowels.
Page 7 and 8: Pioneer 2011 volume 58 number ■
Page 9 and 10: from Church History Museum City pla
Page 11 and 12: the North Bench was a popular resid
Page 13 and 14: We propose to have the temple lot c
Page 15 and 16: instructive] scene—the soft mild
Page 17 and 18: the course of time East Temple was
Page 19: Eagle Gate, which is at State Stree
Page 23 and 24: The color of the buildings is a sor
Page 25 and 26: As a forty-four-year-old confirmed
Page 27 and 28: Orson Hyde is numbered among the gr
Page 29 and 30: Commerce Building, New York Store,
Page 31 and 32: Godbe Exchange Building William S.
Page 33 and 34: Historian Dale L. Morgan was born i
Page 35 and 36: Revere House Hotel John Young Enge
Page 37 and 38: Tithing yard Historian’s office
Page 39 and 40: City Creek Church Blacksmith Shop,
Page 41 and 42: One of the most contentious issues
Page 43 and 44: Adhering to the directive of Govern

Pioneer: 2011 Vol.58 No.3

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