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–continued from page 11<br />
The Living Room<br />
Louise O’Malley’s design for the living room uses dark<br />
greens and reds to bring out the colors of the delicate Japanese<br />
maple leaves visible from the window beside the piano.<br />
For the walls, the Burbank-based designer used a slightly<br />
lighter version of Dunn-Edwards Paints’ <strong>2019</strong> Color of the<br />
Year: “Spice of Life,” a dark brownish, fire-brick red with<br />
orange undertones.<br />
Chinese designs on the curtains give a nod to the<br />
gardens’ East Asian influences, as does O’Malley’s custom<br />
pagoda pet house, a charming tented pouf beneath a<br />
tiny chandelier — for your spoiled cat, small dog or rabbit.<br />
There’s also a large chandelier for humans with a clear<br />
sphere that magically captures an upside-down image of the<br />
room.<br />
O’Malley juxtaposes a pair of brilliant white porcelain<br />
phoenixes against a wooden screen to brighten a dark corner<br />
and draw attention to a nearby set of six antique wooden<br />
chairs reupholstered in leopard-patterned fabric, with handcarved<br />
leopard “feet.”<br />
The bird motif repeats on the back stairway designed by<br />
Studio Akiko of Arcadia, where hand-painted cranes fly<br />
up the walls. Framed Chinoiserie wallpaper on the upstairs<br />
landing, designed by Studio City–based Leila Bick, features<br />
well-known feral fowls of Pasadena. And on the outdoor<br />
“poet’s porch,” decorative artist Shari Tipich of San Pedro<br />
will present real caged birds as nature’s muses.<br />
–continued on page 15<br />
05.19 | ARROYO | 13