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Spotlight May-June 2019

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Friends We'll Miss<br />

Shirley Harbin<br />

Three One-Act Plays<br />

About the Elderly<br />

by Elyse Nass<br />

Second Chance • Admit One<br />

The Cat Connection<br />

Performed in many community theatres<br />

and senior venues.<br />

Samuel French, Inc. www.samuelfrench.com<br />

It is with great sadness AACT announces the passing of one of<br />

community theatre’s great ladies, Mrs. Shirley Harbin, on January 17,<br />

<strong>2019</strong>. She was born December 26, 1931, in Santa Cruz, California.<br />

Community theatre, especially children’s theatre, was a significant<br />

part of Shirley’s life. She was employed by the Detroit Recreation<br />

Department for more than 40 years, first as drama director and then<br />

as arts administrator. Graduating from Muskegon High School in<br />

1950, she went on to receive a B.A. and M.A. in Theatre and English<br />

from the University of Michigan. In 1977 she received her Ph.D. in<br />

Theatre and Recreation from Wayne State University. She served as<br />

president of the American Community Theatre Association (predecessor<br />

to AACT) and the Michigan Theatre Association. As president<br />

of the North American Regional Alliance of the International<br />

Amateur Theatre Association, she was a strong advocate for the<br />

community theatre movement worldwide. As Detroit Recreation<br />

Department Arts Director she coordinated more than ten regional<br />

festivals and five World Theatre OLYMPIADS, which involved<br />

more than thirty countries of the world. She directed countless community<br />

theatre productions, created puppetry programs, arts camps,<br />

head-start arts programs, and festivals. And she worked with such<br />

theatre greats as James Earl Jones, Michael Moriarity, Julie Harris,<br />

and George Peppard. In 2000, she published Millennium Theatres:<br />

Discovering Community Theatre’s Future By Exploring Its Past, a history<br />

of US community theatres fifty years old and older. She was honored<br />

with the Monaco Medal<br />

of Honor for her work with<br />

the International Amateur<br />

Theatre Association of which<br />

she was a part of for more than<br />

two decades. She is listed in<br />

the Who’s Who of American<br />

Women, World Who’s Who<br />

of Women, and Who’s Who<br />

in the Midwest. AACT honored<br />

her as an AACT Fellow<br />

in 1983, she received the David<br />

C. Bryant Outstanding Service<br />

Award in 1991, and in 2003<br />

she was honored with the Art<br />

Cole Lifetime of Leadership<br />

Award.<br />

Shirley once said, “To me, community theatre is democracy in<br />

action. It is a way for people to express their opinions, as well as<br />

the mood of the country. It provides distraction from world events.<br />

It can give people something to laugh about when there seems to<br />

be nothing to laugh about and a chance to cry when mourning is<br />

needed. This has been true for me as well in the United States and<br />

the World." <br />

Avenue of Dream<br />

A One-Act Play by Elyse Nass<br />

“...strong and haunting”<br />

The Hollywood Reporter<br />

“...gives every detail an importance<br />

and echo of its own.”<br />

Los Angeles Times<br />

Dramatists Play Service www.dramatists.com<br />

<strong>May</strong>/<strong>June</strong> <strong>2019</strong><br />

AACT <strong>Spotlight</strong><br />

37

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