TN Musician Vol. 71 No. 4
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classes to get a head start for college. While<br />
this level of expectation has some merits, it<br />
also begs the question as to whether or not<br />
the increase in academic rigor is healthy<br />
for students. The educational-industrial<br />
complex, with its special interest lobbyists,<br />
have for years championed an increase in<br />
higher and higher academic standards<br />
for students and what they should know<br />
upon graduation. Yet it seems unclear as<br />
to whether or not any determination for<br />
the developmental, social, and emotional<br />
maturity and growth of students was ever<br />
factored. Just because the standards have<br />
changed to include skills once reserved for<br />
high school or middle school students to<br />
be taught to elementary school students<br />
doesn’t mean they are ready for it.<br />
This is where the importance of being<br />
a music educator is ever so critical, today<br />
more than ever. Our classes and those in<br />
the other arts disciplines give students<br />
a much-needed respite. Moreover, our<br />
classes give students the tools to express<br />
themselves in an appropriate matter<br />
and to deal with adversity through<br />
perseverance. It would be hard to imagine<br />
if our profession was caught-up in<br />
the current trends of education. If the<br />
emphasis in K-12 music education was<br />
simply all about the end product, perhaps<br />
the landscape would be drastically<br />
different. To think that middle school<br />
students who are just being introduced<br />
to performance ensemble classes would<br />
be expected to master musical skills once<br />
reserved for high school students would<br />
have dire consequences. There would<br />
only be a select few who could achieve<br />
those skills, and the rest would fall by<br />
the wayside.<br />
As music educators, we seem to be<br />
lucky in that we are masters of our own<br />
fate. We have been fortunate that despite<br />
all of the changes to our curriculum and<br />
standards for music education, that our<br />
standards are still grade-level appropriate<br />
for students. Even with all of the changes<br />
in technology and even the constant<br />
evolution of arts education standards for<br />
music, we have always managed to take<br />
into consideration appropriate standards<br />
for music education based on the grade and<br />
developmental levels of the students.<br />
There was once a time when students<br />
learned more than just about the subject<br />
matter that was being presented to them.<br />
Schools were still charged with making<br />
sure that students also had an education<br />
in character, conduct, and civility. While<br />
teachers of today are certainly as skilled,<br />
and in some ways perhaps more prepared<br />
to take on the task of education, than those<br />
of their predecessors, they just are not<br />
afforded the opportunities to instill the<br />
fundamental values as they once could<br />
because so much of the instructional<br />
time has to be devoted to “the test.” For<br />
better or for worse, that job now falls<br />
We have always<br />
managed to take<br />
into consideration<br />
appropriate<br />
standards for music<br />
education based<br />
on the grade and<br />
developmental levels<br />
of the students.<br />
onto the shoulders of music educators.<br />
Our classrooms may be the last bastions<br />
of hope for the many students that we are<br />
privileged to work with. Today’s students<br />
face an uncertain future in a drastically<br />
changing and polarizing landscape.<br />
Despite all of this, I believe that students<br />
who participate in music classes will<br />
ultimately have an advantage in the world,<br />
due in no small part to some of the most<br />
valuable skill sets that were instilled by a<br />
music educator.<br />
Michael Chester | Managing Editor<br />
Tennessee Music Education Association | www.tnmea.org | 7