Spotlight May-June 2019
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Friends We'll Miss<br />
Shirley Harbin<br />
Three One-Act Plays<br />
About the Elderly<br />
by Elyse Nass<br />
Second Chance • Admit One<br />
The Cat Connection<br />
Performed in many community theatres<br />
and senior venues.<br />
Samuel French, Inc. www.samuelfrench.com<br />
It is with great sadness AACT announces the passing of one of<br />
community theatre’s great ladies, Mrs. Shirley Harbin, on January 17,<br />
<strong>2019</strong>. She was born December 26, 1931, in Santa Cruz, California.<br />
Community theatre, especially children’s theatre, was a significant<br />
part of Shirley’s life. She was employed by the Detroit Recreation<br />
Department for more than 40 years, first as drama director and then<br />
as arts administrator. Graduating from Muskegon High School in<br />
1950, she went on to receive a B.A. and M.A. in Theatre and English<br />
from the University of Michigan. In 1977 she received her Ph.D. in<br />
Theatre and Recreation from Wayne State University. She served as<br />
president of the American Community Theatre Association (predecessor<br />
to AACT) and the Michigan Theatre Association. As president<br />
of the North American Regional Alliance of the International<br />
Amateur Theatre Association, she was a strong advocate for the<br />
community theatre movement worldwide. As Detroit Recreation<br />
Department Arts Director she coordinated more than ten regional<br />
festivals and five World Theatre OLYMPIADS, which involved<br />
more than thirty countries of the world. She directed countless community<br />
theatre productions, created puppetry programs, arts camps,<br />
head-start arts programs, and festivals. And she worked with such<br />
theatre greats as James Earl Jones, Michael Moriarity, Julie Harris,<br />
and George Peppard. In 2000, she published Millennium Theatres:<br />
Discovering Community Theatre’s Future By Exploring Its Past, a history<br />
of US community theatres fifty years old and older. She was honored<br />
with the Monaco Medal<br />
of Honor for her work with<br />
the International Amateur<br />
Theatre Association of which<br />
she was a part of for more than<br />
two decades. She is listed in<br />
the Who’s Who of American<br />
Women, World Who’s Who<br />
of Women, and Who’s Who<br />
in the Midwest. AACT honored<br />
her as an AACT Fellow<br />
in 1983, she received the David<br />
C. Bryant Outstanding Service<br />
Award in 1991, and in 2003<br />
she was honored with the Art<br />
Cole Lifetime of Leadership<br />
Award.<br />
Shirley once said, “To me, community theatre is democracy in<br />
action. It is a way for people to express their opinions, as well as<br />
the mood of the country. It provides distraction from world events.<br />
It can give people something to laugh about when there seems to<br />
be nothing to laugh about and a chance to cry when mourning is<br />
needed. This has been true for me as well in the United States and<br />
the World." <br />
Avenue of Dream<br />
A One-Act Play by Elyse Nass<br />
“...strong and haunting”<br />
The Hollywood Reporter<br />
“...gives every detail an importance<br />
and echo of its own.”<br />
Los Angeles Times<br />
Dramatists Play Service www.dramatists.com<br />
<strong>May</strong>/<strong>June</strong> <strong>2019</strong><br />
AACT <strong>Spotlight</strong><br />
37