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Viva Brighton Issue #76 June 2019

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COLUMN<br />

...........................................<br />

John Helmer<br />

Shoot<br />

“Will you be nude?” says Finn.<br />

It’s the question everybody asks when you tell<br />

them you’re going to be in a calendar. (Along<br />

with, “WTF?”, and “why you?”)<br />

I tell Finn, the airline steward who is one of<br />

the friends I am having lunch with, that it’s a<br />

work thing; that I’ll be in the (hopefully far)<br />

background of a group shot, and that I will in<br />

fact be clothed, having ticked the box to decline<br />

taking part in any kit-off action. The theme<br />

is movie posters, and I am helping to portray<br />

Mamma Mia 2.<br />

“So which one are you going to be?”<br />

“Pierce Brosnan,” I say, explaining that when I<br />

was in the line-up on Never Mind the Buzzcocks,<br />

one of the people they had selected to look<br />

slightly like me was a professional Pierce<br />

Brosnan looky-likey.<br />

“Miranda Hart says that everybody has a good<br />

looky-likey and a bad looky-likey,” chips in<br />

Finn’s friend Tom.<br />

Finn looks at me and screws up his eyes so that<br />

they go out of focus. “I’d believe Pierce Brosnan<br />

could be your good looky-likey,” he says kindly.<br />

“Who’s your bad looky-likey?” asks Tom.<br />

“That would be Michael Gove,” I say ruefully.<br />

I’ve no idea why a 30-mile bike ride followed by<br />

a long boozy lunch with Tom, Finn et al seemed<br />

like appropriate preparation for a Monday<br />

morning photoshoot. But the result is that I turn<br />

up the next day at the swanky London hotel<br />

where it’s being held in fairly urgent need of<br />

make-up.<br />

“Maximum slap please,” I ask as they seat me in<br />

the hotel’s salon; “I’m going for over-the-hill<br />

smoothie: I need to get tangoed”.<br />

“Foundation, bronzer,” orders a smiling woman<br />

with a clipboard, then, turning to me: “do you<br />

know who you are?”<br />

“Pierce Brosnan?”<br />

“No. We’ve already got a Pierce. You’re him.”<br />

She points to a picture of the Mamma Mia<br />

poster on her clipboard.<br />

“But that guy’s a lot younger than me.”<br />

“You should be flattered.”<br />

“And he’s got different-coloured hair. And a<br />

beard.”<br />

“It’s for charity.”<br />

The charity is Dreamflight, who provide<br />

holidays for kids with a serious illness or<br />

disability. Later, in the hotel’s basement<br />

nightclub, where the shoot is taking place, I<br />

meet its head, a very nice woman who looks<br />

a bit like Prue Leith only with more sensible<br />

glasses. I tell her about my conversation with<br />

Finn and she tells me that<br />

she used to be cabin crew<br />

with the same airline.<br />

“He wouldn’t know me<br />

though, I retired 15<br />

years ago.”<br />

“You must have retired<br />

very young,” I smile, deep<br />

in my role of over-the-hill<br />

smoothie.<br />

On the way out I bump<br />

into my friend Carl, who<br />

is getting ready for the<br />

Calendar Girls poster shot.<br />

“Will you be nude?” I ask.<br />

He nods nervously.<br />

The main thing about<br />

charity is that you have to be<br />

a very good sport.<br />

Illustration by Chris Riddell<br />

....41....

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