Viva Brighton Issue #76 June 2019
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COLUMN<br />
...........................................<br />
John Helmer<br />
Shoot<br />
“Will you be nude?” says Finn.<br />
It’s the question everybody asks when you tell<br />
them you’re going to be in a calendar. (Along<br />
with, “WTF?”, and “why you?”)<br />
I tell Finn, the airline steward who is one of<br />
the friends I am having lunch with, that it’s a<br />
work thing; that I’ll be in the (hopefully far)<br />
background of a group shot, and that I will in<br />
fact be clothed, having ticked the box to decline<br />
taking part in any kit-off action. The theme<br />
is movie posters, and I am helping to portray<br />
Mamma Mia 2.<br />
“So which one are you going to be?”<br />
“Pierce Brosnan,” I say, explaining that when I<br />
was in the line-up on Never Mind the Buzzcocks,<br />
one of the people they had selected to look<br />
slightly like me was a professional Pierce<br />
Brosnan looky-likey.<br />
“Miranda Hart says that everybody has a good<br />
looky-likey and a bad looky-likey,” chips in<br />
Finn’s friend Tom.<br />
Finn looks at me and screws up his eyes so that<br />
they go out of focus. “I’d believe Pierce Brosnan<br />
could be your good looky-likey,” he says kindly.<br />
“Who’s your bad looky-likey?” asks Tom.<br />
“That would be Michael Gove,” I say ruefully.<br />
I’ve no idea why a 30-mile bike ride followed by<br />
a long boozy lunch with Tom, Finn et al seemed<br />
like appropriate preparation for a Monday<br />
morning photoshoot. But the result is that I turn<br />
up the next day at the swanky London hotel<br />
where it’s being held in fairly urgent need of<br />
make-up.<br />
“Maximum slap please,” I ask as they seat me in<br />
the hotel’s salon; “I’m going for over-the-hill<br />
smoothie: I need to get tangoed”.<br />
“Foundation, bronzer,” orders a smiling woman<br />
with a clipboard, then, turning to me: “do you<br />
know who you are?”<br />
“Pierce Brosnan?”<br />
“No. We’ve already got a Pierce. You’re him.”<br />
She points to a picture of the Mamma Mia<br />
poster on her clipboard.<br />
“But that guy’s a lot younger than me.”<br />
“You should be flattered.”<br />
“And he’s got different-coloured hair. And a<br />
beard.”<br />
“It’s for charity.”<br />
The charity is Dreamflight, who provide<br />
holidays for kids with a serious illness or<br />
disability. Later, in the hotel’s basement<br />
nightclub, where the shoot is taking place, I<br />
meet its head, a very nice woman who looks<br />
a bit like Prue Leith only with more sensible<br />
glasses. I tell her about my conversation with<br />
Finn and she tells me that<br />
she used to be cabin crew<br />
with the same airline.<br />
“He wouldn’t know me<br />
though, I retired 15<br />
years ago.”<br />
“You must have retired<br />
very young,” I smile, deep<br />
in my role of over-the-hill<br />
smoothie.<br />
On the way out I bump<br />
into my friend Carl, who<br />
is getting ready for the<br />
Calendar Girls poster shot.<br />
“Will you be nude?” I ask.<br />
He nods nervously.<br />
The main thing about<br />
charity is that you have to be<br />
a very good sport.<br />
Illustration by Chris Riddell<br />
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