Viva Brighton Issue #76 June 2019
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THIS MONTH’S COVER ARTIST<br />
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You’ve probably seen illustrator and<br />
designer Donough O’Malley’s work<br />
before: he created the red octopus of<br />
<strong>Brighton</strong> Fringe’s 2018 brochure cover.<br />
Having grown up in a “small, quiet, rural<br />
place” in Ireland, Donough moved to the<br />
UK to study an illustration foundational<br />
degree in Bristol.<br />
After graduating from University of<br />
<strong>Brighton</strong>’s Narrative and Sequential<br />
Design Masters course, Donough initially<br />
focused on illustrating fiction, such as the<br />
World of Norm series of children’s books.<br />
He mainly works in editorial, advertising,<br />
and branding commissions that now<br />
include non-fiction books.<br />
“Fiction is a little bit whimsical: you’ve<br />
got a lot of space to create things but in<br />
the non-fiction area you have to have<br />
things factually right. One book I’ve<br />
finished recently is a lift-the-flap book<br />
on Chemistry: they need to know what a<br />
chemical molecule looks like and I don’t<br />
want to be screwing that up.”<br />
Donough has also studied Graphic Design<br />
in London, which has steered him to “a<br />
simpler graphical style. Looking for that<br />
simplicity in paring down what you need<br />
to get a message across. Normally when I<br />
start off with a brief it’s draw, draw, draw,<br />
lots of drawing, if time allows for it. Once<br />
I have an idea or an essence, I boil it down<br />
into the simplest form that I possibly can<br />
that gets the message across clearly, and<br />
hopefully in a fun and humorous way”.<br />
Once the flurry of drawing has subsided<br />
and he has settled on a final idea,<br />
Donough will “work it up larger, in pencil.<br />
Then move things around: I like to have<br />
things align and be connected in some<br />
way, so there’s a form and a grid to it.<br />
Once I’m happy with those drawings, I can<br />
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