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Write Away Magazine - April

The lyric writers magazine

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Rachel in Brisbane,<br />

Australia, asks: I've<br />

noticed a lot of writers<br />

coming through with poor<br />

spelling and grammar. Not so<br />

bad if they're just learning<br />

English, but many seem to just<br />

throw things together. How polished<br />

should one’s work be?<br />

Rachel -- As with so many questions,<br />

the answer is, “it<br />

depends.” If I’m just playing<br />

with ideas, they’re usually more<br />

or less like sketches that a<br />

painter might make, and as<br />

such I’m not too worried about<br />

spelling and grammar. Those<br />

can be fixed later. But if I’m presenting<br />

the song, it makes<br />

sense for things to be spelled<br />

correctly (unless the misspellings<br />

would be in character<br />

for the protagonist). Of course,<br />

a song is meant to be heard,<br />

not read, so it’s sometimes hard<br />

to say whether spelling mistakes<br />

would be in character or<br />

not, but I do try to use spellings<br />

that reflect the way that the protagonist<br />

would say or sing the<br />

line.<br />

A finished song should make<br />

sense in the voice of the singer<br />

or main character. With that in<br />

mind, my songs often include<br />

“ain’t” or “gonna” or double<br />

negatives (“I don’t need no<br />

part-time love”). I sometimes<br />

speak that way, but only in certain<br />

situations. And when I do<br />

use those words in a song, they<br />

fit the character or narrator.<br />

You want your song to feel real<br />

within the context of the lives<br />

and situations it describes,<br />

even if that’s not the way you<br />

would normally talk. And to get<br />

to that point, the real work is<br />

often in the rewriting. I typically<br />

rework lines in my songs for<br />

weeks or months (sometimes<br />

years) before I feel they really<br />

reflect the voice of the character<br />

or the nuance of the situation<br />

while also having the formal<br />

structure (rhythm, rhymes,<br />

alliteration, etc.) needed for a<br />

song.<br />

Happy SongwRxiting!<br />

The Lyrics Doctor<br />

The Lyrics Doctor is the songwriter,<br />

singer, and guitarist for<br />

the bands The Gincident<br />

(www.thegincident.com) and<br />

Her Dog Henry (www.herdoghenry.com)<br />

If you have a question you’d like<br />

to ask our lyrics doctor, please<br />

email it to me.<br />

jane@writeawaymagazine.co.uk<br />

04 www.writeawaymagazine.co.uk

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