Viva Lewes Issue #151 April 2019
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OUR SPACE<br />
general scuzziness and oh, excuse the nail-bar,<br />
that was for a children’s party a while ago. The<br />
shed is definitely not a pretty space, it’s just<br />
somewhere I can come and get on with things.<br />
I can get some practice done up here in the<br />
evenings without distraction.” What about the<br />
cup of tea question? “Being up here means I’m<br />
concentrating so I have to think twice. Shall I<br />
have a cup of tea? No. Because I’d have to go<br />
back through the garden and inside the house.<br />
So it makes me keep going.”<br />
The appeal of putting some fresh air between<br />
oneself and one’s nearest and dearest – not to<br />
mention a few feet of lawn, shrubs, or raised<br />
beds – cannot be overestimated.<br />
“Every woman should have a shed,” says herbalist<br />
and storyteller Kym Murden, channelling<br />
Virginia Woolf, whose room-of-one’s-own is the<br />
most famous example locally. (Look, she called<br />
it a ‘writing lodge’ but we all know. It’s a shed. )<br />
Kym’s little cabin is actually rather posh – she’s<br />
got heating. Dark glass bottles line the shelves,<br />
in the corner there’s a herb press, and there’s<br />
a neat desk and a couple of chairs. It’s a warm,<br />
convivial space, with spring sunlight pouring<br />
in over the Downs above. And like other little<br />
wooden boxes, it turns out to be something of a<br />
confessional as well. “People tell me all sorts of<br />
things about their lives in here,” she explains. “A<br />
shed is an elemental space. It’s made of wood and<br />
you walk through the garden to get to it, so it<br />
makes people relax.”<br />
Philip Larkin once wrote that he saw life as<br />
‘an affair of solitude diversified by company.’<br />
Should’ve had a shed. Eleanor Knight<br />
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