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Arroyo May 2019

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–continued from page 11<br />

The Living Room<br />

Louise O’Malley’s design for the living room uses dark<br />

greens and reds to bring out the colors of the delicate Japanese<br />

maple leaves visible from the window beside the piano.<br />

For the walls, the Burbank-based designer used a slightly<br />

lighter version of Dunn-Edwards Paints’ <strong>2019</strong> Color of the<br />

Year: “Spice of Life,” a dark brownish, fire-brick red with<br />

orange undertones.<br />

Chinese designs on the curtains give a nod to the<br />

gardens’ East Asian influences, as does O’Malley’s custom<br />

pagoda pet house, a charming tented pouf beneath a<br />

tiny chandelier — for your spoiled cat, small dog or rabbit.<br />

There’s also a large chandelier for humans with a clear<br />

sphere that magically captures an upside-down image of the<br />

room.<br />

O’Malley juxtaposes a pair of brilliant white porcelain<br />

phoenixes against a wooden screen to brighten a dark corner<br />

and draw attention to a nearby set of six antique wooden<br />

chairs reupholstered in leopard-patterned fabric, with handcarved<br />

leopard “feet.”<br />

The bird motif repeats on the back stairway designed by<br />

Studio Akiko of Arcadia, where hand-painted cranes fly<br />

up the walls. Framed Chinoiserie wallpaper on the upstairs<br />

landing, designed by Studio City–based Leila Bick, features<br />

well-known feral fowls of Pasadena. And on the outdoor<br />

“poet’s porch,” decorative artist Shari Tipich of San Pedro<br />

will present real caged birds as nature’s muses.<br />

–continued on page 15<br />

05.19 | ARROYO | 13

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