22.05.2019 Views

L I F E

A lifestyle e-magazine giving you the view and experience of two beautiful cultures of; Malaysia and Wales.

A lifestyle e-magazine giving you the view and experience of two beautiful cultures of; Malaysia and Wales.

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lʌɪf/<br />

issue 1 The Diversity


Editor’s Note<br />

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I hate to brag but I made it! I can’t believe I manage to<br />

accomplish my goal and published my own lifestyle<br />

e-magazine. I believe that goals should be something we<br />

practice day in and out throughout the year, and not only<br />

something we consider at the beginning of the year.<br />

Putting too much pressure on yourself is self harm!<br />

Since I achieved another goals of mine this year, I hope<br />

you’re experiencing the same no matter how wild it can be!<br />

Oh and since I’m here I’d like to remind you to call family more<br />

often, take the dog for longer walks and save the nature!<br />

In this issue it is set up to give the exposure on<br />

Malaysian and Welsh culture for the beloved readers. It<br />

is also to build interest and appreciation towards the<br />

aesthetic values and aunthenticity of art here, in Wales.<br />

Take the tour to the places through the visuals and<br />

enjoy the view! So, with that, read on, flip through and I hope<br />

once you flip to the last page, you’ll get the review and<br />

experienced on how amazing the diversity of two cultures<br />

can be.<br />

Don’t forget to scan every QRCode you see! It will set<br />

the mood for each new section, to get you started,<br />

scan this :<br />

Cheers, to life!<br />

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_mashahira


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001<br />

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021<br />

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023<br />

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033<br />

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035<br />

c r e d i t s<br />

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ɑːt /<br />

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001<br />

ART<br />

SENI<br />

CELF


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SwanseaMuseum<br />

Victoria Rd, Swansea SA1 1SN<br />

Tuesday - Sunday<br />

10 am - 4.30pm<br />

Closed Mondays<br />

except Bank Holidays<br />

Admission Free<br />

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003<br />

SWANSEA MUSEUM


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A Welsh Family Idyll<br />

Vincent Evans (1895 - 1976)<br />

about 1935<br />

The expansion of Welsh industry in the nineteenth century led to the<br />

growth of towns throughout the coalfields. Large numbers of people moved from<br />

rural areas and further afield for work. Mines were sunk, works and railways were<br />

constructed, and hundreds of thousands of houses were built.<br />

Rural valleys were transformed and a large number of new communities<br />

developed. This laid the foundations of modern Wales.<br />

Heading leading onto a coal face at Six<br />

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Wiliam John ‘Chopper’ Davies (1922 - 2006)<br />

20th Century<br />

At the end of the nineteenth century Wales was one of the most<br />

important coal producing countries in the world. As its peak industry<br />

employed around quarter of a million. With over fifty million tons of<br />

coal being produced from around 600 collieries.<br />

It was once the most important industrial, social and political forces in<br />

modern Wales. Today the industry has all but varnished.<br />

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The Gnoll Stone (Cefn hirfynydd)<br />

The stone is part of a Celtic wheel cross carved during<br />

the eleventh century. The figure is a Celtic priest<br />

wearing a short pleated kilt. He has his hands raised<br />

in a prayer. Above the priest is the bottom section of<br />

the wheel cross. it represents a Christian tradition<br />

brought to Wales by monks from Ireland.<br />

-<br />

- - - - - - - - - - -<br />

- - - - -<br />

007<br />

Tombstone<br />

Inscribed Roman Tombstone of Vicuritinus,<br />

son of Beria(cus). This stone was taken to the<br />

Knoll in Neath by Lady Mackworth, sometime<br />

between 1765 and 1805, in order to create a<br />

grotto. It remained there until about 1921.<br />

The name inscribed on the stone was thought<br />

to be Macaitinus, but a more recent examination<br />

suggests that the stone may be mounted<br />

upside down and the name is in fact,<br />

Vicuritinus.<br />

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swansea Museum<br />

008


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swansea Museum<br />

009


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CardiffNational Museum<br />

Cathays Park, Cardiff CF10 3NP<br />

Tuesday - Sunday<br />

10am - 5pm<br />

Closed Mondays<br />

except Bank Holidays<br />

Admission Free<br />

010


011<br />

CARDIFF NASIONAL MUSEUM


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“<br />

Colour is my day-long obsession,<br />

joy, and torment.<br />

CLAUDE MONET<br />

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015<br />

Cardiff National Museum


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Hagar and Ishmael 1630s<br />

Andrea Sacchi<br />

(1599 - 1661)<br />

The painting shows Hagar despairing<br />

over her son Ishmael who is dying of<br />

thirst after being banished to the<br />

desert, when an angel appears. The<br />

angel points to a spring water and<br />

announces that Ishmael is destined to<br />

father a great nation. The painting is<br />

based on the Old Testament story of<br />

Hagar and Ishmael (Genesis 21 : 1-21)<br />

and was made for Cardinal Antonio<br />

Barberini, Sacchi’s principal patron and<br />

one of the greatest supporters of at in<br />

Italy at the time.<br />

Moret’s short brushstrokes show the influence of<br />

imppressionism, although some bright colours<br />

introduce more abstract effects.<br />

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Village of Clohars 1898<br />

Henry Moret<br />

(1856 - 1913)<br />

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017<br />

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William Lee 1979<br />

Sir John Kyffin Williams<br />

(1918 - 2006)<br />

Oil on canvas<br />

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Cardiff National Museum<br />

019


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“<br />

Paint the essential character<br />

of things.<br />

CAMILLE PISSARO<br />

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021


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ABERYSTWYTH<br />

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ˈfaʃ(ə)n f /<br />

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/ ˈfaʃ(ə)n ʃ /<br />

/ ˈfaʃ(ə)n ə /<br />

/ ˈfaʃ(ə)n n /<br />

FASHION<br />

023<br />

FESYEN<br />

FFASIWN


BAB AT<br />

IKI<br />

K<br />

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025<br />

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027<br />

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Cc<br />

heCe<br />

ck<br />

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e rede<br />

d<br />

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ˈmjuːzɪk m /<br />

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/ ˈmjuːzɪk ɪ /<br />

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MUSIC<br />

MUZIK<br />

CERDDORIAETH


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Tenby, Pembrokeshire<br />

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FOOD<br />

MAKANAN<br />

BWYD<br />

035


Coconut Pancake<br />

036


037<br />

Coconut Pancake<br />

signature Malaysian breakfast<br />

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METHOD<br />

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Mix flour, shredded coconut, water & a pinch of salt in a bowl<br />

On a hot pan with some oil, fry the mixture until it turns golden brown<br />

To prepare the sambal, heat the oil in a frying pan & sweat the shallots for<br />

3-5 minutes until soft. Add the chilli paste & most of the soaked anchovis &<br />

stir. Add a pinch of salt & simmer until it reduces to a thick paste<br />

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salt<br />

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shallots<br />

anchovies<br />

shredded coconut<br />

dried chilli<br />

water<br />

flour<br />

038


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rice<br />

anchovies<br />

garlic<br />

dried chilli<br />

peanuts<br />

eggs<br />

shallots<br />

cucumber<br />

coconut milk<br />

lemon grass<br />

pandan leaves<br />

039


METHOD<br />

Nasi Lemak<br />

signature Malaysian cuisine<br />

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Put the coconut milk, ginger, lemongrass, rice and a pinch of salt in a large<br />

saucepan. Add 400ml/14fl oz water, stir and cook over a medium heat for<br />

10–15 minutes, or until the rice is cooked and all the liquid has been<br />

absorbed.<br />

To make the sambal, heat the oil in a frying pan and sweat the shallots<br />

and garlic for 5–7 minutes, until soft. Add the shrimp paste, chilli paste and<br />

most of the soaked anchovies and stir. Add the sugar and a pinch of salt<br />

and pour in the tamarind water. Simmer until it reduces to a thick paste. Set<br />

aside.<br />

Meanwhile, to prepare the garnish, boil the eggs in water for 7–10 minutes;<br />

the yolks should be firm. When they are cool enough to handle, peel off the<br />

shells and cut the eggs in half. Preheat the oil in a deep-fat fryer to 180C.<br />

(CAUTION: hot oil can be dangerous. Do not leave unattended.)<br />

Deep-fry the dried white anchovies for 3 minutes, or until crispy. Toast the<br />

peanuts in a dry frying pan.<br />

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040


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Nasi Lemak<br />

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Glamorgan Sausages<br />

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043<br />

Glamorgan Sausages<br />

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METHOD<br />

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traditional Welsh vegetarian sausage<br />

Melt the butter in a large non-stick frying pan and fry the leek gently until very soft<br />

but not coloured.<br />

thyme<br />

Put 100g of the breadcrumbs, parsley, thyme and cheddar cheese in a large mixing<br />

bowl and mix until well combined. Beat the egg yolks with mustard, salt and<br />

plenty of fresh ground black pepper in a separate bowl.<br />

Tip the leeks into the bowl with the breadcrumbs. Add the egg yolks and mix together<br />

well until well combined. Divide the leek mixture into eight portions and roll<br />

into sausage shapes.<br />

cheddar cheese<br />

Whisk the egg whites lightly in a bowl until frothy. Sprinkle 40g breadcrumbs over<br />

a large plate. Dip the sausages one at a time into the beaten egg and roll in the<br />

breadcrumbs until evenly coated the place on the baking tray. Chill the sausages<br />

in the fridge for 30 minutes.<br />

Heat the oil into a large non-stick frying pan and fry the sausages over a medium<br />

leek<br />

heat for 10-12 minutes, turning regularly until golden-brown and crisp. Serve the<br />

sausages with a good spoonful of relish or sauce of your choice.<br />

eggs


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blackpepper<br />

salt<br />

mustard<br />

parsley<br />

breadcrumbs<br />

044


dried mixed fruit<br />

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mixed spice<br />

tea<br />

self raising flour<br />

soft brown sugar<br />

eggs<br />

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METHOD<br />

Bara Brith<br />

traditional Welsh tea bread<br />

In a large bown soak the fruit and sugar in strained tea and leave overnight.<br />

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Next day preheat the oven to 170C/325F. Line a loaf tin with baking parchment.<br />

Mix the remaining ingredients into the fruit mixture and beat well.<br />

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Pour the mixture into the loaf tin and bake the oven and bake for 1½ hours or until a<br />

skewer inserted into the middle comes out clean.<br />

046


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Bara Brith<br />

047


lʌɪf/<br />

CREDITS<br />

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Swansea Museum<br />

Cardiff National Museum<br />

University of Wales Trinity Saint David, Carmarthen<br />

CONTRIBUTORS<br />

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Brett Aggersberg<br />

Matthew Jones<br />

India Sweeting<br />

Fariz Ridhwan<br />

Izzati Roselan<br />

Chin Koi Yi<br />

Zarith Shasha<br />

Amira Alias<br />

Shahreen Putri<br />

Arisya Anis<br />

The OG: My parents<br />

EDITOR-IN-CHIEF, ART DIRECTOR, PHOTOGRAPHY & VIDEO EDITING<br />

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />

Shea Aminuddin<br />

048

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