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Write Away Magazine - April

The lyric writers magazine

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etv{xÄ ` fàtÜÜ<br />

I’m an Aussie Lyricist and fur-baby mother with a love<br />

for fitness, fashion, food and fun! I spend most of my<br />

down time on the Sunshine Coast, lazing in the sand<br />

with my hubby and puppy dog and can usually be found<br />

with headphones in and music blaring. I listen to everything<br />

from folk to house, depending on my mood, but<br />

must admit my true weakness is 80s synth-pop and,<br />

boy, do I love a good 80s ballad!<br />

I started on my path as a music lyricist about three<br />

years ago after losing my Mum far too young and far too<br />

soon. She had been sick for a number of years and<br />

although I thought I’d be equipped to manage my emotions,<br />

nothing could have prepared me for her passing.<br />

I quickly realised I needed a constructive release to<br />

help me work through my pain and turned to poetry,<br />

which strangely and quite unintentionally<br />

morphed into lyric writing<br />

when I started hearing<br />

melodies in my head and<br />

my words started changing<br />

shape and feel as it hit<br />

the paper.<br />

In late 2016, I decided<br />

to post one of my<br />

pieces in a songwriters'<br />

forum to see what<br />

people thought of it<br />

and, to my absolute<br />

amazement, the<br />

response was<br />

overwhelmingly<br />

positive.<br />

I was<br />

subsequently<br />

invited to<br />

work on a<br />

few projects<br />

and<br />

used<br />

these<br />

opportunities<br />

to<br />

really<br />

hone-in on<br />

my style and<br />

approach.<br />

I’ve been told<br />

along the way I<br />

have a unique<br />

approach to writing.<br />

I like to<br />

think of the lead<br />

vocalist on<br />

each track I<br />

write for as the<br />

main protagonist<br />

in a short<br />

story that I’m authoring and I build their story, chapterby-chapter<br />

(verse-by-verse) around the core plot or<br />

theme/s. This approach not only allows for true creative<br />

freedom but it empowers me to draw upon my own feelings<br />

and experiences, whilst projecting them onto the<br />

protagonist, which helps me to avoid becoming overwhelmed<br />

with emotion on the more intimate pieces.<br />

In early 2018, I was fortunate to partner with an experienced<br />

London-based producer and music engineer,<br />

Mairk, and together we now host an intimate online<br />

community of artists, with the aim of bringing together<br />

singers, songwriters, lyricists, producers and engineers<br />

from around the world to collaborate, create and support<br />

one another. Through "dnldr for artists" I've had<br />

the pleasure of working with some truly incredible talents<br />

and I'm super excited about our 2019 offerings.<br />

I really enjoy writing for pop, synth-pop and dance<br />

tracks but have penned lyrics for everything from heavy<br />

metal to disco, both through collaborations and on a<br />

professional level through SoundBetter https://soundbetter.com/profiles/122808-rachel-m-starr.<br />

I don’t have<br />

a preference in terms of writing for pre-produced<br />

music or taking a “green field” approach without any<br />

external influences. Over the past few months however,<br />

I have occasionally enjoyed taking more of a lead role<br />

by formulating melodies to accompany my lyrics. As I<br />

can’t sing for the life of me, this takes the form of poorly<br />

recorded vocal demos, which I then send to Mairk for<br />

interpretation and production. I don’t know how he<br />

does it but he can literally take my demo’s and turn<br />

them into commercially-appealing songs! It honestly<br />

seems so incredible to me.<br />

If you’re interested in checking out my work I have provided<br />

some links below for you to explore.<br />

https://open.spotify.com/track/03X5PJIYQpu7AErHISJn<br />

8A?si=dFgXpPdjTUuWcwSAg70vpQ<br />

https://mairk.bandcamp.com/track/4th-of-july-ft-kirine<br />

https://soundcloud.com/zavien/sit-with-me<br />

The piece I’m probably the proudest of so far is When<br />

the Night is Done which was produced by Mairk and<br />

includes vocals from Canadian artist, Stacey James.<br />

When the Night is Done was shortlisted by the<br />

Australian Songwriters Association in their top 30 lyrics<br />

for 2018, amongst a pool of many, and later picked up<br />

by a European label, Projektor Reccords, to be translated<br />

into French and re-released as La Fin de la Nuit with<br />

Romanian artist, Kirine.<br />

https://open.spotify.com/track/21HFxRQ5eUkN1oUhryR<br />

zoq?si=BzDZqJovSMqjR9EiZDxriw<br />

https://open.spotify.com/track/4oXGdOtyTlp7O3AAgN5e<br />

Zd?si=QpAILDdZQ_G3kWoenli1ig<br />

I hope you enjoy my work and have also enjoyed my<br />

story.<br />

Rachel M Starr<br />

Freelance Lyricist<br />

https://soundbetter.com/profiles/122808-rachel-m-starr<br />

www.writeawaymagazine.co.uk<br />

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